58.--_Tatting Medallion for Trimming Lingeries, &c._

Materials: Messrs. Walter Evans and Co.'s tatting cotton No. 50 for

cravats and collars, 100 for pocket-handkerchiefs, 20 for petticoats;

tatting-pin No. 2 or 3.

This pattern is suitable for trimming cravats, collars,

pocket-handkerchiefs, petticoats, &c., according to the size of the

cotton with which it is worked. Work first the round of circles which

incloses the leaves, overlapping each other in the centre; begin with

the smallest circle, which is at the top of the pattern; it consists of

3 double, 1 purl, 7 double, 1 purl, 7 double, 1 purl, 3 double. Then

work at a short distance another circle like the preceding one, only

work 8 double instead of 7, and instead of working the first purl,

fasten the circle on to the last purl of the preceding circle; all the

other circles are fastened on to each other in the same manner. The next

circle, worked again at a distance of about one-fifth of an inch, has 4

double; fasten it on to the preceding circle, 9 double, 1 purl, 9

double, 1 purl, 4 double. The following four circles are worked like the

preceding one; only work in the first of these circles 10 double instead

of 9, in the second 11 double, in the third 12 double. The piece of

cotton which joins the circles together must also be somewhat longer

between the larger circles. Then work a circle

[Illustration: 58.--Tatting Medallion.]

as follows: 5 double, fasten the cotton, 13 double, 1 purl, 13 double, 1

purl, 5 double; then a similar circle, but always working 14 double

instead of 13. The next circle consists of 6 double, fasten the cotton,

15 double, 1 purl, 15 double, 1 purl, 6 double; the two following

circles are worked in the same manner, working 16 double instead of 15.

Then comes the largest circle of the round, which consists of 6 double,

17 double, 1 purl, 17 double, 1 purl, 6 double. Work 11 circles more

like the 2nd to 12th of those just described (the 13th circle forms the

middle), only the order of sizes must be reversed, so that the round

closes with the smallest circle. Then fasten both ends of the cotton

together, so that the circles are joined into a circle. Then work round

this row of circles another round, the circles of which must be of

graduated sizes like those of the first round. Fasten the cotton on to

the middle purl of the first small circle of the first round, and work

one circle as follows:--3 double, 1 purl, 6 times alternately 2 double,

1 purl, then 3 double; fasten the cotton on to the middle purl of the

next circle, &c. The remaining circles are worked in the same manner,

only they must be increased and decreased in size gradually like the

circles of the first round; this is done by increasing or decreasing the

number of purl, instead of working the first purl of every following

circle, fasten it on to the last purl of the preceding circle. When the

round is completed, fasten both ends of the cotton together. In the

centre of the oval pattern, fasten 6 five-branched patterns of graduated

size, which are worked in one piece. For the smallest of these patterns

work first three circles, consisting of 5 double, 1 purl, 5 times

alternately 2 double, 1 purl, then again 5 double (these circles must be

close to each other; the second and third circles must, moreover, be

fastened on to the last purl of the preceding circle). The cotton is

then fastened on the first circle between the beginning and the end of

the same, then work close to them two small circles, consisting of 6

double, 1 purl, 6 double, fasten the cotton between the beginning and

the end of the third circle. The other five-branched patterns are worked

in the same manner at intervals of about three-tenths of an inch; but

the separate circles of each pattern must become gradually larger. In

the largest pattern the three large circles consist of 5 double, 1 purl,

8 times alternately 2 double, 1 purl, 5 double; the two smaller circles

consist each of 15 double, 1 purl, 15 double; the size of the other

patterns can easily be worked from this; the cotton which joins these

last together is covered by over-casting with a needle and thread, so as

to imitate double stitches. The five-branched patterns are then fastened

in the oval pattern; they must overlap each other to half way, as seen

in the illustration.

* * * * *

59.--_Tatted Diamond_.

Materials: Messrs. Walter Evans and Co.'s tatting cotton No. 40, or 80

if required finer; tatting-pin No. 3.

[Illustration: 59--Tatted Diamond.]

This pattern is meant to ornament lingerie; it is worked with fine

tatting cotton in the following manner:--Work a * circle consisting of 6

double, 1 purl, 6 double, turn the circle downwards and work at a short

distance another circle consisting of 5 double, 4 purl divided by 2

double, 5 double; at a similar distance a circle of 5 double fastened on

to the last purl of the preceding circle, 2 double, 5 purl divided by 2

double, 5 double; then again a circle consisting of 5 double fastened on

to the last purl of the preceding circle, 2 double, 3 purl divided by 2

double, 5 double: fasten the cotton on to the first circle. Then turn

the work so that the last three circles are turned downwards, leave an

interval of at least three-fourths of an inch, and repeat three times

more from *, fastening the circles on to each other from illustration.

