SCENE IV

[_A sombre, darkly furnished room in a Balkan palace. There are wooden

panels and heavy gold hangings; also a window, left, a door, right, and

large double doors, centre. At the left there is a table on which is a

lamp with a dull gold shade. Nearby are an armchair, a footrest and a

smaller chair. At the right there is a small table with two chairs.

Against the walls are several quaint high-backed chairs and a curious

medieval stove. As the curtain rises_, D’OR _is in the armchair asleep.

He wears a dark dressing gown with deep gold borders and embroidery. He

still has his gold rings. The window at the left is open and from the

outside come the plaintive notes of a shepherd’s pipe. The light is that

of early evening._ EDITH PACKARD, _dressed as a nurse, enters at the

right. She feels_ D’OR’S _pulse and tiptoes noiselessly about. She

places fresh golden flowers in a vase on the smaller table, then lights

the lamp at the larger table and turns the flame low. After tidying the

room a bit, she takes another look at_ D’OR, _feels his forehead lightly

and goes off, right. The shepherd’s pipe is silenced. There is a sudden

flash of lightning at the open window and the distant rumble of

thunder._]

D’OR. [_In his sleep._] Not Death! Not Death! I’ve bought off Death for

a time! Not yet! [_He awakes with a start._] Miss Packard! I’ve been

dreaming horribly again! [_He looks about anxiously._] Miss Packard! Has

Dr. Mirsky arrived? [_Listens for reply._] They take my money, yet

they’re not here when I need them most. [_He experiences a convulsive

spasm and is unable to articulate_ MISS PACKARD’S _name, though he makes

a painful effort to do so. He rises heavily from his chair and staggers

to the bell rope near the door, right. He manages to pull it and falls

in a faint over the chair standing near. Lightning and distant thunder._

EDITH _rushes in and rubs his wrists. He revives and she succeeds in

getting him to the table, right._]

D’OR. [_Bewildered._] Where am I? Yes—I remember—I called—

EDITH. You were sleeping peacefully when I left the room a moment ago!

D’OR. Not peacefully! I never sleep peacefully.

EDITH. Do you feel any better?

D’OR. Worse—much worse! How long did I sleep?

EDITH. Over three hours. It is past six o’clock.

D’OR. Evening already! Another day gone! [_Lightning._ EDITH _starts to

close the window. It thunders as she looks out._]

EDITH. Oh! M. D’Or, a terrible storm is approaching! The whole valley is

filled with black clouds! [_Lightning._]

D’OR. Close that window quickly! I cannot bear lightning. [_She closes

it amid thunder._] Another storm! I shall lie awake all night!

[_Groans._] Hasn’t Dr. Mirsky arrived?

EDITH. No, he has not come. Perhaps the storm will prevent his getting

here to-night.

D’OR. I _must_ see the doctor—he must come to-night! He takes my money;

he should be at my beck and call. I need him now—I may die before

morning. Is there no one at the palace whom you can send to the village?

[_Heavy thunder._]

EDITH. Cyril is downstairs.

D’OR. The gardener’s son? I’ll not send the boy on such a night as this.

Perhaps Mirsky will get here after all.

EDITH. He should come.

D’OR. I pay him well enough, eh? I pay you well, Miss Packard? I pay

everybody well. I may be feeble, but I still have my gold. It serves me

yet! [_Thunder._]

EDITH. Do you care for something to eat?

D’OR. No, I have no appetite. I am an unhappy creature. Turn up the

lamp, Miss Packard—it is too gloomy. I can scarcely see. [_She turns up

the lamp._ D’OR _notices the flowers_.] Why are those wilted flowers on

the table?

EDITH. They do seem wilted—yet they were quite fresh when I brought them

in a few minutes ago. [_Thunder._] Perhaps the storm—

D’OR. Nonsense! A storm cannot affect cut flowers! They must have been

dying when you brought them in. [_Raises their drooping heads._] Dying!

Dying—their golden beauty waning—a few hours more and all will be over!

[_Groans._] I must see Mirsky! I feel wretched to-night. Look down the

road, Miss Packard, and see if there are any signs of the doctor’s

carriage. He would not come on foot to-night. [EDITH _opens the window.

Lightning and a wild blast of wind._ D’OR _covers his eyes and groans_.]

EDITH. [_Peering out._] It is too dark to see far—but the road seems

quite deserted. [_Thunder._]

D’OR. Quick! Close the window! [EDITH _does so_.] Even Mirsky fails me

when I need him most. He shall hear from me to-morrow—[_A pause._] if I

am still alive. Have you had your dinner?

EDITH. No, but there’s no hurry—I do not wish to leave you alone.

D’OR. Get your dinner by all means. You are young and healthy—you can

enjoy it. Send up Cyril to keep me company; I like the boy.

EDITH. Very well. Is there nothing else I can do for you?

D’OR. [_More softly._] Nothing, Miss Packard. You are very kind to me.

Are you satisfied in this Balkan wilderness? Am I paying you enough for

coming to this desolate region?

EDITH. Don’t say such things. I am a nurse—it is my duty to serve you.

Besides, you have been very generous to me.

D’OR. Thank you. Run along now—and don’t forget to send up Cyril. [_She

goes off, centre._ D’OR _looks nervously about him, holds his hand over

his heart, then draws himself slowly up and goes to the window to peer

out. Seeing nothing he opens it. A furious downpour of rain is heard,

then a flash of lightning half-blinds him. He closes the window with a

loud bang._] No hope of Mirsky to-night. Even my money won’t bring him

out on such a night as this. [_He walks slowly to the armchair._] If he

does not come, I shall be dead before sunrise!

CYRIL. [_Putting in his head, centre._] May I come in, M. D’Or?

D’OR. [_Brightening._] Cyril! By all means! Come in, my boy! [_He

resumes his seat._]

CYRIL. Miss Packard said you wouldn’t be angry.

