Chapter Twenty-one

Von Barwig now firmly made up his mind that it would never be his good

fortune to see his beloved pupil again. "She has gone out of my life

as suddenly as she came into it," he said with a deep sigh.

To a man of his mental activity the loss of almost the sole object of

his thoughts created an aching void, and yet so hopeful was he in spite

of the constant repetition of blasted hopes and unfilled desire that

two or three days after the occurrences just narrated he had resolved

on a new plan of action.

"Poons and Jenny shall marry at once," said he as he arose that morning

and dressed himself to go to the rehearsal of a new songstress at the

Museum.

"The son of your old friend and the niece of your good landlady shall

mark a new epoch for you, Barwig. You overrated yourself, you loved

the daughter of millions, you lived beyond your means, my friend. Now

it is time you lived within your income," he said, looking at himself

in the glass, as he combed his grey hair. "Love Jenny and Poons; poor

little neglected ones, you had forgotten their existence! No more

extravagances, no more reaching for the impossible! Here down in

Houston Street is your life! It is your own, live it! Don't go after

the fleshpots of Fifth Avenue, don't cheapen yourself that servants and

lackeys may insult and deride you."

Yet ever as he spoke, a mental image of his beloved pupil came before

him, and his heart sank as he thought that he should never see her

again.

"Why has a mere thought, a stray idea the power to make us so unhappy?"

he asked himself. This question was still unanswered when there came

into his mind the memory of the unfortunate young woman he had met on

Union Square a few nights before. Her misery, her agony of mind, the

crying babe, all came before him in a flash. "My God, when I think of

her, I am ashamed of myself! Here I howl and tear my hair and rail at

fortune because I lose something that I never had; she was never

mine--this girl of millions--I had no right to her. But the sufferings

of that poor child-wife are real, deep, heartrending; and there are

thousands of others like her in this world. Get up, sluggard, get up!

Go out and comfort them; go out into the world and mend broken hearts.

It is your trade! You have qualified, for your own is battered to

pieces."

This idea gave him peace of mind for a short time, but presently his

thoughts ran into the old groove. Try as he would he could not direct

them away from the line of easiest mental resistance.

"If I could only see her once again," he thought, "perhaps I could

explain away the cause of our separation. Perhaps I--" and he started

up suddenly, the idea sweeping him off his feet. "By God, I make one

more effort; just one more effort! And if that fails, I give it up; it

shall be the last! This time I swear it shall be the last. Yes, I go,

I demand an interview. It is my right." He was as full of hope now as

he had ever been. As a gambler eagerly stakes his last bet, so Von

Barwig hastened to finish dressing and go to her, to make his one last

appeal.

As he brushed his coat hurriedly, there came a knock at the door.

"Come in," said Von Barwig rather impatiently, thinking that it was

Poons. He did not feel in the mood just at that moment for casual

conversation. "Come in," he repeated in a louder voice, and to his

utter amazement in walked Beverly Cruger.

Von Barwig could only stare at him in speechless astonishment. He was

literally dumfounded. Young Cruger evidently saw this, for he seized

Von Barwig's hand and shook it warmly.

"How do you do, Herr Von Barwig?" he said.

"Thank you, well! Sit down," the old man managed to gasp out, as he

pointed to a chair. "You come from her, from Miss Stanton?" he

articulated in a voice just loud enough to be heard by the younger man.

"Yes," said Beverly, taking off his gloves and placing them on the

table. "I want to have a little talk with you. May I?"

Von Barwig did not answer his question.

"Did--she--did she send you?" he asked. His eyes glistened; his very

life seemed to depend on the answer.

Beverly nodded. "Yes, she wanted me to ask you a few questions. Are

you sure you have the time to spare?"

Von Barwig laughed from sheer joy. Time! to some one who came from

her! He could only nod in acquiescence and wait for the young man to

speak.

"How many letters have you received from Miss Stanton?" asked Beverly.

Von Barwig looked at him. "Not any," he replied, shaking his head

sadly.

Beverly made no comment, but he made a mental note. It was not his

intention at that moment at least to acquaint Herr Von Barwig with all

that had passed between Hélène and himself as to the letters that had

failed to reach their destination.

