150 _to_ 152.--_Borders and Insertions_.--_White Embroidery_.

Materials: Lawn; Messrs. Walter Evans and Co.'s embroidery cotton No.

30, and Mecklenburg thread No. 50; fine black sewing-silk.

[Illustration: 150.--Embroidered Border.]

For the border No. 150, trace first the outlines of the scallop, then

draw the threads which are to form the wheel in each scallop (take for

this fine Mecklenburg thread, for the rest embroidery cotton), fasten

them at the places where they cross each other, and work at these places

small and large spots in satin stitch. Then work the scallops in

button-hole stitch; edge each larger spot with button-hole stitch all

round, and make a row of button-hole stitches for the upper edge of the

border, and above this a row of herring-bone stitches. The material is

cut away underneath the wheels.

* * * * *

[Illustration: 151.--Corner in Embroidery.]

[Illustration: 152.--Corner in Embroidery.]

The corner borders, illustrations 151 and 152, are worked in point

Russe, chain and satin stitch, with fine black sewing silk.

* * * * *

[Illustration: 153--- Cravat End in Embroidery]

153.--_Muslin Cravat_.

Materials: Muslin; Messrs. Walter Evans and Co.'s embroidery cotton No.

50; No. 40 for the edges.

This cravat is worked on fine muslin, embroidered upon both ends in

raised satin stitch; the scalloped edge is worked in button-hole stitch;

the bouquet in the centre is worked in appliqué satin stitch--that is,

the leaves of the rose and the foliage are worked separately on muslin;

they are then cut out and worked in appliqué (see Nos. 113 and 116,

_Embroidery Instructions_) upon the cravat, as seen in the illustration.

* * * * *

154.--_Sandwich Case_.

Materials: Strip of grey kid; strip of oil silk; 1 skein black silk; 1

skein red purse silk; 1 hank steel beads; steel button.

This case will be found very useful on the occasion of a journey or

picnic, as it can be carried in the pocket without any inconvenience.

The case is made of a strip of grey kid, scalloped out at the edges. The

words "Bon appetit," or "Good appetite," at will, are worked over it in

overcast with black purse silk and steel beads, the scroll pattern in

chain stitch with red silk. The back and front of the case are formed of

the same strip, which is lined with oilskin, and to which narrow

side-pieces are added to form the pocket. These pieces are lined and

scalloped out in the same way as the back and front, and then the

scallops of both sides are joined together, and worked round in

button-hole stitch with purse silk.

The case is fastened down with a steel button.

If another colour is preferred, the sandwich case can be made of brown

kid. The scroll pattern should then be worked in rich blue purse silk,

and gold beads used for the letters, which should be embroidered as

before in black silk. The edge may be worked in double overcast stitch

in blue or black silk. A gold button must replace the steel when this

alteration of colour is made.

[Illustration: 154.--Sandwich Case.]

* * * * *

155.--_Insertion_.

Materials: Muslin; Messrs. Walter Evans and Co.'s embroidery cotton No.

16.

This insertion is worked in raised satin stitch between two rows of

hem-stitching; a small eyelet-hole is worked in the centre of each

flower.

[Illustration: 155.--Insertion.]

* * * * *

156.--_Cravat End in Raised Embroidery_.

Materials: Messrs. Walter Evans and Co.'s. embroidery cotton Nos. 50 and

16.

This pattern is a muslin cravat 32 inches long. The greater part of the

embroidered ends is worked in satin stitch; the leaves in the bouquet of

the centre are worked in raised embroidery. (See Nos. 113 and 116,

_Embroidery Instructions_.)

The dotted lines are raised by taking four threads of the muslin on the

needle, draw it half out, wind the cotton twice round the point, holding

it tightly under the thumb, draw the needle out and insert it at the

place where the stitch was begun, and draw it out where the next stitch

is to be worked.

[Illustration: 156.--Cravat End in Raised Embroidery.]

* * * * *

157.--_Lady's Purse_.

Materials: Russia leather; blue silk; black purse silk; blue silk

soutache; fine gold braid; and gold thread.

[Illustration: 157.--Lady's Purse.]

This purse is embroidered upon Russia leather; an oval-shaped medallion

is cut out in the centre; a piece of blue silk is gummed on under the

leather so as to show within the oval; both leather and silk are then

lined with calico and stretched upon a small embroidery frame. The front

and back of the purse are made all of one piece, the centre of which is

the bottom; after the embroidery is completed a piece of leather is

added on each side to give the necessary fullness. Four flowrets are

worked over the blue silk, with black purse silk, in raised satin

stitch, with a dot in gold thread for the centre. The stems are black

and the leaflets gold. The inner border round the oval medallion is

worked in gold braid, and the outer one in blue soutache. The network

upon the leather is formed of threads of black purse silk, fastened at

every crossing with a stitch of gold thread; the outer border round this

network is formed entirely of gold braid. On the opposite side of the

purse initials may be worked in black and gold, over the blue silk oval

medallion.

The purse is lined with brown watered silk, and mounted with a clasp of

gilt steel.

* * * * *

158.--_Table-Napkin Ring_.

Materials: Crimson cashmere; _toile cirée_; 1 reel each of white, black,

green, blue, and yellow Chinese silk.

[Illustration: 158.--Table-Napkin Ring]

Stretch a strip of cashmere of a bright shade of crimson over a piece of

_toile cirée_, and work the pattern over it in point Russe with fine

silk. The outer borders have white and black outlines, and leaflets of

green silk. The stars have black and blue outlines, a yellow cross and

dots. The figure between the stars is black and yellow.

* * * * *

Beeton's Book of Needlework · 第 80 / 245 题