D’OR. I am very glad to see you. What have you been doing all day?

CYRIL. I have been exploring along the other side of the river. I left

the palace this morning at five o’clock and joined some boys in the

village. We tramped for several miles along the river, then crossed the

bridge at Arak and went into the woods.

D’OR. It must have been delightful. You started at five o’clock?

CYRIL. Yes, it was still dark. I saw the sun rise from the Hadderberg.

By dinner time we were over ten miles beyond Arak.

D’OR. How did you get home so quickly?

CYRIL. Oh! we saw the storm coming—at first it was a little speck of

black cloud floating far off in the sky beyond the mountain range. We

hurried through the woods and reached home a half-hour ago.

D’OR. You must have had a glorious tramp. Did you do any hunting?

CYRIL. Oh no! The season has not opened yet—we shall go hunting later

on. M. D’Or, did you ever take such trips when you were a boy?

[_Rumbling thunder._]

D’OR. No, I never had such sport. I didn’t live near the mountains and

the forests.

CYRIL. [_Sits on the foot rest at_ D’OR’S _feet_.] How do the boys in

your country spend their time?

D’OR. The most sensible spend their time in learning how to make money.

CYRIL. Do they need much money when they grow up?

D’OR. Nearly all of them think they need more than they have.

CYRIL. What do they buy with their money?

D’OR. Whatever they think they want. What would you buy if you had

twenty florins?

CYRIL. A pair of hunting boots and a new knife. [_He pulls out his

knife._] Not a cheap knife, like this one—but one with six silver bands

on the handle.

D’OR. Why six bands?

CYRIL. Because my friend Boris has one with five bands and his knife is

the finest in the village.

D’OR. Ah! I see! And what would you buy if you had fifty florins?

CYRIL. Fifty florins! [_After a pause._] I wouldn’t buy anything. I’d

save until I had a hundred.

D’OR. [_Interested._] And then—

CYRIL. Then I would buy a handsome rifle such as I saw in a shop window

in Buda-Pesth. Were you ever in Buda-Pesth?

D’OR. Yes, Cyril. I’ve seen those fine shops. Now, isn’t it pleasant to

think that you can go into such a shop with a pocket full of money and

pick out anything you want?

CYRIL. Yes—it’s like a fairy-tale.

D’OR. [_Drily._] Well, that’s why the boys in my country learn how to

make money!

CYRIL. [_With enthusiasm._] And when they have it, they go to the shops

and buy what they wanted?

D’OR. No; by that time they have usually lost interest in what they

wanted—and then they desire something which they cannot buy.

CYRIL. Then it isn’t much fun after all?

D’OR. [_Stroking_ CYRIL’S _hair_.] No, it isn’t much fun. You have

something better than money, Cyril. You have youth and health—be careful

how you spend them. You wouldn’t sell them at any price, would you?

CYRIL. How can one sell youth, M. D’Or?

D’OR. By doing foolish things and by wasting the precious hours of early

manhood—that is how one sells youth. I want you to realize how very rich

you are, even if you haven’t enough money to buy that new rifle. [_The

noise of carriage wheels is heard._] Do you hear a carriage? Can it be

Dr. Mirsky, after all?

CYRIL. [_Opens the window._] Yes, it is the doctor—and another man with

him in a long white robe—a strange-looking man!

D’OR. You see very well in the dark, Cyril!

CYRIL. I have good eyes; father calls them forester’s eyes.

D’OR. Is it still raining?

CYRIL. [_Puts out his hand._] A little, but the worst is over. The

clouds are breaking.

D’OR. I am glad of it; you may leave the window open. [_Enter_ MIRSKY

_at centre_.]

MIRSKY. Good evening, M. D’Or! I’m a bit late to-night on account of

this cursed storm—I never experienced such weather before. The road to

the palace is a veritable river! At every turn a fresh torrent bursts

over it. How do you feel?

D’OR. Fairly well since Cyril has been keeping me company, but I felt

miserable before—I feared you would not come.

MIRSKY. Not come for such a patron as M. D’Or! My dear sir, I would have

come if it had been necessary to swim to the palace!

CYRIL. [_Laughing._] People don’t swim up hills, Dr. Mirsky.

MIRSKY. No, and well-behaved boys don’t make impertinent remarks to

their elders.

D’OR. Cyril tells me you had a companion in your carriage.

MIRSKY. Yes—the queerest fellow I’ve ever come across. I picked him up

on the road just beyond the village. He had sought shelter under a tree

but I saw he would be drenched if he remained there long enough—to say

nothing of the danger from lightning. He’s a sort of oriental sage—calls

himself Ramanand. I expect to take him back to the village when I leave

and have a chat with him to-night.

D’OR. I am interested in your find! Can’t we have him up here?

MIRSKY. I turned him over to Miss Packard—I believe he is drying out at

the kitchen fire. Cyril, run along and fetch up the philosopher.

CYRIL. [_Meekly._] Very well, doctor. I hope you will forgive me for my

impertinence just now—

MIRSKY. [_Clapping his shoulder._] Impertinence, my boy? It was the

truth. As you say, people do _not_ swim up hill. [CYRIL _laughs and runs

off, centre_. MIRSKY _turns to_ D’OR.] Well, how is my patient? [_Feels

his pulse._] Still feverish and unsettled—appetite poor—all out of

sorts, eh?

D’OR. Doctor, I feel like a man whose life is ebbing away. I had a

horrible seizure this evening. It’s all up with me. I’ve been burning

the candle at both ends all my life. I have crowded more experience into

my forty years than properly belongs there—that’s all!

MIRSKY. My dear M. D’Or, you talk like a man who is preparing for

another world, yet you are paying me handsomely to keep you here. One

can hardly regard such remarks as complimentary—

D’OR. True enough, doctor, but there’s no power of resistance left in

me. I’ve been fighting Death for some time and now I have only one real

weapon left—

MIRSKY. [_Surprised._] One weapon?

