SECTION LXVII. _Third side_. Pride. A knight, with a heavy and

stupid face, holding a sword with three edges: his armor covered with

ornaments in the form of roses, and with two ears attached to his

helmet. The inscription indecipherable, all but "SUPERBIA."

Spenser has analyzed this vice with great care. He first represents it

as the Pride of life; that is to say, the pride which runs in a deep

under-current through all the thoughts and acts of men. As such, it is a

feminine vice, directly opposed to Holiness, and mistress of a castle

called the House of Pryde, and her chariot is driven by Satan, with a

team of beasts, ridden by the mortal sins. In the throne chamber of her

palace she is thus described:

"So proud she shyned in her princely state,

Looking to Heaven, for Earth she did disdayne;

And sitting high, for lowly she did hate:

Lo, underneath her scornefull feete was layne

A dreadfull dragon with an hideous trayne;

And in her hand she held a mirrhour bright,

Wherein her face she often vewed fayne."

The giant Orgoglio is a baser species of pride, born of the Earth and

Eolus; that is to say, of sensual and vain conceits. His foster-father

and the keeper of his castle is Ignorance. (Book I. canto viii.)

Finally, Disdain is introduced, in other places, as the form of pride

which vents itself in insult to others.

Stones of Venice [introductions] · 第 39 / 90 章