CHAPTER V

EXPERIENCES AT OXFORD

Early Youth at Oxford--Acquaintance with Browning, Swinburne,

and Ruskin--Dissipation of an Undergraduate--The Ferment of

Intellectual Revolution--_The New Republic_

My experiences at Oxford I may divide into two groups--namely, those

belonging to the social life of an undergraduate, and those consisting

of the effects--philosophical, moral, or religious--produced in an

undergraduate's mind by the influence of academic teaching.

As to my social experiences, my recollections are, on the whole,

pleasurable, but they are somewhat remote from anything that can

properly be called scholastic. They are associated with the charm of

certain cloistered buildings--with Magdalen especially, and the shades

of Addison's Walk; with country drives in dogcarts to places like Witney

and Abingdon; with dinners there in the summer evenings, and with a

sense of being happily outside the radius of caps and gowns; with supper

parties during the race weeks to various agreeable ladies; and with a

certain concert which, during one Commemoration, was given by myself and

a friend to a numerous company, and for which the mayor was good enough

to lend us the Town Hall.

From the incubus of mere collegiate discipline I was perhaps more free

than nine undergraduates out of ten. At the time when I matriculated

there were within the college precincts no quarters available; and I and

a fellow freshman who was in the same position as myself managed to

secure a suite of unusually commodious lodgings. That particular

partnership lasted only for a term, but subsequently I and two other

companions took the whole upper part of a large house between us. We

were never what is called "in college"; we rarely dined in Hall, having,

besides a good cook, a very good dining room of our own, where we gave

little dinners, much to our own contentment. We had, moreover, a spare

bedroom, in which on occasion we could put up a visitor. One visitor who

stayed with us for some weeks was Wentworth. Little things remain in the

mind when greater things are forgotten; and one little incident which I

remember of Wentworth's visit was this. Those were days when, for some

mysterious reason, men, when they smoked, were accustomed to wear

smoking caps. Wentworth had one of Oriental design, which he would

somehow attach to his head by means of a jeweled pin. One evening when

he was adjusting it the light caught his features at some peculiar

angle, and for a fugitive moment his face was an exact and living

reproduction of one of the best-known portraits of Byron.

Another incident belonging to this same order of memories occurred

during one of the race weeks. About half past ten one evening,

accompanied by three companions, I was making my way along a rather

ill-illuminated street. My three companions were feminine, and the

dresses of two of them--triumphs of the latest fashion--were calculated

to arrest attention as though they were so much undulating moonlight.

Suddenly I was aware that a strange voice was addressing me. It was the

voice of a proctor, who, attended by several "bulldogs," was asking me,

with a sinister though furtive glance at the ladies, what I was doing,

and why I was not in cap and gown. I could see in his eyes a sense of

having very neatly caught me in a full career of sin. I explained to him

that Mrs. L., wife of one of the greatest of the then university

magnates, and her two charming daughters had just been so kind as to

have had supper with me, and that I was seeing them back to All Souls'.

To return, however, to the first week or fortnight which saw me and my

original housemate established as full-blown freshmen; I cannot for the

life of me remember by what steps we entered on any course of formal

instruction, but he and I were told with very surprising promptitude

that we should, without loss of time, give a breakfast to the Balliol

Eight. We did so, and never before had I seen on any one matutinal

tablecloth provisions which weighed so much, or disappeared so rapidly.

Not many days later I found myself at another breakfast table of a very

different character, in the capacity not of host, but guest. The host

on this occasion was Jowett, who asked me to breakfast with him in order

that I might meet Browning. Browning by some one or other--I think it

was James Spedding--had been shown certain manuscript verses--precious

verses of my own. He had sent me a message of a flattering kind with

regard to them, and he now held out both his hands to me with an almost

boisterous cordiality. His eyes sparkled with laughter, his beard was

carefully trimmed, and an air of fashion was exhaled from his dazzling

white waistcoat. He did not embarrass me by any mention of my own

performances. He did not, so far as I remember, make any approach to the

subject of literature at all, but reduced both Jowett and myself to

something like complete silence by a constant flow of anecdotes and

social allusions, which, though not deficient in point, had more in them

of jocularity than wit. He was not, perhaps, my ideal of the author of

"Men and Women," or the singer of "Lyric Love" as "a wonder and a wild

desire"; but there the great man was, and when I quitted his presence

and found myself once more in undergraduate circles I felt myself

shining like Moses when he came down from the mount.

