SECTION LXXVI. _Third side_. Destroyed; but, from the copy, we find

it has been Stultitia, Folly; and it is there represented simply as a

man _riding_, a sculpture worth the consideration of the English

residents who bring their horses to Venice. Giotto gives Stultitia a

feather, cap, and club. In early manuscripts he is always eating with

one hand, and striking with the other; in later ones he has a cap and

bells, or cap crested with a cock's head, whence the word "coxcomb."

SECTION LXXVII. _Fourth side_. Destroyed, all but a book, which

identifies it with the "Celestial Chastity" of the Renaissance copy;

there represented as a woman pointing to a book (connecting the convent

life with the pursuit of literature?).

Spenser's Chastity, Britomart, is the most exquisitely wrought of all

his characters; but, as before noticed, she is not the Chastity of the

convent, but of wedded life.

Stones of Venice [introductions] · 第 48 / 90 章