CHAPTER XV

MY TUTORS

I use the word advisedly, the direction of my studies, after my twelfth

year, being almost entirely taken out of female hands, my mother feeling

more confidence in the competence of persons of the other sex to impart

to me the sound and thorough instruction she insisted on and which must

moreover be in accordance with her own views, and not in the least on

the pattern of the ordinary curriculum for girls. Religious instruction

she had always been in the habit of giving us herself and she kept up

the practice until within a few weeks of my confirmation, preparing over

night with great pains the subject of the lesson which she gave us every

morning at six o’clock, and which was sometimes a theological

disquisition, sometimes a survey of ecclesiastical history. For these,

as for all my other lessons, I had to write essays, rather for the

purpose of obliging me to summarise and recapitulate systematically all

that I had learnt, than as an encouragement to the expression of my own

ideas; this exercise was, notwithstanding, probably of the greatest

value to me as enabling me to acquire very early great facility with my

pen. Already at quite an early age I had my own very decided views about

style, and I remember as quite a child coming into conflict with the

very first of my male teachers--one of the masters from the Neuwied

Grammar-school, engaged to give me German lessons--concerning an essay

on “Springtime,” I had written for him. Inspired by so congenial a

theme, I had simply let myself go, and the pages I handed to Herr Nohl

were probably more remarkable for originality than for academic

correctness of form. Whether he laid too much stress on negligencies of

styles, which in my youthful impetuosity I was too little inclined to

heed, I can no longer say; but I know that his unsparing criticism of my

work struck me as unjust, and that the corrections he proposed did not

seem to me to improve it at all.

Latin I was taught by my brother’s tutor, joining Wilhelm at his

lessons, a plan adopted partly in order to give him the stimulant of

emulation, but which became a source of unspeakable pleasure and profit

to myself. I had such delight and displayed so much facility in the

acquisition of a new language, that linguistic talent was supposed to be

my special gift. No one understood, nor was I myself until long after

aware, that it was language, and not languages, that was my real

concern. Unconsciously, I was forging for my own use the weapon that was

to serve me later on, and this peep into the beauties of the Latin

tongue--for a mere peep it was, since I laboured under the disadvantage

of having to plunge into its mysteries at the point at which my brother

had arrived,--was yet of immense service to me, in enlarging my horizon,

and affording me a cursory inspection of the treasures of another world.

The grammar of that noble idiom I never rightly mastered, it is true,

conscientiously as I battled with it. Many and many a night have I

fallen asleep over my books, my head resting on the ponderous old

dictionary in which I was seeking the key to some involved construction

in the verse, whose majestic cadence enchanted my ear, even before I had

fully apprehended its true significance. My brother’s tastes were very

different from my own; it was not languages that interested him, but

mathematics and the exact sciences. Inventions of all sorts were his

special hobby, every new kind of machine had a special fascination for

him, and he would have loved to be an engineer. The other course of

lessons given us by Professor Preuner, on classic art, was perhaps of

even greater efficiency in opening my eyes to the glories of the ancient

world, since here there were no technical obscurities to interpose

themselves between my vision and the masterpieces revealed. In a series

of excellent drawings these were displayed to us, and their perfection

pointed out and explained with so much enthusiasm by our professor,

himself an ardent devotee of Grecian art, that we in turn learned to

know and love these treasures of antiquity so thoroughly and well, my

subsequent visits to the great European galleries containing the

originals had nothing of strangeness or surprise,--it was but as if I

were renewing acquaintance with old and well-loved friends, of whom I

had lost sight for a while.

An equal meed of gratitude, though on other grounds, is due from me to

the old mathematician, Henkel, who had been my father’s tutor in former

days, and who now laboured hard, though with but poor results, to

introduce the rudiments of his to me most dismal science into my very

refractory brain! What endless trouble the dear old man took, and what

inexhaustible patience he displayed in the attempt to initiate me into

the mysteries of progressions and equations, or even the simple

extraction of a square root! Under his kindly tuition I filled many

note-books, covered whole pages with figures supposed to calculate the

logarithm of a number, without even knowing what a logarithm was! Euclid

I never understood at all; I can just remember that in every

right-angled triangle the square on the hypothenuse is equal to the sum

of the squares on the other two sides; but why? Ah! that is a very

different matter! As for algebra, it was utterly incomprehensible to me,

so I contented myself with learning a few of the formulæ by heart. Just

as in a cousin of mine,--a man of great learning, considerable literary

culture, and possessed of a fine taste in painting,--the musical sense

is entirely wanting, so to me the properties pertaining to number and

quality will forever remain a sealed book.