I was subsequently enveloped in a further reflected glory, due also to

Jowett's kindness--a kindness which survived many outbursts of what I

thought somewhat petulant disapproval. I received from him one day a

curt invitation to dinner, and presented myself, wondering mildly to

what this mark of favor could be due. But wonder turned to alarm when,

on entering the Master's drawing-room, I discovered in the dim twilight

no other figure than his own. His manner, however, though not effusive,

was civil, and was certainly fraught with no menace of any coming

judgment on my sins. We exchanged some ordinary observations on the

weather and kindred topics. Then, looking over his shoulder, he uttered

a half-audible word or two, which, being plainly not addressed to me,

must have been addressed to somebody else. Presently, out of the

shadows, a somebody else emerged. This was a person remarkable for the

large size of his head, his longish hair, his insignificant stature, and

his singularly sloping shoulders. I was introduced to him without

catching his name. Dinner was announced forthwith. It was evident that,

except for myself, this person was to be the sole guest. In the

candlelight of the dinner table I realized that this person was

Swinburne.

The dinner passed off pleasantly. Swinburne showed himself an

intelligent, though by no means a brilliant, talker; and as soon as we

had returned to the drawing room, where we drank a cup of coffee

standing, Jowett, who had some engagement, abruptly left us to finish

the evening by ourselves. On Swinburne the effect of the Master's

disappearance was magical. His manner and aspect began to exhibit a

change like that of the moon when a dim cloud drifts away from it. Of

what we discussed at starting I have not the least remembrance, but

before very long Swinburne was on the subject of poetry. His

observations at first consisted of general criticisms. Then he began to

indulge in quotations from various poems--none of them, I think, from

his own; but, however this may have been, the music seemed to intoxicate

him. The words began to thrill me with the spell of his own recitation

of them. Here at last I realized the veritable genius who had made the

English language a new instrument of passion. Here at last was the

singer for whose songs my ears were shells which still murmured with

such lines as I had first furtively read by the gaslight of the Brighton

theater. My own appreciation as a listener more and more encouraged him.

If he began a quotation sitting, he would start from his chair to finish

it. Finally he abandoned the restraints of a chair altogether. He began,

with gesticulating arms, to pace the room from one end to the other,

reciting passage after passage, and appealing to me, who managed to keep

pace with him, for applause. "The most beautiful lines that Tennyson

ever wrote," he exclaimed, "were these, from 'Maud':

"And like silent lightning under the stars

She seemed to divide in a dream from a band of the blest.

"Yes," he went on, "and what did the dream-Maud tell her lover when she

had got him? That the salvation of the world depended on the Crimean

War and the prosecution of Lord Palmerston's policy." Finally he strayed

into quotations from Sidney Dobell, a writer now hardly remembered, with

one of which, describing a girl bathing, he made the Master's academic

rafters ring:

"She, with her body bright sprinkles the waters white,

Which flee from her fair form, and flee in vain,

Dyed with the dear unutterable sight,

And circles out her beauties to the circling main."

He was almost shouting these words when another sound became

audible--that of an opening door, followed by Jowett's voice, which said

in high-pitched syllables, "You'd both of you better go to bed now."

My next meeting with Swinburne took place not many days later. He had

managed meanwhile to make acquaintance with a few other

undergraduates--all of them enthusiastic worshipers--one of whom

arranged to entertain him at luncheon. As I could not, being otherwise

engaged, be present at this feast myself, I was asked to join the party

as soon as possible afterward. I arrived at a fortunate moment. Most of

the guests were still sitting at a table covered with dessert dishes.

