The marriage of Philippa and Captain Warrington has, to use the words

of Theodore Hook, produced as much "happiness for two" as the world

can be expected to give. Philippa is as charming as ever, and in one

respect her character has materially improved. Formerly, Philippa,

partly from good-nature, and partly from a wish to be universally

popular, was very much in the habit of saying things to her friends

that were more pleasant than true; she would tell fourth-rate

poetasters that everybody was in raptures with their genius; she would

assure mothers that their sickly pedantic prodigies were extolled

in every circle; and she would protest to faded spinsters that the

gentlemen declared them to be handsomer than they were a dozen years

ago. Now, however, Philippa, although still kind and courteous, is as

particular in the veracity of her civil speeches as if she had studied

Mrs. Opie's "Illustrations of Lying" for the last five years: and

all are delighted to obtain her praise, because all feel that she is

sincere in bestowing it.

One day her husband found her in tears, and anxiously inquired the

reason of her sorrow.

"It will soon pass away," she said; "but I have just been thinking with

grief and repentance of a very faulty action in my life, although you,

to console me, are in the habit of calling it an amiable weakness. I

allude to my unjustifiable imposition on poor Janet; the present day

causes it to recur most forcibly to my mind--it is the anniversary of

VALENTINE'S DAY!"

THE FOUNTAIN VERY FAR DOWN.

BY VIRGINIA F. TOWNSEND.

"I don't believe it," said my cousin Ned, who was passing his college

vacation at our house, and there was a world of unwritten scepticism in

the air with which he dashed down the paper over whose damp columns his

eyes had been travelling for the previous half hour.

"You see, Cousin Nelly," continued Ned, getting up and pacing the long

old-fashioned parlor with quick, nervous strides, "it's all sheer

nonsense to talk about these doors in every human heart. It sounds very

pretty and pathetic in a story, I'll admit; but so do a great many

other things which reason and actual experience entirely repudiate.

There are hearts--alas! that their name should be legion--where 'far

away up' there is no door to be opened, and 'far away down' are no

deeps to be fathomed. Now don't, Cousin Nelly, level another such

rebuking glance at me from those brown eyes, for I have just thought of

a case illustrative of my theory. Don't you remember Miss Stebbins, the

old maid, who lived at the foot of the hill, and how I picked a rose

for you one morning which had climbed over her fence into the road, and

so, of course, became 'public property?' Faugh! I shall never forget

the tones of the virago's voice, or the scowl on her forehead as she

sallied out of the front door and shook her hand at me. A woman who

could refuse a half withered flower to a little child, I wonder that

roses could blossom on her soil! At the 'smiting of the rod,' no waters

could flow out of such a granite heart. In the moral desert of such a

character, no fertilizing stream can make its way."

I did not answer Cousin Ned's earnest, eloquent tones, for just then

there was the low rap of visitors at the parlor door; but I have always

thought there was a good angel in the room while he was speaking, and

that it flew straight to Miss Stebbins, and looking down, down, very

far down in her heart, he saw a fountain there, rank weeds grew all

around it, the seal of years was on its lip, and the dust of time deep

on the seal; but the angel smiled, as it floated upward and murmured,

"I shall return and remove the seal, and the waters will flow."

* * * * *

Stern and grim sat Miss Stebbins at her work, one summer afternoon. The

golden sunshine slept and danced in its play-place in the corner, and

broke into a broad laugh along the ceiling, and a single beam, bolder

than the rest, crept to the hem of Miss Stebbins's gown, and looked up

with a timid, loving smile in her face, such as no human being ever

wore when looking there.

Poor Miss Stebbins! those stern, harsh features only daguerreotyped too

faithfully the desolate, arid heart beneath them; and that heart, with

its dry fountain, was a true type of her life, with the one flower of

human affection which had blossomed many years before along its bleak,

barren highway.

She never seemed to love anybody, unless it was her brother William,

who was a favorite with everybody; but he went to sea, and had never

been heard of since. Sally had always been a stray sheep among the

family; but dark hours, and at last _death_, came upon all the rest,

and so the homestead fell into her hands. Such was the brief verbal

history of Miss Stebbins's life, which I received from Aunt Mary, who

closed it there, in rigid adherence to her favorite maxim, never to

speak evil of her neighbors.

But, that summer afternoon, there came the patter of children's feet

along the gravel-walk which led to Miss Stebbins's front door; and, at

the same moment, the angel with golden-edged wings came down from its

blue-sky home into Miss Stebbins's parlor.

