for trial. An immense concourse of persons had assembled to witness the
proceedings in this remarkable case. Every thing was done to induce the
accused to confess, but all in vain. Promises of free pardon, and even
of reward, were made to him, if he told where the child was; but the man
maintained an obstinate silence. He at last again changed his story,
retracted his previous declaration as to his knowledge of where the boy
was, said he had found the clothes, which he had recognised by the
descriptions that had been every where advertised, and that it was that
which had put it into his head to write to the father, in hopes of
making his profit by so doing. In the absence of witnesses, although
there was strong suspicion, there could be no proof of his having
committed the crime in question. In America, circumstantial evidence is
always received with extreme caution and reluctance; and even the fact
of the child's clothes having been found in the place the prisoner had
pointed out, was insufficient to induce the jury to find the latter
guilty of the capital charge brought against him. Many of the lawyers,
indeed, were of opinion, that the man's last story was true, that he had
found the clothes, and, being a desperate character and in needy
circumstances, had written the letter for purposes of extortion. Of this
offence only was he found guilty, and condemned, as a vagrant and
impostor, to a few months' imprisonment. By the American laws no severer
punishment could be awarded. The one, however, was far from satisfying
the public. There was something so infernal in the malignant sneer of
the culprit, in the joy with which he contemplated the sufferings of the
bereaved father, and the anxiety of the numerous friends of the latter,
that a shudder of horror and disgust had frequently run through the
court during the trial. Even the coolest and most practised lawyers had
not been free from this emotion, and they declared that they had never
witnessed such obduracy.
The inhabitants of Natchez, especially of the upper town, are, generally
speaking, a highly intelligent and respectable class of people; but upon
this occasion they lost all patience and self-control, and proceeded to
an extreme measure, which only the peculiar circumstances of the case
could in any degree justify. Without previous notice, they assembled in
large numbers upon the night of the 31st of January, with a firm
determination to correct for once the mildness of the laws, and to take
the punishment o the criminal into their own hands. They opened the
prison, brought out the culprit, and after tying him up, a number of
stout negroes proceeded to flog him severely with whips of bullock's
hide.
For a long time the man bore his punishment with extraordinary
fortitude, and remained obstinately silent when questions were put to
him concerning the stolen child. At last, however, he could bear the
pain no longer, and promised a full confession. He named a house on the
banks of the Mississippi, some fifty miles from Natchez, the owner of
which, he said, knew where the child was to be found.
The sheriff had, of course, not been present at these Lynch-law
proceedings, of which he was not aware till they were over, but of which
he probably in secret did not entirely disapprove. No sooner, however,
was he told of the confession that had been extorted from the prisoner,
than he set off at once in the middle of the night, accompanied by
Clarke, for the house that had been pointed out. They arrived there at
noon on the following day, and found it inhabited by a respectable
family, who had heard of the child having been stolen, but, beyond that,
knew nothing of the matter. The mere suspicion of participation in such
a crime, seemed in the highest degree painful and offensive to them. It
was soon made evident that the prisoner had invented the story, in order
to procure a cessation of his punishment of the previous night.
The fatigues and constant disappointments that poor Clarke had endured,
had worn him out, and at last again stretched him on a bed of sickness.
His life was for a long time despaired of, but he finally recovered, and
shortly afterwards the term of imprisonment to which the child-stealer
(for such the public persisted in considering Tully) had been condemned,
expired. There was no pretext for detaining him, and he was set at
liberty. Clarke was advised to endeavour to obtain from him, by money
and good treatment, some information concerning the child. Both father
and mother threw themselves at the man's feet, implored him to name his
own reward, but to tell them what had become of their son.
"You have flogged and imprisoned me," replied the man, with one of his
malicious grins; "you would have hung me if you could; you have done all
in your power to make me miserable. It is now my turn."
And he obstinately refused to say a word on the subject of the lost
child. He left town, accompanied by Clarke, who clung to him like his
shadow, in the constant hope that he would at last make a revelation
They crossed the Mississippi together, and on arriving behind Concordia,
the bereaved father once more besought Tully to tell him what had become
of his son, swearing that, if he did not do so, he would dog him day and
night, but that he should never escape alive out of his hands. The man
asked how long he would give him. "Six-and-thirty hours" was the reply
Tully walked on for some time beside Clarke and his wife, apparently
deep in thought. On a sudden he sprang upon the backwoodsman, snatched a
pistol from his belt, and fired it at his head. The weapon missed fire.
Tully saw that his murderous attempt had failed, and apprehensive
doubtless of the punishment that it would entail, he leaped, without an
instant's hesitation, into the deepest part of a creek by which they
were walking. He sank immediately, the water closed over his head, and
he did not once reappear. His body was found a couple of hours
afterwards, but no trace was ever discovered of the Stolen Child.[1]
[1] Various particulars of the above incident may be found in the
Mississippi newspapers, of the years 1825-6.
M. GIRARDIN.
A word, before we speak of the lectures of M. Saint-Marc Girardin, on a
topic which stands at the threshold of dramatic criticism. What is the
nature of that _imitation_ of life at which the drama aims, and of that
_illusion_ which it creates?
Before the time of Dr Johnson, the learned world were accustomed to
insist upon the observance of the _unities_, on the ground that they
were necessary to uphold the illusion of the theatre. The doctor, in his
preface to Shakspeare, demolished this argument, by showing that the
illusion they were declared so necessary to support, does not, in fact,
exist. No man really believes that the stage before him is Rome, or that
he is a contemporary of the Caesars. To insist, therefore, upon the
unities of time and place, is to sacrifice to a grave _make-belief_ the
nobler ends of the drama--the development of character and passion. "The
objection," says Dr Johnson, "arising from the impossibility of passing
the first hour at Alexandria, and the next at Rome, supposes that, when
the play opens, the spectator really imagines himself at Alexandria, and
believes that his walk to the theatre has been a voyage to Egypt, and
that he lives in the days of Antony and Cleopatra. _Surely he that
imagines this may imagine more._ He that can take the stage at one time
for the palace of the Ptolemies, may take it in half an hour for the
promontory of Actium."
If the delusion of the theatre, we will add, should, at certain moments,
reach such a point that we may be said to believe ourselves transported
to the place represented on the stage, this, not being a _continuous_
delusion, cannot be disturbed by the mere changing of the scene; it will
not the less take place at the promontory of Actium, because we had felt
it, five minutes before, in the city of Alexandria.
Since the appearance of the celebrated preface to Shakspeare, it has
been the habit of critics to speak, not of a delusion, but of an
imitation, which is _felt to be_ an imitation, and which pleases us in
great part by this perceived resemblance to an original. "It will be
asked," continues Dr Johnson, "how the drama moves, if it is not
credited? It is credited with all the credit due to a drama. It is
credited wherever it moves, _as a just picture of a real original_--as
representing to the auditor what he would himself feel if he were to do
or suffer what is there feigned to be suffered or to be done. The
reflection that strikes the heart is not that the evils before us are
real evils, but that they are evils to which we ourselves may be
exposed."[1] * * * _The delight of tragedy proceeds from our
consciousness of fiction_; if we thought murders and treasons real,
they would please no more. Imitations produce pain or pleasure, not
because they are mistaken for realities, but because they bring
realities to mind.
[1] _Cours de Littérature Dramatique; ou de l'Usage des Passions dans le
Drame_. Par M. SAINT-MARC GIRARDIN, Professeur à la Faculté des Lettres
de Paris, &c. &c.
This appears to us a very indifferent account of the matter. In the far
greater number of instances, we can never have formed any conception of
an _original_ of which the actor and the scene are supposed to present
us a _picture_. Who that witnesses the play of _Venice Preserved_, has
formed any other image of Jaffier or Pierre than what the actors are
presenting to him, or may already, on some previous occasion, have
presented to him? Even when the characters are strictly historical, the
imagination is little better provided. The spectator does not refer to
any faint conception in his own mind of a Brutus, or a Mark Antony, and
then derive his pleasure from watching how closely the mimic
representation imitates the original. Very often the scene must present
something entirely new to the imagination, and yet the pleasure is not
diminished on this account. A simple man, who has never seen the
interior of a palace, never looked on royalty, never beheld even a
veritable courtier, feels no embarrassment when he is suddenly called to
witness the pomps and miseries of "imperial tragedy."
The imitation of the drama is not that of any specific original; it is a
mimic scene, having human nature for its type. It has a life of its own,
constructed from the materials which the records and observations of
real life have supplied. In order to move us, it needs no reference to
any recognised original. It is there in virtue of the vesture of
humanity in which it is clothed, and makes its appeal at once and
directly.
It is usual to speak of all the fine arts as _imitative arts_. The term
is not always applicable, and, when most applicable, requires
explanation. What does the poetry of sentiment imitate? What does a song
imitate? How can the term be applied to all that class of poetry where
the writer pours out his own reflections and feelings? The poetry of
Wordsworth or of Burns can no more be said to be imitative, than the
conversation of the same men, when, in their hours of intimate
intercourse, the one may have given expression to his philanthropy, and
the other to his friendship. But where the term is most applicable, it
requires to be used guardedly. Even in painting and sculpture, the
artist does not imitate the object in its totality--does not strive to
make an approximation to a _fac-simile_--but he selects certain
_qualities_ of the object for his imitation. The painter confines
himself to colour and outline; the sculptor abstracts the form, and give
it us in the marble.
Accordingly, when we stand before a statue, we do not think of a man,
and then of the statue as the imitation of this original; but the statue
is itself clothed with some of the qualities of the human being, which
give to the cold marble that _half-life_ which we feel the moment we
look upon it. In the same manner, when the dramatist puts his characters
on the stage, they are not imitations of any definite originals, but
they are invested with certain accidents and attributes of humanity,
which give them at once the interest we feel in them, and set them
living and moving in their own mimic world.
And this mimic world is capable of creating an illusion--not such as Dr
Johnson combated--but of a kind he does not appear to have taken into
account. The doctor is triumphant when he denies the existence of that
theatrical delusion presupposed as a ground for the unities. We do not,
as soon as the curtain rises, believe ourselves transported to Rome, nor
do we take the actor upon his word, and believe him to be Caesar the
moment he proclaims his imperial dignity. The illusion of the theatre
springs directly from the _passion_ with which we are infected, not from
the outward pomp and circumstance of the stage. These, even on the most
ignorant of spectators, produce barely the sentiment of wonder and
surprise, never a belief in their reality. The real illusion of the
drama begins, so to speak, not at the beginning, but at the end; it is
the last result, the result of the last vivid word which sprung from the
lips of the actor; and it diffuses a momentary reality over all that
stage apparatus, animate and inanimate, which was there only as a
preparation for that vivid word of the poet.
When the curtain rises, we see very plainly--quite unmistakeably--the
boarded stage before us. It may fill with men and women most gorgeously
attired, and these may proceed to declare their rank and condition, and
the peculiar dangers which environ them, and still there is nothing
better before us than the boarded stage and the talking actor. But, by
and by, the word of passion is uttered, and the heart beats, and the
wooden stage is seen no more, and the actor is forgotten in his griefs
or his anger, and the fictitious position is a real life, and the pomp
and circumstance of the scene, if not believed in, are no longer
questioned. We are not perhaps at Rome, nor is that Mark Antony--for we
never knew Mark Antony to recognise him--but this mimic world has
assumed an independent life and reality of its own. When, indeed, the
passion subsides, and the eloquence of the poet is mute, things revert
to their matter-of-fact condition, the actor is again there, and the
boards of the stage again become visible.
To the passage we last quoted from Dr Johnson, some other objections
suggest themselves; but, as we have not quoted it in a polemical spirit,
but merely to illustrate our own position, we have no wish to enter upon
them. One remark only we will make, and that because it admits of a
general application. Dr Johnson describes the sympathy we feel at the
theatre, as the result of a reference to what our own _personal_
feelings would be in the situation we see represented on the stage. The
auditor represents to himself "what he would himself feel, if he were to
do or suffer what is there feigned to be suffered or to be done. The
reflection that strikes the heart is not, that the evils before us are
real evils, but that they are evils to which we ourselves may be
exposed." We do not think that, in order to sympathize with what takes
place on the stage, or in real life, there is any necessity for this
circuitous proceeding. We do not detect in ourselves this constant
reference to our own personality, and, least of all, in those moments
when we are most moved. It is enough that there be a vivid conception of
any passion, for this passion to become for a moment our own. If this
reference to our probable feelings, in such or such a position, were
necessary, how is it that we men sympathize so promptly and so keenly in
the distresses of the heroine? We certainly do not, for instance, set to
work to imagine ourselves women and mothers--which would be a difficult
exercise of the imagination--before we feel the grief of Constance for
the loss of her child. In short, we at once assume to ourselves the
passions of another; we do not wait, as it were, to try them on; to make
experiment how we, with all our dispositions, natural and acquired,
should feel in the supposed predicament.
