SECTION LXIX. _Fifth side_. Avarice. An old woman with a veil over

her forehead, and a bag of money in each hand. A figure very marvellous

for power of expression. The throat is all made up of sinews with skinny

channels deep between them, strained as by anxiety, and wasted by

famine; the features hunger-bitten, the eyes hollow, the look glaring

and intense, yet without the slightest caricature. Inscribed in the

Renaissance copy, "AVARITIA IMPLETOR."

Spenser's Avarice (the vice) is much feebler than this; but the god

Mammon and his kingdom have been described by him with his usual power.

Note the position of the house of Richesse:

"Betwixt them both was but a little stride,

That did the House of Richesse from Hell-mouth divide."

It is curious that most moralists confuse avarice with covetousness,

although they are vices totally different in their operation on the

human heart, and on the frame of society. The love of money, the sin of

Judas and Ananias, is indeed the root of all evil in the hardening of

the heart; but "covetousness, which is idolatry," the sin of Ahab, that

is, the inordinate desire of some seen or recognized good,--thus

destroying peace of mind,--is probably productive of much more misery in

heart, and error in conduct, than avarice itself, only covetousness is

not so inconsistent with Christianity: for covetousness may partly

proceed from vividness of the affections and hopes, as in David, and be

consistent with much charity; not so avarice.

Stones of Venice [introductions] · 第 41 / 90 章