She raised her head and saw them, two weary-looking little children,

with golden hair and blue eyes, standing hand in hand under the little

portico, and then that old termagant scowl darkened her forehead, and

she asked, with a sharp, disagreeable note in her voice, like the raw

breath in the north-east wind--

"Wa-all! I should like to know what you want standing there?"

"Please, ma'am," said the boy, in a timid, entreating voice, which

ought to have found its way straight into any heart, "little sister and

I feel very tired, for we have walked a long way. Will you let us sit

down on the step and rest a little while?"

"No; I can't have children loafing round on my premises," said

Miss Stebbins, with the same vinegar sharpness of tone which had

characterized her preceding reply. Moreover, the sight of any of the

miniature specimens of her race seemed always fated to arouse her

belligerent propensities. "So just take yourselves off; and the

quicker, the better 'twill be for you."

"Don't stay any longer, Willy. I am afraid," whispered the little girl,

with a tremor rippling through her voice, as she pulled significantly

at her brother's coat sleeve.

"Willy! Willy! That was your brother's name; don't you remember?" the

angel bent down and whispered very softly in the harsh woman's ear; and

all the time his hand was gliding down, down in her heart, searching

for that hidden fountain. "You must have been just about that little

girl's age when you and he used to go trudging down into the meadows

together to find sweet flagroot. And you used to keep tight hold of

his hand, just as she does. Oh, how tired you used to get! Don't you

remember that old brown house, where nobody lived but starved rats and

a swarm of wasps, who made their nest there in the summer-time? And you

used to sit down on the old step, which the worms had eaten in so many

places, and rest there. How he loved you! and how careful he was always

to give you the best seat! and, then, he never spoke one cross word

to you, if everybody else did. Now, if you should let those children

sit down and rest, just as you and Willy did on the old brown step,

you could keep a sharp eye on them, to see they didn't get into any

mischief."

The angel must have said all this in a very little time, for the

children had only reached the gravel-walk again, when Miss Stebbins

called out to them; and, this time, that spiteful little note in her

voice was not quite so prominent--

"Here, you may sit right down on that corner a little while; but, mind

you, don't stir; for, if you do, you'll have to budge."

"Little sister," said the boy, in a low tone, after they were seated,

"lay your head here, and try to go to sleep."

The little girl laid her head, with its shower of golden bright curls,

on her brother's breast; but, the next moment, she raised it, saying--

"I can't sleep, brother, I'm so thirsty."

"Don't you remember that day you and Willy went into the woods after

blackberries, and how you lost your way groping in the twilight of the

forest?" again whispered the angel, with his hand feeling all the time

for the fountain. "You found an old lightning-blasted tree, and you sat

down on it, and he put his arm round you just so, and said, 'Try and

go to sleep, little sister.' But you couldn't, you were so thirsty;

for you had walked full three miles. Who knows but what those children

have, too?"

There was a little pause after the angel had said this, and then Miss

Stebbins rose up and went into her pantry, where the shelves were all

of immaculate whiteness, and she could see her face in the brightly

scoured tin. She brought out a white pitcher, and, going into the

garden, filled it at the spring. Returning, she poured some of the cool

contents into a cup which stood on the table, and carried it to the

children; and she really held it to the little girl's lips all the time

she was drinking.

Farther and farther down in the heart of the woman crept the hand of

the angel; nearer and nearer to the fountain it drew.

Miss Stebbins went back to her sewing, but, somehow, her fingers did

not fly as nimbly as usual. The memories of bygone years were rising

out of their mouldy sepulchres; but all freshly they came before her,

with none of the grave's rust and dampness upon them.

"That little boy's eyes, when he thanked you for the water, looked just

as Willy's used to," once more whispered the angel, bending down close

to Miss Stebbins's ear. "And his hair looks like Willy's, too, as he

sits there with that sunbeam brightening its gold, and his arm thrown

so lovingly around his sister's waist. There! did you see how wistfully

he looked up at the grapes, whose purple side are turned towards him

as they hang over the portico? How Willy used to love grapes! And how

sweet your bowls of bread and milk used to taste, after one of your

rambles into the woods! If those children have walked as far as you

did--and don't you see the little boy's coat and the little girl's

faded dress are all covered with dust?--they must be very hungry, as

well as tired and thirsty. Don't you remember that apple-pie you baked

this morning? I never saw a pie done to a finer brown in my life. How

sweet it would taste to those little tired things, if they could only

eat a piece here in the parlor, where the flies and the sun wouldn't

keep tormenting them all the time!"