It is far from our intention to give a full and methodical account of
the lectures of M. Saint-Marc Girardin, the perusal of which led us to a
reconsideration of some of our critical principles. They are far above
mediocrity, distinguished by strong sense and vivid expression. Their
principal feature is the just and animated protest they contain against
the literary taste of the present day in France; a taste for the
perverted, the horrible, the monstrous; a taste that welcomes Victor
Hugo with outstretched arms, and retains but a frigid recollection of
Racine. With this literary taste is intimately connected an unhealthy
and feverish condition of the moral sentiments, against which the
lecturer directs his most eloquent attacks; so that his book may be
commended for its sound ethical as well as critical instruction. The
circumstance that the lectures were delivered before the University of
Paris, renders this strain of remark still more appropriate and useful.
Such a strain of remark, based as it is upon general principles, cannot
be useless in our own country; although we do not suspect that the same
perverted taste which meets its reproof in these lectures is common
amongst us. Were we called upon to describe the malady under which our
countrymen labour in respect to literary taste, we should describe it as
a state of torpor and lethargy, rather than of virulent disease. It is
indifference, more than any morbid taste, which an imaginative work
would have to struggle against in this country. There is little
necessity here to guard the public against any species of literary
enthusiasm; certain writers of very dubious merit may be extensively
read, but they are not esteemed. It is only necessary to listen to the
conversation that goes on around us, to be convinced that the extensive
circulation of a book has ceased to be a decisive proof even of its
_popularity_. We seem too idle, or too busy, to give attention to a
thoughtful literature which is not at the same time _professional_--and
we have too much good sense amongst us to admire the sort of clever
trash we are contented to read and to talk about. For something in
leisure hours must be read. A book must be had, if only as a companion
for the sofa, if only to place in the hand, as we place the ottoman
under our feet, to steady and complete our repose.
We will at once introduce a striking quotation from the author before
us, which has immediate reference to the _Lucrèce Borgia_ of Victor
Hugo. To those who have not read the play it is only necessary to
observe, in order to understand what follows, that Victor Hugo, with
that violent effort after a moral novelty which distinguishes him, has
chosen to represent the infamous Lucretia Borgia as under the influence
of maternal love, while in all other respects she fully sustains her
odious and infernal reputation.
The author wished, he tells us in his preface, to retrieve
the moral deformity of Lucretia Borgia by the beauty of the
maternal sentiment; he wished, according to his own
energetic expression, 'to place the mother in the monster.'
Here let us make a distinction. I admire the tenderness
which the most ferocious animals have for their offspring,
and when the dying lioness covers her young with her wounded
and bleeding body, I admire and am moved. But a woman who is
a mother ought, in her tenderness to her children, to have
more intelligence, more of elevation of thought, than the
lioness. Instinct is not enough; there must be a sentiment,
a sentiment which does not exclude, but perfects and
purifies the instinct. Thus, when in Florence, a mother cast
herself in desperation before the lion who had taken her
child, and the lion, astonished at her despair, or perhaps
comprehending it, replaced the infant at her feet, it was
instinct which impelled the mother, and it was probably
instinct in the lion which responded to her. But good
instincts, whatever admirable actions they may occasionally
produce, are but the germ and commencement of human virtues;
they are indeed radically distinguished from human virtue by
this, that, of themselves, however strong, they are sterile:
a good instinct dwells by the side of a bad without effort
to reform or to purify it, and equally without danger of
being itself perverted. One virtue only in a vicious
character might convert it entirely to virtue, as one vice
only in a virtuous might lead it to utter depravation. But
an instinct, however good, supports without disquietude the
neighbourhood of evil, and it is thus that, in Lucretia
Borgia, the mother and the monster are placed side by side,
without affecting, without combating each other. Now there
is nothing less natural, and nothing less dramatic than this
mutual toleration. Characters wherein good and evil are
mixed together, are dramatic, only because the conflict of
opposite sentiments which takes place in the mind, is
brought before the view of the spectator. But where, in
Lucretia, is the struggle between good and evil? At what
moment does the maternal virtue enlighten and purify this
soul lost in darkness? When does this transfiguration take
place, so marvellous and yet so natural? * * *
It is singular, and marks the change which has taken place
in our moral notions. Formerly poets gave to their
personages one only vice or passion, taking care in other
respects to render them virtuous, in order that they should
be worthy of interest; at the present day, our poets give
their personages I know not how many passions and vices,
with one only virtue as a counterpoise. And this virtue,
weak and solitary, is by no means charged with the task of
purifying the corrupted mind in which it has by chance been
preserved. It carefully respects the independence of those
vices which permit it to dwell with them. Neither is it
commissioned to inspire an interest in the spectator;
because it is vice which now inspires all our interest,
thanks to a certain noble and proud bearing which has been
assigned to it, and which has been imitated from the heroes
of Lord Byron.
M. Girardin, it will have been remarked from the above extract, is
disposed to reproach our Lord Byron as the source from which some of his
countrymen have drawn their dark inspiration. This may be true. But
without defending our Byron from charges to which he is manifestly
exposed, let us say thus much for him, that in his poetry he was still
too much a classic not to be a worshipper of the beautiful; that he did
not court for itself the monstrous, the ugly; his mind did not willingly
associate with what was revolting in outward form or human passion. If
there was any thing Satanic, as some were pleased to express it, in his
poetry, he was not, at all events, of the hobgoblin or demoniac school.
It was the Satan of Milton, with its ruined beauty and clouded dignity,
that had taken possession of his imagination. He delighted to depict the
pride, the love, the generosity, of hearts at war with man, and not on
too good terms with heaven; but still it was their pride, their love,
their generosity, that occupied his imagination. They are bad men; he
takes care to tell us so himself; but he has not the heart to make them
act otherwise than as noble fellows while they are under his guidance.
The Corsair, from his very name and profession, is a declared criminal;
but this once said, the poet occupies himself and his reader with
nothing but what is generous and heroic in Conrad. Byron had no
disposition, had a certain antipathy, to paint the virtuous man; but it
was a virtue, nevertheless, that attracted his pencil. He felt it
necessary, as a preliminary condition, to remove his hero from the
category of good men; but this being fairly done, he resigned himself to
the natural bent for what is good and great. A Borgia, whether male or
female, in all its native deformity, was not the subject to allure him.
Nowhere is the rebuke of M. Girardin of certain of his contemporaries,
more dignified, or more justly merited, than where, discoursing on the
manner in which the moderns have delineated paternal love, he reproves
that exaggeration and falsification which has represented the father
describing the affection he bears to his daughter in a style of language
devoted to another species of love. Nothing can be more odious and
offensive than to transgress, even in language, the bounds between the
two affections, and to put into the mouth of a parent, as Victor Hugo
and Balzac have done, a style appropriate to the lover speaking of his
mistress. But we will not quote these passages from M. Girardin, because
they will require long quotations in order to justify the censure
contained in them. At the close of the lecture upon paternal love, we
find the following general remarks on the composition of a modern French
drama; and the slightest acquaintance with this drama will enable the
reader to appreciate their justice and analytic accuracy:--
Formerly a dramatic character was an assemblage of
qualities good and bad, which, on the one hand, were in
conflict amongst themselves, and, on the other, were
subjected to some superior law of religion, of honour, or of
patriotism. This twofold struggle constituted the interest
of the person brought upon the scene, and this superior law,
which he strove to accomplish, constituted the morality of
his character. According to the incidents of the piece, each
passion might take the ascendant, none being represented as
irresistible; and the moral law which predominated over the
drama, did not prevent this play of the passions--it being
visibly suspended during the whole piece over the heads of
the personages, and receiving its fulfilment only at the
close. In the present day dramatic characters are composed
differently. Instead of representing the whole of the
character, and the struggle between its good and evil
passions, one only passion is selected, which is made
violent, irresistible, fatal, the absolute mistress of all
the others; that is to say, a part is taken instead of the
whole. At the same time the moral law which, in the ancient
drama, (_i.e._ the drama of Racine and Corneille,) sustained
also a struggle against the passions--this law which those
even avowed who transgressed it, which had always its place
in the piece, whether through virtue or remorse--this law
also disappears before the ascendency of the sovereign
passion. No counterpoise of any kind, whether on the side of
rival passions or on the side of duty. What remains, then,
to struggle against this arbitrary passion? Nothing but
chance--circumstance--the hazard of events. And thus it is
that, in the modern drama, the interest resides rather in
the strange complication of events than in the shock of
opposite passions. The poet has only the power of chance, a
power sovereignly capricious, to contend against the passion
he has chosen to represent. And thus it is that the modern
drama has something also of arbitrary and fantastic.
Incidents and theatrical effects are accumulated, but the
incidents do not spring from the natural movement of the
passions brought upon the stage; they have no longer their
cause in the characters of the drama; they issue from the
fancy of the poet, who, feeling the necessity of arousing
his spectators from time to time, complicates the action
after a strange fashion, and aims always at surprise.
M. Girardin has a lecture upon suicides, in which he attacks that
sentimentality--a mixture, in reality, of weakness and impatience--which
in modern literature, and in modern life, often conducts to suicide. The
following passage will be acknowledged to be eloquent, and even poetic,
unless our translation of it shall have entirely obscured its beauty.
After having described the proud and _philosophical_ suicides of ancient
Rome, he adds:--
There is another species of suicide more in credit in our
days, which is rather occasioned by the weakness and
impatience of men than by the violence of their passions, or
the eccentricity of their philosophies. This species of
suicide is so much the peculiar malady of our times, that we
are tempted to think that men are now for the first time
infected by it. But no; there exists a literature which has
already expressed this our state of restlessness and
disquietude, which has described men consuming with
melancholy in the midst of riotous joys, and seeking suicide
rather as the natural termination of their career than the
remedy of their evils. It is the literature of the fathers
of the church.
I find amongst the homilies of St Chrysostom a certain
Stagyra who was possessed by a demon. To be possessed by a
demon is certainly not a malady of our times; but yet we do
not wander from our theme. For the demon of Stagyra--it is
melancholy, despondency, or, in the much more powerful
expression of the Greek, it is _athumia_--exhaustion of all
energy, all vitality of the soul. This is the demon of
Stagyra. He is one of those sick and agitated souls who
think they belong to the selected portion of mankind,
because they want the energy of the vulgar; who contrive for
themselves pleasures and afflictions apart from the rest of
the world, and who (last trait of weakness and impatience)
at once despise and envy the simplicity and the calm of
those whom they call little souls. Stagyra, in order to
deliver his spirit from its disquietudes, had entered into a
monastery; but neither there did he find the peace and
lightness of heart which he craved; for man finds at first,
in solitude, that only which he brings to it. Stagyra
complains to the saint--and the complaint is curious, for it
indicates the knowledge of a cure for the evils which
torment him, and shows that Stagyra, like many other
patients, had neither resolution to support his disease, nor
to accept its remedy. 'You complain,' says St Chrysostom,
'that while you, with all your fasts, and vigils, and
monastic austerities, have failed to appease your
disquietudes, others who, like yourself, had been tormented
by the demon of melancholy, while living in the midst of
idle pleasures and luxurious indulgence, have found a remedy
in marriage, and felt themselves cured the moment they
became fathers.' A sentence this full of sound instruction.
It is not, then, because life is devoid of pleasure, that
men are the prey of melancholy. That demon pierced, it is
true, like a gnawing worm, through all the luxuries of the
Roman world; there was no resource against it, either in
beautiful slaves, or Ionian dances, or magnificent repasts,
or the combats of gladiators, or Milesian tales, or the
voluptuous pictures which garnish the walls of Pompeii and
Herculaneum. _Athumia_ poisoned all, and the demon possessed
the voluptuary in the midst even of the debauch. But if,
fatigued with these alternate pleasures and disgusts, he
adopted regular and simple manners, married and had
had children, then, as if by enchantment the demon quitted him.
No more despondency, no more bitterness. The spirit of the
possessed was revived, refreshed, renewed by the caresses of
his children. There is no demon, not even the demon of
melancholy, which dares to encounter the presence of a
little child. There is in the innocent fresh breathing of
these creatures, something mortal to evil spirits, and a
cradled infant in the house is sure talisman against all
demoniac possession.
What is it, in fact, which man requires, in order to escape
from this _athumia_, this exhaustion of the heart? Hope--a
future. He must have a faith in the future. This is the
nourishment of his soul; without it he cannot live, he
despairs and dies. Well, the very charm of children, that
which has ranked them, from of old, amongst the blessings of
God, is this, that they form the future of every family--
that they sustain in every house that sentiment by which the
soul of man lives. Children represent the future, and in a
form the most joyous and attractive. It is this which
constitutes their irresistible fascination--it is this which
sheds around their little heads that light of happiness and
joy which reflects itself on the countenances of the
parents--which warms the heart--which gives to the poor the
force to labour, and to the miserable the force to live.
