Poons nodded. "I am very happy," he said tearfully, "so happy."

"Then you don't know how to show it," commented Von Barwig; whereupon

they all laughed at him until he laughed too, in spite of himself.

They joked all through the breakfast. So noisy were they that they

attracted the attention of Galazatti, the proprietor or the _café_, who

came over to the four friends and shook hands with them. He had served

them for many years, and he was glad to see them enjoy themselves.

"How is the good lady of your house?" he asked.

"Miss Husted is at the top of the notch," replied Pinac, who generally

constituted himself spokesman for the party. "We are all top of the

notch," he added, "eh, Poonsie?" slapping the young man on the back.

"What a strange thing is this human existence!" thought Von Barwig, as

he left his friends and walked back to his studio alone. "Here I am in

the middle of Houston Street, giving music instructions for fifty cents

per lesson, playing out nights in a dime museum, and yet my heart, my

mind is with this daughter of a great millionaire. To-day at three I

shall be with her, and I can think of nothing else. What is she to me

that I should care so much? A chance likeness, perhaps no likeness at

all except that which exists in my brain! Am I mad? Is this world of

shadows real? What does it all mean? Who will tear the veil from this

mystery, and tell me why one human being is so much more to us than

another, why one human being so resembles another, and yet is not that

one?"

From time to time he looked at the clock wishing the time would pass

more quickly. He brushed his clothes very carefully that morning. The

frock coat he had worn for a dozen years now proved its claim to being

made of the finest texture, for it responded splendidly to the brush,

and gave up most of its spots; but it still retained its shine. When

he had put on a clean collar and cuffs and his best white dress shirt,

Von Barwig looked at himself in the glass.

"If only this shine on my coat were transferred to my boots, what a

happy transformation!" thought Von Barwig. "Still, if that button on

my sleeve is transferred to my coat, it will restore the balance of

harmony," so Jenny's services were called into requisition.

"Where are you going this morning?" she asked as she stitched on the

button.

"To a new pupil," replied Von Barwig as carelessly as he could, though

his heart fairly bumped as he spoke. He did not like to speak of his

visitor of yesterday afternoon to others. It was too sacred a subject

to be mentioned in Houston Street.

"The young lady that came yesterday?" inquired Jenny, but Von Barwig

made no reply. Jenny looked at him closely; his silence chilled her.

There was an imperceptible change in him, she thought. She could not

say exactly what it was, but it seemed to her that when his eyes rested

on her it was no longer with the same glance of lingering affection

that he had always bestowed on her. Now he barely glanced at her, and

his eyes did not rest on her for a moment. The girl's sensitive nature

made her conscious that he did not think of her when he spoke to her.

"What's her name?" asked Jenny, after a long pause, during which Von

Barwig put on his cape coat. Once more he did not appear to hear her,

and Jenny repeated the question. "What's her name, Herr Von Barwig?"

This time she spoke with directness.

"I beg your pardon," said Von Barwig, with unconscious dignity. It was

the old Leipsic conductor that spoke, and there was such unbending

sternness and severity in the tone of his voice, such coldness in his

eye, that Jenny shrank back and looked at him as if he had struck her.

"Oh, Herr Von Barwig," she gasped, and burst into tears.

"Jenny, Jenny, my little Jenny! What is it, what did I say?" he asked

in genuine distress. His thoughts had been miles away.

"I didn't mean to--to--be--rude," she sobbed. "I--I only--you looked

so--so happy! I--wanted to know."

"Come, come!" he said, taking her in his arms, and patting her

affectionately on the cheek. "Don't cry! I meant nothing, my child;

only I did not want to speak of matters that--that you could not

understand. Come, it is two o'clock, and I must go," and he kissed her

tenderly on the forehead. "You are all right now, eh?" he said, as she

smiled.

"Forgive me, won't you?" asked Jenny, who was now comforted. He still

loved her; that was all she asked.

As he walked up Third Avenue and turned into Union Square, he went into

a florist's.

"A bunch of violets, please," he said, and the young man tied up a very

small quantity of violets with a very large silk tassel and a lot of

green leaves, tin foil, oil paper and wire; putting the whole into a

box, which he carefully tied up with more ribbon.

"What a ceremony over a few violets!" thought Von Barwig, as he laid a

twenty-five cent piece on the counter.