Knot together the beginning and end of the cotton, work button-hole

stitches round the cotton which joins the circles, as shown in

illustration. The purl stitches of the four middle circles of the

diamond are knotted together.

* * * * *

60.--_Tatted Cravat End_.

Materials: Messrs. Walter Evans and Co.'s tatting cotton No. 50;

tatting-pin No. 3; 2 shuttles.

This cravat end is given in full size. It is ornamented with a tatted

medallion, edged with lace. The tatting is worked with tatting fine

cotton and two shuttles. Make first the two rosettes which form the

centre of the medallion, then the insertion-like part which edges the

rosettes. The larger rosette is worked as follows:--Knot the cotton of

both shuttles together and work with 1 shuttle only 1 circle consisting

of 10 double, 1 purl one-fifth of an inch long, 10 double; * close to

this circle, which is turned downwards, work over the cotton with the

other shuttle, 1 double, 1 purl, 8 double; this forms one of the

scallops joining two circles. Then turn the work again and work close to

the just completed scallop another circle like the first, but which is

joined to the first circle instead of working the purl. Repeat 4 times

more from *. Then work another scallop and fasten both ends of cotton on

to the cotton over which the first scallop has been worked, at the place

where the scallop is joined to the first circle. The first round of the

rosette is thus completed. Work then the 2nd round over the cotton on

the 2nd shuttle, beginning to work where the two ends of cotton have

been fastened, * 6 double, 1 purl, 5 double, fastened on to the purl of

the next scallop of the preceding round, 5 double, 1 purl, 6 double

fastened on to the cotton between two scallops of the

[Illustration: 60.--Tatted Cravat End.]

preceding round; repeat 5 times more from *. The larger rosette is now

completed. The smaller rosette is worked like the first, only without

the second round. The insertion-like border is worked in two halves as

follows:--The half which touches the edge of the medallion is worked as

follows:--Knot both ends of cotton together and *, work with 1 shuttle

only 1 circle consisting of 8 double, 1 purl one-fifth of an inch long,

8 double; turn the circle downwards and work close to it over the cotton

on the 2nd shuttle 6 double, 1 purl, 6 double; this forms a scallop of

the border. Then turn the work again and work close to the scallop

another circle like the first, but which is fastened on to the first

circle instead of working the purl. Turn the work again, work a scallop

like the preceding one, and repeat 15 times more from *, only the

scallops at the lower edge of the medallion must have a few double

stitches more, as can be seen in illustration. After working the last

scallop fasten the two ends of the cotton on to the 1st circle; then cut

them off. The second inner half is worked like the first; only the

circles are worked without any purl stitch, and fastened on to the

circles of the first half from illustration; the scallops of this half

are somewhat smaller; each consists of 5 double, 1 purl, 5 double. The

completed border is sewn on to the rosettes from illustration; the

different pieces must be first fastened on cardboard. The cotton must be

wound several times round the long threads, as seen in illustration. The

medallion is then sewn into the muslin at the top only; the remaining

border is edged, before joining it to the muslin, with a straight row of

knots to be worked over cotton, and fastened on to each outer scallop of

the border at regular intervals. The number of double stitches between

two purl is different, as distinctly seen in illustration. For the lace

knot both ends of cotton together, * work with one shuttle only 1 circle

consisting of 8 double, 1 purl, 8 double; turn the work and make

another circle consisting of 2 double, 9 times alternately 1 purl, 2

double; then fasten this circle on to the preceding one, where it has

been joined into a circle, so that both circles meet as seen in

illustration. After having turned the work again, work 9 double over the

cotton on the 2nd shuttle, which form a scallop between the circles, and

repeat from *. The lace is then sewn round the edge of the muslin.

* * * * *

61.--_Rosette in Tatting and Embroidery_.

Materials: Messrs. Walter Evans and Co.'s tatting cotton No. 60, or No.

40 if desired in a larger size.

[Illustration: 61. Rosette in Tatting and Embroidery.]

This rosette is suitable for ornamenting lingeries, cravats, &c. It is

worked in white embroidery and lace stitch, and edged all round with a

tatted lace. For the latter work with very fine cotton * 1 large circle,

consisting of 5 double, 1 purl, 7 times alternately 2 double, 1 purl,

then 5 double. At a short distance from this circle work a smaller one,

consisting of 5 double fastened on to the last purl of the large circle,

5 double. Leave again an interval as small as the last, and repeat from

* 11 times more. But in working the large circles, instead of working

the 1st purl, fasten them on the same purl of the large circle on which

the small circle has been fastened; besides this, in working the last

(12th) large circle, instead of working the last purl, fasten it on the

1st purl of the 1st circle; the last small circle is fastened on to the

same purl. The lace is thus joined into a circle, and is sewn round the

outside of the rosette with button-hole stitches.