D’OR. Yes, my money! Youth and health are gone, and I have long since

turned my back upon my few friends—but my money is still my faithful

slave. It has provided me this airy retreat in the Balkans, it has

brought me such a devoted nurse as Miss Packard, such a skilful

physician as yourself—

MIRSKY. Come, come—I’m not so sordid! A true physician thinks first of

the professional obligation.

D’OR. But a successful doctor does not give up a lucrative practice in

Buda-Pesth to bury himself in the mountains with a solitary patient

unless the latter pays handsomely, eh?

MIRSKY. It is true that you are giving me many times what I could earn

by my practice, but why do you constantly remind me of it?

D’OR. I don’t want to offend you, doctor—but I like to feel that my

money is still helping me to keep Death at bay. I have gone through life

believing that wealth is power and I want to think so yet. Don’t you

share that belief?

MIRSKY. Frankly, I do. I have even coined a new beatitude—blessed is the

rich man, since he can have what he wants!

D’OR. [_Gravely._] Not always—I have found that out. I want health,

vigor, an interest in life.

MIRSKY. Your money would obtain any of these if you gave it a fair

chance. You are sated, that is all—

D’OR. It is worse than that. I’m worn out—done for!

MIRSKY. M. D’Or, you are absolutely wrong. I cannot comprehend your

passive yielding to this chronic invalidism. You harm not only yourself,

but me likewise—professionally, I mean. I shall be quite frank with you.

My reputation is at stake. All Buda-Pesth knows that I am treating the

rich M. D’Or. If I restore you to health, my fortune is assured! I shall

no longer be the promising Dr. Mirsky in his shabby carriage—I shall

become the famous Dr. Mirsky in his automobile. Do you realize what it

means to me?

D’OR. So you wish me to get well for _your_ sake?

MIRSKY. Certainly, if you have no reasons of your own. I pretend to no

philanthropy in the matter. You are paying me lavishly, M. D’Or—give me

a chance to earn the money.

D’OR. [_Shaking his head._] You’ve taken a bad case, doctor—I’m sorry

for you. You’ll have your money and the automobile in any event. Of

course, you expect to find greater happiness in becoming more prominent

in your profession?

MIRSKY. Yes, both happiness and reputation. I look upon it as a

recompense for my early years of struggle.

D’OR. You had to make your own way?

MIRSKY. My father was a poor village shoemaker; my mother eked out his

income by what she could earn at washing and sewing. I was the youngest

of five children.

D’OR. And the others?

MIRSKY. They were all sacrificed for my sake. They are hard-working men

and women to-day. My parents died before I achieved independence in my

profession. I should like to help my brothers and sisters, but they

refuse my aid.

D’OR. Perhaps you don’t offer them enough.

MIRSKY. M. D’Or, they have pride! They feel that an unfair advantage was

given to me—and they are right!

D’OR. I fail to see it. This was clearly a case of one rising from the

depths, or none at all. If they have pride, they should take pride in

you.

MIRSKY. It has made a permanent breach between us, I fear.

D’OR. And they will feel even more bitter when you return to Buda-Pesth

and ride about in your new automobile?

MIRSKY. [_Gloomily._] Yes, I have been thinking of that. If I could only

drive them from my mind!

D’OR. Yet you look forward to happiness! Is there no way of making

wealth obedient to our desires?

CYRIL. [_Putting in his head at central door as before._] May I bring in

Mr. Ramanand?

D’OR. Certainly—I shall be glad to see him. [CYRIL _throws the door open

and_ RAMANAND _enters in stately fashion, garbed in an oriental robe_.]

MIRSKY. Ah! Ramanand, quite dry now? I want to present you to M. D’Or,

the tenant of this palace and my worthy patron. He has heard of our

meeting on the road.

RAMANAND. [_With a profound bow, speaks in a deep, rich voice._] My

salutations and greetings, monsieur. I am indebted to you for your

hospitality.

D’OR. Won’t you be seated? [RAMANAND _takes a seat, right_, CYRIL _sits

on the foot rest_.] I trust they made you comfortable downstairs. Didn’t

you suffer in the storm?

RAMANAND. A slight wetting—no more. I am accustomed to rough weather. I

travel constantly on foot. It is no hardship for such as I.

MIRSKY. Are you familiar with this country?

RAMANAND. No. I am on my way to the West, to study the civilization of

other lands. I have read of them and their manners; I now seek to know

them by actual experience.

D’OR. You have doubtless traveled far enough to find things different?

RAMANAND. Yes, I already feel the mark of the West in your customs. In

the East, all things are deliberate and, whether right or wrong, rest

upon traditions handed down from the remotest ages. Here you strive for

things that are new and you are ever ready to forget the old.

D’OR. But why do you follow such a roving life? Is there any profit in

it? Will you be better off when you have completed your travels?

RAMANAND. There is much profit in it—I shall enrich my mind with golden

thought—

D’OR. But does it enrich your purse with golden coin—that’s more to the

point!

RAMANAND. Money! It is a delusion!

MIRSKY. A delusion?

RAMANAND. [_Placidly._] Yes. Has it ever proved otherwise?

D’OR. Why, it brings power, the thing best worth having in life.

RAMANAND. It brings mostly care and sorrow.

MIRSKY. Did you ever hear such a philosophy?

D’OR. [_To_ CYRIL.] Cyril, you recall speaking to me this evening of a

new rifle?

CYRIL. Yes, M. D’Or.

D’OR. We shall send to Buda-Pesth to-morrow for that rifle and when it

arrives it is yours.

CYRIL. [_Leaping up in pleasure and kissing_ D’OR’S _hand_.] Oh! dear M.