Swinburne was much at his ease in an armchair near the fireplace, and

was just beginning, as a number of smiling faces showed, to be not only

interesting, but in some way entertaining also. He was, as I presently

gathered, about to begin an account of a historical drama by himself,

which existed in his memory only--a sort of parody of what Victor Hugo

might have written had he dramatized English events at the opening of

the reign of Queen Victoria. The first act, he said, showed England on

the verge of a revolution, which was due to the frightful orgies of the

Queen at "Buckingham's Palace." The Queen, with unblushing effrontery,

had taken to herself a lover, in the person of Lord John Russell, who

had for his rival "Sir Peel." Sir Peel was represented as pleading his

own cause in a passionate scene, which wound up as follows: "Why do you

love Lord John Russell, and why do you not love me? I know why you love

Lord John Russell. He is young, he is beautiful, he is profligate. I

cannot be young, I cannot be beautiful, but I will be profligate." Then

followed the stage direction, "Exit for ze Haysmarket." In a later act

it appeared that the Queen and Lord John Russell had between them given

the world a daughter, who, having been left to her own devices, or, in

other words, to the streets, reappears as "Miss Kitty," and is accorded

some respectable rank. Under these conditions she becomes the object of

much princely devotion; but the moral hypocrisy of England has branded

her as a public scandal. With regard to her so-called depravities nobody

entertains a doubt, but one princely admirer, of broader mind than the

rest, declares that in spite of these she is really the embodiment of

everything that is divine in woman. "She may," he says, "have done

everything which might have made a Messalina blush, but whenever she

looked at the sky she murmured 'God,' and whenever she looked at a

flower she murmured 'mother.'"

The vivacity and mischievous humor with which Swinburne gave his account

of this projected play exhibited a side of his character which I have

never even seen mentioned, and the appreciation and surprise of his

audience were obviously a great delight to him. He lay back in his

chair, tossed off a glass of port, and presently his mood changed.

Somehow or other he got to his own serious poems; and before we knew

where we were he was pouring out an account of _Poems and Ballads_, and

explaining their relation to the secrets of his own experiences. There

were three poems, he said, which beyond all the rest were biographical:

"The Triumph of Time," "Dolores," and "The Garden of Proserpine." "The

Triumph of Time" was a monument to the sole real love of his life--a

love which had been the tragic destruction of all his faith in woman.

"Dolores" expressed the passion with which he had sought relief, in the

madnesses of the fleshly Venus, from his ruined dreams of the heavenly.

"The Garden of Proserpine" expressed his revolt against the flesh and

its fevers, and his longing to find a refuge from them in a haven of

undisturbed rest. His audience, who knew these three poems by heart,

held their breaths as they listened to the poet's own voice, imparting

its living tones to passages such as the following--

This is from "The Triumph of Time":

"I will say no word that a man may say,

Whose whole life's love goes down in a day;

For this could never have been, and never,

Though the gods and the years relent, shall be."

This is from "Dolores":

"Oh, garment not golden but gilded,

Oh, garden where all men may dwell,

Oh, tower not of ivory, but builded

By hands that reach heaven out of hell."

This is from "The Garden of Proserpine":

"From too much love of living,

From hope and fear set free;

We thank with brief thanksgiving

Whatever gods may be

That no life lives for ever,

That dead men rise up never,

That even the weariest river

Winds somewhere safe to sea."

Then, like a man waking up from a dream, Swinburne turned to our host

and said, nervously, "Can you give me another glass of port?" His glass

was filled, he emptied it at a single draught, and then lay back in his

chair like a child who had gone to sleep, the actual fact being, as his

host soon recognized, that, in homely language, he was drunk.

Drink, indeed, was Swinburne's great enemy. He had, when I met him at

Balliol, finished his own career there more than twelve years ago; but

he had since then been a frequent guest of the Master's, who treated

him, in respect of this weakness, with a watchful and paternal care.

When I dined with him at the Master's Lodge there was nothing to tempt

him but a little claret and water. The consequence was that afterward he

was brilliant as the burning bush till he finally went in his sober

senses to bed. He was not, I think, intemperate in the sense that he

drank much. His misfortune was that a very little intoxicated him.