* * * * *

62.--_Cravat End in Tatting_.

Materials: Messrs. Walter Evans and Co.'s tatting cotton No. 60;

tatting-pin No. 3.

[Illustration: 62.--Cravat End in Tatting.]

The illustration shows the end of a tatted cravat. Work first the middle

row of the cravat at the same time with the row of circles on the left

side of the middle row in illustration; begin with the first circle of

the middle row. It consists of 7 times alternately 3 double, 1 small

purl, then 3 double. Work close to this circle, which must be turned

downwards, a Josephine knot, consisting of 5 plain stitches, then a

circle consisting of 5 double, 1 purl one-fifth of an inch long, 5 times

alternately 3 double, 1 small purl; 3 double, 1 long purl, 5 double.

*Turn this circle (which is the first of the side row) downwards, work

close to it a Josephine knot, then a circle consisting of 12 double, 1

small purl, 12 double. Turn this circle downwards, work a Josephine

knot, and then again a circle like the first of the side row, but

instead of working the first long purl, fasten it on to the last purl of

the preceding circle of the same row. Then hold the work so that the

circles of the side row are turned downwards, work a Josephine knot, 1

circle like the first circle of the middle row, turn the work, make 1

Josephine knot, and then a circle like the second circle of the side

row. Repeat from * till the cravat is sufficiently long. The last circle

of the middle row must correspond to the first circle of the same row.

Then begin to work the lower edge at the same time with the last circle

of the middle row, * 1 Josephine knot, then a circle like the circles of

the side row, again 1 Josephine knot, fastened on to the next purl of

the last circle of the middle row; repeat 3 times more from *. Then

continue as before, and work on the right side of the middle row a row

of circles exactly like those which have been worked at the same time

with those of the middle row.

The fastening on of the cotton between two Josephine knots is seen in

illustration. The circles at the other end of the cravat are fastened

like those of the first-described end. The cravat is edged all round

with a row of circles with Josephine knots worked exactly like those of

the preceding row, and the manner of fastening which is seen in the

illustration.

* * * * *

63.--_Rosette in Tatting and Embroidery_.

Materials: Messrs. Walter Evans and Co.'s tatting cotton No. 60, or 40

if required larger; tatting-pin No. 3.

[Illustration: 63.--Rosette in Tatting and Embroidery.]

The centre of this rosette is worked in lace stitch on muslin, edged

round with button-hole stitch and trimmed with a tatted lace, which is

worked at the same time with the centre. Work first * a small circle

consisting of 5 double, 1 purl, 3 double, fastened on to the button-hole

stitch edging of the rosette, then 3 double, 1 purl, 5 double. Then turn

the just-completed circle downwards, and afterwards work at a short

distance a large circle consisting of 7 double, 6 times alternately 1

purl, 2 double, lastly 1 purl, 7 double, then 1 Josephine knot

consisting of 7 plain. Then turn the work again, so that the last large

circle is turned downwards, and repeat from * 12 times more; the large

and small circles must be fastened on to one another, as seen in

illustration. The fastening of the small circles on to the centre is

likewise done from the illustration.

64.--_Cravat End in Tatting and Darned Netting_.

Materials: Messrs. Walter Evans and Co.'s tatting cotton No. 50;

tatting-pin No. 3; square of netting; fine Mecklenburg thread No. 80.

[Illustration: 64.--Cravat End in Tatting and Darned Netting.]

The end of this cravat is ornamented with a square of darned netting,

edged with a tatted border, and sewn on to the material of the cravat.

But the diamond in tatting (page 18), or the square (page 31) will look

very pretty with this border. The square is worked in diamond netting,

and has seven holes in length and breadth. They are darned in linen

stitch, darning stitch, and _point d'esprit_, with Mecklenburg thread.

The ground is worked over a mesh measuring three-tenths of an inch

round. For each square one more row than is needed must be worked, and

the cast-on stitches are cut off, as they are longer than the stitches

of the other rows. The tatted border is worked with fine tatting cotton.

Fasten the cotton at one corner of the square and work * a circle

consisting of 7 double, 1 purl, then six times alternately 2 double, 1

purl, 7 double, fasten the cotton on to the same stitch of the ground

where it was first fastened; #work a second circle like the

first, but fasten it, instead of working the first purl on to the last

purl of the preceding circle; fasten the cotton again on to the same

stitch, then on to the next stitch, and work a small circle, consisting

of 5 double fastened on to the last purl of the preceding circle, 4

double, 1 purl, 5 double. The cotton is fastened on to the same netted

stitch as before, and then on to the next stitch; repeat twice more from

#, and then repeat from * in all three times more, so that the

square is edged all round. It is sewn into the material from the

illustration.

* * * * *

Beeton's Book of Needlework · 第 70 / 245 题