D’Or, you are like a good magician in the story-books!

D’OR. [_To_ RAMANAND.] And the agency of such happiness as this you call

a delusion! Where’s your care and sorrow?

RAMANAND. [_Smiling._] You are a ready man with your proof. No one can

deny the momentary exaltation that follows a gift or a favor, nor do I

believe that gratitude is a forgotten virtue. But look about you, and

note what a curse wealth has brought upon humanity.

MIRSKY. I should not care to entertain the philosophy of the East.

RAMANAND. Mine is not the philosophy of the East. We also have the

worship of gold among us and its devotees lead the same blind lives in

its pursuit as your own people. The views I express are my own.

D’OR. Then you really believe that the poor man is the happiest man?

RAMANAND. Yes, if he is not possessed by the lust for gold.

MIRSKY. And the rich man is the unhappiest man?

RAMANAND. Yes, if he is the slave of his own wealth.

D’OR. Rail against wealth if you will—I maintain that poverty has

nothing to recommend it.

RAMANAND. [_Reflectively._] I too sought material wealth as a young man

and I gained nothing but care; for many years I have cherished poverty

and my days are crowned with peace. I ask no better test of my

philosophy.

MIRSKY. If you are satisfied, you have reached a state of mind that

neither M. D’Or nor I shall ever experience. [EDITH _enters, centre_;

MIRSKY _and_ RAMANAND _rise_.]

EDITH. Pardon me—I have come to tell Cyril that his father is ready to

take him back to the lodge.

CYRIL. [_Leaping up and running to the window._] Oh! it is clearing up

beautifully—the moon will rise soon. I suppose I’ll have to go. [_He

shakes hands._] Good night, Dr. Mirsky. [_He stands abashed before_

RAMANAND.] Good night, Mr. Ramanand.

RAMANAND. [_Stroking_ CYRIL’S _hair as if invoking a blessing on the

boy_.] Good night, Cyril.

CYRIL. Good night, M. D’Or. Shall I pray that you should get better?

D’OR. [_Surprised._] Should you pray—why—yes, if you care to.

CYRIL. You won’t forget about the new rifle?

D’OR. What has the rifle to do with your prayer?

CYRIL. I think I could pray better if I knew I was sure to get it.

[RAMANAND _shakes his head_.]

D’OR. Very well, Cyril, just pray your very best for me. Good night.

CYRIL. Good night, Miss Packard. Why don’t you make M. D’Or get better?

That’s what nurses are for.

MIRSKY. The young rascal will be censuring me next for not having M.

D’Or in perfect physical condition. Run along.

CYRIL. [_Laughing._] Good night, everybody. [_He goes off hastily._]

EDITH. [_To_ D’OR.] It is time for your medicine.

MIRSKY. One moment, Miss Packard. We shall discontinue that medicine; I

am not satisfied with our patient’s response. We shall adopt a new

course—no drugs at all for the next few days.

D’OR. I am heartily glad of it. I get far more benefit from your talk,

doctor, than from your medicines. Our little discussion to-night has

made me forget myself for the time. By the way, let us see how Miss

Packard feels about the matter. She will be an unprejudiced judge.

MIRSKY. One whose opinion will be worth having. [RAMANAND _bows

politely_.]

D’OR. We were trying to decide among ourselves whether wealth is a

blessing or a curse. Do you believe it brings power?

EDITH. Yes, unquestionably.

MIRSKY. Does it bring happiness?

EDITH. Certainly. Why shouldn’t it bring happiness?

RAMANAND. Does it bring sorrow and misery?

EDITH. Far too often, I fear.

D’OR. Are all three of us right in our contentions? Wealth seems to be

rather fickle, Miss Packard, according to your view.

EDITH. It appears a very simple matter to me. The unattainable always

seems attractive; what we possess is apt to pall after a time. Wealth

does not usually bring power, nor happiness, nor sorrow until its

possessor has taken some initiative in the matter. The owner of the

wealth must in a large measure determine its influence on his career.

D’OR. If you possessed great wealth, would you test its power to secure

for you the things that you might deem most desirable—social position,

for instance?

EDITH. I think not. I should prefer to expend it in a quest of

happiness, but it would be a happiness that came from service—from using

the wealth to bring sunshine and peace into other lives. Perhaps as a

nurse I have come to think differently than many other women—

MIRSKY. More self-sacrificing, I am sure.

RAMANAND. Does Miss Packard believe in the philosophy of service—that

our lives can be counted most successful when we make ourselves most

useful to our fellow men?

EDITH. Assuredly. Service seems to me the ideal of a well-ordered life.

I can imagine no finer life than that of my honored country-woman, Miss

Eleanor Richmond—

D’OR. [_Springing up._] Eleanor Richmond!

RAMANAND. A noble woman, indeed, a goddess of charity. I met her in

Bombay last year.

MIRSKY. I have heard of her—she organized a relief committee for the

India famine—

EDITH. Yes, and is devoted heart and soul to the great cause.

D’OR. Eleanor Richmond—in India! [_To_ EDITH.] You know her?

EDITH. Very well. I have been with her at different times for several

years. I was a member of her party that went into the fever district.

D’OR. She—has not married?

RAMANAND. Such a woman needs no family of her own. All mankind is her

family!

D’OR. How strange that you should know her. I always passed over the

accounts of India famines in the papers—such unpleasant reading, such

harrowing details.

MIRSKY. Think of the heroism of a woman who will plunge into the midst

of such misery and desolation!

RAMANAND. There are parts of India where Miss Richmond is worshiped as a

saint!

EDITH. She deserves it. I know of no one who has made such a splendid

use of wealth as she has done. She has been an inspiration to me at

times when I felt weak and discouraged. [_Moonlight shines in at the

window._]

MIRSKY. The moon has risen; what a glorious light it sheds into this

room. We must be going, M. D’Or, if we are to reach the village before

midnight. We shall have a well-lighted road, at all events. [_He goes to

the window._ D’OR _is staring into space_.]

