One of the chief objects of interest in Nikko is the Sacred Red Bridge

which spans a swift stream about forty feet wide. This is a new bridge,

as the old one was carried away by a great flood nine years ago.

Originally built in 1638, it served to commemorate the legendary and

miraculous bridging of the stream by Shodo Shonin, a saint. He arrived

at the river one day while on a pilgrimage and called aloud for aid to

cross. On the opposite bank appeared a being of gigantic size, who

promised to help him, and at once flung across the stream two green and

blue dragons which formed a bridge. When the saint was safely over the

bridge, it vanished with the mysterious being. Shodo at once built a hut

on the banks of the stream. For fourteen years he dwelt there and

gathered many disciples. Then he established a monastery and a shrine at

Lake Chuzinji, about nine miles from Nikko. Nine hundred years later the

second shogun of the Tokugawa dynasty sent two officials to Nikko to

select a site for the mausoleum of his father. They chose a site near

Nikko, on a hill called Hotoke-iwa, and in the spring of 1617 the tomb

was completed and the coffin was deposited under it with appropriate

Buddhist ceremonies.

The road to the mausoleum winds around the river. The first object on

the way is a pillar erected in 1643 to ward off evil influences. It is

a cylindrical copper column forty-two feet high, supported by short

horizontal bars of the same material, resting on four short columns.

Small bells hung from lotus-shaped cups crown the summit of the column.

Just beyond this column is a massive granite torii, twenty-seven and

one-half feet high, the gift of the Daimiyo of Chikuzen. To the left is

a five-story pagoda, one hundred and four feet in height, which is

especially graceful. Inside a red wooden wall are arranged a series of

lacquered storehouses, a holy water cistern cut out of a solid block of

granite, a finely decorated building in which rest a collection of

Buddhist writings. A second court is reached by a flight of stairs. Here

are gifts presented by the kings of Luchu, Holland and Korea, these

three countries being regarded as vassal states of Japan. On the left is

the Temple of Yahushi, beautifully decorated in red and gold lacquer,

and just beyond is a fine gate, called Yomei-mon, decorated with

medallions of birds. Passing through this gate, one reaches a court

bordered by several small buildings, one of which contains the

palanquins that are carried in the annual procession on June 1st, when

the deified spirits of the first shogun, Hideyoshi (the great

conqueror), and Yoritomo occupy them. Seventy-five men carry each of

these palanquins.

The main shrines are reached through the Chinese gate. The three

chambers are magnificent specimens of the finest work in lacquer, gold

and metal. The tomb of Ieyasu, the first shogun, is reached by ascending

two hundred stone steps. The tomb is in the form of a small pagoda of

bronze of an unusually light color caused by the mixture of gold. The

body of the shogun is buried twenty feet deep in a bed of charcoal.

Beyond is the mausoleum of Iemitsu, the third shogun. The oratory and

chapel are richly decorated, but they do not compare with those of the

first shogun's tomb. Back of these tombs, among the huge cedar trees

that clothe the sides of the mountain, is a small red shrine where women

offer little pieces of wood that they may pass safely through the

dangers of childbirth. Near by is the tomb of Shodo, the saint, and

three of his disciples.

These mortuary temples and tombs are genuinely impressive. They bear

many signs of age and it is evident that they are held in great

veneration by the Japanese, who make pilgrimages at all seasons to offer

up prayers at these sacred shrines. More impressive than the tombs

themselves are the pilgrims. On the day that I visited this sacred

shrine several large bands of pilgrims were entertained. One party was

composed of over a hundred boys from one of the big government military

schools. These lads were in uniform and each carried an umbrella and a

lunch tied up in a handkerchief. The priests paid special attention to

these young pilgrims and described for their benefit the marvels of

carving and lacquer work. Services were held before the shrines and the

glorious conquest of the shoguns and of Hideyoshi (popularly known as

the Napoleon of Japan) were described in glowing words. The Russian

cannon captured at Port Arthur, which stands near the entrance to the

tombs, was not forgotten by these priests, who never fail to do their

part in stimulating the patriotism of the young pilgrims.

These boys were followed by an equal number of public school girls, all

dressed in dark red merino skirts and kimonos of various colors. Some

were without stockings and none wore any head covering, although each

girl carried her lunch and the inevitable umbrella.

