Ojibwa Women Gathering Wild Rice. (After Schoolcraft.)

In war, the men used the bow and arrows, spear and tomahawk. They

protected themselves with round shields. They speared fish in the streams

and lakes or caught them in brush nets or with hooks of bone or

bird-claws.

There were three totems of the Lenape. Every man was either a wolf,

turkey, or turtle. He had one of these three animals for his emblem, and

was as fond of drawing or carving it as a boy among us is of writing his

name. This emblem was signed to treaties, it was painted on the houses, it

was carved on stones. But only those who were turtles drew their totem

entire; usually the wolf or the turkey were represented only by one foot.

Between a person and his totem there was a curious friendship, and it was

believed that the animal was a sort of protector and friend of those who

bore his name. All who had the same totem were blood-relations.

All Algonkins were accustomed to draw pictures to record events. The

blankets of chiefs were decorated with such pictures. The Ojibwas were

fond of writing birch-bark letters. One of the most interesting Indian

records known is the _Walam olum_; this means the red score or red record.

Probably it at first consisted of a lot of little sticks or boards with

some quaint red pictures upon them. These were probably kept tied together

into a little bundle. The original sticks have long been lost, but the one

hundred and eighty-four pictures were copied and are still preserved. They

were intended to assist in remembering a long poetical legend in which the

Algonkin ideas regarding the creation of the world and their tribal

history were told.

At first everything was good. Animals and men lived in peace. Then a

wicked serpent tried to drown the world. Only a few persons escaped to the

back of a great turtle. Their great hero Nanabush helped them. The waters

subsided. As the land where they now found themselves was cold, the people

determined to move southward. The story of their quarrels and divisions on

the journey is told, and also the way in which they seized their new home,

destroying or driving out the original owners.

The song in which this story is told is long and full of old words

difficult to understand. The Indians themselves must have had difficulty

in remembering it. It was a great help to have these little sticks with

the red pictures to remind them of its different parts.

Far to the west, close against the base of the Rocky Mountains, lived a

famous Algonkin tribe—the Blackfeet. They were great buffalo hunters and

warriors. We often think of Indians as being stern and morose, never

smiling, never amused. Yet most tribes had sunny tempers like children.

Mr. Grinnell, to show this side of Indian nature, describes a day in camp

in the olden, happy time. Two parts of his description describe feasts and

gambling. Feasts were in constant progress: sometimes one man would give

three in a day; men who were favorites might go from feast to feast all

day long. If a man wished to give a feast, he ordered the best food he had

to be cooked. Then, going outside, he called out the list of invited

guests: the name of each one was cried three times. At the close of his

invitation he announced how many pipes would be smoked: usually three.

When the guests came, each was given a dish, with his share of the food;

no one might have a second help, but it was quite polite to carry away

what was not eaten.

While the guests were feasting, the man of the house prepared a pipe and

tobacco. After the eating was over, the pipe was lighted and passed from

hand to hand, each person giving it to the one on his left. Meantime

stories of hunting and war were narrated and jokes cracked. Only one man

spoke at one time, the rest listening until he was through. Thus they

whiled away the time until the last pipe was smoked out, when the host,

knocking the ashes from the pipe, told them they might go.

All Indians are gamblers, and they have many gambling games. The Blackfeet

played one which was something like the famous game of Chunkey, played

among the Creeks. (See XIX.) A wheel about four inches in diameter with

five spokes on which were beads of different colors, made of horn or bone,

was used. It was rolled along upon a smooth piece of ground at the ends of

which logs were laid to stop it. One player stood at each end of the

course. After a player set the wheel to rolling, he hurled a dart after

it. This was done just before the wheel reached the end of its journey.

Points were counted according to the way in which the wheel and dart fell

with reference to each other. Ten counts made the game. This game always

attracted great crowds of spectators, who became greatly excited and bet

heavily on the result.

[Illustration.]

Blackfoot Squaw Traveling.

At night about their camp-fires the Blackfeet delighted to tell their

sacred stories, which they did not dare repeat in daylight. In telling a

story of personal adventure, Indians, like white people, were often

tempted to make it larger than it really was.

The Blackfeet and some other Indians had the following mode of getting at

the truth. When a man told an improbable story some one handed a pipe to

the medicine man, who painted the stem red and prayed over it, asking that

the man’s life might be long if his story were true, but cut short if the

story were false. The pipe was then filled and lighted and given to the

man. The medicine man said, as he handed it to him: “Accept this pipe, but

remember that if you smoke, your story must be as sure as that there is a

hole through this pipe and as straight as the hole through this stem. So

your life shall be long and you shall survive; but if you have spoken

falsely, your days are counted.” If he refused to smoke, as he surely

would if he had not spoken true things, every one knew that he was a

braggart and a liar.

DANIEL GARRISON BRINTON.—Physician, anthropologist. Has written

many books, mostly about American Indians. _The Lenape and their

Legends_, in which the _Walam olum_ is given in full, is a volume

in his _Library of Aboriginal American Literature_.

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