EDITH. I shall have the carriage sent around to the door. [_She goes

off, centre._]

RAMANAND. Monsieur, I am deeply indebted to you and to the good doctor

for the shelter you have afforded me, and for your tokens of good will.

D’OR. [_Recovering himself._] And to-morrow you continue your westward

march—in search of truth?

RAMANAND. In search of truth, M. D’Or. There is the most precious wealth

that the earth affords. It will be a long and difficult quest.

D’OR. I have been searching for truth for many years and in many lands;

to-night I believe I have stumbled upon it by chance. A few hours ago I

was wondering what new bribe I might offer Death to postpone for a time

the final settling of my account. Now I yearn for a chance to redeem my

past follies, to add a new and more creditable chapter to my career. You

have done me much good to-night, doctor! I feel better and happier at

this moment than I have been for many years!

MIRSKY. Not too fast! Don’t be in too much of a hurry to deprive me of

so profitable a patient.

D’OR. Have no fear, doctor—you shall have no occasion to regret the cure

that you wrought here to-night.

MIRSKY. You are indeed a changed man—I am glad to see it. Good night, M.

D’Or.

RAMANAND. [_To_ D’OR.] Good night, monsieur. [_He bows._]

D’OR. Good night! A pleasant ride back to the village! [_They go out,

centre._ D’OR _examines the wilted flowers and laughs softly. He then

goes over to the window and stands in the moonlight. He calls to the

others below._] Good night! Good night! [_The sound of carriage wheels

is heard._ EDITH _comes in, centre, and looks at_ D’OR _a few moments

before speaking_.]

EDITH. You may catch cold at the window—

D’OR. [_Turning._] Miss Packard! I did not hear you enter.

EDITH. You are feeling much better?

D’OR. I am a new man to-night. Pray tell me, do you know if Eleanor

Richmond is in India now?

EDITH. She is on her way to India. She wrote me from London that she

would be at Port Said in a fortnight.

D’OR. Port Said! You have a letter from her?

EDITH. Yes. Do you know her?

D’OR. We were very good friends—many years ago, over in America. It

seems so long ago—almost like another existence.

EDITH. Would you like to see her letter? It tells of her plans for the

coming year.

D’OR. You are very kind—

EDITH. I shall fetch the letter; I am sure it will interest you. [_She

goes off, right._]

D’OR. [_In meditation._] Fifteen years! It seems like a lifetime! A

lifetime of hideous nightmare and delusion. Fifteen years! [_He paces

the room._ EDITH _returns_.]

EDITH. Here is Miss Richmond’s letter.

D’OR. [_Takes the letter to the light and tries to read. His hand

trembles. He speaks in an uncertain voice._] Won’t you read it for me?

EDITH. [_Reading._] ‘I am now in London with my secretary, Mr. Hanson,

making final preparations for another year’s work in the Orient. Mr.

Hanson’s wife and I have been buying great quantities of supplies to be

shipped to the East. She is a most helpful woman—just another like’—[_A

pause._]

D’OR. [_Softly._] ‘Like yourself.’

EDITH. [_Embarrassed, continues._] ‘From all reports the distress is

even greater than before and we shall have to labor harder than ever to

relieve the miseries of those unfortunate people. How my heart bleeds

for them! I have found many good friends who have contributed generously

to our fund, but the need is so great that we can never bring adequate

relief. We can assist a little here and there, and instil new courage in

those who are partly able to help themselves, but there is much that we

can never hope to undertake. I wonder that I ever had the hardihood to

attempt this work. Now it has become my mission in life and it means

everything to me. We shall be at Port Said on the 25th, and shall spend

two or three days there. I wish you could arrange to rejoin me this

year. I recall our days of labor among the poor in New York and in

Chicago. You were so very’—Oh! M. D’Or, won’t you read the rest?

D’OR. [_Taking the letter._] Too modest to sound your own praises? _[He

reads in silence._] Very true, Miss Packard, what she says of you is

indeed true. No wonder she wants you with her again. [_He reads._] ‘The

work is a consecration—it has made life very sweet to me’—[_As he goes

on_, EDITH _silently steals from the room by the centre door_.] ‘What a

pleasure it is to bring the light of joy and gratitude into the eyes of

others. In my devotion to their welfare I have tried to forget an early

sorrow of my own’— [_He pauses, overcome with emotion. He looks up and

sees that he is alone. His hand trembles as he holds the letter near the

lamp._] ‘I hope we may soon meet again—time alone can tell.’ Time alone

can tell! How that phrase brings back that last evening together in the

garden—the legend on the sun-dial—‘Time will reveal all things.’—[_He

rises and stands by the window, glancing over the letter in the

moonlight._] ‘I have tried to forget an early sorrow of my own’—_Tried_

to forget! Eleanor! [_He gazes at the letter as the curtain slowly

falls._]

EPILOG

[_A parlor in the Hotel Orient, Port Said, furnished as a writing-room

for the guests. There is at the right a table with pens, ink, magazines,

railway guides and folders. At the left a table with writing materials,

blotters, etc. Each table is flanked by two chairs. There are also

several comfortable armchairs and a revolving case with time-tables and

other hotel literature. From the room a wide central entrance leads

through glass doors to a porch with posted placards. There are exits

right and left and a window on the left beside the door. The sun shines

brightly through this window and also illumines the prospect from the

porch. As the curtain rises_, MR. MATHEWS _enters at the centre and

casts a critical eye over the room. He puts the papers, etc., into order

at both tables and throws several soiled sheets into a wastebasket under

the table on the right._ MR. HANSON _enters with a large bundle of

letters and goes to the opposite table_.]

MATHEWS. Good morning, Mr. Hanson. I hope you slept well.