To my French governesses I owe thanks for having so thoroughly grounded

me in their language, that I could employ it for my literary work as

well as my mother-tongue, one of my books being written originally in

French. They too were my guides on my first incursions in the glorious

domain of French literature, whose vast treasure-house I ransacked

greedily, dwelling with special delight on the matchless beauty of the

great prose-writers, my ear, accustomed to the more marked cadence of

German verse, having always, I confess, been slightly deaf to the

melody of the Alexandrine couplet. To the earlier poets of course this

restriction does not apply, and Villon and Clément Marot became each in

his own way dear to me, as were Ronsard and the other illustrious

members of the Pléïade.

Then came a moment, on which I can look back with a certain special

satisfaction, during which I was left without either governess or

preceptor of any sort to pursue my studies entirely on my own account,

save for the advice given me for my reading by my parents. Those were

the months which I devoured with avidity every book that came in my

way--even history, I remember, and not only such works as Schiller’s

“Thirty Years’ War” and “Revolt of the Netherlands,” rendered

fascinating by their literary style, but, to please my mother, the drier

pages of Becker’s great Universal History, in its fourteen volumes, were

all waded through, rather more perfunctorily, I fear, than some of my

lighter reading! Still, the hours spent thus were surely not altogether

lost, and the habit of independent study, once acquired, never left me.

But this course of independent study could not of course be allowed to

go on indefinitely, and with the professor on whom, after much

deliberation, my parents’ choice ultimately fell, they, like myself, had

every reason to be satisfied. This was a very young _savant_, named

Sauerwein, a protégé of the Prince Consort’s friend, Baron Stockmar, by

whom he was recommended to my parents, as being capable of undertaking

the entire direction of my studies, from the stage at which I had now

arrived. He was a man of quite remarkable attainments, his linguistic

talent in particular having gained for him the reputation of a second

Mezzofanti, with such apparent ease did he apply himself to acquiring

each new language to add to his already goodly store--about thirty, it

seems to me, he spoke quite fluently at the time when I knew him. To

myself the charm of Sauerwein’s teaching lay in his having no cut and

dried pedagogic method; not considering it the chief object of education

to alter the direction towards which his pupil’s tastes and abilities

naturally turned, he had no wish to force my mind into a groove into

which it could never fit itself, but rather made it his aim to adapt

himself to the exigencies of the situation. In after years my tutor

owned to me how great his amazement had been, when in the place of the

child of thirteen he believed his future pupil to be, he found a young

girl, tall for her years and very self-composed, who in a few

well-chosen words thanked him for the trouble he was about to give

himself. And his surprise reached its height when the following morning

he heard the “Prisoner of Chillon” very dramatically recited by the

pupil who was to learn English from him!

It was well for me that I was so thoroughly prepared, as to be the

better able to profit by the unusual and really admirable course of

instruction Herr Sauerwein now entered on. Its range was wide

and varied, history--and English constitutional history in

particular--occupying a very considerable part of it, an exhaustive

knowledge of the political development of that country being deemed

essential, at a moment when all other nations seemed bent on blindly

copying English customs and institutions, however little compatible

these might be with their own mind and character. Many a State has since

had to learn to its cost, the mistake of transplanting growths of

foreign culture upon their soil, and the impossibility of amalgamating

these alien elements with the national life. But at that time, in

Germany as elsewhere, the admiration for all things English made

historians like Macaulay and Carlyle extremely popular, and also

encouraged the study of English literature. That part of the programme

was pure delight to me. Under my new preceptor’s guidance I obtained a

comprehensive survey of the whole vast field, from Chaucer to modern

times. The Scottish dialect was no bar to my appreciation of Burns; many

of his poems I learnt by heart, and can remember still. But the

literature of my own country was not neglected, and here also we started

reviewing it from its origins, deciphering early Gothic fragments,

continuing our quest through Eddas and Nibelungen, and lingering with

joyful pride among the heroes sung of by Gottfried and by Wolfram, in

the poems that are so glorious a national heritage. So well did I love

them, the noble knights of King Arthur’s Court, and the doughty

champions of the Holy Grail, that I can hardly forgive Wagner the

liberties he has taken with these fine old stories, in order to suit

them to the requirements of his music, glorious though that be. The

versions of these sublime legends given by Wagner came doubtless as a

revelation to those to whom they were as yet unknown;--but to us, who

had lived among them and loved them from our birth, his arbitrary mode

of treatment was rather of the nature of a sacrilege. The term is

perhaps too strong, but I cannot forget my keen disappointment at

certain features of the representations at Bayreuth. It is on this

account that I prefer the _Meistersinger_ to all Wagner’s other works,

since he had here no legend to alter or spoil, but simply a material

which he could turn and twist as he pleased, and which could only gain

by his skilful handling and by the musical atmosphere which his genius

conjured up around the personages of his drama.

