INDIAN HYMNS.

Our first singing was in English, as we knew of no hymns in the

languages which the Indians could understand. In the Sabbath-school

prayer-meeting and partly in church we have continued to use them, as

the children understand English, and it is best to train them to use the

language as much as possible. “Pure Gold” and the Gospel Hymns and

Sacred Songs, as used by Messrs. Moody and Sankey, have been in use

among the Indian children for the last twelve years. Two or three of the

simplest English songs which repeat considerably have also been learned

by many of the older Indians, who understand a little of our language,

as: “Come to Jesus!” and “Say, brothers, will you meet us?” Yet all

these did not reach the large share of the older Indians as we wished to

reach them. “What are you doing out here?” “Why do you not go to

Sabbath-school?” were questions which were asked one Sabbath by the wife

of the agent to an Indian who was wandering around outside during that

service. His reply was that as the first part of the exercises and the

singing were in English they were very dry and uninteresting to him.

Only when the time came for singing the Chinook song was he much

interested. That was in 1874, and there was only one such song, which

the agent had made previous to my coming; but the want of them, as

expressed by that Indian, compelled us to make more. The first efforts

were to translate some of our simpler hymns into the Chinook language,

but this we found to be impracticable, with one or two exceptions. The

expressions, syllables, words, and accent did not agree well enough for

it; so we made up some simple sentiment, repeated it two or three times,

fitted it to one of our tunes, and sang it. In the course of time we had

eight or ten Chinook songs. They repeated considerably, because the

older Indians could not read and had to learn them from hearing them,

somewhat after the principle of the negro songs. Major W. H. Boyle

visited us in 1876, and was much interested in this singing. He took

copies of the songs and said he would see if he could not have them

printed on the government press belonging to the War Department, at

Portland, free of expense; but I presume he was not able to have it

done, as I never heard of them again.

In my visits among white people and in other Sabbath-schools I was often

called upon to sing them, and was then often asked for a copy; so often

was this done that I grew tired of copying them. Encouraged by this

demand and by Major Boyle’s interest in them, I thought I would see if I

could not have them published. I wrote to several other reservations,

asking for copies of any such hymns which they might have, hoping that

they also would bear a share of the expense of publishing them; but I

found that most of them had no such songs, and, to my surprise, some

seemed to have no desire for them. So I was compelled to carry on the

little affair alone. I was unable to bear the expense, but fortunately

then Mr. G. H. Himes, of Portland, consented to run all risks of

printing them, and so in 1878 a little pamphlet, entitled “Hymns in the

Chinook Jargon Language,” was printed, and it has been very useful. The

following, from its introductory note, may be of interest:--

“These hymns have grown out of Christian work among the Indians.... The

chief peculiarity which I have noticed in making hymns in this language

is that a large proportion of the words are of two syllables, and a

large majority of these have the accent on the second syllable, which

renders it almost impossible to compose any hymns in long, common, or

short metres.”

The following remarks were made about it by the editor of _The American

Missionary_:--

“It is not a ponderous volume like those in use in our American

churches, with twelve or fifteen hundred hymns, but a modest pamphlet of

thirty pages, containing both the Indian originals and the English

translations. The tunes include, among others, ‘Bounding Billows,’ ‘John

Brown,’ and ‘The Hebrew Children.’ The hymns are very simple and often

repeat all but the first line. The translations show the poverty of the

language to convey religious ideas.... It is no little task to make

hymns out of such poor materials. Let it be understood that these are

only hymns for the transition state--for Indians who can remember a

little and who sing in English as soon as they have learned to read.

This little book is a monument of missionary labor and full of

suggestion as to the manifold difficulties to be encountered in the

attempt to Christianize the Indians of America.”

Since then I have made a few others which have never been printed, one

of which is here given. The cause of it was as follows: One day I asked

an Indian what he thought of the Christian religion and the Bible. His

reply was that it was good, very good, for the white man, but that the

Indian’s religion was the best for him. Hence in this hymn I tried to

teach them that the Bible is not a book for the white people alone, but

for the whole world--an idea which is now quite generally accepted among

them. In all we now have sixteen hymns in Chinook, five in Twana, five

in Clallam, and two in Nisqually.

_Tune_, “Hold the Fort.”

(1) Sághalie Tyee, yáka pápeh,

Yáka Bible kloshe,

Kópa kónoway Bóston tíllikums

Yáka hías kloshe.

Ten years of missionary work among the Indians at Skokomish, Washington Territory, 1874-1884 · 第 103 / 129 题