After these children came several parties of mature pilgrims, some

finely dressed and bearing every evidence of wealth and position, while

others were clothed in poor garments and showed great deference to the

priests and guides. All revealed genuine veneration for the sacred

relics and all contributed according to their means to the various

shrines. Some idea of the revenue drawn by the priests from tourists and

pilgrims may be gained when it is said that admission is seventy sen (or

thirty-five cents in American money) for each person, with half-rates to

priests, teachers and school children, and to members of parties

numbering one hundred.

The shops at Nikko will be found well worth a visit, as this city is the

market for many kinds of furs that are scarce in America. Many fine

specimens of wood carving may also be seen in the shops. The main street

of the town runs from the Kanaya Hotel to the railroad depot, a distance

of a mile and one-half, and it is lined for nearly the whole distance

with small shops.

On his return to the railroad the tourist would do well to take a

jinrikisha ride of five miles down through the great avenue of old

cryptomeria trees to the little station of Imaichi. This is one of the

most beautiful rides in the world. The road is bordered on each side by

huge cedar trees which are from one hundred and fifty to two hundred

feet in height. In many cases the roots of these old trees have formed a

natural embankment and the road is thus forced below the level of the

surrounding rice fields. These trees were planted nearly three hundred

years ago and they are certainly in a remarkable state of preservation.

A few gaps there are, due to the vandalism of the country people, but

mile after mile is passed with only an occasional break in these

stately columns, crowned by the deep green masses of foliage. Another

cryptomeria avenue intersects this and runs for twenty-five miles across

the country. The two avenues were planted in order that they might be

used by the shogun's messengers when they bore important letters to him

during his summer residence in Nara.

IN KYOTO, THE ANCIENT CAPITAL OF JAPAN

Next to Nikko, one of the most interesting cities in Japan is Kyoto, the

old capital under the shoguns, the seat of several fine palaces and many

beautiful temples, and the center of large manufacturing works of

satsuma and cloissone ware, damascene work and art work on silk and

velvet. Kyoto may be reached by a short ride from Kobe, but from Tokio

it is an all-day trip of twelve hours by express train. This ride, which

would be comfortable in well appointed cars, is made tedious by the

Japanese preference for cars with seats arranged along the side, like

the new American pay-as-you-enter street cars. For a short ride the side

seat may be endured, but for hours of travel (especially when one is a

tourist and wishes to see the scenery on both sides of the road) the

cars are extremely tiresome.

By selecting the express train and buying first-class tickets it was

hoped to avoid any crowd but, unfortunately, the day chosen saw many

other tourists on their way across Japan. The result was that the

first-class car was packed and many who had paid first-class fares were

forced to ride in the second-class cars. In my car one side was occupied

almost wholly by Japanese. Two were in American dress, one was an army

officer in uniform, another a clerk with many packages, and the

remaining two were an old couple, richly dressed. The Japanese, in

traveling first-class, generally brings a rug or fur, which he spreads

over the seat. On this he sits with his feet drawn up under him in the

national style. Smoking is not prohibited even in the first-class cars,

so that the American ladies in the cars had to endure the smell of

various kinds of Japanese tobacco, in addition to the heat, which was

rendered more disagreeable by the frequent closing of the windows as the

train dashed through many tunnels. The old couple carried lunch in

several hampers and they indulged in a very elaborate luncheon, helped

out by tea purchased in little pots from a dealer at a station. The army

officer bought one of the small wooden lunch boxes sold along all

Japanese railways, which contain boiled rice, fried fish and some boiled

sweet potatoes. This, with a pot of tea, made a good lunch. The Japanese

in European costume patronized the dining-car, where an excellent lunch

was served for one yen, or fifty cents in American money.

The scenery along the line of the railway varied. The road skirts the

coast for many miles, then cuts across several mountain ranges to

Nagoya, then along the shores of Owari bay (an arm of the ocean), thence

across the country to the lower end of Lake Biwa, near which Kyoto is

situated. In the old days this journey consumed twelve days, and the

road twice every year furnished a picturesque procession of the retinues

of great nobles or daimiyos traveling from Kyoto to Tokio to present

their respects to the shogun. The road was skirted by great cryptomeria,

and avenues of these fine trees may still be seen near Nikko.