HANSON. Thank you, Mr. Mathews. My first night in Africa was one of

undisturbed repose. What a lovely morning! Is such weather common in

Egypt?

MATHEWS. It is during the season. We often have fine weather at this

time of the year.

HANSON. Your hotel seems quite crowded.

MATHEWS. It filled up yesterday after the arrival of your steamer. Most

of our guests are tourists who are on their way to Cairo and the

Pyramids.

HANSON. Have you seen Miss Richmond this morning?

MATHEWS. Yes, she is now at breakfast. What a charming lady she is!

HANSON. One of Heaven’s good angels, I should say. My wife and I have

been associated with her for two years in her American charities and in

this India relief work. Her soul is wrapped up in it. You should see how

people respond to her appeal for aid. [_He reads the mail as he talks.]_

One contribution after another. Our fellow-passengers on the ship raised

a fund of one hundred pounds.

MATHEWS. That reminds me to give you this check on behalf of the

management. [_He takes a check from his wallet._] We desire to show our

interest in the cause.

HANSON. Thank you very much. I am certain your kindness will gratify

Miss Richmond. [_He reads a letter with an enclosure._] Here’s a curious

one! From the English missionary at Kermeh—‘ten pounds from our mission

for the India relief fund.’ Where is Kermeh?

MATHEWS. It is far up the Nile—at the Third Cataract. That’s the sort of

coöperation that counts; it shows that Miss Richmond’s noble work is

known in the remotest regions. [_He takes out his check book and

writes._] Mr. Hanson, I wish you would add this personal contribution to

that of the management. I want to help a little.

HANSON. You are indeed generous. I wish the world could realize the

nature of the task that Miss Richmond has undertaken—the feeding of

impoverished thousands is but a small part of it. There are schools and

hospitals to be provided—an effort is being made to raise the whole

country to a better standard of living. The fever must be stamped

out—[_Reads._] Twenty pounds—fifty pounds—Heaven bless them all. [_He

takes up a telegram._] A dispatch from Paris. [_As he reads it, the

paper trembles in his hand. He starts up with a cry._]

MATHEWS. What is the matter?

HANSON. [_Excitedly._] The matter! It’s too wonderful to be true. I

doubt whether I’m awake! It can’t be possible—yet here it is, black on

white. It’s like a voice from Heaven answering Miss Richmond’s prayer.

[_Hands over the telegram._] Read it, Mr. Mathews.

MATHEWS. [_Reads._] ‘The Messrs. Blaustein have the honor to inform Miss

Richmond that securities amounting to ten million pounds’—

HANSON. [_Wildly._] It does say ten million? I’m not dreaming?

MATHEWS. You’re wide awake—it’s ten million. I’m not familiar with the

sum, but I know what the figures look like. [_He resumes reading._]

‘Securities amounting to ten million pounds have been deposited with

them to form a permanent fund known as the Eleanor Richmond Fund, the

income thereof to be expended in the interests of Miss Richmond’s great

charities throughout the world. Provision is made that one hundred

thousand pounds shall be immediately available for Miss Richmond’s

relief work in India. The Messrs. Blaustein regret that they are not at

liberty to mention the name of the donor, who prefers to remain

anonymous because he wishes only one name to be associated with the

fund—that of Miss Richmond herself.’ Did you ever hear anything like

that before in your life, Mr. Hanson?

HANSON. [_Almost delirious._] Has there ever been anything like it

before? It is stupendous! How can such a gift be kept secret! How can

any human being give away ten million pounds without public recognition?

Can you realize what burdens it will lift from Miss Richmond’s mind? She

can now proceed safely with many noble enterprises which she has long

hoped to carry out when funds were available. How she will rejoice at

this wonderful answer to her prayers!

MATHEWS. [_Gravely._] By the way, Mr. Hanson, be careful in giving her

the information. Good news may cause as severe a shock as bad news. Tell

her gradually—

HANSON. You’re right. It’s a wonder it didn’t knock me over—I haven’t

had my breakfast yet. I don’t believe a doctor would recommend hearing

such news on an empty stomach. [_Enter_ ROBERT DORR _at the centre. He

wears a plain sack suit and no jewelry of any sort. He seems alert and

vigorous._ HANSON _continues to read the mail_.]

DORR. Good morning, Mr. Mathews.

MATHEWS. Good morning, Mr. Dorr. You are an early riser—the porter told

me you went out at five o’clock for a stroll about the harbor.

DORR. I am enjoying the best of health. You must have observed the

improvement in the four days that I have been here. The climate of Egypt

is wonderful—bracing, invigorating!

MATHEWS. [_Drily._] Yes, just now—but wait till next summer!

DORR. I haven’t time to wait. I’ll take your word for it.

MATHEWS. By the way, Mr. Dorr, you ought to know Mr. Hanson, secretary

to Miss Richmond. Mr. Hanson, Mr. Dorr. You are both Americans—

DORR. The best of reasons for our knowing each other, Mr. Hanson. I have

heard of Miss Richmond’s splendid services for India. You have doubtless

taken part in that work?

HANSON. Yes. Mrs. Hanson and I have been associated with Miss Richmond

for several years. It has been a pleasure to help even a little in the

great cause, but I’ve never been so happy as this morning. What do you

think has happened?

DORR. I’m sure I never could guess.

HANSON. A noble hearted soul has established a fund of ten million

pounds to carry on Miss Richmond’s work.

DORR. Ten millions! Who is your Crœsus?

HANSON. That’s the most remarkable part of it. He is as modest as he is

magnanimous—he prefers to remain unknown.

DORR. What does Miss Richmond say?

MATHEWS. She doesn’t know it yet. The dispatch arrived from Paris this

morning.

HANSON. It will be the happiest day of her life, I am sure.

DORR. How long do you remain at Port Said?