Blessed be infancy, which chases the demon!--Blessed be
infancy, which keeps alive in each family the sentiment of
hope, indispensable to run as the air and the light!
Amongst the faults of his contemporaries, M. Girardin remarks a
disposition to _materialize_ the expression of passion, depicting it
constantly by violent physical distortions; and also, a tendency to
carry that expression to the extremity of rage, where, as he finely
observes, all distinction between the various passions is lost, and man
deserts his rational nature.
According to the ancient classic imagination, when passion becomes
excessive, the man disappears; and this, he adds, is the foundation of
what we call the philosophy of the _Metamorphoses_ of Ovid.
In the course of this censure he makes use of a common-place expression,
which, we think, includes a common-place error, and therefore we pause
for a moment to take notice of it. "It is the pretension of modern art,"
he tells us, "to say all. What then is left to the imagination of the
public? It is often well to trust to the spectator to complete the idea
of the poet or the statuary."
This is a mode of expression frequently made use of. Even Lessing has
sanctioned it, when in his _Laocoon_, he speaks of "the highest
expression leaving nothing to the imagination."
The leaving something to the imagination can mean this only, that the
expression of the artist is suggestive, and kindles thought, and in fact
conveys more than is found in its literal interpretation. Now, whatever
is highest in art, and especially in poetry, is pre-eminently
suggestive; and the highest expression does in fact leave most, or, in
other words, suggest most, to the imagination. M. Girardin, in common
with many others, speaks of this suggestive quality, the characteristic
of the highest form of art, as if it were the result of a voluntary
surrender of something by the poet to the reader, as if it were an act
of moderation on his part. Surely the poet does not proceed on the
principle of saying half, and permitting us to say the other half--out
of compliment, perhaps, to our understanding, and as a little bribe to
our vanity. The more vivid and powerful his expressions, the more must
he leave, or rather the more must he give, indirectly as well as
directly, to the imagination of the reader. He will sometimes even
bestow what he himself never possessed. The great poet, in pouring out
his feelings, must always give something less and something _more_ than
was in him at the time.
It has been the fashion to illustrate the principle of leaving something
to the imagination, by the ancient picture of the sacrifice of
Iphigenia, where we are told that Agamemnon, the father, was painted
hiding his face in his robe. The expression of grief and horror had been
given in the countenance of the other bystanders, and it was left to the
imagination to divine what passion would have been seen depicted on the
face of Agamemnon if that robe had been torn aside. Lessing, and after
him M. Girardin, have indeed given a different account of the intention
of the painter. The Greek artist, say they, sedulously avoided that
distortion of features through excessive grief, which was incompatible
with beauty of form. They would _tone down_ the expression, as Lessing
argues that the sculptor did in the features of Laocoon, until it became
consistent with the lines of beauty. Timanthes, therefore, finding that,
in order to render with fidelity the expression of Agamemnon, he must
admit such a distortion of the features as would violate the rule, chose
rather to veil the countenance. But we would suggest that something else
must have weighed with the artist; for if it was an acknowledged
principle of Greek art rather to sacrifice a portion of the passion, so
to speak, than to admit a distortion of the features, why should
Timanthes have felt any scruple, in this instance, in modifying the
expression of the father's countenance in obedience to a known rule of
art? Why should he have thought himself obliged to resort to the
expedient of concealing the face?
We make bold to adopt neither one account nor the other. We neither
believe that Timanthes concealed the expression of the father's face
upon some principle of "leaving it to the imagination of the reader,"
nor that he acted in obedience to the rule of art which Lessing lays
down with so much ingenuity. We are persuaded that Timanthes painted
Agamemnon in the attitude he did, simply because it was the most
natural--because it was, in fact, the only attitude in which it was
possible to conceive a father present at the sacrifice of his own
daughter. Other spectators might have looked on with different degrees
of grief or horror, but we feel that the father could not _look_; he
must veil his head. This natural attitude, bespeaking the grief it only
seemed to hide, was no doubt highly expressive.
And in this point of view, it may afford no bad illustration of that
suggestive language of poetry, which sometimes throws the veil, not to
conceal the passion, or to leave it to another imagination to discover,
but as the best means of betraying it.
We repeat that we do not profess to give any thing approaching to an
analytical review of the lectures of M. Girardin; the illustrations,
being taken from the poetry of another nation, would often require a
length of explanatory detail quite inconsistent with our limits. We
persist, therefore, in regarding them in the one point of view already
indicated-namely, as a protest against certain vitiated tastes and
deleterious sentiments which prevail at the present day.
We again revert, therefore, to the lecture upon suicide, for the sake of
a remark that we find there upon _Werther,_ and on its celebrated
author. It is rarely that we hear any one speak out so plainly upon
Goethe. After speaking of the "moral vitality" which supports the
fatigues and inures us to the self-denials of life, he says:--
There are characters, on the contrary, who we perceive, at
first sight, are predestined to die. Ardent and enthusiastic,
wanting force and patience--life is evidently not made for them.
Such is Werther. Goethe had not created him to live, and he knew
this well; so that when some German author, I know not whom,
undertook to correct the catastrophe of the romance, and make
Werther live instead of committing suicide, Goethe said--'The poor
man has no idea that the evil is without remedy, and that a mortal
insect has stung our Werther in the flower of his youth.'
What is this mortal insect that has stung the youth of
Werther? Mistake it not, it is the spirit of doubt, the
spirit of the eighteenth century; and it is not Werther only
that the insect has stung--it is Goethe himself. Goethe
belongs to the eighteenth century; he is its disciple, its
heir; he is, like it, the sceptic, but he is also the poet.
It is this which conceals his universal doubt. Besides, as
he perceived, with that admirable tact which accompanies his
genius, that his scepticism would injure his poetry, he has
laboured to correct its influence, and, for this purpose,
has called to his aid all the resources of art and science.
He has adored nature, he has been a pantheist, he has distributed
God everywhere, to compensate for not having him in his own heart;
he has adored Greece, and rendered a sort of worship to beauty
such as the Greeks conceived it, and endeavoured to find an
enthusiasm in the arts; he has adored the south, and sung the Land
of the orange grove, because the south is the region of strong
faiths, and is repugnant to scepticism; he has adored the middle
ages, because they were ignorant of doubt, everywhere he has
sought to cure the wound of that insect which had stung his youth.
But no; his scepticism pierces through all his enthusiasm, and the
very variety of his inspirations proves his indifference. He is
neither philosopher, nor devotee, nor Christian, nor pagan, nor
courtier, nor citizen, nor of times ancient or modern, nor of the
north, nor of the south-or rather, he is all these at once. He is
the echo of nature, he repeats to us all her harmonies; but he
fails to add that utterance, which unites so well with the
harmonies of the world the utterance of his own heart. Ask of
Goethe to represent man and nature in all their variety and
extent, and he will do it. There is one thing you must not ask of
him--himself. This _self_ fails in Goethe; not the self which
knows it is a great poet, and will to be one; but that other self,
which has a thought, a principle to contend for, which, in
short, believes in something. It is there the insect stung; both
in Goethe and in Werther.
After discussing the character of modern French literature, there
remains the important question to determine, how far the state of
literature represents the state of society--how far the one is a
faithful picture of the other. Upon this subject M. Girardin concludes
his volume with some excellent remarks; but here we must also conclude
our notice of this interesting work.
LORD ELDON.
In a free country, if there ever was or will be a truly free country
besides our own, the life of every public man ought to be written. All
would supply a lesson of more or less value; and it is upon lessons of
that order that the vigour of the rising generation can alone be
trained. Undoubtedly, in the mixed qualities of human nature, there
might now and then be formidable displays; the development of the heart
might often startle the eye which looked to it for healthy action; the
machinery of the mind would require to be examined with the hand of
charity as well as the hand of science: but the general result must be
knowledge--always interesting, and often of the highest value; for the
tendency of manners is, to disappoint that research. The habits, the
associations, almost the general peace of society, unite in covering the
actual nature of man with a uniform aspect. The unquestionable effect of
civilization is, not merely to smooth the inequalities of the surface,
but to conceal the actual material--the rough, the hard, the cold, or
the pernicious within. But there is no one operation of man, by which
human nature is so deeply and so distinctly penetrated and tested, as a
true narrative of the career of men acting a prominent part in the
world. History is comparatively feeble to this powerful searcher. Its
heroes and heroines are placed so palpably on a stage; its _dramatis
personae_ are so distant and so disciplined; its positions are so openly
arranged for effect, that the nearest approach is only conjecture, as
the nearest approach to reality is only illusion. Courts and campaigns
are not human life. Kings and ministers, in their court pageantry, are
scarcely more entitled to the name of human beings. They are factitious
forms, showy spectacles, glittering effigies. But strip off the state
costume; stand beside them while they are unconscious of a spectator;
enter into their minds; seize their motives; measure their impulses: it
is only then that we discover their affinity to the family of man, and
by their vigour and virtue model our own.
The life of the Earl of Eldon is an important addition to public
biography. Written by a lawyer, it has the advantage of professional
knowledge--by a man of a certain experience in public, and even in
official life, it exhibits that practical knowledge of affairs which
nothing but practice can gain--and by a man of literary accomplishment,
it adds, to its more solid merits, those graces of style which supply
the last attraction to a work of manly utility. We feel even, in some
degree, an uncritical, yet a not less authentic satisfaction in giving
our tribute to the work of one connected with a family, whose name
brings to the public mind such deep recollections of fine ability finely
employed--of talents combined with the noblest triumphs of past genius
and of forms and countenances eminently fitted to represent the grand
and beautiful of the classic drama of England.
The father of Lord Eldon was William Scott, a merchant of good means and
good repute at Newcastle, his principal business being connected with
the coal trade. He lived to be seventy-nine years old, and his wife (a
second marriage) to be ninety-one. By her he had thirteen children, of
whom John (Lord Eldon) was the eighth. William (Lord Stowell) was born
in 1745, the year of the Scottish invasion, in Heworth, where his mother
had been sent for her accouchement, to avoid the perils, Newcastle then
expecting a siege. After her return to Newcastle, she gave birth to
John, June 4, 1751. The house was situated at the end of one of those
narrow streets, which in the native dialect are called _chares_, the
extremity being a "chare-foot." A bar story is told of a judge on
circuit, who hearing a witness depose that he had seen three men come
out of a "chare-foot," desired the jury to disregard his evidence
altogether, as none but a madman could say that he saw three men come
out of the "foot of a chair." Lord Eldon appears to have been so fond of
the jest, that he once stated in the Court of Chancery, that "he had
been born in a chair-foot." At the suitable age, John and his brothers
were sent to the Foundation Grammar School of Newcastle, then under the
headship of one Moises, fellow of Peterhouse. His predecessor had been
Dawes, the well-known author of the "Miscellanea Critica"--an able
scholar, but only an additional example of the frequent insufficiency of
scholars to teach. Dawes was eccentric, and injured the reputation of
the school. His predominant propensity while in Newcastle was
bell-ringing. On his leaving that place he adopted a new taste, that of
rowing. If Moises had any peculiar taste, it seems to have been flogging.
"I was once," said Lord Eldon, "the _seventeenth_ boy whom Moises
flogged, and richly did we merit it. There was an elderly lady who lived
in Westgate Street, whom we surrounded, and would not allow her to go
either backward or forward. She complained, and he flogged us all. When
he came to me, he exclaimed, 'What, John Scott! were you there too?' And
I was obliged to say, 'Yes, sir.' 'I will not stop,' said he, 'you shall
all have it.' But I think I came off best, for his arm was rather tired
with the sixteen who went before me."
A flogging may be all very well in its recollection fifty years after.
But the impression of the moment was, we presume, not quite so
favourable. The inevitable consequence of this habit was to spoil both
master and scholars. It made the timid boy pusillanimous, while it made
the fierce more indignant and resentful. What could be the feelings of
the master who could inflict almost agony on seventeen mere children,
let the offence be what it might? Yet the offence was trifling;
troublesome behaviour to an old woman in the street. A slight reprimand,
or trivial fine, would have properly finished the affair; but then comes
the flagellation.
But our great public schools exhibit another offence; the system of
fagging alike foolish and mischievous. It only teaches the elder boys to
be tyrants, and the younger to be liars and slaves. In practice, it
promises to correct itself, by destroying the great schools. The
proprietary schools, and other institutions for the education of the
people, have uniformly discountenanced this abominable nuisance; and we
know none whose abolition would do more credit to the heads of the
church, or, if they should remain indolent on the subject, to the heads
of the legislature.