A moment after, Miss Stebbins had stolen with noiseless step to her

pantry, and, cutting out two generous slices from her apple-pie, she

placed them in saucers, returned to the front door, and said to the

children--

"You may come in here, and sit down on the stools by the fire-place and

eat some pie; but you must mind and not drop any crumbs on the floor."

It was very strange, but that old harsh tone had almost left her voice.

The large, tempting slices were placed in the little hands eagerly

lifted up to receive them; and, at that moment, out from the lip of the

fountain, out from the dust which lay heavy upon its seal, there came

a single drop, and it fell down upon Miss Stebbins's heart. It was the

first which had fallen there for years. Ah, the angel had found the

fountain then!

The softened woman went back to her seat, and the angel did not bend

down and whisper in her ear again; but all the time his hand was busy,

very busy at its work.

"Where is your home, children?" inquired Miss Stebbins, after she had

watched for a while, with a new, pleasant enjoyment, the children, as

they dispatched with hungry avidity their pie.

"Mary and I haven't any home now. We had one once before papa died, a

great way over the sea," answered the boy.

"And where are you going now? and what brought you and your little

sister over the sea?" still farther queried the now interested woman.

"Why, you see, ma'am, just before papa died, he called old Tony to

him--now, Tony was black, and always lived with us--'Tony,' said he,

'I am going to die, and you know I have lost everything, and the

children will be all alone in the world. But, Tony, I had a sister once

that I loved, and she loved me; and, though I haven't seen her for a

great many years, still I know she loves me, if she's living, just as

well as she did when she and I used to go hand in hand through the

apple-orchard to school; and, Tony, when I'm dead and buried, I want

you to sell the furniture, and take the money it brings you and carry

the children back to New England. You'll find her name and the place

she used to live in a paper--which anybody'll read for you--in the

drawer there. And, Tony, when you find her, just take Willy and Mary to

her, and tell her I was their father, and that I sent them to her on my

death-bed, and asked her to be a mother to them for my sake. It'll be

enough, Tony, to tell her that.' And Tony cried real loud, and he said,

'Massa, if I forget one word of what you've said, may God forget me.'

"Well, papa died, and, after he was buried, Tony brought little sister

and me over the waters. But, before we got here, Tony was taken sick

with the fever, and he died a little while after the ship reached the

land and they had carried him on shore. But, just before he died, he

called me to him and put a piece of paper in my hand. 'Don't lose it,

Willy,' he said, 'for poor Tony's going, and you'll have to find the

way to your aunt's all alone. The money's all spent, too, and they

say it's a good hundred miles to the place where she lived. But keep

up a good heart, and ask the folks the way, and for something to eat

when you're hungry; and don't walk too many miles a day, 'cause little

sister ain't strong. Perhaps somebody'll help you on with a ride, or

let you sleep in their house nights. Now don't forget, Willy; and shake

hands the last time with poor Tony.'

"After that, we stayed at the inn till the next day, when they buried

Tony; and, when they asked us what we were going to do, we told them we

were going to our aunt's, for papa had sent us to her, and then they

let us go. When we asked folks the way they told us, though they always

stared, and sometimes shook their heads. We got two rides, and always a

good place to sleep. They said our aunt lived round here; but, we got

so tired walking, we had to stop."

"And what was your father's name?" asked Miss Stebbins, and, somehow,

there was a choking in her throat, and the hand of the angel was placed

on the fountain as she spoke.

"William Stebbins; and our aunt's name was Sally Stebbins. Please,

ma'am, do you know her?"

Off, at that moment, came the seal, and out leaped a fresh, blessed

tide of human affection, and fell down upon the barren heart-soil that

grew fertile in a moment.

"William! my brother William!" cried Miss Stebbins, as she sprang

towards the children with outstretched arms and tears raining fast down

her cheeks. "Oh, for your sake, I will be a mother to them!"

* * * * *

A year had passed away; college vacation had come again, and once

more Cousin Ned was at our house. In the summer gloaming we went to

walk, and our way lay past Miss Stebbins's cottage. As we drew near

the wicket, the sound of merry child-laughter rippled gleefully to

our ears, and a moment after, from behind that very rose-tree so

disagreeably associated with its owner in Cousin Ned's mind, bounded

two golden-haired children.

"Come, Willy! Mary! you have made wreaths of my roses until they are

wellnigh gone. You must gather violets after this."