"Didn't receive one, eh?"

"No, not one," said Von Barwig, in a low voice. "Has she written?" he

asked falteringly.

Beverly made no reply, but thought a moment.

"How many letters have you sent Miss Stanton?" he asked.

Von Barwig hesitated. "Perhaps--perhaps some five or six," he said

apologetically.

"Hum!" commented Beverly, "five or six, eh? How many times have you

called during, say, the past month?"

Von Barwig shook his head; he could not remember. "Perhaps twenty,

perhaps thirty times."

"And she was always out?" queried Beverly.

"Yes," said Von Barwig sorrowfully, "always!"

"Whom did you see?"

"Mr. Joles," came the ready reply.

"Every time you called?"

"Yes, I--I think so!"

Beverly Cruger looked at Von Barwig a few moments and knitted his brows

thoughtfully. "It's damn queer," he said, after a pause.

"Has she written any letter to me? It did not reach me, that I am

sure," began the old man.

"That's all right. Now let me give you Miss Stanton's message! She

would like you to be at her home at four o'clock this afternoon. Can

you manage it?"

Von Barwig did not trust himself to reply. He could only nod his head

affirmatively.

"I'm glad I came up; awfully glad!"

Beverly arose from his seat and held out his hand to Von Barwig.

"Good-bye! Be on time, won't you?" he said.

Von Barwig smiled. "Yes, I'll be on time," he said joyfully.

The look in the old man's face went to Beverly Cruger's heart and he

showed his sympathy as he shook hands with him again. He hurriedly

passed through the group of children who had gathered to look at the

not too familiar spectacle of a hansom cab waiting at the door of Miss

Husted's establishment.

Von Barwig will always remember how wearily the hours dragged along

until the time of his appointment uptown came. Finally they did pass,

and though it lacked several minutes of the hour of four, Von Barwig

walked up the stone steps of Mr. Henry Stanton's house on Fifth Avenue

and Fifty-seventh Street.

There was no change in the expression of Mr. Joles's face to denote

that he had received imperative instructions from Miss Stanton to admit

Herr Von Barwig the moment he called. Nor did Mr. Joles appear to

think it at all curious that young Mr. Cruger should happen to be in

the hallway just as the music master came in at the door. His face

displayed no emotion whatever when that young gentleman came forward

and led the old man upstairs to Miss Stanton's room. Neither Mr.

Cruger nor the music master saw the pale face of Mr. Stanton's

secretary, Ditson, peering over the staircase at them. But a moment

later a telegram was sent to Mr. Stanton, telling him that there was an

urgent necessity for him to come home at once. Curiously enough at

about the same time Mr. Stanton received this telegram, he also

received a letter from his daughter begging him to come home as soon as

he could, as her mail had been tampered with and she strongly suspected

Joles of acting in a most deceitful manner for reasons she could not

fathom. It was because she expected her father that she acted under

Beverly's advice and did not mention the subject to Joles, nor even to

Herr Von Barwig until her father had instituted an inquiry.

The meeting between Von Barwig and his pupil was marked by no special

display of emotion or even more than ordinary interest; for Von Barwig

had steeled himself for the occasion. They greeted each other

cordially, but it was only with the greatest self-control that he

managed to conceal his delight at seeing her once more. Again occurred

the formal presentation of the little bunch of violets; again the

casual remarks about the weather.

"You are not angry?" asked Hélène tenderly.

Von Barwig dared not reply; he could only smile and look at her in

silence. After a pause he ventured to say:

"I have offended Mr. Joles's feelings. I am sorry!" Hélène held up a

warning finger, indicating her desire to keep silence on that subject,

at least for the present.

"Later on!" she said. "I intend to take up the subject with my father

when he returns."

Von Barwig watched himself closely. He was determined to make no more

mistakes, nor to yield to any temptation to give way to his feelings in

the slightest degree.

"You have practised since I--during my absence?" he asked, assuming a

sternness he by no means felt, and that she saw through at once.

"Yes, _maestro_," she replied meekly. "I have practised every day.

I've really made great progress, _caro maestro_!" and she laughed

softly.