William Scott, in 1761, was sent to Oxford as a candidate for a Durham
scholarship, which he obtained, but which was perilled by a blunder of
the head of Corpus Christi college. This worthy person delivered his
opinion in this style:--"I think, gentlemen, there can be no doubt that
young Scott is by far the best scholar of them. But he has told us that
his father is a fiddler, and I do not quite like to take the son of a
fiddler into the college." The doctor was an ass for his dictum; and it
is only to be regretted that he did not live to express this impudent
opinion in our day. England is certainly growing more rational, whatever
colleges may be. Language of that sort, used in a country which boasts
that no artificial impediment can be suffered to exist in the career of
genius and virtue, would quickly meet the reception merited by its
arrogant absurdity. The "fiddler" was a blunder of the doctor for
"fitter," the local name of the coal trade.
William, in his twentieth year, became a tutor; John was intended for a
coal-merchant, but his brother desired that he should be sent to Oxford.
"Send Jack up to me," were the words; "I can do better for him here." He
was then under fifteen.
A striking anecdote marks his first starting in life. "When I left
school to go to Oxford," said Lord Eldon, "I came up from Newcastle to
London in a coach, then denominated, on account of its _quick_
travelling, 'a Fly,' being three or four days and nights on the road. On
the panels were the words, _Sat cito, si sat bene_, (Fast enough, if
well enough,) which made a most lasting impression on my mind, and have
had their influence on my conduct in all subsequent life." He then
exhibits a specimen of that sly humour which characterized him to the
last.
"A Quaker fellow-traveller stopped the coach at the inn at Tuxford to
give the chambermaid a sixpence, telling her that he had forgotten it
when he slept there two years before. I was a very saucy boy, and I said
to him, 'Friend, have you seen the motto on the coach?' 'No.' 'Then look
at it, for I think giving her only sixpence _now_ is neither _sat cito_
nor _sat bene_."
On his arrival in London, he was overturned, with his brother, in a
sedan chair. "This," thought he, "is more than _sat cito_, and it
certainly is not _sat bene_." He concludes more gravely by saying, "It
was this impression which made me that deliberative judge, as some have
said _too_ deliberative. And reflection upon all that is past, will not
authorize me to deny, that while I have been thinking, 'Sat cito, si sat
bene,' I may not have sufficiently remembered whether 'Sat bene, si sat
cito' has had its due influence."
The chief feature of this portion of the biography is its recollections
of remarkable persons. We have heard this one of Johnson before: but the
names and place are now first given from Lord Eldon's anecdote-book.
"I had a walk in the New Inn Hall garden with Dr Johnson, Sir Robert
Chambers, and some other gentlemen, (Chambers was principal of the Hall,
and Vinerian professor of law. He was at this period on the point of
proceeding to India as judge.) Sir Robert was gathering snails, and
throwing them over the wall into his neighbour's garden. The doctor
attacked him roughly, and charged his conduct as being unneighbourly.
'Sir,' said Sir Robert, 'my neighbour is a dissenter.' 'Oh,' said the
doctor, 'if so, toss away, toss away as hard as you can!'"
This was evidently one of Johnson's odd freaks, a piece of his growling
humour; for though no man disliked sectarianism more, no man had a
stronger sense of charity to all.
His manners now and then exhibited strange absence. Lord Eldon says that
he had seen him standing for a considerable time, with one foot on each
side of the kennel of the High Street of Oxford, gazing at the water.
It was proverbially dangerous to contradict him. Dr Mortimer, head of
Lincoln college, happened occasionally to interrupt him, by saying, "I
deny that," while Johnson was holding forth. At length he said, "Sir,
sir, you must have forgotten that an author has said, (he then repeated
in Latin,) one ass will deny more in one hour, than a hundred
philosophers will prove in a hundred years."
During the year 1774 and 1775, John Scott held the office of a tutor of
University college; but he appears to have left the duty to Fisher and
William Scott, his brother, those two dividing the emoluments. However,
he was more importantly employed when he gave lectures on the law as
deputy to Sir Robert Chambers, for which he had L.60 a-year. His first
essay was sufficiently ridiculous. The law professor sent him his first
lecture, which he was to read immediately to the students, and which he
began, without knowing its contents. It happened to be on the statute
4th and 5th, Philip and Mary, on young men running away with young
women. "Fancy me," said his lordship, "reading with about 140 boys and
young men giggling at the professor." While Scott was eating his terms
at the Middle Temple, he had some opportunities of seeing Mr Sergeant
Hill, the great lawyer of his day, eminent for learning, and scarcely
less so for eccentricity. Hill one day stopped Scott in the hall, and
said, "Pray, young gentleman, do you think herbage and pannage rateable
to the poor's rate?" Scott replied "that he could not presume to give an
opinion to so learned a personage." "Upon my word," said the sergeant,
"you are a pretty sensible young gentlemen--I don't often meet with
such. If I had asked Mr Burgess, a young leader upon our circuit, the
question, he would have told me that I was an old fool." Hill began an
argument in the King's Bench thus:--"My Lord Mansfield and judges, I
beg your pardon."--"Why brother Hill, do you ask our pardon?"--"My
lords," said he, "I have seventy-eight cases to cite."--"Seventy-eight
cases!" said Lord Mansfield; "you can never have our pardon if you cite
seventy-eight cases!" After the court had given its decision, which was
against the sergeant's client, Lord Mansfield said, "Now, brother Hill,
that the judgment is given, you can have no objections, on account of
your client, to tell us your real opinion, and whether you do not think
we are right; you know how we all value your opinion and judgment." Hill
wished to be excused; but as he always thought it his duty to do what
the court desired, "Upon my word," said he, "I did not think that there
were four men in the world who could have given such an ill-founded
judgment as you four, my lords, have pronounced." This style, however,
must have been now and then intolerable.
When Baron Hotham was placed in the Exchequer, he gave a dinner, as is
usual on those occasions, at Sergeant's Inn, to the judges and
sergeants. Hotham had been unsuccessful at the bar. Hill, in drinking
his health, called him Baron Botham. Somebody whispered the real name to
him. Hill said aloud, "I beg your pardon, Mr Baron Hotham; but none of
us ever heard your name in the profession before this day." In justice
to the baron, however, Lord Eldon adds the following note:--"The Baron
made an extremely good judge. He had not much legal learning; but he had
an excellent understanding, great discretion, unwearied patience, and
his manners were extremely engaging; and those qualities ensuring to him
in a very large measure the assistance of the bar, he executed his
duties as a judge with great sufficiency."
Shortly after his commencing the profession, Scott reduced himself into
a state of invalidism by excessive study. In 1774, when he and Cookson,
another invalid, were returning to Oxford from Newcastle, where they had
gone to vote at the general election, the good-natured cook of the inn
at Birmingham, where they arrived at eleven at night, insisted on
dressing something hot for them, saying that she was sure neither of
them would live to see her again. A medical friend remonstrated with him
on the severity of his studies. "It is not matter," answered Scott, "I
must either do as I am now doing, or starve." He rose at four in the
morning, observed a careful abstinence at his meals, and, to prevent
drowsiness, read at night with a wet towel round his head. At last it
became necessary, as the time of being called to the bar approached, to
provide a dwelling in London. In his latter days, he pointed out a house
in Cursitor Street. "There," said he, "was my first perch. Many a time
have I run down from that house to Fleet Market, to get sixpennyworth of
sprats for supper." At this period, in mentioning to his brother the
kindness of a great conveyancer, Mr Duane, whom he attended as a
gratuitous pupil, he says--"This conduct of his has taken a great load
of uneasiness off my mind; as, in fact, our profession is so exceedingly
expensive that I almost sink under it. I have got a house barely
sufficient to hold my small family, which will, in rent and taxes, cost
me L.60. I have been buying books, too, for the last ten years; but I
have got the mortification to find that, before I can settle, that
article of trade--for so I consider it--will cost me near L.200." Of
Duane's service to him, he said, a little more than a fortnight before
his death, "The knowledge I acquired of conveyancing in his office, was
of infinite service to me during a long life in the Court of Chancery."
In Hilary Term 1776, Scott was called to the bar by the Society of the
Middle Temple. When we recollect what a leviathan of wealth the Lord
Chancellor was in his latter days, it is amusing to read the statement
of his early struggles, however painful they must have been at the time.
"When I was called to the bar," said he, "Bessy (his wife) and I thought
all our troubles were over. Business was to pour in, and we were to be
almost rich immediately. So I made a bargain with her, that, during the
following year, all the money that I should receive during the first
eleven months should be mine, and whatever I should get in the twelfth
month should be hers. What a stingy dog I must have been to make such a
bargain! I would not have done so afterwards. But, however, so it was--
that was our agreement; and how do you think that it turned out? In the
twelfth month I received _half-a-guinea_. Eighteen-pence went for fees,
and Bessy got nine shillings. In the other eleven months I got not one
shilling." This was but sorry encouragement; but such is the profession.
Men must wait. Property, or perhaps life, will not trust themselves to
inexperience; and thus, from the very nature of the Bar, a long period
of probation must be borne by all.
There had been an old and invidious conception which represented the
Lord Chancellor as the son of a coal-heaver. It appears from the memoir
that his father was, on the contrary, possessed of property very
considerable in those days. He was what we should now call a broker in
the coal-trade--technically, a coal-fitter or factor--who transacted
business between the coal-owner and the ship-owner. He was intelligent
and industrious, and prospered accordingly; leaving, at his death,
property worth L.25,000 to his eldest son William; another L.1000 to
John; making, in the whole, L.3000, and respectable sums to his other
children. He appears to have realized above L.30,000--a sum equal to
nearly double at the present day.
Lord Eldon, though all gravity on the bench, and seldom indulging in any
sportiveness in parliament, was a humorist at table, and fond of
humorous recollections. His story of Dunning on his travels has got into
print; but, in the hands of a genuine humorist, it must have been an
incomparable ground for burlesque. Dunning, when solicitor-general, had
gone to see the Prussian reviews. Some of these were profoundly secret,
and were presumed to be experiments in those tactical novelties with
which Frederick dazzled Europe. But others were showy displays, to which
the king invited the princes and generals of the Continent. Dunning had
announced himself as Solicitor-General of England. Frederick, either
knowing nothing of solicitors, though much of generals, or what is more
probable--for he was the most deliberate wag in existence--determining
to play the lawyer a trick, ordered him to be received as a general
officer, and provided him with a charger for his presence at the grand
display. Dunning, long unused to ride, soon found that he had his master
_under_ him. The charger, as well disciplined as one of his majesty's
grenadiers, and delighting, like the horse of Joab, in the "trumpets and
the shouting" of the captains, rushed every where with his unwilling
rider; and it was not till after a day of terror, in which his cavalry
exploits must have exposed him to frequent laughter, that the lawyer
escaped from the din of battles, and rejoiced to find himself with
unfractured bones, resolved never to play the general officer again.
There may be "some things new under the sun," in contradiction to the
proverb; but they are not many, at least in wit. The story of the
celebrated cardinal, who proved that the sun went round the moon, and
_vice versa_, is sufficiently wall known. Dunning's pleading _pro_ and
_con_. is vouched for from Scott's personal experience. Dunning led in a
cause in which Scott was junior counsel. The leader so evidently
reasoned against his own client, that Scott, after long amazement, at
last touched his arm, and whispered that he was speaking on the wrong
side. Dunning instantly perceived his mistake, and gave him a rough
reprimand (we may presume _sotto voce_) for having suffered him to go on
so long. He then recovered himself with his habitual dexterity; said
that he had stated all that could be urged against his client, and that
he would then proceed to show how utterly futile was the argument.
A good deal of his early life on the circuit was passed with Lee, then
the leader of the northern circuit, and a man of great vigour of mind. A
curious question once rose between them on professional morality. At
supper one night, Scott made the remark, that Lee always exerted himself
to gain a verdict by a display of his great legal knowledge; but not
always with a regard to the accuracy of either his law or his facts. Lee
contended that it was the duty of counsel to state what the party
himself would have stated, and get a verdict if he could. He, however,
pondered on it; and, as they were retiring for the night, said, "Scott,
I have been thinking of the question you asked me; and I am not _quite_
sure that the conduct you represented will bring a man peace at the
last."