HANSON. Our steamer leaves day after to-morrow at ten. That reminds me,

I must send off a note at once to the steamship office. You will pardon

me? [_He goes to the table, left, and writes._]

MATHEWS. [_Beside the table._] Just look at that mail, Mr.

Dorr—contributions coming in from all quarters. There are many hundred

pounds in all, and yet how small that seems beside those ten millions!

How would you like to be able to give such a donation?

DORR. [_Uncomfortably._] I—I think it would be very pleasant—I think I’d

rather like it!

MATHEWS. I should say so! A man with such generous impulses should not

hide his light—

DORR. [_Interrupting._] Pardon me, Mr. Mathews, have you a Bradshaw

handy?

MATHEWS. [_Indicating to the table, right._] You will find one on that

table. [_He crosses._] Here it is. [DORR _follows and takes a seat with

his back to the others_. MATHEWS _turns to the back as if to go out and

meets_ ELEANOR RICHMOND. _He comes front with her._ DORR _pretends to be

reading his Bradshaw_.]

ELEANOR. Good morning, Mr. Mathews. It’s a full year since I was here.

How have you been?

MATHEWS. Very well. I need not ask—

ELEANOR. [_Smiling._] Always well and busy. Perhaps I should say always

well because I’m busy. What a lovely sunny morning. You seem to furnish

such beautiful weather whenever I come to your hotel.

MATHEWS. I hope you will enjoy your stay here, Miss Richmond.

ELEANOR. I always do. I’m sorry it must be such a short stay, but you

know—India is calling and I’m needed there. [_To_ HANSON.] Good morning,

Hanson—have you breakfasted?

HANSON. Not yet, Miss Richmond—I’ve been looking over the mail. The fact

is, I’m not at all hungry—

ELEANOR. You’re not getting ill, I hope? You seem strangely excited

about something. Is the fever prevalent now, Mr. Mathews?

MATHEWS. No, indeed. I don’t think anything serious is the matter with

Mr. Hanson. He is simply suffering from a slight shock.

ELEANOR. A shock! Why, what has happened?

HANSON. You see I was reading the mail—it’s a goodly batch of letters.

Nearly all of them contain donations, both large and small—I was simply

overcome by their generosity. Here is one from the English mission at

Kermeh in the upper Nile valley. Mr. Mathews has given me a check on

behalf of the management of the hotel and a personal contribution as

well.

ELEANOR. [_Gratefully._] Thank you for your aid. It is an inspiration to

find people everywhere so anxious to help! [_She has taken a seat at the

table, left, her back to_ DORR. HANSON _is seated at her side and_

MATHEWS _is standing_.]

HANSON. [_Slowly and seriously._] Miss Richmond, you know that now and

then there is an unusually large donation announced in the mail. [_She

nods expectantly as she looks over the letters._] That happened this

morning. [_A pause._] It is the most splendid gift that your cause has

ever received. [_She drops the letters and looks eagerly at_ HANSON.]

This is a trust fund, the interest of which is to be applied to your

work. Do not be startled at the sum—it is very great. You remember last

year the Earl of Shropshire gave—

ELEANOR. Ten thousand pounds—a munificent sum! And you say this is even

more?

HANSON. [_Deliberately._] Conceive the Earl of Shropshire’s gift

multiplied ten fold—a hundred fold—a thousand fold!

ELEANOR. [_Rising from her seat._] Hanson, what do you mean?

HANSON. [_Rising._] Miss Richmond, the amount is ten million pounds. [_A

pause. She looks from_ HANSON _to_ MATHEWS. HANSON _gives her the

dispatch. Tense silence as_ ELEANOR _reads it_. DORR _trembles, but does

not look around. The paper shakes in_ ELEANOR’S _hand_.]

ELEANOR. [_Faintly._] Ten million pounds—a permanent fund—one hundred

thousand pounds immediately available! [_She sinks into her chair._] Can

this be true? It is like the realization of a fairy-dream. Hanson, I

_must_ know the donor of this enormous fund—

HANSON. The dispatch says he prefers to remain anonymous.

ELEANOR. I must know. His name may be kept secret if he so desires, but

I must see that man and thank him from the bottom of my heart for the

good that he is doing. His bounty will reap a perpetual harvest—he must

see for himself what his unparalleled generosity will accomplish.

HANSON. Shall I write to the Blausteins at Paris, asking that the

donor’s name be communicated to you?

ELEANOR. No—I shall let you have a telegram for them. I want to know

before I leave Port Said. What a wonderful day this is! You knew of it,

Mr. Mathews?

MATHEWS. Mr. Hanson told me just before you came in. Let me say in all

sincerity, it is the kind of support that your noble work has merited

all along.

ELEANOR. It makes me happy past all understanding. We can achieve real

results now—not temporary relief, but permanent progress. Won’t you get

your breakfast, Hanson? I am forgetting all about you. No wonder you

seemed so excited. I shall telegraph to the Blausteins at once. [_She

reaches for a telegram pad and writes._]

HANSON. Very well. [_He gathers up the mail, leaving the dispatch from

the Blausteins in_ ELEANOR’S _possession_.] Mr. Mathews, won’t you

deposit these remittances in your safe for the present? [DORR _at his

table writes out a check_.]

MATHEWS. Certainly. Can I be of further service, Miss Richmond?

ELEANOR. Not now, but I shall call upon you later. Let me thank you once

more for your kindness! I must get off this dispatch at once.

MATHEWS. Let me know when I can serve you in any way. [_He goes off,

centre, with_ HANSON. ELEANOR, _when alone at the table, reads the

dispatch again, clasps it to her breast and looks upward in

thankfulness. Trying to compose her own telegram, she once more reads

the other and weeps softly as she does._ DORR _rises and turns towards

her. She is trying to compose herself to write, but cannot._]

DORR. [_Advancing._] Pardon me, Miss Richmond—I should like to

contribute a trifle to your fund. [_He hands her the check._]

ELEANOR. How good of—[_Looks intently at him._] why—I—[_In a whisper._]

Bobbie Dorr!