"One dollar, please," said the young man, surveying the quarter with a

somewhat pitying smile.

Von Barwig's heart sank. He had forgotten that it was winter, that

flowers were expensive, that coloured cardboard and tin foil and ribbon

cost money, too. He searched his pockets and found the necessary

dollar, but it was within a few cents of all he had. "They are not too

good for her," thought Von Barwig as he carried the box away. He

walked up Broadway into Fifth Avenue, and stopped at the corner of

Fifty-seventh Street. The number he sought was inscribed on the door

of a large brownstone mansion with a most imposing entrance, one of

those palatial residences that cover the space of four ordinary houses

and stamp its owner as a multi-millionaire. As he nervously pulled the

bell, he upbraided himself for having dared to think that she was like

his child. It was a trick of the fading light, an optical illusion.

His reflection was cut short, for the door was opened by a man-servant.

"Have you a card?" inquired the footman, as Von Barwig asked for Miss

Stanton.

The old man shook his head.

"Herr Von Barwig is the name; I have an appointment."

"You can wait in there; I'll see if Miss Stanton is in," said the

flunky, as he turned on his heel. Such nondescript visitors were most

unusual.

"An old person without a card, Mr. Joles," he confided to that

individual below stairs; "name Barkwick or something, says he has an

appointment. Quite genteel, but--" and he shrugged his shoulders

significantly.

Joles made no reply, but went up to interview Mr. "Barkwick." The

Stantons had so many applications from persons who needed charity for

themselves or others that the standing order had gone forth to admit no

stranger, under any pretext, unless of course he had complete

credentials.

Herr Von Barwig was standing in the reception-room, hat in hand, when

Joles entered.

"No card, eh? Ah--um--dear me," and Mr. Joles rubbed his chin in a

perplexed way. He looked around, none of the pictures were missing,

nor had the statuary been removed. But Denning shouldn't have asked

the stranger into the reception-room.

Von Barwig ventured to say that he had an appointment. Mr. Joles

nodded.

"Oh, you have an appointment! Written?"

"No," replied Von Barwig.

"Oh, verbal? At what hour?" questioned Mr. Joles.

"Three," answered Von Barwig.

"Are you quite sure?" inquired Mr. Joles doubtfully. "I have received

no orders."

Von Barwig remained silent. What could he say? The man evidently

doubted his word.

"If you will please tell her," he said gently.

"I am not at all sure that Miss Stanton is in," said Mr. Joles, and he

stood there as if in doubt as to how to proceed. But any further

question as to Miss Stanton's being in or out was settled by the young

lady herself, who dashed into the room in evident haste.

"I beg your pardon, Herr Von Barwig; I forgot to leave word that you

were coming! Forgive me, won't you?" and she held out her hand to him

in such a friendly manner that it drew from the servant a faint apology.

"I beg your pardon, sir," he began.

"It's all right, Joles," said Miss Stanton, cutting him rather short.

She evidently did not value that gentleman's explanations very highly,

and took it for granted that Herr Von Barwig didn't care to hear them.

Joles bowed and left the room.

"Well! I'm right glad to see you. It's a long way up town, isn't it?"

Von Barwig nodded. He could not speak; he could only look at her.

"For me?" she asked as he held out the box of violets. "Oh, how kind,

how thoughtful!" she murmured, as he bowed in response to her question.

She opened the box. "Violets in winter are a luxury, you know!"

Von Barwig smiled with pleasure; he was almost too happy.

"I congratulate myself on having pleased you," he managed to say.

"Now do sit down and talk to me!" she said, placing a chair for him and

almost pushing him into it. He looked rather perplexed.

"I thought," he began.

"You surely didn't expect me to take a lesson to-day, did you?" she

said, and then she went on: "Oh dear me, no; not to-day! To-morrow.

Besides, my music room is upstairs; this is not my part of the house at

all. How about the little boy? When does he begin? Do you think he

has talent?"

Von Barwig looked bewildered. He had not only forgotten the

appointment he had made with the boy to hear him play, but he had

forgotten his very existence.

"I--it is not settled," he faltered. "To-morrow perhaps. Yes,

to-morrow, he will call and then I will let you know."

"Oh, I thought you were to hear him to-day! I was rather anxious to

know what you thought."