Lord Eldon quotes Johnson's opinion, which had been referred to--and
which stated that it was the duty of counsel, after having stated the
law and the facts exactly, to exert his abilities to the utmost to gain
his cause--the judge being supposed the abler lawyer, and the reasoning
of the bench amending what was erroneous in that of the bar. Lord Eldon
adds, in his rather too dubious way--"It may be questioned whether even
this can be supported." Of course it may. The object of law is to do
justice; and justice is not done if the ingenuity of an able advocate is
entitled to gain a false verdict. For how is this to be gained? Either
by a suppression of the truth in part, or by a colouring of the
falsehood, or by an invention of facts, aided by a misinterpretation of
law; all palpably against conscience. The true rule appears to be--the
lawyer stands in the place of the client, to do what the client would
and could have done, if he had equal skill in exhibiting the
circumstances, and equal knowledge of the law which bore upon them. But
as the client has no right to tell an untruth of any kind for himself,
so neither has the lawyer the right to tell it for him. The lawyer's
taking a brief in a cause of which he has a bad opinion, is wholly a
different matter. The custom of the bar justly decides that he must not
refuse the brief, because he cannot be sure that he knows the whole
cause; for facts unexpected, and even unknown, may start up; he may be
mistaken in his personal conception of the facts, the motives, and the
law: new facts may come out on the trial. There is a judge to decide on
hearing both sides, and the counsel has no right to assume the office of
the judge. Of course, if he is made aware of any fraud in the conduct of
the case, or even suspects it, he must abandon his brief at once.
Lee's manner was of that rough and ready kind which always tells with a
jury. Once, after a very keen cross-examination, the witness charged him
with severity to one who was his relation. "Why, how do you make that
out," said Lee. The man stated the genealogy. "Well," said Lee, "I
believe you are right. I only wish, my good fourth or fifth cousin, you
would speak a little truth for the honour of the family; for not one
word of truth have you spoken yet."
Even this able man had gone many years to York without a single brief;
and even then began only on a burlesque case, fabricated by his brother
barristers.
Accuracy of recollection is obviously of peculiar importance at the bar;
but the profession has sometimes exhibited surprising instances of this
faculty. Lord Eldon spoke of Chief Justice De Grey's powers of memory as
extraordinary. De Grey suffered so much from the gout, the he used to
come into court with both hands wrapped in flannel. He thus could not
take a not. "Yet I have known him," said Lord Eldon, "try a cause that
lasted nine or ten hours, and then, from memory, sum up all the evidence
with the greatest correctness. When counsel offered any intimation of
his inaccuracy, his answer was--'I am sure I am right; refer to your
short-hand writer's notes;' and he was invariably found to be right." A
similar faculty is possessed by that very distinguished person, Lord
Lyndhurst.
It is remarkable that none of the lucky accidents which have raised so
many inferior men into prosperity ever occurred to Scott, who was yet
destined to rise to such opulence and eminence. His first steps in life
might be regarded as all but ruin. He abandoned his college, where he
had secured at least existence; and he abandoned it for a profession
proverbially hazardous, and in which, for whole years, he made nothing.
At this period, too, when scarcely able to support himself, he ran away
with a portionless wife; and thus began the world not merely helpless,
but with a new weight which has broken down many a strong mind. The
opinion of every one who took an interest in him was, that this marriage
was fatal to all his prospects. It necessarily compelled him to give up
all collegiate objects; and we recollect to have seen in print a
fragment of a letter from his elder brother (afterwards Lord Stowell) to
a friend, in these words--"Have you seen what my foolish brother has
done? He has made a runaway match; he is utterly ruined." The opinion of
Moises, his schoolmaster, was equally decided. "Jack Scott has run off
with Bessy Surtees, and the poor lad is undone."
Scott entered as a student of the Middle Temple in January 1773. In six
years after, what was his progress? We have this letter from Lord
Stowell about 1779. "Business is very dull with poor Jack, very dull
indeed, and of consequence he is not very lively. I heartily wish that
business may brighten a little, or he will be heartily sick of his
profession. I do all I can to keep up his spirits, but he is very
gloomy. But mum, not a word of this to the wife of your bosom."
At length, however, day began to dawn, and his powerful understanding
and solid knowledge found the opportunity, which to such means is
generally all that is wanting. A conversation with an old friend lets us
into a curious trait of Lord Mansfield. "Was the Court of Chancery your
object when you first came to the bar?" asked Farrar. "Certainly not,"
answered Lord Eldon. "I first took my seat in the King's Bench; but I
soon perceived, or thought I perceived, a preference in Lord Mansfield
(the Chief Justice) for young lawyers who had been bred at Westminster
School and Christ Church; and so, as I had belonged to neither, I
thought I could not have fair chance with my fellows, and therefore I
crossed over to the other side of the hall. (The Courts of King's Bench
and Chancery were at that time on the opposite sides of Westminster
Hall.) Lord Mansfield, I believe, was not conscious of the bias; he was
a good man." Mansfield's goodness was sufficiently questioned by his
contemporaries; yet if he exhibited this bias, he could not have been a
just man. The cause which first made Scott known was Acroyd v. Smithson.
The question was--whether, in a property willed in fifteen shares to
fifteen people, one of them dying in the testator's lifetime, the lapsed
share did not belong to the heir at law. He argued the case before the
Master of the Rolls, Sir Thomas Sewell. "He has argued it very well,"
said Sewell. But he gave it against Scott. An appeal came before Lord
Thurlow. Scott argued his point. Thurlow took three days to consider,
and then gave his decision in favour of the heir-at-law--a decision
which has settled all similar questions ever since. He then had an omen
of his prosperity. As he left the hall, a solicitor of some note touched
him on the shoulder, and said, "Young man, your bread and butter is cut
for life."
He then had another golden opportunity. Fatigued with waiting for
fortune, he was on the point of leaving London, and taking up his abode
at Newcastle, of which he was offered the recordership. A house was even
taken for him, when, one morning at six o'clock, Mr, afterwards Lord,
Curzon, and four or five other gentlemen, came to his door, mentioning
that the Clitheroe election case was to come on that morning at ten
before a committee of the Commons; that one of their counsel was
detained at Oxford by illness, and their second was unprepared and would
not appear; and that they were sent to him as a young and promising
counsel. Scott told them that, on so short a notice, all he could do
would be to give a dry statement of facts. The cause thus put into his
hands went on for fifteen days. "It found me poor," said Lord Eldon,
"but I was to be rich before it was done. They left me fifty guineas at
the beginning; then there were ten guineas every day, and five guineas
every evening, for a consultation--more money than I could count. But,
better still, the length of the cause gave me time to make myself
thoroughly acquainted with the law." After all this, the side on which
Scott was, was beaten by a single vote. But Mansfield, (afterwards Sir
James,) on hearing his speech in the committee, came up to him in
Westminster Hall, and strongly advised him to remain in London. Scott
answered that an increasing family compelled him to leave London.
Wilson, a barrister, advised as Mansfield had done, and even generously
offered to make up his income to L.400 a-year. He received the same
answer. "However," said the chancellor, with natural selfgratulation, "I
did remain, and lived to make Mansfield chief justice of the common
pleas, and Wilson a judge." Moreover, his sagacity gave him additional
triumphs on the northern circuit, where he soon took the lead. He was
counsel in a cause which depended on his being able to make out who was
the founder of an ancient chapel in the neighbourhood. "I went to view
it," said Lord Eldon. "There was nothing to be observed which gave any
indication of its date or history. However, I remarked that the ten
commandments were written on some old plaster, which, from its position,
I conjectured might cover an arch. Acting on this, I bribed the clerk
with five shillings to allow me to chip away a part of the plaster; and
after two or three attempts, I found the keystone of an arch, on which
were engraved the arms of an ancestor of one of the parties. This
evidence decided the cause. Here was an instance of good-luck,
undoubtedly, but also of great diligence and great sagacity. A negligent
counsel would never have thought of examining the chapel in person; a
dull counsel would never have thought of examining the arch; but it
happens that the sagacious are generally lucky, and that, therefore, the
first quality is sagacity."
Another remarkable case occurred at Durham. On this occasion, Scott,
though a junior counsel, was appointed to lead by his seniors, the case
being relative to collieries, and he being a Newcastle man. When Buller
the judge, who was a coarse man, and fond of saying abrupt things, saw
him, he said, "Sir, you have not a leg to stand upon." Scott answered,
"My lord, in ninety-nine cases out of a hundred, I should sit down on
hearing the judge so express himself; but so persuaded am I that I have
the right on my side, that I must entreat your lordship to allow me to
reply, and I must also express my expectation of gaining a verdict." He
replied, and the jury, after consulting six or eight hours, gave the
verdict in his favour. When he went to the ball that evening, he was
received with open arms by every one.
When he went to Carlisle, Buller sent for him, and told him that "he had
been thinking over that case on his way from Newcastle, and that he had
come to the conclusion that he was entirely wrong, and that I was right.
He had, therefore, sent for me to tell me this, and to express his
regret for having attempted to stop me in court. This cause," said Lord
Eldon, "raised me aloft."
Yet this man, with all his ability, had already attended the Cumberland
assizes for seven years without receiving a brief. After the celebrity
of this cause, when he next attended, he received seventy guineas in
fees at Carlisle.
So much has been said in parliament, and in the newspapers lately, of
_Gentlemen of the Turf_, and the very dubious nature of that
appellation, that the following case comes curiously in point. A
question arose as to the winner of the stakes in a race--there having
been a condition, that the horses should be ridden by gentlemen; and it
was disputed whether the winning horse had been ridden by a gentleman or
not. The judge finally addressed the jury in these words--"Gentlemen of
the jury, when I see you in that box I call you gentlemen, for I know
you are such. Custom has authorized me, and, from your office there, you
are entitled to be called gentlemen; but out of that box, I do not know
what may be deemed the requisites that constitute a gentleman--therefore
I can give you no direction," (a laugh.) The jury returned a verdict
that he was not a gentleman. The next morning he challenged the two
counsel, Law and Scott. They answered, they could not possibly fight one
who had been pronounced by the verdict of a jury to be no _gentleman_.
Politics now began to rise in the prospects of this intelligent and
indefatigable mind. The condition of the English lawyer forms as
striking a contrast to that of the Continental _jurisconsult_, as the
English constitution to the despotisms of Europe. Abroad, the lawyer may
be a man of whatever extent of attainment, but his sphere is strictly
professional; within that range he lives, makes a scanty income, with a
still more scanty fame, disputes for forty or fifty years, and dies.
France, of late years, is partially an exception, for France now extends
the range of her professions; but in all the rest, the existence of the
lawyer closely resembles the existence of the quadruped in the mill. In
England all is of a different and a higher order. The bar itself is but
a step; distinction in the courts is only the first stage of an ascent
which may raise the individual to eminence in government, as well as
dignity in the high places of his profession--it is the preparative for
wearing those honours which form a family, and give a pledge to fortune.
As the ancients said of the eagle, that, before he takes his flight for
the day, he prepares his wings by plunging them in the mountain stream,
the great lawyer has plunged in the depths of his profession only to
ascend into a higher range of power and prospect, and there to steer his
strong flight to the possession of all that man can desire.
On the formation of the Coalition ministry under North and Fox in 1783,
the great seal being in commission, Scott was appointed king's counsel;
but in this instance, so important to a young barrister, he yet showed
manliness. Saturday was the day on which he was to receive this honour;
but on ascertaining the Erskine and Pigot, both his juniors, and who
were also to have silk gowns, were to be sworn in on the Friday, he
instantly retracted his acceptance, as, "he could not submit to any
waiver of his professional rank." The lords-commissioners called him
before them, and argued the matter pressingly. But he would not give
way. At last, as the patents for the two other counsel had already
passed the great seal, they were sworn in on the Friday; but a patent of
precedence was given to Scott, by which he took rank before them. The
day of his patent was the 4th of June 1783: he was then thirty-two years
old. Late in life, a friend asked whether he thought it was important
thus to insist on retaining his rank. Eldon, with the experience of half
a century, answered with great earnestness, "It was every thing. I owed
my future success to it." There is a moral in the words of Wiseman--"The
man who begins by humiliation, will soon find that the world will judge
of him by his own deed."
Lord Eldon, in one of those conversations, strikingly remarked a similar
conduct in the celebrated Lord Collingwood, who had been his
schoolfellow. "Medals were given," said his lordship, "on the 1st of
June, but not to him. When the medal was sent to him for Cape St
Vincent, he returned it, saying that he felt conscious he had done his
duty as well on the 1st of June as at Cape St Vincent; and that, if he
did not merit the first medal, neither could he merit the second. He was
quite right," said Lord Eldon, "he would have both or neither. Both were
sent to him."