I associate my early days at Balliol with yet another memorable meeting.

One of the most prominent and dignified of the then residents at Oxford

was Sir Henry Acland, who, as a Devonshire man, knew many of my

relations, and had also heard something about myself. He was a friend

and entertainer of men of all sorts of eminence; and while I was still

more or less a freshman he invited me to join at his house a very small

company in the evening, the star of the occasion being a university

lecturer on art, who was just entering on his office, and whose name was

illustrious wherever the English language was spoken. He, too, knew

something about me, having been shown some of my verses, and to meet him

was one of my cherished dreams. Only half a dozen people were present,

and from a well-known portrait of him by Millais I recognized his form

at once. This was Ruskin. He had sent me, through Lord Houghton or

somebody, a verbal message of poetic appreciation already. I was now

meeting him in the flesh. The first thing in him which struck me was

the irresistible fascination of his manner. It was a manner absolutely

and almost plaintively simple, but that of no diplomat or courtier could

be more polished in what was at once its weighty and its winning

dignity. Such was his charm for the elect; but here again comes the

question of temperament. Between Ruskin and Jowett there was a

temperamental antipathy. An antipathy of this kind is a very different

thing from any reasoned dislike, and of this general fact Ruskin and

Jowett were types. I was myself another. Just as Jowett repelled so

Ruskin attracted me. During my later days at Oxford I grew to know

Ruskin intimately, and my sympathy with his genius never lost its

loyalty, though for a long time certain of his ideas--that is to say,

ideas relating to social politics--were to me barely intelligible, and

though, when they became intelligible, I regarded them as perversely

mischievous.

But beneath these social experiences, many of them sufficiently

frivolous, and all of them superficial in so far as their interest

related to individuals, Oxford provided me with others which went to the

very roots of life. Of these deeper experiences the first was due to

Jowett, though its results, so far as I was concerned, were neither

intended, understood, nor even suspected by him.

The most sensational event which occurred during my first term at

Balliol was the suicide of one of the undergraduates. He was a poor

Scotch student of a deeply religious character, who had found, so his

friends reported, that the faith of his childhood had been taken from

him by Jowett's skeptical teachings, and who had ended by cutting his

throat with a razor in Port Meadow. Jowett preached his funeral

sermon--the only sermon which I ever, so far as my recollection serves

me, heard preached in Balliol chapel by himself or by anybody else.

Jowett, who on the occasion was obviously much moved, chose for his text

the story of the woman taken in adultery, and of Christ's challenge to

her judges, "Which of you will dare to assault with the first stone?"

The course of his argument was curious. He began with examining the

passage from the standpoint of verbal scholarship, the gist of his

criticism being that its authenticity was at least doubtful. From this

argument he diverged into one of wider scope, insisting on how much is

doubtful in what the Gospels record as the sayings of our Lord

generally, from which illuminating reflection he advanced to one wider

still. It was as follows: Since we know so little of what Christ really

said about God, how much less can we really know of the nature of God

himself; of what he loves, condemns, or, in his infinite mercy,

pardons?--the moral being that we ought to cast stones at nobody, and

should in especial refrain from condemning our departed brother, who,

for anything which we knew to the contrary, might be just as acceptable

to God as any one of ourselves.

All my impressions of Jowett as a religious teacher were summed up in my

impressions of that one sermon. Though his tone in delivering it was one

of unusual tenderness, there lurked in it, nevertheless, a mordant and

petulant animus against the Christian religion as a whole, if regarded

as miraculously revealed or as postulating the occurrence of any

definite miracle. It was the voice of one who, while setting all belief

in the miraculous aside, on the ground that it had no evidence of a

scientific kind to support it, was proclaiming with confidence some

vague creed as unassailable, the evidence in support of which was very

much more nebulous, or what many would describe as _nil_. A story used

to be told about him by which his position in this respect is aptly and

amusingly illustrated. He was taking a walk with an undergraduate, who

confessed to him that his deepest trouble was his failure to find

anything which accurate reason could accept as a proof of God's

existence. Jowett did not utter a word till he and the young man parted.