"We shall see," said Von Barwig, with a critical frown on his face. He

was a little self-conscious. He knew his own weakness, his temptation

to become sentimental, and he had to watch himself continually to

prevent his emotional nature from getting uppermost. This

self-restraint made him slightly ill at ease, and Hélène noticed it.

"You are strangely quiet this afternoon," she said. "I should have

thought you would have had a great deal to tell me." Von Barwig merely

looked at her.

"Come," said he, "we must get to work!"

"You did not receive a single line from me?" she asked as they neared

the end of the lesson. "What must you have thought?"

"What right have I to think?" replied Von Barwig. "I am only a

teacher! There are so many. I thought perhaps you had replaced me."

"Don't talk like that, please," said Hélène quickly, and shutting the

piano up with a bang, she arose. "You know that I esteem you very

highly," and she stopped suddenly. "I am going to find out all about

these stolen letters and father will punish the culprit. He is very

strict in these matters; he always punishes the guilty."

"But it is over and done now, so why punish any one?" began Von Barwig.

Hélène shook her head.

"It hasn't begun yet," she said, ringing the bell. Denning answered

it. "Send Joles please," she said.

Denning bowed and a little later Joles appeared.

"Herr Von Barwig, my music master, will be here at three o'clock

to-morrow afternoon. You will please admit him at once."

"Yes, madam," and Joles bowed his head rather lower than usual.

Von Barwig took leave of his pupil, appearing not to notice her

outstretched hand, but merely bowing to her as he said good-bye. Joles

opened the front door for him and Von Barwig looked at him pityingly.

His triumph over the servant was so complete that he felt sorry for him.

"Perhaps you did not mean to keep back the letters," said Von Barwig to

him in a low, sympathetic voice.

Joles looked at him in blank astonishment.

"You have perhaps a family to support," went on Von Barwig. "I will

ask Mr. Stanton to forgive you."

"Sir!" said Mr. Joles, with some slight show of indignation, "I do not

understand you."

Von Barwig looked at the man a moment, and seeing that it was useless

to discuss the matter with him he walked slowly down the stone steps,

wondering what it all meant.

On the following morning Mr. Stanton arrived home. He appeared to be

in very high spirits. Hélène could not remember when her father had

been so light-hearted and gay. She wanted to tell him about the

suppression of her letters, of Joles's contempt for her orders, and his

lies about Von Barwig, but these were matters that evidently did not

interest Mr. Stanton, for he paid very little attention to her

complaints.

"It is your birthday," he said, "let no unpleasant features mar the

day! See, I have not forgotten!" and Mr. Stanton produced a box that

came from the most fashionable and most expensive jewelry establishment

in America. "A trifle," he said. "Put it with your other gifts and

show it to your friends when they come this afternoon."

Hélène opened the box. Accustomed as she was to beautiful jewels, she

could only gasp. Within it was a magnificent pearl necklace,

beautifully graded, with colour matching to perfection.

"A trifle!" she repeated. "Father, it's beautiful!" She wanted to

throw her arms around his neck, to kiss him for his bountiful gift, but

something in his manner checked her, so she stifled the impulse and

contented herself with holding up her face. Mr. Stanton kissed her

coldly and Hélène drew back. It was an instinctive repulsion and she

could not help showing it; he, on his part, appeared not to notice it.

"I will inquire into the matter of your letters being tampered with,"

he said, "although I am confident that you will find that you are

labouring under some mistake. Joles is as honest as the day. What

could be his motive?"

Hélène was silent. Her father did not pursue the subject.

"The Crugers are coming to-day," he said finally.

"Indeed?" said Hélène, somewhat surprised. "Beverly is coming, I

believe; but I did not know his father and mother were."

"I informed the Crugers that I had returned to town, and that I should

be very pleased to see them this afternoon. I told them it was your

birthday and--" He paused, saying in a more decided tone:

"It is my intention to urge an immediate marriage, Hélène." He spoke

with an effort. "I may be called away at any moment, and----"

Hélène noticed that her father looked pale and worried and decidedly

ill at ease.

"I shall esteem it a great favour if you will not interpose any

objection to my project for this marriage. I have asked several of our

friends here to-day, and I have given them to understand that the date

of the marriage would be announced. It is your birthday, so it will be

a double event, as it were." He paused and looked at her.