Parliament now opened to his ambition. Lord Thurlow, at Lord Weymouth's
request, offered him Weobly, a borough in his patronage, (extinguished
by the Reform Act of 1832.) Scott accepted the offer, on the condition
that he should be left independent in his opinions. Thurlow said the "he
had stipulated that already." Scott went down to the borough
accordingly, made a "long speech," which the electors said they expected
from him, "as he was a lawyer: it being also a treat which they had not
enjoyed for thirty years." Lord Surrey, (afterwards Duke of Norfolk,) a
prodigious reformer--a profession which, however, did not prevent him
from constantly dabbling in the intrigues of electioneering--had
harangued against him at Hereford, while Scott retorted at Weobly by
smartly saying--"That though then unknown to them, he hoped he should
entitle himself to more of their confidence, than if, being the son of
the first Duke of England, he had held himself out to them as a
reformer, whilst riding, as the Earl of Surry rode, into the first town
of the county, drunk, upon a cider-cask, and talking in that state of
_reform_!" Lord Surrey had been his client, and on meeting him in France
afterwards, good-humouredly said--"I have had enough of meddling with
you; I shall trouble you no more."
An odd incident, valuable to those who value foresightedness in this
world's affairs, occurred at the time Scott was lodged at the vicar's,
Mr Bridges. He had a daughter, a young child, and he said--"Who knows
but you may come to be chancellor. As my girl can probably marry nobody
but a clergyman, promise me you will give her husband a living when you
have the seals." His answer was, "My promise is not worth half-a-crown;
but you may have my promise." In after life, the child, then in
womanhood, walked one morning into the chancellor's drawing-room, and
claimed the fulfilment of his promise. It was duly performed, and she
married.
There is perhaps no subject of human interest more entitled to an
anxious and solemn curiosity, than the sentiments of a man of powerful
and fully furnished mind in the immediate prospect of death. The coming
change is so total and so tremendous, alarm and a sense of the unknown
are so natural, that to find unpresuming confidence, and virtuous
constancy of heart, in that awful time, cheers human nature. William
Scott, always distinguished for great capacity and remarkable
acquirements, about this period being seized with an illness, which he
thought mortal, writes these memoranda on the verge of the grave:--
My great comfort is, to write on to my dearest Jack, and about my wife.
Act for me. _Wife, child_. She knows I recommend her to your care.
Object of my life, to make my sisters easy.
Save ------ from ruin if we can.
Protect my memory by your kindness. Life ebbs very fast with me. My
dying thoughts are all kindness and fraternal love about you.
While sensation remains, I think on my dearest brother, with whom I
have spent my life. I die with the same sentiments. As the hand of death
approaches, it is a consolation to think of him. Oh, cherish my wife! If
you loved me, be a brother to her. You will have trouble about my
affairs; you will not grudge it. Oh, take care of _her_! I leave you
that duty. It is the last relief of my failing mind. Cherish my memory.
Keep ----- from ruin, if you can, by any application of any part of my
child's fortune that is reasonable. Once more, farewell! God bless you.
These are affecting testimonials, and show singular tenderness of heart
and truth of attachment; for they were written, to be transmitted only
in case of death. Those who in after times saw Lord Stowell on the
bench, the solemn, and even the stern depository of justice, could
scarcely imagine, in that searching glance and compressed lip, the
softness of heart which those fragments indicate. Death may be a great
subduer of the fierce spirit of man as it approaches; but their language
is not the phrase of puling softness, or pusillanimous alarm; it is at
once calm and fond, collected and fervid. The writer's natural and
honourable feelings are all alive at the moment when the last pang might
seem to be at hand; and though nothing is said of his Christian hopes,
(probably because the care of his family demanded more urgent
consideration than his personal conceptions,) language like theirs could
scarcely have come but from a Christian. His disorder was a violent
bilious fever, which exhausted him so much that his recovery was slow.
But to those who are in the habit of consigning their friends to
"inevitable death" on every infliction of disease, it may excite some
useful doubt of their own infallibility, to know that this dying man,
then thirty-eight, survived for half a century, dying in his
ninety-first year.
But the whole biography is a warning--especially against despondency.
Who could suppose that, after Lord Eldon's success up to this point; his
distinction on the principal circuit; the compliments of the judges; the
respect of his seniors in the profession, some of them very remarkable
men; his silk gown in the days of Erskine; his seat in Parliament; and,
more than all, the consciousness which men of large faculties naturally
have of their suitableness, and almost their certainty, to command
fortune at some tine or other; we should find the future peer and
chancellor desponding? Yet what but deep complaints of his cloudy
prospects could have produced this reply from his clever friend Lee,
(who, within three weeks' became Attorney-General?)
DEAR SCOTT--Your letter, which I received this minute,
was a very cheering one to me. But _keep up your
spirits_, and let it not be said that a good
understanding, and an irreproachable life, and an
uncommon success, and every virtuous expectation, are
insufficient to support tranquility and composure of
mind. _If you are cast down_ who is to hold up? In a few
days I hope to meet you in good health and good heart;
and, in the mean time, remain your faithful and
affectionate.
(Nov. 1783) "J. LEE."
On the opening of the session, great popular feeling was excited against
the coalition. The furious invectives which Fox had been for some years
heaping on Lord North's luckless head, were now flung upon his own.
Traitor, liar, swindler, were "house-hold words;" and Fox, with all his
ability, and that happiest of all ability for the crisis, great
constitutional good-humour, found himself suddenly overwhelmed. In the
House he was still powerful; but, outside its doors, he was utterly
helpless. Like the witches recorded in some of the German romances,
though within the walls chosen for their orgies they could summon
spirits, and revel in their incantations uncontrolled, yet, on passing
the threshold, they turned into hags again. But as if to make the
coalition still more odious in the popular eye, there was presented the
most resistless contrast to both its chiefs in the young and
extraordinary leader of the Opposition, Pitt; with the ardour of youth
and the wisdom of years, at once master of the most vigorous logic, and
the loftiest appeal to the public feelings; honoured as the son of
Chatham; and yet, even at that immature period of his life and his
career, still more honoured for the promise of talents and services
which were to throw even his own eminent predecessor into the shade.
But North, apart from the cabinet, was always delightful. He had more of
easy pleasantry in his manner than any favourite of English
recollection. Lord Eldon, in his anecdotal book thus tells--"Lord North
had gone, at the Prince of Wales's desire, to reconcile the King to him.
He succeeded, and called on the Prince to inform him of his success.
'Now,' said he, 'let me beseech your Royal Highness in future to conduct
yourself differently. Do so, on all accounts; do so, for your own sake;
do so, for your excellent father's sake; do so, for the sake of that
good-natured man, Lord North; and don't oblige him again to tell the
King, your good father, so many lies, as he has been obliged to tell him
this morning'"
Lord Eldon's personal narrative is a sort of comment on the whole public
history of his time. Why did not such a man write his own "Life and
Times?" Intelligent as are the Volumes before us, the personal
conceptions arising on the personal knowledge, would have been
invaluable as experience. His view of transactions in their embryo, in
their full growth, and in their impression on the general policy and
progress of the government, would have formed an important lesson for
statesmanship to come. But what an indulgence must it have furnished to
the national curiosity, which, seeing the origin of all things in
individual character, justly regards the eminent characters of that day
as the founders of every remarkable change which has shaped the
constitution in our own! Public life has never before or since abounded
in such variety, strength, and brilliancy of character. A combination of
talents of the very highest order was exhibited in both the Lords and
Commons; and it would actually seem as if this combination were
preparatory to the tremendous demands which, before the close of the
century, were to be made upon the wisdom, the courage, and the constancy
of the British legislature. And why should there not be such
preparation? We see preparation a principle in the whole course of
nature. We see, in the formation of individual character, a preparative,
and sometimes a most distinct and powerful one, for the duty which the
coming crisis is yet to demand; and why shall not legislatures, as well
individuals, be placed in that condition of effectiveness, and trained
to that exertion of power, which is subsequently to be required for the
providential deliverance of nations? It is remarkable that the
discussions in which parliament at this period was engaged, though
local, and of course altogether inferior to those comprehensive
struggles which were to follow, were yet of a nature singularly
calculated to call forth practical ability. There never was a period
since the Revolution of 1688, in which party was so vigorously brought
into conflict, in which personal interests gave so strong a stimulus to
the association of principles, in which office so rapidly shifted hands,
and power was so much the creature of reputation. Thus the whole
character of this period was an appeal to popularity; an appeal of all
others the most calculated to bring out every latent faculty of the
orator, the constitutionalist, and the statesman. A still greater
period, unknown and unexpected by every man, was to have the advantage
of this preparation. The French Revolution, which burst with such
irresistible violence over the Continent, was to find the ramparts of
public principle and legislative wisdom repaired and strengthened in
England, and those ramparts manned with defenders who had learned the
use of their weapons in the mock conflicts of peace, and, when the day
of danger came, showed themselves invincible.
The India bill broke down the Coalition ministry; it was the most
insolent experiment ever made on the constitution--a compound of
republican daring and despotic power. It would have made the king a
cipher, and parliament a slave. The exclusive patronage of India would
have enabled the minister to corrupt the legislature. The corruption of
the legislature would have made the minister irresponsible: the
constitution would thus have been inevitably suspended, and the national
liberties incapable of being restored except by a national convulsion.
But those evils were happily avoided by the manliness of the king and
the loyalty of the lords. The India bill was thrown out in the House of
Lords on the 17th of December. The king lost no time in giving effect to
this discomfiture. At the extraordinary hour of twelve o'clock on the
following night, an order was sent to the two secretaries of state,
North and Fox, that they should deliver up the seals by his majesty's
command; adding the contemptuous injunction, that they should send them
by the under-secretaries, the king not suffering a personal interview.
Pitt was placed at the head of the new administration as first lord of
the treasury and chancellor of the exchequer. Thurlow was again made
lord chancellor, and Kenyon and Arden attorney and solicitor-generals.
In the debates on the India bill, one of Sheridan's pleasantries is
recorded. As Fox's majorities declined, it was hinted by his party that
John Robinson, the secretary of the treasury, was purchasing the votes.
On Sheridan's making the charge without naming the supposed culprit, a
great outcry arose in the House of "Name him, name him!" "Sir," said
Sheridan, addressing the Speaker, "I shall not name the person; it is an
invidious and unpleasant thing to do; but don't suppose that I could
find any difficulty in naming him: I could do it as soon as you could
say _Jack Robinson_."
Pitt having waited with consummate judgment, though against the advice
of all his supporters, until Fox had worn down his majorities in the
House, and totally disgusted the nation, dissolved the parliament. The
measure was triumphant; an unequaled Tory majority was returned in the
next session, and the Whigs were extinguished as a party for nearly
twenty years. Lord Eldon records a curious acknowledgment of Fox with
respect to the power of the pencil. "Sayers's caricatures," said he,
"did me more mischief than the debates in Parliament or the attacks of
the press." Lord Eldon observes that the prints of Carlo Khan; Fox
running away with the India House; Fox and Burke quitting Paradise when
turned out of office, and similar publications, had certainly a vast
effect on the public mind. Let HB triumph on this, and make his claim on
the ministry. Scott was again returned for Weobly, and gives a curious
instance of the slight incidents by which elections are sometimes
determined. In crossing the country from Lancaster to the hustings at
his borough, he stopped at the last stage to have his hair dressed. The
hairdresser asked him whether Sir Gilbert Elliott was not one of the
seven kings--a name of ridicule given to Fox's seven proposed
commissioners for India. "Because," said the man, "there is a Sir
Gilbert Elliott a candidate for the borough; and we are all agreed that,
if he is one of the seven kings, we will have nothing to say to him; and
as we wish to be sure about it, and as you must know, sir, excuse my
freedom in asking whether he really is one of the seven kings." Scott
answered that he certainly was. The hairdresser immediately made
proclamation of the fact, and Sir Gilbert was totally defeated.
Very curious instances of character occur in the experience of counsel.
Lord Eldon gives one of them as occurring to himself. "Once," said he,
"I had a very handsome offer made to me. I was pleading for the rights
of the inhabitants of the Isle of Man. Now I had been reading in Coke,
and I found there that the people in the Isle of Man were no beggars,"
(the words are, 'The inhabitants of this Isle are religious,
industrious, and true people, without begging or stealing.') "I
therefore do not beg their rights, I demand them. This so pleased an old
smuggler who was present, that when the trial was over, he called me
aside and said, 'Young gentleman, I tell you what, you shall have my
daughter if you will marry her, and one hundred thousand pounds for her
fortune.' That was a very handsome offer, but I told him that I happened
to have a wife who had nothing for her fortune, therefore I must stick
to her." In December of this year 1784, Johnson died. "He was a good
man," said Lord Eldon; "he sent me a message on his death-bed, to
request that I would make a point of attending public worship every
Sunday, and that the place should be the Church of England."
An excellent anecdote, illustrative of the advantages of knowing some
thing of every thing, is given on a trial at Carlisle. Bearcroft, a
celebrated advocate, was brought down on a special retainer of three
hundred guineas, in a salmon fishery cause. Scott led on the other side;
and at a consultation held the evening before, it was determined to
perplex Bearcroft, by examining all the witnesses in the dialect of
Cumberland, and, as it appears, in the _patois_ of the fishermen.