Kyoto was a great city in medieval days, when it was the residence of

the Mikado. From 793 until 1868, when the court removed to Tokio, Kyoto

remained the capital. Its importance, however, began to decline with

the founding of Yedo, or Tokio, in 1590, and to-day many miles of its

former streets are devoted to the growing of rice. In this way several

of the finest temples, which were once in the heart of the old city, are

now relegated to the suburbs. Besides the Mikado's palace and Nijo

castle, which may be visited only by special permit, Kyoto boasts of an

unusual number of richly decorated temples, among which the most

noteworthy are the Shinto temple of Inari; the temple of the one

thousand images of Kwannon, the Deity of Mercy; the great Buddhist

temple of Nishi-Honguanji, celebrated for its art work in paintings and

decorated woods; the great bronze Buddha, fifty-eight feet high; the big

bell near by, nearly fourteen feet high, and the other in the Cheon-in

temple here--these being two of the four largest bells in all Japan. To

describe the treasures in art and decoration, in gold and lacquer, in

these palaces, would be tiresome. Unless one is a student of Japanese

art the visiting of temples soon becomes a great bore, for one temple or

one palace is a repetition of others already seen, with merely minor

differences in architecture and decoration, which appeal only to the

specialist.

Kyoto, however, is of great interest for its many art shops--since

applied art, as seen in satsuma and cloissone ware and in damascene,

have almost reached the level of pure art. A visit to one of the satsuma

factories is an interesting experience, as it shows how little the art

of Japan has been influenced by the foreigner. Here one sees the potter

at his wheel, precisely as in the days of the Bible. He does not avail

himself of electric power but whirls his wheel by hand and foot, exactly

as in the time of Christ. Passing from the pottery to the art rooms, one

finds a number of Japanese men and girls painting elaborate designs on

bowls and vases and other articles. These artists grind and mix their

own oil colors, which they proceed to lay on slowly upon the article

they are decorating. The patience of these artists is indescribable.

Infinite pains is taken with a single flower or tree or figure of man or

bird. One vase exhibited here is covered with butterflies which range

from natural size down to figures so small that they can be discerned

only under a magnifying glass. Yet, this vase, which represents such an

enormous outlay of labor and time, is sold at thirty dollars in American

money.

At the damascene works both men and women are also employed, although

the finest work is done by the men. The art consists in beating into

bronze small particles of gold leaf until they have become an actual

part of the baser metal. This gold is arranged in a great variety of

design and, after being beaten in, the article is subjected to powerful

heat, which oxidizes the metal and thus prevents any change due to the

weather. At this Kyoto factory were turned out the most artistic

jewelry, boxes, cigarette cases and a great variety of small articles,

many of which sold at absurdly low prices, considering the amount of

labor and time expended on them.

Kyoto will be found one of the best cities in Japan for the purchase of

the art work just described, as well as embroidery, silks and other

stuffs. In many of these shops the work is done on the premises and

hence the prices are cheaper than in any other city except Yokohama. It

is worth while to visit the shops that exhibit bronze work, silks,

velvets and carvings in ivory and wood, as well as curios of many kinds.

Most of these shopkeepers demand more than they expect to receive, but

in a few shops the goods are plainly marked and no reduction in price

can be secured. At Kyoto the tourist will find many traces of primitive

Japanese life, especially in the unfrequented streets and in the

suburbs. Here in the bed of the river, a portion of which was being

walled up for a canal, were employed a dozen women digging up gravel and

carrying it in baskets to carts near by. They had their skirts tied up

and they were working in mud and water which reached to their knees. It

was not a pleasant spectacle, but it excited no comment in this country,

where women labor in the rice fields by the side of men.

A short ride from Kyoto brings the visitor to Nara, the seat of the

oldest temples in Japan, and famous for the tame deer in the park. A

long avenue of stone lanterns leads to the principal temples, in an

ancient cedar grove. The main temple gives an impression of great age by

its heavy thatched roof.