Then he said, "Mr. Smith, if you can't find a satisfactory proof of

God's existence during the next three weeks, I shall have to send you

down for a term." Had I been in the young man's place I should have

retorted, "And pray, Mr. Jowett, what satisfactory proofs are you able

to adduce yourself?"

But, in speaking of Jowett thus, I am not wholly, or even mainly,

speaking of him as a single individual, I speak of him mainly as a type,

exceptional indeed on account of his signal intellect, but otherwise

representing a moral and mental attitude which was common not only to

the teaching body of Balliol, but also to the age in general, in so far

as its traditional temper had been influenced by scientific knowledge.

Nearly all the Balliol dons--even those who never spoke of

religion--seemed to start with the same foregone conclusion, that the

dogmatic theology of the churches was as dead as the geocentric

astronomy. They assumed this, just as Jowett did, on what purported to

be scientific grounds, and yet when they sought, as he did, to put in

the place of this some solemn system of quasi-scientific ethics, their

attempts seemed to me to exhibit the same absurdity with which Jowett's

constructive teaching had first made me familiar. Their denials of

everything which to me had been previously sacred appalled me like the

overture to some approaching tragedy. Their confident attempts at some

new scheme of affirmations affected me like a solemn farce.

Some foretastes of the new gospel had, as I have said already, been

vouchsafed to me at Littlehampton by Mr. Philpot. I now saw what

logically the new gospel implied. The sense of impending catastrophe

became more and more acute. I felt like a man on a ship, who, having

started his voyage in an estuary, and imagining that a deck is by nature

as stable as dry land, becomes gradually conscious of the sway of the

outer sea, until, when he nears the bar, showers of spray fall on him,

he perceives that the bows are plunging, and at last the percussion of

waves makes the whole vessel shudder.

Such, then, were the effects on me of the religious liberalism of

Oxford, and in this respect, as I now see, looking backward, my

condition was temperamentally the same as it had been when I was still

under the tuition of superorthodox governesses. In those days any

questioning of the verbal inspiration of the Bible and the miraculous

events recorded in it seemed to me, as it did later, to be at once

absurd and blasphemous. There was, however, even then, something which

to me seemed no less absurd than "the infidel's" attack on the dogmas of

Christian orthodoxy--for I knew that "the infidel" existed--and this was

the manner in which the Anglican clergy defended them. I was always,

when a child, looking forward each week to the Sunday sermon, in the

hope of finding some portions of it which I could either mimic or

parody. I remember one sermon in particular, which the preacher devoted

to a proof of God's existence. My own mental comment was, "If anything

could make me such a fool as to doubt this self-evident truth, your

arguments and the inflections of your voice would certainly make me do

so." I heard another preacher indulge in a long half-hour of sarcasm at

the expense of "the shallow infidel, who pointed to the sky and said,

'Where are the signs of His coming?'" In those days we were required by

a governess to write out the morning's sermon as a pious discipline in

the afternoon. This sermon I reproduced with a series of pictures in the

margin, one of which represented the "shallow infidel" exploring the sky

through a telescope, which he did his best to steady by holding it

against the stem of a palm tree. And yet so literally true did all

orthodox doctrines seem to me that I believed a member of my family to

have committed the sin against the Holy Ghost by kissing a New Testament

and swearing that one of the nursery maids had mispronounced some

word--an imputation which she had indignantly denied.