"_Mirabile dictu!_" ejaculated Cousin Ned. "Is _that_ the woman who

gave me such a blessing a long time ago for plucking a half withered

rose from that very tree?"

"The very same, Cousin Ned," I answered; and then I told him of

the change which had come over the harsh woman, of her love, her

gentleness, and patience for the orphan children of her brother; and

that, after all, there was a fountain very far down in her heart, as

there surely was in everybody's, if we could only find it.

"Well, Cousin Nelly," said Ned, "I'll agree to become a convert to your

theory without further demurring, if you'll promise to tell me where

to find a hidden fountain that lies very far down in a dear little

somebody's heart, and whose precious waters are gushing only for me."

There was a glance, half arch, half loving, from those dark, handsome

eyes, which made me think Cousin Ned knew he would not have to go very

far to find it.

VEGETABLE PHYSIOLOGY.

BY HARLAND COULTAS.

THE PROCESS OF FERTILIZATION.--All organic beings, animals, and plants

reproduce themselves by means of fecundated germs, which we call

embryos. The embryos of plants form in a particular organ called an

ovule, and the matter which fecundates them is termed pollen.

The character of an embryo in organic beings is that it contains, in

a rudimentary state, all the organs of which the organic being is

composed in its entire developments. Thus, in the animal, the uterine

fœtus is composed of the head, the trunk, and the extremities; in other

words, of all the parts of which the adult animal is composed. In like

manner, the embryos of plants, like those of animals, contain all

the parts which compose the fabric of the fully developed plant in a

rudimentary condition. The embryo of a bean, for example, consists of a

plumule or young stem, a pair of leaves or cotyledons, and a radicle or

young root, or the entire plant in a rudimentary state; and, by the act

of germination, analogous in its effects to the commencement of life in

the extra-uterine fœtus, all the parts of the plant develop themselves

into their wonted figure and hues, in accordance with those _peculiar_

organic laws to which the plant is subjected. But germination does not

increase the number of these parts, which existed before its influence

was exercised on them.

Now, plants have sexes, or sexual organs, as well as animals. The

female sexual organs in plants are named carpels. The pistil, already

described, consisting of stigma, style, and germen, is only a fully

developed carpel. The male sexual organs are named stamens, the anthers

of which contain the pollen or fecundating matter. The stamens and

carpels are therefore the essential organs of reproduction in plants,

since it is by the mutual action of these bodies that the embryo of

the future plant is formed, and the same form of life continued in the

earth. Fig. 1 is a representation of a petal, stamen, and the pistil of

Berberis vulgaris, or the common barberry. In this plant, the anthers

open by two valves to let out the pollen. These valves are seen in the

figure, and the pistil is exhibited in section, to show the ovules in

the cavity of the germen.

[Illustration: Fig. 1.]

The reproductive organs only appear at the epoch when plants attain the

full development of all their parts, or arrive at an adult state. The

period when this occurs varies greatly in each species, and depends

entirely on the peculiarities of its constitution. When this epoch

arrives, a visible change takes place in the organic functions; the

stem ceases to elongate, and its internodes no longer developing, the

leaves remain crowded together in closely approximated whorls, and,

after undergoing those peculiar modifications in form and coloring

which we have already described, a flower is produced.

The process of fecundation appears to be as follows: As soon as the

calyx and corolla are fully expanded, the stamens rapidly develop,

their filaments elongate, and the anthers, at first moist and closed,

become dry, and, rupturing, discharge the pollen on the stigma of the

pistil, which at this time is bedewed with a clammy fluid, which serves

to retain the grains of pollen that fall upon its surface. The grains

of pollen, after remaining for some time on the humid stigma, absorb

its moisture, and are seen to swell so that those which are elliptical

assume a spherical form. The thin and highly extensible intine or

inner covering of the pollen grain ultimately is pushed, in the form

of a tube, through one of the pores or ostioles in the surface of the

extine or outer covering, the mode of dehiscence of the pollen grain

being always determined by the character of its surface. The pollen

tube enters the lax tissue of the stigma, and, by gradual increments

of growth, pushes its way down the style into the germen or ovary in

which the ovules are found, up to this period, unfertilized. The tube

enters one of the unimpregnated ovules through a small hole called the

micropyle (from μικξος a little, πυλη gate), conveying

the fecundating fluid matter contained in the cavity of the grain into

the young ovule. This fluid matter is called fovilla, and its flow

through the pollen tube is easily perceived by the movement of those

microscopic corpuscles which it contains.

[Illustration: Fig. 2.]