From the study of our old Germanic legends in their epic form, we passed

on to the early poetic monuments of other lands, collections of

primitive songs and ballads being ransacked for their best specimens,

whilst the great national epics were made the object of more exhaustive

scrutiny. Throughout the whole of this vast field of exploration, my

tutor’s remarkable linguistic equipment made him the surest and best

qualified of guides; Sanscrit and Russian were as familiar to him as the

Neo-Latin tongues or Celtic idioms; snatches of Hungarian song

alternated on his lips with verses of the Persian and Arabic poets; and

his reading was as extensive as his literary taste was sound. Some of

the fine old poems with which I then became acquainted--the “Kalerala”

or “Ramayana” and “Mahalharata” for instance, in which the soul of a

whole race has been enshrined and preserved, have since by the talent

and industry of translators, and increased facilities of publication,

been made easily accessible to all; but in those days neither the

Finnish, nor the great epics of Hindustan, were popularly known, and it

was no mean privilege I enjoyed, in being led through these labyrinths

of delight by one to whom every step of the way was familiar.

It was Sauerwein’s aim, to give me something more than a superficial

acquaintance with all that is best in the literature of the whole world;

our course of reading was in consequence strangely diversified; Ossian

and the Minnesänger, Sakuntala and the “Gerusalemme Liberata,” these

were but a few of the multitudinous and bewildering contrasts forced

upon my youthful brain, to which some credit is perhaps due for having

borne without ill results so unusual a strain. On my progress in Italian

Herr Sauerwein laid special stress, and, as I afterwards learnt, from

the very kindest motives. He was well aware both of my poetic

proclivities and of the persistent attempts to stifle these, and,

thinking it a pity that my imaginative powers should not have fair play,

he quietly encouraged me under cover of the Italian essays set me and

into which no one else looked, to give my fancy the reins and write as

the spirit prompted. Long after, he showed me a whole pile of these

compositions, and told me of the satisfaction he had felt in watching

the dawn of a talent, of whose existence no one else, and I myself least

of all, was really cognisant at that time. Little did he think, when he

recited to me some of the old Welsh songs, that one day, in the

assembly of the bards, I should be acclaimed by them as one of their

number. Nor could my mother foresee, in the infinite pains she bestowed

on improving my handwriting, that the Gothic and ornamental letters she

set before me as models would become to me as a simple running-hand, and

that I should fill whole volumes with finely traced characters,

imitating the missals illuminated with such care and reverence by pious

monks of old.

I had as schoolroom a little room leading out of my mother’s, so that

she could be present at all my lessons, in the next room, even when she

was too ill to leave her bed. Few mothers I think can have taken their

duties more seriously. Our religious instruction, as I said, she always

gave us herself, assisted by my father. Her old clerical friend, Pastor

Dilthey, came and stayed with us at Monrepos just a few weeks before my

confirmation, to prepare me for it, but the real work of preparation had

been accomplished by my mother beforehand. The examination that precedes

the ceremony took place in Monrepos, in our own woods, in the presence

of more than a hundred people, members of our family on both sides and

many friends, and among the latter that most constant of friends, the

Empress Augusta, who never missed an opportunity of showing her

affection and regard. Never shall I forget that solemn moment of my

life, and my dear little Otto’s touching words, which he wrote for me in

the little volume of the “Imitation” he gave me in remembrance of the

day. For some time before the confirmation, in order that I might give

my whole thoughts to preparing for so serious an event, my

music-lessons had been stopped; I had not been allowed to practise at

all, so that it was with renewed energy that I returned to it

afterwards. The riding-lessons which I now had from one of my uncle’s

equerries, a most excellent riding-master, gave me less pleasure. This

exercise, like dancing, seemed dull to me, from lack of intellectual

stimulus.

But I should never have done if I tried to enumerate all those who

contributed to my education, and from whom at some time or other I have

learnt. It was not always from one’s regular professors that the most

useful lessons came. We are forever learning, for Life itself is a

school from which there is no playing truant, and whose teaching only

stops at the grave. As for educational systems and theories, Nature, the

greatest teacher of all, often laughs these to scorn. The best of them

is but a bed of Procrustes, to fit which human limbs are ruthlessly

lopped or stretched. Wiser were we to leave to Nature’s self the task of

fashioning each individual in youth. She has not made all on one

pattern, and diversity, not uniformity, is her aim.

From Memory's Shrine: The Reminscences of Carmen Sylva · 第 15 / 17 章