This dual mood, as renewed in me by Oxford influences, differed from its

earlier and childish form in the fact that my sense of the absurdities

distinctive of modern religious thought acquired a wider range and went

deeper than I had at first anticipated. The absurdities of which I was

conscious as a child were those of the arguments by which the orthodox

clergy endeavored to defend doctrines which were then for myself

indubitable. At Oxford I became conscious of an absurdity to which as a

child I had been a stranger--namely, the absurdity of the arguments by

which men who repudiated orthodoxy altogether endeavored to establish in

its place some purely natural substitute, such as the "enthusiasm of

humanity," a passion for the welfare of posterity, or a godless

deification of domestic puritanism for its own sake. In addition to this

second absurdity a third gradually dawned on me. This was the

absurdity, common to all parties alike, of supposing that, if the

cardinal doctrines of religious orthodoxy were discredited--namely, that

the human soul is immortal, that the human will is free, and that a God

exists who is interested in the fortunes of each soul

individually--these doctrines, in disappearing, would take away with

them nothing but themselves alone; the actual fact being that they are

known to mankind generally not so much in themselves as in their

indirect effects on that plexus of moral, emotional, and intellectual

values on which all our higher interests in the drama of life depend.

Thus, in whatever direction I turned, I felt that, if I listened to the

reasoning of liberal Oxford, I was confronted with an absurdity of one

kind or another. Of the only liberal answers attempted to the riddle of

life, not one, it seemed to me, would bear a moment's serious criticism;

and yet, unless the orthodox doctrines could be defended in such a way

that in all their traditional strictness they could once more compel

assent, life, in the higher sense of the word, would--such was my

conviction--soon cease to be tolerable.

The only human being at that time who held and publicly expressed views

similar to my own, so far as I knew, was Ruskin. Of the riddle which I

found so importunate, he did not profess to have discovered any adequate

solution of his own. On the contrary, he confessed himself a victim of a

tragic and desolating doubt, but he did boldly proclaim that until some

solution was found the men of the modern world were of all men the most

miserable. Take, he said, the belief in immortality, which, according to

some men, is a matter of mild indifference. It is really a belief which

affects our whole conception of the human race. Consider, he said, the

carnage of war, with its pile of unnumbered corpses. It must make some

matter to us whether, according to our serious belief, each man has died

like a dog, and left nothing in the way of a personal existence behind

him, or "whether out of every Christian-named portion of that ruinous

heap there has gone forth into the air and the dead-fallen smoke of

battle some astonished condition of soul unwillingly released."

Here, it seemed to me, was the true voice of reason and challenging

passion combined--a voice which would not say "peace when there was no

peace," and which I missed altogether in Jowett and the Oxford liberals

generally. Jowett always regarded me as a mere dilettante and an idler,

who was bound to disgrace Balliol by coming to grief in the schools, and

he was, I think, mortified rather than pleased when I won, in my second

year, the Newdigate prize for poetry.

[Illustration: JOHN RUSKIN]

But mine was certainly no mere idler's mood; and whatever Jowett may

have thought of me when he heard of my giving parties to ladies, of my

driving them out to picnics, or of my concocting prize poems, my mental

life at Oxford was far from being a life of idleness. On the contrary,

from my second year of residence onward I was constantly engaged in

tentative sketches of a book in which I hoped some day to give a

comprehensive picture of the moral and intellectual condition to which

my Oxford experiences had by that time raised or reduced me. That book

was _The New Republic_, with regard to which in this place a few words

may be apposite.

The form of nearly every book is more or less fashioned on some model or

models. My own models in the case of _The New Republic_ were _The

Republic_ of Plato, the _Satyricon_ of Petronius Arbiter, and the

so-called novels of Peacock. All these books introduce us to circles of

friends who discuss questions of philosophy, religion, art, or the

problems of social life, each character representing some prevalent

view, and their arguments being so arranged as to have, when taken

together, some general and coherent meaning. Many of Peacock's

characters are taken direct from life, and in this respect I made myself

a disciple of Peacock. My characters in _The New Republic_ were all

portraits, though each was meant to be typical; but the originals of

some--such as Lady Ambrose, the conventional woman of the world--were of

no public celebrity, and to mention them here would be meaningless. The

principal speakers, however, were drawn without any disguise from

persons so eminent and influential that a definite fidelity of

portraiture was in their case essential to my plan. Mr. Storks and Mr.