Next looms up the gigantic wooden structure, which houses Daibutsa, the

great bronze image of Buddha. This statue, which dates back to the

eighth century, is fifty-three and one-quarter feet high; the face is

sixteen feet long and nine and one-quarter feet wide. The god is in a

sitting position, with the legs crossed. The head, which is darker than

the remainder of the image, replaced in the sixteenth century the

original head destroyed by fire. The expression of this Buddha is not

benignant, and the image is impressive only because of its size. It has

two images eighteen feet in height on either hand, but these seemed

dwarfed by the huge central figure.

The park at Nara is very interesting, because of the tame deer which

have no fear of the stranger in European dress, but will eat cakes from

his hand. One of the sources of revenue is to sell these cakes to the

tourist.

A visit was paid to an old temple at Horyuji, about eight miles from

Nara, which is famous as the oldest Buddhist temple in Japan. It

contains a valuable collection of ancient Japanese works of art. The

rickshaw ride to this place is of great interest, as the road passes

through a rich farming country and two small towns which seem to have

been little affected by European influence. In the fertile valley below

Nara rice is grown on an extensive scale, these paddy fields being

veritable swamps which can be crossed only by high paths running through

them, at distances of thirty or forty feet. Here also may be seen the

curious method of trellising orchards of pear trees with bamboo poles.

The trellis supports the upper branches and this prevents them from

breaking down under the weight of fruit, while it also makes easy the

picking of fruit. Agriculture at its best is seen in this fertile

Japanese valley. One peculiarity of this country, as of other parts of

rural Japan, is that one sees none of the scattered farmhouses which dot

every American farming section. Instead of building on his own land the

farmer lives in a village to which he returns at night after his day's

work.

KOBE, OSAKA, THE INLAND SEA AND NAGASAKI

Kobe is regarded as a base for the tourist who wishes to make short

excursions to Kyoto, Osaka and other cities. It was established as a

foreign settlement in 1868, and has grown so remarkably during the last

ten years that now it exceeds in imports and exports any other city in

Japan. Kobe is one of the most attractive cities in the empire, being

built on a pretty harbor, with the land rising like an amphitheater.

Scores of handsome residences are scattered over the foothills near the

sea. Those on the lower side of the streets that run parallel to the

harbor have gardens walled up on the rear, while the houses on the upper

side of the streets have massive retaining walls. These give opportunity

for many ornamental gateways.

Kobe has many large government schools, but the institutions which I

found of greatest interest were Kobe College for Women, conducted by

Miss Searle, and the Glory Kindergarten, under the management of Miss

Howe. Kobe College, which was founded over thirty years ago, is

maintained by the Women's Board of Missions of Chicago. It has two

hundred and twenty-five pupils, of whom all except about fifty are

lodged and boarded on the premises. I heard several of the classes

reciting in English. The primary class in English read simple sentences

from a blackboard and answered questions put by the teacher. A few

spoke good English, but the great majority failed to open their mouths,

and the result was the indistinct enunciation that is so trying to

understand. Another class was reading _Hamlet_, but the pupils made sad

work of Shakespeare's verse. The Japanese reading of English is always

monotonous, because their own language admits of no emphasis; so their

use of English is no more strange than our attempts at Japanese, in

which we employ emphasis that excites the ridicule of the Mikado's

subjects.

Not far from this college is the kintergarten, which Miss Howe has

carried on for twenty-four years. She takes little tots of three or four

years of age and trains them in Froebel's methods. So successful has she

been in her work among these children of the best Japanese families of

Kobe that she has a large waiting list. She has also trained many

Japanese girls in kintergarten work. All the children at this school

looked unusually bright, as they are drawn from the educated classes. It

sounded very strange to hear American and English lullabies being

chanted by these tots in the unfamiliar Japanese words.

Osaka, the chief manufacturing city of Japan, is only about

three-quarters of an hour's ride from Kobe. It spreads over nine miles

square and lies on both sides of the Yodogawa river. The most

interesting thing in Osaka is the castle built by Hideyoshi, the

Napoleon of Japan, in 1583. The strong wall was once surrounded by a

deep moat and an outer wall, which made it practically impregnable. What

will surprise anyone is the massive character of the inner walls which

remain. Here are blocks of solid granite, many of them measuring forty

feet in length by ten feet in height. It must have required a small army

of men to place these stones in position, but so well was this work

done (without the aid of any mortar) that the stones have remained in

place during all these years. From the summit of the upper wall a superb

view may be gained of the surrounding country.

