It is hardly necessary to dwell upon Petrarch’s extensive
correspondence. He was the leader of the learned men of his age; and
it is common knowledge that all his prominent contemporaries--whether
in the political world, or in the religious world, or in the
scholarly world--were numbered among his friends.
Corresponding so incessantly with all men and on all topics,
Petrarch’s letters soon grew into an unmanageable mass. One day
in 1359 (Frac., Note to _Fam._, XXIV, 13) Petrarch, with a sigh,
consigned to the flames a thousand or more papers, consisting of
short poems and of letters, merely to avoid the irksome task of
sifting and of correcting them. He then noticed a few papers lying
in a corner, which (after some hesitation) he spared because they
had already been recopied and arranged by his secretary (_Praefatio
ad Socratem_, I, p. 15). Petrarch divided these “few” letters into
two groups, dedicating the twenty-four books of prose epistles to
Socrates (_Praefatio, loc. cit._, and _Fam._, XXIV, 13), and the
three books of poetic epistles to Marco Barbato (_Praefatio, loc.
cit._, pp. 15, 16, and _Fam._, XXII, 3).
Farther on in his prefatory letter to Socrates, Petrarch points out
the vigor and the courage to be seen in his earlier letters, and
advances extenuating circumstances for the laments which begin to
crop out in the later ones. He excuses these by arguing that they
were occasioned by the misfortunes which befell his friends, and
not by those which he had suffered in his own person. At this point
Petrarch does not lose the opportunity for comparing himself with
Cicero. The passage gives so completely the information needed by the
reader that it is hereby translated in full (_Praefatio_, I, p. 25):
Cicero, however, exhibits such weakness in his adversity
that, although I am delighted with his style, I am oftentimes
equally offended by his actions. Add to this his quarrelsome
letters--the altercations and the reproachful language which
he employs against the most illustrious men whom he has but
recently been praising. It all reveals a remarkable fickleness
of disposition. On reading these letters, I was soothed and
ruffled at the same time. I could not restrain myself, and,
indignation prompting me, I wrote to him as to a friend of my
own years and time, regardless of the ages which separated
us. Indeed, I wrote with a familiarity acquired through an
intimate knowledge of the works of his genius, and I pointed
out to him what it was that offended me in his writings. This
letter served as a precedent. Years later, on re-reading the
tragedy entitled _Octavia_, the memory of the letter which I
had addressed to Cicero prompted me to write to Seneca also.
Thereafter, and as occasion offered, I addressed letters to
Varro, Vergil, and others. Some of these I have placed at the
end of this work, and I hereby forewarn the reader of this
fact, lest he should be perplexed at coming upon them unawares.
The rest perished in that general holocaust of which I have
told you above.
In the last letter of the collection _De rebus familiaribus_ (XXIV,
13, likewise addressed to Socrates, and dated 1361), Petrarch refers
again to the grouping together of the letters to the classical
authors. He says (III, pp. 305, 306):
In ordering these letters, I have been guided entirely by their
chronology, and not by their contents. [But compare Frac., 5,
p. 201, on the matter of the chronology.] Nearly all of them
have been arranged in the order in which they were written,
with the exception, indeed, of these last letters addressed to
the illustrious authors of antiquity. These I have purposely
gathered together on account of their strange character and the
similarity of their subject-matter. A second exception must be
made in the case of the first letter, which, though written
later, I have placed at the head of her companions to serve as
a preface [a reference to the _Praefatio_, I, pp. 13-27].
The material embraced in these pages has been partly treated in
English and to a greater extent in French (by Robinson and Rolfe, and
by Develay; see Bibliography). In both cases, however, the letters
chosen have been merely translated, with only the barest attempt at
annotating. Even the notes of the Italian translation by Fracassetti
are only such as pertain to the life of Petrarch and to those of his
correspondents.
Thus much concerning the history of the text proper. The notes have
been made as detailed as seemed necessary and consistent with the
character of the work. Some of the quotations from the original
sources, or from translations, may appear somewhat lengthy at
first glance. In all instances, however, it has been deemed quite
essential to reproduce in the mind of the reader the conditions and
the attitude of Petrarch’s mind. Only in this way do many brief
expressions and pregnant allusions of Petrarch become perfectly clear.
It is a privilege and a pleasure to acknowledge my great indebtedness
to two authors in particular, without whose labors the present
study would have been impossible, or, at any rate, vastly more
difficult: Giuseppe Fracassetti and Pierre de Nolhac. The Latin
edition and the complete Italian translation of Petrarch’s letters
_De rebus familiaribus_ (both by Fracassetti) have been absolutely
indispensable; while P. de Nolhac’s fascinating work has provided all
the minute details concerning the actual composition and appearance
of the tomes which once formed part of Petrarch’s library.
All quotations from the letters are made from the Latin text and
from the Italian version as published by Fracassetti. The volumes of
the former are referred to by Roman numerals, those of the latter
by Arabic numerals. Passages from other works of Petrarch are
cited from the Basle edition of the _Opera omnia_, except the _De
remediis utriusque fortunae_, for which the 1649 edition has been
used. All other titles have been abbreviated in such manner as to be
readily identified by consulting the Bibliography. The texts used
in referring to the works of the classical authors themselves are
(except when otherwise indicated) those of the Teubner series.
The number of persons interested in the absorbing period of the
Italian Renaissance is increasing daily. The present study deals
with only one phase of that truly wonderful period--with the
beginnings of the Classical Renaissance. But the personality of him
who has justly been styled the “first modern man” is so complex, so
comprehensive, that the study of any portion of his works would seem
to interest not only the classical scholar, but also the student
of the modern literatures, the student of Italian literature,
the historian, and, finally, the large number of those who range
themselves in the ranks of the Petrarchists. It is hoped that this
study may make some appeal to one or to all of these classes.
The field of research on the Latin works of Petrarch is so fruitful
that, during the preparation of the present volume, numerous notes
have been taken with reference to Petrarch’s place in politics and in
religion. It is the earnest hope of the author, therefore, to pursue
his researches along these lines, and to add other volumes to this
preliminary study.