Von Barwig felt quite guilty.

"Do you know I've been thinking of you quite a great deal," she said.

"You are too kind," he replied in a low voice.

Miss Stanton was evidently in a very communicative frame of mind, for

from that moment she talked rapidly on current musical topics. She

knew the latest operas, and loved the spirit of unrest, the unsettled

minor chords of the new school of music; preferred the _leit motif_ to

the _aria_, music drama to opera, and was altogether exceedingly modern

in her tastes. She did not like recitative in music, and preferred

Wagner and Tschaikowsky to Bach and Verdi. She loved to be stirred up,

she said. She liked Beethoven, yes, but he was too mathematical. As

for Handel, he was uninteresting in the extreme; and so she went on and

on.

The old man could only gaze at her in silence. There she sat, the

living image of his dead wife, talking musical matters in a foreign

tongue; an absolute stranger to him, and yet he felt drawn toward her

in a strange and unusual way. Who was she? What was she? Had the

dead come to life? What had happened? He could only look at her, and

feel so very, very happy. What did it all mean?

"How is your father?" he asked when there was a lull in the

conversation, brought about by Miss Stanton's pausing to breathe.

Her face fell. "He is in Europe," she said, and did not continue the

subject.

Von Barwig noticed that her face saddened when she spoke of her

father's absence.

"She must love him very much," he thought, and the thought brought him

to his senses.

"Don't be a fool, Barwig," he said to himself. "Her father is a

multi-millionaire, one of the great men of the country. Her mother is

dead, and you must content yourself with having dreamed that she was

yours. You must not look at her, you understand? Don't look at her,

or she will suspect what you think and you will be turned away. You

have had your dream. Now wake up, wake up!"

It was time for him to awaken, for she was asking him if he thought

that musical genius was allied to madness.

"I--I don't know," he replied. "I am not a genius!"

"Will you play for me?" he said, to hide his confusion.

"Not now," she replied. "I have an engagement. Come to-morrow at this

hour. I'll leave word this time," she added with a smile. "Mr.

Stanton is so particular about callers that no one can get near me

without being personally guaranteed by Joles or Mr. Ditson."

"You haven't seen Mr. Ditson, have you? He is father's secretary. I

don't like him, and I'm so sorry. I can't bear not to like any one,"

and she sighed.

Von Barwig was looking at her again; in spite of himself he could not

keep his eyes from her.

"Of what were you thinking when you looked at me in that way?" she

asked, with a curious smile.

"I--I--don't know," said Von Barwig, rather startled, and this was

literally true.

"You're thinking that I am a great rattle-box, aren't you? Now,

confess! I am talking a great deal, am I not? But I can't seem to

help it! I'm not always like this; indeed I'm not," she said

earnestly. "It's a positive luxury to utter the first thought that

comes into one's mind--a luxury I seldom get, I can tell you! Somehow

or other you drew me out, and I allowed myself to ramble on and on

without in the least knowing why. Can you explain it?" she asked

laughingly.

He shook his head. "Perhaps you feel that I am interested in you, if

you will pardon the liberty I take in saying so."

"Very likely," she said thoughtfully. There was a long pause, for they

were so occupied with their own thoughts that neither spoke. The

reaction had set in, and she was now strangely quiet; indeed she hardly

spoke again that afternoon. After a while Von Barwig rose to take his

leave.

"Have I offended her?" he asked himself, as he left the house. "How

dare I tell her that I am interested in her! What impertinence, what a

liberty! Who am I that I should dare to say such a thing! You old

fool!" he now addressed himself directly. "You have happiness well

within your grasp, and instead of gently taking it to yourself you grab

it with both hands and pluck it up by the roots. You have offended her

and she won't see you again. You'll see, you won't be admitted to the

house!" The old man almost cried as he thought of his temerity, his

folly, his stupidity. He walked faster and faster in his excitement.

"I must curb my unfortunate tongue; I must, I will, if I ever get

another chance!" He sighed deeply. "And yet--why should she press my

hand and ask me to come to-morrow and be sure not to forget the hour?

She has forgiven me, yes, yes, she likes me; I know she does, but I

must be careful!" And so he walked rapidly home to his lodgings,

alternately in a heaven of joy or in a hell of despair.

The Music Master; Novelized from the Play · 第 28 / 40 题