From Kobe the tourist makes the trip through the Inland Sea by steamer.

Its length is about two hundred and forty miles and its greatest width

is forty miles. The trip through this sea, which in some places narrows

to a few hundred feet, is deeply interesting. The hills remind a

Californian strongly of the Marin hills opposite San Francisco, but here

they are terraced nearly to their summits and are green with rice and

other crops. Many of the hills are covered with a growth of small cedar

trees, and these trees lend rare beauty to the various points of land

that project into the sea. At two places in the sea the steamer seems as

though she would surely go on the rocks in the narrow channel, but the

pilot swings her almost within her own length and she turns again into a

wider arm of the sea. In these narrow channels the tide runs like a mill

race, and without a pilot (who knows every current) any vessel would be

in extreme danger. The steamer leaves Kobe about ten o'clock at night

and reaches Nagasaki, the most western of Japanese cities, about seven

o'clock the following morning.

Nagasaki in some ways reminds one of Kobe, but the hills are steeper and

the most striking feature of the town is the massive stone walls that

support the streets winding around the hills, and the elaborate paving

of many of these side-hill streets with great blocks of granite. The

rainfall is heavy at Nagasaki, so we find here a good system of gutters

to carry off the water. The harbor is pretty and on the opposite shore

are large engine works, three large docks and a big ship-building

plant, all belonging to the Mitsu Bishi Company. Here some five thousand

workmen are constantly employed.

[Illustration:

The Daibutsu or Great Bronze Buddha

at Hyogo, Near Kobe. The Impressive Figure is Forty-eight

Feet High and Eighty-five Feet Round the Waist. It is

Not so Fine as the Daibutsu at Kamakura But

Surpasses That at Nara]

One of the great industries of Nagasaki is the coaling of Japanese and

foreign steamships. A very fair kind of steam coal is sold here at three

dollars a ton, which is less by one dollar and one-half than a poorer

grade of coal can be bought for in Seattle; hence the steamer Minnesota

coaled here. The coaling of this huge ship proved to be one of the most

picturesque sights of her voyage. Early on the morning of her arrival

lighters containing about a railway carload of coal began to arrive.

These were arranged in regular rows on both sides of the ship. Then came

out in big sampans an army of Japanese numbering two thousand in all.

The leaders arranged ladders against the sides of the ship, and up these

swarmed this army of workers, three-quarters of whom were young girls

between fourteen and eighteen years old. They were dressed in all

colors, but most of them wore a native bonnet tied about the ears. They

formed in line on the stairs and then the coal was passed along from

hand to hand until it reached the bunkers. These baskets held a little

over a peck of coal, and the rapidity with which they moved along this

living line was startling.

Every few minutes the line was given a breathing space, but the work

went on with a deadly regularity that made the observer tired to watch

it. Occasionally one of the young girls would flag in her work and,

after she dropped a few basketfuls, she would be relieved and put at the

lighter work of throwing the empty baskets back into the lighters. Most

of these girls, however, remained ten hours at this laborious work, and

a few worked through from seven o'clock in the morning until nearly

midnight, when the last basket of coal was put on board. At work like

this no such force of Europeans would have shown the same self-control

and constant courtesy which these Japanese exhibited. Wranglings would

have been inevitable, and the strong workers would have shown little

regard for their weaker companions.

Another feature of this Japanese work was the elimination of any strain

or overexertion. If a girl failed to catch a basket as it whirled along

the line she dropped it instantly. Never did I see anyone reach over or

strain to do her work.

The rest for lunch occupied only about fifteen minutes, the begrimed

workers sitting down on the steps of the ladders and eating their simple

food with keen relish. At night when strong electric lights cast their

glare over these constantly moving lines of figures the effect was

almost grotesque, reminding one of Gustave Doré's terrible pictures of

the lost souls in torment, or of the scramble to escape when the deluge

came. The skill that comes of long practice marked the movements of all

these workers, and it was rare that any basket was dropped by an awkward

or tired coal-passer.

The Critic in the Orient · 第 2 / 13 段