SECTION LXII. _Sixth side_. Justice. Crowned, and with sword.

Inscribed in the copy, "REX SUM JUSTICIE."

This idea was afterwards much amplified and adorned in the only good

capital of the Renaissance series, under the Judgment angle. Giotto has

also given his whole strength to the painting of this virtue,

representing her as enthroned under a noble Gothic canopy, holding

scales, not by the beam, but one in each hand; a beautiful idea, showing

that the equality of the scales of Justice is not owing to natural laws,

but to her own immediate weighing the opposed causes in her own hands.

In one scale is an executioner beheading a criminal; in the other an

angel crowning a man who seems (in Selvatico's plate) to have been

working at a desk or table.

Beneath her feet is a small predella, representing various persons

riding securely in the woods, and others dancing to the sound of music.

Spenser's Justice, Sir Artegall, is the hero of an entire book, and the

betrothed knight of Britomart, or chastity.

SECTION LXIII. _Seventh side_. Prudence. A man with a book and a

pair of compasses, wearing the noble cap, hanging down towards the

shoulder, and bound in a fillet round the brow, which occurs so

frequently during the fourteenth century in Italy in the portraits of

men occupied in any civil capacity.

This virtue is, as we have seen, conceived under very different degrees

of dignity, from mere worldly prudence up to heavenly wisdom, being

opposed sometimes by Stultitia, sometimes by Ignorantia. I do not find,

in any of the representations of her, that her truly distinctive

character, namely, _forethought_, is enough insisted upon: Giotto

expresses her vigilance and just measurement or estimate of all things

by painting her as Janus-headed, and gazing into a convex mirror, with

compasses in her right hand; the convex mirror showing her power of

looking at many things in small compass. But forethought or

anticipation, by which, independently of greater or less natural

capacities, one man becomes more _prudent_ than another, is never

enough considered or symbolized.

The idea of this virtue oscillates, in the Greek systems, between

Temperance and Heavenly Wisdom.

Stones of Venice [introductions] · 第 35 / 90 章