"Do as you think best!" she said finally. She felt it was useless to

contend with him. For some reason or other he wanted an early

marriage; so be it!

"You have asked several friends," she said. "Have you asked any of my

mother's people?"

"No," replied Mr. Stanton abruptly.

"Mrs. Cruger said she hoped some day to meet some of my mother's

relations. Father, how is it I know nothing of her or her people?

What is the mystery about her? Every time cards are sent out from this

house for any function I am always reminded that there is not one of

her family to come to this house. On an occasion like this I should

have thought----"

"She had no relatives," interrupted Mr. Stanton, "or I should have

asked them. Please discontinue the subject; it is by no means a

pleasant one. Good God, what a girl you are! I come to you with a

gift fit for a princess; and you, you ungrateful----"

Mr. Stanton looked at her with a look of intense anger, almost of

hatred; then turned on his heel and walked out of the room.

Hélène returned to her room. She was quite thoughtful. "An early

marriage! Yes, the sooner the better!" She almost threw the necklace

among the many gifts that had been sent her. She wished her father had

not given it to her. It was evidently not in her to express the

gratitude he deserved and she was angry with herself that she was not

more grateful to him.

That afternoon when Von Barwig was admitted to her presence he saw a

pile of boxes, flowers, jewelry--gifts of all sorts on the piano. He

noticed also that the dolls were on the outside of the cabinet, instead

of inside, where she usually kept them.

"It's my birthday," she said in explanation. "I've been having a good

time with my dolls." She smiled as she saw that he was holding out a

little bunch of violets.

"For you!" he said.

"You must really stop this sort of thing, sir, or I shall be very

angry!" But she took them and pressed them to her face.

"They look very meagre among all this great horticultural display,"

said Von Barwig regretfully.

"They came from the heart and I love them," she said as she fastened

them in her corsage.

"Well, now we begin," he said as he took out the lead pencil that he

always used as a baton. "There must be progress to-day."

He opened the piano and she sat down and looked at the music he placed

there for her. He had chosen a well-known exercise, a Czerny; not a

difficult one, but requiring some technique to play with precision.

"Come, begin!" and she rattled off at a 6-8 allegretto, the music which

was intended to be played in three-quarter andante.

"Very pretty," commented Von Barwig, "very pretty indeed, but you

finish before you commence!"

"That's the rate at which I'm thinking," said Hélène. "When I think

rapidly I play rapidly. My thoughts can only be described as _presto_."

"That's rather hard on the composer, Miss Stanton. Come, I count for

you! One, two, three. One, two, three; One, two, three. The fingers

should be little hammers, so! One, two, three. Dear young lady, this

is not a thumb exercise; it is for the fingers."

"Am I playing with my thumbs?" she asked.

"Come; please, please!" he entreated.

"I can't refuse when you plead so hard," she said.

"One, two, three; one, two, three," he counted monotonously.

"You like me, don't you?" she asked irrelevantly, a mischievous smile

on her face. Von Barwig tried to look stern but failed ignominiously.

"Please attend," he said. "One, two, three; one, two, three. Ah, you

play so unevenly! Sometimes you have the touch of an artist, at

another you make bungles."

"Bungles?" repeated Hélène, laughing. "What are they?"

"One, two, three; not six-eighth, dear lady, not six-eighth! So! One,

two, three! one, two, three."

"Did I show you my new necklace?" she asked as she played on.

Von Barwig shook his head. "One, two, three," was all she could elicit

from him.

"Father gave it to me; to-day is my birthday."

"Your birthday; so?" said Von Barwig, still marking time. "Your

birthday?" he repeated.

"Yes, mio maestro; I am nineteen to-day."

"Nineteen! One, two, three; one, two, three," he counted. Then after

a pause, "nineteen?"

She looked up, he was still counting and beating time with the lead

pencil as a baton. But there was a far-away look in his eyes, as if he

were trying to recall something. "Nineteen to-day; nineteen to-day!"

he repeated, as if he had not quite realised what she said.

"One, two, three; one, two, three." Was there a break in his voice?