Stockton, the prosaic and the sentimental materialists, were meant for

Professors Huxley and Tyndall. Mr. Luke was Matthew Arnold. Mr. Rose was

Pater. Mr. Saunders, so far as his atheism was concerned, was suggested

by Professor Clifford. Mrs. Sinclair was the beautiful "Violet Fane";

and finally--more important than any others--Doctor Jenkinson was

Jowett, and Mr. Herbert was Ruskin. All these people I set talking in

polite antagonism to one another, their one underlying subject being the

rational aim of life, and the manner in which a definite supernatural

faith was essential, extraneous, or positively prejudicial to this.

To all the arguments advanced I endeavored to do strict justice, my own

criticisms merely taking the form of pushing most of them to some

consequence more extreme, but more strictly logical, than any which

those who proclaimed them either realized or had the courage to avow.

Thus when Doctor Jenkinson descanted in his sermon on the all-embracing

character of Christianity, I made him go on to say that "true

Christianity embraces all opinions--even any honest denial of itself."

By this passage Browning told me that Jowett was specially exasperated,

and Browning had urged on him that such a temper was quite unreasonable.

I think myself, on the contrary, that Jowett had an excellent reason for

it, this reason being that Jowett's position was false, and that my

method of criticism had brought out its absurdity. Here indeed was the

method employed by me throughout the whole book, except in the case of

Ruskin, and there the method was inverted. Just as I sought to show that

Jowett's principles, if carried far enough, ended in absurdity, so did I

seek to show that Ruskin's principles, despite their superficial

absurdities, ended, if carried far enough, in the nearest approach to

truth which under modern conditions of thought and knowledge is

possible. In my effort to give point to what were really my own

underlying convictions, I wrote _The New Republic_ six or seven times

over, and in doing so it became clearer and clearer to me what my own

convictions were. They ended in an application of the method of a

_reductio ad absurdum_ to everything; and this fact I finally indicated

in the words of a Greek epigram which I placed as a motto on the

title-page: "All is laughter, all is dust, all is nothingness, for all

the things that are arise out of the unreasonable."

Such seemed to me the upshot of all the intellectual and moral teaching

of Oxford, of the faintly hinted liberalism of Mr. Philpot's teachings

which had preceded them, and of my own enlarging experiences of male and

female society. That such a conclusion was satisfactory I did not for a

moment feel, but here was the very reason which urged me on to elaborate

it. The mood which expresses itself in a sense that life is merely

ridiculous was, so my consciousness protested, nothing more and nothing

better than a disease, and my hope was that I should get rid of it by

expressing it once for all as pungently and as completely as I could,

after which I would address myself to the project of finding a

foundation for some positive philosophy of life which should indeed be

fortified by reason, but against which reason should not prevail. When,

however, _The New Republic_ had been completed and given to the world, I

felt that my sense of the absurdities of current liberal philosophy had

not even yet exhausted itself; and I presently supplemented that work by

another--_The New Paul and Virginia, or Positivism on an Island_, a

short satirical story in the style of Voltaire's _Candide_. This is a

story of an atheistic professor, such as Tyndall, who, together with a

demimondaine, now the wife of a High Church colonial bishop, is wrecked

on a desert island, and there endeavors to redeem her from the degrading

superstitions of theism and to make her a partner with him in the

sublime service of Humanity--of that "Grand Etre," so he says to her,

"which, so far as we are concerned, has come in the course of progress

to consist of you and me." _The New Paul and Virginia_ was followed some

two years later by _Is Life Worth Living?_ a formal philosophical

treatise, in which the values of life and their connection with

religious belief, the methods of fiction being abandoned, were submitted

to scientific analysis. These three books represent the compound results

produced by the liberalism of Oxford on a mind such as my own, which had

been cradled in the conservatisms of the past. But meanwhile I had left

Oxford behind me, and the death of my father and other family events

which occurred about that time left me free to determine my own

movements, the consequence being that thenceforward the months of what

is called "the season" found me year by year in London from Easter till

the approach of August. Of my early experiences of London, and of the

kind of life I lived there, I will now give some brief account, not

disdaining the humble aid of gossip.

Memoirs of Life and Literature · 第 5 / 18 章