Accordingly, when Scott began to cross-examine his first witness, who
said a good deal out the salmon good and bad, he asked whether they were
obliged to make _ould soldiers_ of any of them. Bearcroft asked for an
explanation of the words, which Scott would not give him. He then asked
the judge, who answered that he did not know. After a squabble, the
phrase was explained; but nearly every other question produced a similar
scene. The jury were astonished that neither judge nor Bearcroft
understood what they all understood so well, and they inferred from
Bearcroft's ignorance that he had a rotten cause. The consequence was,
that Bearcroft lost the cause; and he swore that no fee should ever
tempt him to come among such a set of barbarians as the Cumberland men
again.
An _ould soldier_ is made by hanging up in a chimney a salmon caught out
of season, when the fish is white instead of red, and it acquires by
hanging the colour of an old red coat.
Cross-examination may sometimes produce peril to the performer. At the
assizes, Scott once examined a barber severely. The barber got into a
great passion, and Scott desired him to moderate his anger, and that he
should employ him to shave him as he passed through Kendal to the
Lancaster assizes. 'The barber said, with great indignation, "I would
not advise you, lawyer, to think of that, or risk it."
Scott's reputation was now rising year by year, in both Parliament and
his profession; and Lord Mansfield's resignation, in 1788, of the
chief-justiceship of the King's Bench making a general move in the
higher orders of the bar, Scott was appointed solicitor-general, Kenyon
being appointed to the chief-justiceship, and the attorney-general,
Arden, succeeding to the Rolls. On this occasion he was knighted. A
melancholy event soon gave him the most public opportunity for the
display of his official faculties. In the autumn of 1788, the king was
attacked with disorder of the mind, and the great question of the
regency necessarily came before Parliament. The Whigs, who regarded the
Prince of Wales as their dependent, if not as their dupe, insisted on
his succession to the unlimited prerogatives of the sovereign; the
Tories insisted, on the other hand, that Parliament alone had a right to
confer the regency and to assign its powers, though they admitted that
the choice, in the present instance, ought to fall upon the Prince of
Wales. A question of this importance naturally brought out all the
ability on both sides. Pitt and the solicitor-general took the lead on
the side of limitation, and the prince ultimately accepted the regency
on their terms. It became unnecessary, however; for, while the bill was
in the House of Lords, a communication was made by the chancellor, that
the king's health was in a favourable state.
His majesty was able to return to business in March.
Lord Thurlow had been universally charged with carrying on an intrigue
with the Opposition, for the purpose of continuing in office under the
regency. Lord Eldon's belief is introduced against that charge; but
there can be no doubt whatever that the charge was universally rumoured
at the time; that anecdotes confirmatory of the fact were told in every
direction; that no known attempt was ever made to answer them; and that,
from the period of the regency, an alienation arose, which finally
determined his dismissal by the minister. The well-known boast of the
chancellor's loyalty to the incapacitated king, which produced such
animadversion in the House, and such burlesque out of it--Burke's
ridicule of his official sensibilities, "the iron tears down Pluto's
cheeks," were all founded on the public belief of this intrigue. And it
is certainly no answer, at the end of half a century of uncontradicted
opinion, to say that no formal accusation on the subject was made on the
king's recovery, when the whole subject of the regency had become alike
distasteful to both sides of the House--to Ministers, from delicacy to
the king; and to Opposition, from a sense of failure.
Soon after Scott became solicitor-general, the king, at Weymouth, said,
"Well, I hope your promotion has been beneficial to you?" He asked his
majesty if he meant his professional income. "Yes," said the king, "in
that and in other respects." Scott told him that he must lose by it
about £2000 a-year; and on the king expressing surprise, he said "That
the attention of the law-officers was called to matters of international
law, public law, and revenue law--matters which, as they were not
familiar to them, took up a good deal of their time, and that the fee
usually given to the solicitor-general with the government cases was
only three guineas, while those from private cases were from ten to
twenty-five." "Oh!" said the king, "then for the first time I comprehend
what I never could understand, why it has always been so difficult to
get any opinion from my law-officers."
At the close of the session of 1792, Lord Thurlow gave up the great
seal. "What it was," said Lord Eldon afterwards, "that occasioned the
rupture between Lord Thurlow and his colleagues, I never could find
out." We here see an instance of the ignorance in which a high official
was content to remain, on a subject which might naturally and fairly
excite his curiosity. It is obvious that he wished to keep himself out
of the mêlée and took the best probable way of doing so, by asking no
questions. But a dilemma arose out of this resignation to Scott himself.
Pitt sent for him, and said, "I have a circumstance to mention to you,
which, on account of your personal and political connexion with Lord
Thurlow, I wish that you should first hear from myself. Lord Thurlow and
I have quarreled, and I have signified to him his Majesty's commands
that he should resign the great seal." Scott replied, that he was not at
all surprised at the event which had taken place; but added, that he
owed too great obligations to Lord Thurlow to reconcile it to himself to
act in political hostility to him, and he had also been too long in
political connexion with the minister to join any party against him; so
that nothing was left but to resign his office, and make his bow to the
House of Commons. Pitt argued against this, and finally induced him to
consult Lord Thurlow. Thurlow at once told him, that to resign would be
a foolish thing; adding in the spirit of a prediction, which was
afterwards strikingly realized, "it is very possible that Mr Pitt, from
party and political motives, at this moment may overlook your
pretensions; but, sooner or later, you, _must_ hold the great seal. I
know no man but yourself qualified for its duties."
If the ex-chancellor was complimentary to Scott, it notoriously was not
his habitual style; the fierceness of his tone was well known. His
language of Loughborough, who succeeded him, was savagely contemptuous.
On one occasion, when the latter was speaking with considerable effect
on a subject on which Lord Thurlow had an adverse opinion, though he did
not regard himself as sufficiently master of it for direct refutation,
he was heard to mutter, "If I was not as lazy as a toad at the bottom of
a well, I could kick that fellow Loughborough heels over head, any day
in the week."
Thurlow told the Prince that though Loughborough "had the gift of the
gab in a marvellous degree, he was no lawyer;" and added, "in the house
of Lords I get Kenyon or somebody to start some law doctrine, in such a
manner that the, fellow _must_ get up to answer it, and then I
leave the woolsack, and give him such a thump in his bread-basket that
he cannot recover himself."
The solicitor-general was now growing rich, and he purchased for
L.22,000 the manor of Eldon, a property of about 1300 acres in the
county of Durham. He was an "improving landlord," and for several years
he expended the income of the estate on planting--which at once much
increased its value, and added to the beauty of that part of the county
of Durham.
In 1793, he ascended another step in his profession, by his appointment
to the great office of attorney-general, in succession to Sir Archibald
Macdonald, who was made chief baron of the exchequer. The new
attorney-general was soon summoned to the highest exercise of his
abilities, his learning, and his courage; he commenced office in the midst
of national convulsion.
The Revolution of France, which had been growing violence and havoc for
the last four years, had now arrived at its height. The change,
beginning with popular reform in 1789, had, in 1793, been consummated in
regicide. The republic proclaimed in the year before, within three
months had darkened into a democracy. The general alarm of the
continental kings; combined them in an attempt to overthrow a government
which threatened them all; the attempt was found to result only in
consolidating its power; and, in the first year of war, France presented
to the disaffected of all nations, the tempting spectacle of a land in
which the foremost prizes of power had fallen into the hands of men of
the humblest condition; and in which those men humbled to the dust the
proudest diadems of Europe. Obscure pamphleteers, country advocates,
monks, and editors of struggling journals, were suddenly seen in the
first offices of state, wielding the whole power of the mightiest
kingdom of the Continent, absorbing its revenues, directing its armies,
and moving in the rank of princes among the proud hereditary
sovereignties of the world. To the crowd of unprincipled men, engendered
by the habits of European life, and their consciousness of abilities
fully equal to those which had won such opulent enjoyments and lofty
distinctions in France, the success of the Revolution was an universal
summons to conspiracy. On the Continent that conspiracy was, according
to the habits of the people, crafty and concealed. In England, equally
according to the habits of the people, it was bold and public, daring
and defying. Great meetings of the population were held in the open air;
committees of grievance were appointed; correspondences were spread
through the country; the whole machinery of overthrow was openly
erected, and worked by visible hands. Even where secresy was deemed
useful by the more cautious or the more fearful, it was of a different
character from the assassin-like secresy of the foreign insurgent; it
was more the solemn and regulated observance of a secret tribunal. The
papers which have transpired of those secret committees have all the
forms of diplomacy, combined with a determination of language, and an
intensity of purpose, which would do honour to a nobler cause. But the
contest was now at hand, and on three men in England depended the
championship of the monarchy. These three were the King, the Minister,
and the Attorney-General. There were never three individuals more
distinctly, and we shall scarcely hesitate to say, more providentially,
prepared to meet the crisis. George III., a sovereign of the most
constitutional principles, and of the most unshaken intrepidity; William
Pitt, the most sagacious and the most resolute statesman that England
had ever seen, formed by his manly eloquence to rule the legislature,
and, by his character for integrity, to obtain the full confidence of
the empire; and Sir John Scott, at once wise, calm, and bold, profoundly
learned in his profession, personally brave, and alike incapable of
yielding to the menaces of party or the corruptions of power. It is not
to be forgotten, as a portion of that genuine public respect which in
England is always withheld from even the most shining personal gifts,
when stained by private profligacy, that those three were wholly and
alike above the breath of slander. The king, eminent for domestic
virtue; Pitt, unstained by even an imputation; and Scott, fondly
attached to his wife and family.
In January 1793, the cruel murder of the innocent and unfortunate Louis
XVI. had been perpetrated by the National Convention--an act which
Napoleon long afterwards pronounced "a grand political error; sufficient
to stamp the government not merely with guilt, but with infatuation."
The French minister at the Court of St James's was ordered to leave the
country, and war was proclaimed. The revolutionary committees in England
now assumed increased activity. Communications were established between
them and the Jacobin government; and while France prepared for War,
English republicanism prepared for revolution. The time of the struggle
was fully come. The English minister now buckled on his armour. A
succession of vigorous measures employed the legislature during the
whole period; they were fiercely combated, but they were all ultimately
carried. Opposition never exhibited more brilliant parliamentary powers.
Fox was matchless in declamation, alternately solemn and touching;
Sheridan, Grey, and a long list of practised and indefatigable talent,
were in perpetual debate; but Pitt, "with huge two-handed sway", finally
crushed them all. The classic illustration of Hercules destroying the
Hydra, was frequently used to express the solitary prowess of this
extraordinary man in resisting the multiplied, wily, and envenomed
attacks of his opponents; and he realized the fable to the full--he
not merely crushed the heads, but he seared them. He extinguished that
principle of evil increase, by which all the efforts of foreign
governments had been baffled in their contests with Jacobinism; and in
the midst of an empire at all times inclined to look with jealousy on
power, and at that moment nervous for the suspended privileges of its
constitution, Pitt utterly extinguished the Whigs. Fox was defeated so
hopelessly, that he gave up Parliament altogether, and his party
followed his example. Pitt had not merely cut down the statelier trunks
of Opposition, but he had swept away the brushwood, and smote the ground
with sterility. His bold enterprise had not merely taken the citadel Of
faction by storm, and driven its defenders, faint-hearted and fugitive,
over the face of the land, but he had sown the foundations with salt.
The total solitude of the Opposition benches, during the greater part of
the minister's political life, was the most unequivocal and striking
evidence ever given to ministerial supremacy.
The services of the attorney-general were in another less wide, but not
less important province. On the Continent, the conspirators against the
state would have been thrown into dungeon for life, or shot. In France,
the idol of the revolutionist of all countries, they would heave been
carried before a mob tribunal, their names simply asked, their sentences
pronounced, and their bodies headless within the first half hour. In
England, they had the benefit of the law in all its sincerity, the
assistance of the most distinguished counsel, the judgment of the most
impartial tribunal, and the incalculable advantage of a trial by men of
their own condition, feelings, and passions. On the 28th of October, at
the Old Bailey, commenced the trial of Hardy, one of the secretaries of
the chief treasonable society. The bill brought in by the grand jury had
included twelve. The charges were those of "compassing the death of the
king, and the subversion of the government." Hardy was a shoemaker, a
man of low attainments, but active, and strongly republican. His
activity had made him secretary to the London Corresponding Society, and
by its direction a member of a similar body, named the Society for
Constitutional Information. The direct object of all those societies was
the same--to summon a national convention, which must, of course,
supersede Parliament. As those societies grew more mature, instead of
becoming more rational they exhibited more savage ferocity. Placards
were distributed in the form of a playbill, announcing, "For the Benefit
of John Bull, La Guillotine," or, "George's Head in a Basket." The airs
of their meetings were Ca Ira and the Marseillaise. Attempts were made
to corrupt the army. It was openly declared in their harangues, that it
was "impossible to do any thing without some bloodshed, and that Pitt's
and the King's heads would be upon Temple Bar." The sentiment was
general, but at the conclusion of the especial harangue in which this
atrocious language was first used, the whole meeting rose up, and shook
hands with the madman by whom it was uttered.