"Nineteen to-day!" Then he looked at her as she played.

"Where were you born?" he asked suddenly.

"In Leipsic," she replied carelessly.

Von Barwig stopped counting, his baton poised in the air.

"In Leipsic!" he repeated hoarsely. "In Leipsic? She--would have been

nineteen to-day. Ach Gott, Gott!"

Hélène turned and looked at him.

"One, two, three; one, two, three," chanted the music master. He dared

not let her see his agitation. "What does it mean? How can it be?

Good God, how can it be?" His brain was in a whirl; the possibilities

came to him in an overwhelming flood.

"You really must see that pearl necklace," said Hélène, "and some of

the other presents are very beautiful. Do look at them!"

"One, two, three; one, two, three," came in monotonous tones from the

old man. Completely gone was his sense of rhythm now. "One, two,

three; one, two, three," he continued, trying to collect his scattered

thoughts. "Does it mean that she is my--my-- Oh, God! I must be mad,

crazy! Barwig, Barwig, pull yourself together, for God's sake; or you

lose her again." One, two, three; one, two, three seemed to be the

only safe ground for him to tread on!

Hélène felt that he was not following the music, for her fingers

strayed idly over the keys, playing snatches of different melodies, a

fact which he apparently did not notice.

"The necklace is over there," she said.

"Yes, yes," he gasped, going in the direction she pointed. "One, two,

three; one, two, three. It is beautiful; beautiful!" He scarcely

looked at it.

"Did you ever see my dolls? I don't think I ever showed them to you.

They're over there in the cabinet."

"Your dolls? Yes, I look at them!" he said. He was glad of an

opportunity to escape observation. After a while his mind became calm

enough for him to be able to realise what he was thinking, and the

urgent necessity for him to conceal from her his mad folly. Nineteen

to-day, born in Leipsic, the daughter of the rich millionaire; yet, on

the other hand, the image of his own lost Hélène, born on the same day,

at the same place and bearing the same name. It was all so consistent

and yet so contradictory! What could it mean? Was it a phantasy of

his brain, a dream? It seemed to him that he had once witnessed just

such a scene as was taking place at that moment. Surely it had

occurred before! He was now picking up first one doll, then another,

but he did not see them----

"One, two, three; one, two, three;" he said pathetically, trying to

control his thoughts. He realised that he was counting "up in the

air," so to speak, but he was afraid of betraying himself. "If she

suspected that I dared to think that she was my own Hélène, she'd turn

me from the house," he thought.

"I've kept all these old dolls since I was a little baby; even my

little German doll is there," said Hélène as she played on.

Von Barwig took up the dolls, one by one. "Your German doll?" he

repeated.

"Yes, the one I had in Leipsic. It's a queer little sawdust affair,

but I love it to pieces. It always reminds me of my mother. Do you

know what I am playing?" but Von Barwig did not hear her.

"The little German doll," he repeated. "The one she had in Leipsic."

"I heard this at your house the night we first met," went on Hélène,

playing dreamily. "It's a beautiful melody; it has so much sentiment

in it, so much pathos, but oh, isn't it sad," and she sighed deeply.

Was it illusion, too, that the ghost of his long-forgotten symphony

should be played by the girl at the piano there, who so resembled his

own lost loved one? Was it illusion that he should recognise that

little doll, her doll, as the doll with which his own child, his own

Hélène, had played so long ago?

Von Barwig did not start as he picked up this mute evidence of the

truth; he was almost prepared for it. It was as if he knew she was his

own, and yet did not know it.

"That eye was never mended after all," he said in a pathetic, broken

voice, and as he spoke the whole scene of years gone by came back to

him. He saw once more his little girl pleading with him to mend the

doll with the broken eye.

Von Barwig was quite calm now. He had grasped a certainty at last; he

knew now that he did not dream. He looked over at the piano. The girl

felt deeply the music that she was playing, for it responded to

something in her own nature; and so interested was she at this moment

that she almost forgot his presence. Tears filled his eyes as he gazed

at her longingly, lovingly.

"Little heart! Ach, lieber Gott, my little Hélène; my little baby!