Fig. 2 is a section through the stigma, and part of the style of

Antirrhinum majus, or the common snapdragon. The pollen grains are seen

adhering to the surface of the stigma, and the tube is pushing its way

down the pistil to the germen.

The ovules having received the impregnating matter, the flower loses

its beauty, and nothing remains but the germen, which swells into a

fruit abounding with seeds, by which the species is continued. An

attentive observer may watch these changes throughout the summer months

in any plant that produces flowers and fruit, and may thus satisfy

himself of the general correctness of these statements.

AUNT TABITHA'S FIRESIDE.

No. IX.--THE MISERY CAUSED BY USING THE WRONG PUDDING-DISH.

BY EDITH WOODLEY

"I believe, Lizzy, that I never told you my own experience about goin'

out to sarvice. I didn't go out 'cause 'twas necessary that I should,

for at my father's there was a house full of everything. We al'ays

lived like the sweet cheeses, as the sayin' is.

"You've heern me tell of Aunt Keziah Higgins. She wasn't my aunt, on'y

a cousin to my mother; but I al'ays called her aunt, out of respect,

seein' she was so much older than I was. Well, she was one of the most

partic'lar bodies that ever breathed the breath of life, except Uncle

Higgins, and he went a hair furder'n she did in some things. She al'ays

chose to do her own work, for there wa'n't a pairson on airth that

could suit her; but one fall she took a dreadful bad cold, and was

threatened with the rebellious fever. Everybody knew how awful nice she

was, to say nothin' of Mr. Higgins, and they couldn't git a soul to

come and stay with 'em for a single day.

"At last, Uncle Higgins come arter me; and, when I found how 'twas, I

consented to go, for it seemed to me a sin and a shame--what I called

right down heathenish--to let the woman suffer for want of bein' took

keer on. I didn't expect that I should suit in everything; but I felt

detarmined, in my own mind, to put the best foot for'ard, and exart

every narve to the utmost to do the best I could, and that was all that

could be expected of anybody.

"They were both so tickled to think I consented to come, that they

neither of 'em uttered a single word of complaint for the two first

days. All I said or did was jest right. I was young, and didn't

understand a dreadful deal about cookin'; but Aunt Keziah wasn't as

sick but what she could give off the orders, so I got along nicely. The

third day she said to me, arter breakfast--

"'Tabitha, I guess I'll have a rice puddin' made for dinner to-day. A

rice puddin', if 'tis made jest right, is Mr. Higgins's favorite.'

"So she told me how to proportionate all the 'gred'encies--how many

eggs, how much rice, sugar, milk, and everything. I mustn't vary the

vally of a thimbleful in an individwal thing, she said, 'cause, if I

did, it wouldn't suit Mr. Higgins. The sass to eat on't, too, must be

made jest so.

"Well, I told her I'd do my best; and I did. If the rice, sugar, and so

on had been goold dust, I couldn't 'ave been an atom more partic'lar

about measurin' 'em; and, arter I got the puddin' into the oven, I

watched it as narrer as ever a cat watched a mouse, so as to be sure

'twas bakin' jest fast enough, and none too fast.

"When 'twas drawin' along towards dinner-time, I thought I'd hunt up a

dish to turn the puddin' into, 'cause, you see, I baked it in a brown,

airthen dish that wa'n't fit to set on the table. Well, I come across

a deep, blue-edged one, jest like one we had at home, that my mother

bought on purpose to put puddin' into. We were to have, besides the

puddin', a grand good b'iled dish--pork and corned beef, and all sorts

of garding-sass, sich as cabbage, turnips, bates, carriots, and so on.

'Twas no fool of a job to prepare so many kinds of sass; but I didn't

vally the trouble, all I aimed at was to suit Uncle Higgins. When I'd

got everything on the table, they looked so nice I felt quite proud.

Accordin' to my mind, 'twas a dinner fit to set afore a king.

"Uncle Higgins was blest with an amazin' good appetite, and, I tell

you, he did good justice to the b'iled dish. Arter a while, he begun to

slack off a leetle mite, and I could see him eyein' the puddin' purty

sharp. At last, says he--

"'What 'ave you got there, Tabitha?'

"'A rice puddin', sir,' says I.

"'A rice puddin'?' says he.

"'Yes, sir,' says I.

"'Well, then, I guess you never sarved much of a 'prenticeship at

making rice puddin's,' says he.

Godey's Lady's Book, Vol. 48, February, 1854 · 第 8 / 16 段