DORR. Yes.

ELEANOR. Bobbie Dorr—in Egypt! Oh! what a surprise! Were you sitting

over there reading that Bradshaw? I took you for an ill-mannered

tourist!

DORR. And you recognized me at once—after fifteen years.

ELEANOR. Is it as long as that? Then you must not mention the fact

again. You’ve grown broader and heavier, Bobbie—you look more sensible,

too!

DORR. And you’re just the same charming Eleanor that you were in the old

Lenox days.

ELEANOR. The idea of your saying such a thing! I just remarked that you

seemed more sensible—now I am inclined to doubt it. What have you been

doing all these years?

DORR. Wandering over the face of Europe and learning many things. I fear

you have never forgiven me for the unceremonious way I cleared out after

that dance of Aunt Martha’s. I sailed from New York a few hours after

that—that last evening we spent together.

ELEANOR. I have never forgotten that evening, Bobbie. You seemed like a

man possessed of some evil spirit. You remember how you raved about the

power of wealth—

DORR. I meant it then. My money is practically all gone now.

ELEANOR. You have run through that great fortune of your grandfather’s?

You have spent it all?

DORR. All but a very little—I couldn’t give you much of a contribution—

ELEANOR. [_Looking at the check._] How thoughtless of me! Here I have

been holding your check all this time without even glancing at it. One

thousand pounds! Generous as ever, Bobbie!

DORR. I’m sorry it isn’t more—

ELEANOR. [_Examining the signature._] What’s this? What a strange way of

spelling your name!

DORR. I’ve been known as M. D’Or ever since I left America—it was simply

a fancy of mine. Now that I’m through with my money, I shall be plain

Bobbie Dorr hereafter.

ELEANOR. It certainly sounds better, Bobbie—more like old times. Do you

know, I always felt that we should meet again and that you would tell me

truly whether or not wealth can buy power—

DORR. It cannot, Eleanor, I admit that. I spent my money foolishly for

the most part—that is, until recently, when I acquired more common

sense—but I’m glad I’m done with it. Now I’m going to ask you a favor.

ELEANOR. What is it, Bobbie?

DORR. Won’t you take me along to India?

ELEANOR. Take you along to India! Why, this is no pleasure excursion. It

means work—the hardest kind of work.

DORR. [_Dejectedly._] I know I don’t amount to much, but I thought I

might serve as a second or third assistant secretary. [_Brightening._] I

was watching your secretary this morning. When the mail comes in I might

open the envelopes and hand them over to Mr. Hanson.

ELEANOR. And what then?

DORR. Well, I suppose I’d have to look out of the window until the next

mail arrived. But, Eleanor, I’m serious about this—I’m no longer the

frivolous youngster I was at Lenox.

ELEANOR. We’ve both seen a good bit of life since then, Bobbie. I became

interested in charitable work, and my labors at home and in India have

been crowned with great success. Did you hear us speak before of the

wonderful good fortune that has just befallen us—the income of ten

million pounds to be annually devoted to our cause? Isn’t it marvelous!

I was just about to write in order to learn the name of the donor.

DORR. I shouldn’t ask the Blausteins about him—they won’t tell you

anyway.

ELEANOR. How did you know it was the Blausteins? I didn’t mention their

name.

DORR. Why, I—that is, Mr. Hanson happened to mention it to Mr. Mathews

before you came in.

ELEANOR. And knowing that, you were willing to sit there in that

cold-blooded manner reading your Bradshaw?

DORR. I didn’t want to take you by surprise. I wanted to give you a

chance to hear what Mr. Hanson had to say before I forced my unworthy

self on your attention.

ELEANOR. What Mr. Hanson had to say? It seems to me that you show very

little enthusiasm over this wonderful endowment. I must discover the

donor; won’t you help me?

DORR. I don’t see why you bother about him. He’s probably some eccentric

old fellow—he must be a queer chap to turn over such a sum to a Board of

Trustees—

ELEANOR. Board of Trustees—[_Reading the dispatch._] The dispatch says

nothing about a Board of Trustees!

DORR. Doesn’t it? Well, you see, they usually do such things in that

way. I inferred from what Mr. Hanson said to Mr. Mathews—

ELEANOR. [_Alert._] Bother Mr. Hanson and Mr. Mathews. [_Coming

closer._] Bobbie Dorr, tell me the truth. You left us fifteen years ago

to prove that wealth was power.

DORR. I know I made myself ridiculous. I believed then that humanity

could be bought and sold like merchandise over a counter. For a time I

succeeded after a fashion. I know better now. I confess my defeat.

ELEANOR. [_Watching him._] What did you do with that large fortune,

Bobbie?

DORR. [_Evasively._] It’s all gone—no use crying over spilled milk. I’m

rather poor now, and glad of it. There’s just enough left to provide for

my wants. All the rest is gone. Why do you look at me so strangely? It’s

all spent—that is, I got rid of it—I had no further use for it—I—gave it

away—I—

ELEANOR. Bobbie! It was you!!

DORR. Eleanor, a few moments ago you remarked to Mr. Hanson that you

wanted the donor of that fund to see what good it would accomplish. Now

I—I’m willing to confess—provided you take me along to India.

ELEANOR. You have triumphed, after all! Wealth is power!

DORR. Only when such a noble soul as yours dispenses it. [_He takes her

hand._] Give me a chance, Eleanor! May I go along to India?

ELEANOR. Yes. [_She picks up her half-finished dispatch to the

Blausteins and smilingly they look at it as the curtain falls._]

------------------------------------------------------------------------

Early Reviews of

English Poets

EDITED WITH AN INTRODUCTION

BY

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