How long, how long!" he murmured, smothering his emotion, but looking

now at her, now at the little German doll clutched tightly in his hand.

[Illustration: "I want you to come with us?"]

After a while a feeling of great peace came upon him. His mission was

ended; he had found her at last. His longing heart had reached its

haven.

"That's the doll my mother loved best," said Hélène, without pausing in

her playing. "She loved to play with that doll and me."

He, too, was thinking of her mother. Was it telepathy that she should

think the very thought that was uppermost in his mind?

"There's a portrait of her in the next room," and she pointed to the

door off the main room. "It was painted by an artist here in New York

three years before she died."

Von Barwig dared not trust himself to speak. He silently opened the

door and looked. "Elene, Elene!" he murmured in a low voice. He stood

there some time gazing at the portrait of his dead wife, and his eyes

were swimming with tears. "Yes, there she is," he said, his low, sad

voice scarcely audible through the music. "Elene! Ach, Gott! dead,

dead! Better so; better--so----"

He closed the door gently. As he did so a tear ran down his cheek and

dropped on the little German doll. "I baptise it," he said with a

smile, and then he sighed deeply.

The feeling of deep, unsatisfied longing died out of his heart and from

that moment a sense of great freedom took possession of him. He looked

over at his beloved Hélène. She was still rhapsodising on the piano,

utterly unconscious of the great struggle going on in the heart of her

music master. What could he offer her? Should he ruin all her

prospects? Had he a home fit for her to come to?

These thoughts surged through his mind as he looked at her. His first

great impulse was to tell her who he was and take her to his heart, but

with a supreme effort he controlled himself. He had so often pictured

the scene of his first meeting with his child that it seemed almost as

if he had been through this crisis before, but he had never dreamed

that she would be occupying such a high station in life, never dreamed

that to make his relationship known would ruin her prospects, and

perhaps her happiness. This realisation gave him a perspective of the

situation and he resolved for the sake of her future not to betray

himself. He walked slowly to the piano, and stood behind her a few

moments, then suddenly he lost control of himself and took her hands in

his.

"What is it?" she said, in some surprise, but with no tinge of anger in

her voice.

"You slurred," he faltered, not daring to look her in the face, for

fear his great love would show itself.

"You mustn't slur--please," he murmured apologetically.

"Did I slur?" she asked. "Well, I assure you, it was unconscious. I

didn't mean to do it."

"You are very happy here?" he asked.

"Yes," she answered, surprised at the irrelevancy of the question.

He was now stroking her hair with his gentle, loving hand.

"You have everything in the world, everything?" he asked.

"Yes," she replied, scarcely conscious of his meaning.

"And you are happy?" he repeated.

"Why shouldn't I be?" she said. "I suppose I have everything to make

me."

She stopped playing. This seemed to bring Von Barwig to a sense of his

surroundings.

"Come," he said. "We must work! To the lesson! One, two, three; one,

two, three."

He could not resist the impulse. He leaned over and again grasped her

hands in his. She looked up at him, this time in utter surprise.

"You were slurring again, slurring again," he said, frightened at his

lack of self-control.

"Was I, indeed?" said Hélène. "Well, you'll have to punish me severely

if this goes on."

"One, two, three; one, two, three," he counted. His voice was choked

with emotion, and he could barely see for his tears.

"No, no; I could not punish you. I could not put one straw in your

way--only--I want to meet your father. Yes," he said in a more decided

tone, "I want to meet your father! One, two, three; one, two, three."

Whenever Von Barwig wanted to conceal his real feelings he counted.

"I've gone into the 4-4 exercise," commented Hélène.

"Yes, yes! One, two, three, four," counted Von Barwig timidly. "One,

two, three, four; yes, I want to meet him." Then he added almost

savagely, "I must meet him!"

The lesson was interrupted by Denning.

"If you please, miss, will you come down in the library?"

"What is it, Denning?"

"Mr. Stanton wishes to see you at once, miss," said Denning in a low

voice, so that Von Barwig could not hear.

"My father?" repeated Hélène. "Please don't go till I return, Herr Von

Barwig," and Hélène left the music master alone.

The Music Master; Novelized from the Play · 第 34 / 40 题