The attorney-general's speech on this occasion was masterly; English
jurisprudence had never before witnessed so striking a combination of
refined knowledge with clear arrangement and unanswerable facts. It had
one disadvantage, it was overwhelmingly long; it lasted nine hours, a
period, if not beyond the strength of the advocate, palpably beyond any
power of attention in the jury. But even this disadvantage arose from an
honourable public feeling. The judges who examined the papers declared
them to be high treason. The warrants of commitment had declared them to
be high treason. Lord Eldon, in his "anecdotes" of this period, says,
that, "after this, he did not think himself at liberty to _let down_ the
character of the offence." An additional and still stronger reason is
given, that "unless the _whole_ evidence was laid before the jury, it
would have been impossible that the country should have ever been made
fully acquainted with the danger to which it was exposed. And it
appeared to him more essential to the public safety that the whole of
those transactions should be published, than _that any of these
individuals should be convicted_." This was a sentiment which does
honour to the memory of a great man. He had been urged by his fellow
counsel, and probably by others, to bring the accused to trial only for
a misdemeanour, in the expectation of thus being sure of a verdict. But
he determined to bring the case before the jury in its true shape, be
the result what it might. It has been rumoured that this, too, was the
opinion of Pitt, in contradiction to that of some of the cabinet. With
that pre-eminent man the blood of these criminals could never have been
the object. No servant of the British crown was ever less chargeable
with cruelty. But the true object was, to expose the treason; to prove
to the nation the actual hazards of revolutionary intrigue, and to
extinguish conspiracy, however the conspirators might escape. The
consequence amply justified this bold and candid determination. _The_
conspiracy was crushed; all conspiracy was crushed. Nothing of the same
degree of guilt, nor even of the same shape of guilt, ever recurred. The
lesson was not the less complete, for its sparing the country the sight
of the abhorred scaffold. The conspirators, though successively
acquitted, were so warned by their peril that they never sinned again.
All, if not converted, sank into total obscurity. The nation, freed from
this nightmare, started up in fresh vigour, and began, with a unanimity
in its heart, and irresistible strength in its hands, that illustrious
battle for Europe, which accomplished the liberation of mankind.
The attorney-general had now given such undeniable proofs of fitness for
the highest rank of his profession, that office seemed to fall to him by
right of universal acknowledgment; and on a vacancy in the Common Pleas,
he was promoted to the chief-justiceship in 1799, and at the same time
raised to the peerage by the title of Baron Eldon. It is an instance of
the dutiful and affectionate nature, which long connexion with the world
and the pride of success--the two strongest temptations to
heartlessness--could not extinguish, that he made a point of writing the
first letter which he signed with his title to his aged mother. In this
interesting document, after mentioning his double promotion, and
attributing it, "under the blessing of Providence," to the lessons of
virtue which he had received from his parents; he adds--"I hope God's
grace will enable me to do my duty in the station to which I am called.
I write in some agitation of spirits; but am anxious to express my love
and duty to my mother, and affection to my sisters, when I _first_
subscribe myself, your loving and affectionate son, ELDON."
Lord Kenyon, then chief-justice of the King's Bench, pronounced a
panegyric on this promotion, congratulating the profession, and
especially those who practised in the Common Pleas, on the appointment
of one who would probably be found "the most consummate judge that ever
sat in judgment."
The step from the office of attorney-general to the presidency of one of
the courts, has been not unusual; but, as modern experience has shown,
it is by no means a necessary procedure. In Lord Eldon's instance, it
received the universal approval of the bar. But he held the
chief-justiceship only for a year and a half, when he was raised to the
summit of the bar, and sat down lord chancellor.
We hasten over the melancholy details of the following period. The
labours of the attorney-general were light and cheerful compared with
the toils and responsibilities of the chancellor; the disturbed state of
the king's mind; the growing difficulties of that millstone round the
neck of English legislation, the Popish claims; the retirement of Pitt,
and the general alarm of the nation at its external hazards, formed a
trial of unexampled severity to all public men. The death of the Great
Minister in 1806, (23d of January,) at length broke up the Tory
administration; the Whigs assumed power, and Lord Eldon, of course,
resigned the Seals.
But the mere official routine of a chancellor's life is tremendous. Lord
Eldon's account of one of his days, shows at what a price the honour of
the Seals must be purchased. In one of his letters he says--"Mine has
been no easy life. I will tell you what once happened to me. I was ill
with the gout, it was in my feet, and so I was carried into my carriage,
and from it was carried into court. There I remained all the day, and
delivered an arduous judgment. In the evening, I went straight from my
court to the House of Lords. There I sat until two in the morning, when
some of the lords came and whispered to me, that I was expected to
speak. I told them that I really could not, that I was ill, and could
not stand. It was an important question, (the peace of Amiens,) I forgot
my gout, and spoke for two hours. Well, the House broke up, I was
carried home, and at six in the morning I prepared to go to bed. My poor
left leg had just got in; when I recollected that I had important papers
to examine; so I put on my clothes, and went to my study. I examined the
papers; they related to the Recorders' Report, which had to be heard
that day. I was again carried into court, where I had to deliver another
arduous judgment. Again went to the House of Lords, and it was not till
the middle of the second night that I got into bed!" Such desperate
performances do not occur every day in the life even of lord
chancellors; but the judicial labours, combined with the political, are
too heavy a task for the body or the mind of any man.
The Whigs are never destined to a long supremacy. They have never come
into power but in some perverted state of the public feelings. There
must be some terror, or some infatuation, in the public mind, before it
calls in the quack; but the moment that sees quiet succeed to
disturbance, and the nation has recovered its composure, always sees the
Whigs driven out of office. The death of Fox, in 1806, unquestionably
deprived the party of a great popular name, but the whole strength of
Whiggism survived. It was in full possession of power, and the late
dissolution had filled Parliament with its adherents; still its old fate
prevailed. Like ships floating over the land only by the help of an
inundation, when the waters return to their channel the ships remain,
only to be broken in pieces, the Whig government was broken up never to
be restored, until a new convulsion in France, producing a corresponding
convulsion in England, brought them into office, after a lapse of
another quarter of a century.
In March 1807, a bill having been prepared as a preliminary to the
Popish concession, the king pronounced it contrary to his coronation
oath, and insisted on its withdrawal; the Whigs consented; but the king
further insisting on a pledge that they would attempt no similar
measure, they demurred, and his majesty instantly dismissed them, amidst
the general rejoicing of the empire. The Duke of Portland was placed at
the head of a new ministry, and Lord Eldon received the Seals.
We have now seen his lordship secure in that station which he was to
retain until the close of his useful and vigorous life; we shall,
therefore, abandon politics, and turn to his more numerous recollections
of incident and character.
Lord Eldon as a warrior. "During the war," says his lordship, "I became
one of the Lincoln's Inn volunteers--Lord Ellenborough, at the same
time, being one of the corps. It happened, unfortunately for the
military character of both of us, that we were _turned out of the
awkward squad for awkwardness_! I think Ellenborough was more awkward
than I was; but others thought that it was difficult to determine which
was the worse." His brother William, however, was a smart officer, and
commanded a corps.
Of Chief-Justice Eyre, whom he succeeded in the Common Pleas, he
told--"Eyre once demanded of Wilkes, why he abused him so unmercifully
in his speeches to the Livery while he was Recorder, though in private
he expressed a regard for him?"--"So I have," said Wilkes, "and it is
for that reason I abuse you in public. I wish to have you promoted to a
judgeship."
"When Sir Robert Henley was keeper of the Great Seal, and presided in
the House, he was often indignant at seeing his decrees reversed, while,
not being a peer, he was not entitled to support his decisions. In the
famous case of Drury and Drury, his decision having been reversed,
though the bar then and still pronounced it valid, the lord keeper was
very angry; and, in driving home, his coachman checked the horses. He
asked--'Why he did not drive on?' The man saying--'My lord, I can't. If
I do, I shall kill an old woman.'--'Drive on,' cried Henley; 'if you do
kill her, she has nothing to do but to appeal to the house of Lords.' He
was afterwards made lord chancellor, and this habit of reversals came to
an end."
On his quitting the chancellorship, and accepting the inferior office of
lord president, the Archbishop of Canterbury congratulating him on his
removal from an office of unceasing fatigue to one of so much quiet, the
ex-chancellor not being at all satisfied with the difference of the
emoluments, answered very sulkily, "I suppose, now, you would think I
was extremely civil and kind if I were to congratulate your grace on a
transition from Canterbury to Llandaff."
Taylor, an extravagant personage who called himself a chevalier, and who
professed extraordinary skill in the diseases of the eye, dining one day
with the bar on the Oxford circuit, related many wonders which he had
done. Bearcroft, a little out of humour at his self-conceit,
said--"Pray, Chevalier, as you have told us a great many things which
you have done, try to tell us something which you cannot do." "Nothing
so easy," said Taylor; "I cannot pay my share of the dinner-bill; and
that, sir, I must beg of you to do."
Lord Thurlow's oddity and abruptness, both sometimes amounting to
brutality, were the constant source of amusement--at least to all but
the sufferers. On a trial in which an attorney gave evidence respecting
the will of a man whose death was in question, the attorney, after some
puzzling, said--"My lord, hear me, the man is dead; I attended his
funeral; he was _my client_." "Why, sir," said Thurlow, "did you not
mention _that_ at first? a great deal of time and trouble might have
been saved. That he was _your_ client is some evidence that he was dead;
nothing was so likely to kill him."
At Buxton, Thurlow lodged with a surgeon, opposite to a butcher's shop.
He asked his landlord whether he or his neighbour killed the most.
Thurlow, on being asked, how he got through all his business as a
chancellor, answered--"Just as a pickpocket gets through a horse-pond.
He _must_ get through." Dunning, when a similar question was put to him,
answered in much the same spirit, though in a more professional style.
"I divide my business into three parts: one part I do; another does
itself; and the third I leave undone."
In 1807, Lord Eldon purchased the estate of Encombe in the Isle of
Purbeck, for which he paid between £52,000 and £53,000, comprising a
mansion with 2000 acres, a fertile valley, with a fine sea view.
In 1809, the charges brought by Colonel Wardle against the Duke of York
excited great public interest. The very sound of malversation in high
employments excites all the feelings of a nation with whom character is
the first requisite; and the rumour that the Duke had been a party to
the sale of commissions in the army by Mrs Clarke, with whom he had
formed an unfortunate connexion, produced a public uproar. After
discussions and examination of witnesses, which lasted six weeks, and
brought infinite obloquy on the Duke and his defenders, the House of
Commons resolved, by 278 to 196, that the charge of corruption, or even
of connivance, against the Duke, was wholly without foundation. Upon
this clearance of his character, the Duke resigned the command of the
army; a subsequent motion for a censure on his conduct, was negatived
without a division. The Duke of York was, beyond all question, clear of
any knowledge of the practices of the very ingenious person with whom he
associated, but few men have ever paid more dearly for their offence.
The storm of public abuse which poured on him for months, must have been
torture; and his resignation of office must have stung every feeling;
and even his pecuniary sacrifice during the three years of his
retirement, must have been severely felt by a prince with a narrow
income for his rank. That loss could not have been less than £50,000. In
1811 he resumed the command. We must hasten to the conclusion. Lord
Eldon, after witnessing the two great changes of the constitution, the
Popish bill of 1829--which he calls the "fatal bill," and which he had
resisted with all his vigour and learning for a long succession of
years--and the Reform bill of 1832, at length found that period coming
to him which comes to all. Retiring from public life, he devoted himself
to his study, the society of a few old friends, and those considerations
of a higher kind which he had cultivated from early life, and which
returned to him, as they return to all who reverence them, with
additional force when their presence was more consolatory and essential.
But old age naturally strips us of those who gave an especial value to
life; and after seeing his brother Lord Stowell, and Lady Eldon--his
Elizabeth, for whom he seems to have always retained the tenderness of
their early years--taken from him, he quietly sank into the grave, dying
in 1838, January 13th, aged 87. He deserved to rest in peace--for he had
lived in patriotism, integrity, and honour.
The three volumes exhibit a research which does much credit to the
intelligence and industry of Mr Twiss, their author. They abound in
capital anecdotes, but a few of which we have been able to give--possess
passages of very effective writing--and form a work which ought to be in
the library of every lawyer, statesman, and English gentleman.