5. The Old Book-Lover of Louvain

Among the fascinating pursuits of life we must make a large place for

the collection of old books, old paintings, old missals and curios.

Certain cities, like Venice, Florence, Rome, Naples, and Madrid, have

been for a thousand years like unto the Sargasso Sea in which beautiful

things have drifted.

Fifty years ago, men of leisure began to collect these treasures. Some

made their way into Egypt and Palestine, and there uncovered temples

long buried in sands and ruins and all covered with debris. From time to

time old missals were found in deserted monasteries, marbles were digged

up in buried palaces. Men came back from their journeys with some lovely

terra cotta, some ivory or bronze, some painting by an old master, whose

beauty had been hidden for centuries under smoke and grime. The

enthusiasm of the collectors exceeds the zest of men searching for gold

and diamonds amid the sands of South Africa.

Fifty years ago a young scholar of Louvain won high praise because of

his skill in dating and naming old pictures and manuscripts. When ten

years had passed by, this scholar's name and fame were spread all over

Europe. Many museums in different countries competed for his services.

The time came when the heads of galleries in London and Paris and Rome

sent for this expert to pass upon some art object. During the fifty

years this scholar came to know every beautiful treasure in Europe.

In the old castles of Austria, in a monastery of Bohemia, in the house

of an ancient Italian family, in certain second-hand bookstores, in

out-of-the-way towns he found treasures as precious as pearls and

diamonds raked out of the muck-heap.

When death took away his only son and left his little grandchildren

dependent upon himself the old book-lover looked forward serenely into

the future. He knew that every year his treasures were growing more and

more valuable. Living in his home in Louvain he received from time to

time visits from experts, who came in from all the cities of the world

to see his treasures, and if possible, to buy some rare book.

Then, in August, 1914, came the great catastrophe, as came the explosion

of Vesuvius that buried Pompeii under hot ashes and flaming fire.

One morning the old scholar was startled by the noise and confusion in

the street. Looking down from his window he saw German soldiers, German

horsemen, German cannon. He beheld women and children lined up on the

sidewalk. He saw German soldiers assault old men. He saw them carrying

the furniture, rugs and carpets out of the houses. He saw the flames

coming out of the roofs of houses a block away.

A moment later an old university professor pounded upon his door and

called out that they must flee for their lives. There was only time to

pick out one satchel and fill it with his precious manuscripts and

costly missals. Then the two old scholars fled into the street with the

grandchildren. Fortunately a Belgian driving a two-wheeled coal cart was

passing by. Into the cart climbed the little grandchildren. Carefully

the satchel filled with its treasures was also lifted into place.

At that moment a German shell exploded beside the cart. When the old

book-lover recovered consciousness the cart was gone, the grandchildren

were dead and of all his art treasures there was left only one little

book upon which some scholar of the twelfth century had toiled with

loving hands.

Carried forward among the refugees several hours later, Belgian soldiers

lifted the old man into a train that was carrying the wounded down to

Havre. In his hand the collector held the precious book. Excitement and

sorrow had broken his heart. His mind also wandered. He was no longer

able to understand the cosmic terror and blackness. A noble officer,

himself wounded, put his coat under the old man's head and made a

pillow and bade him forget the German beast, the bomb shells, the

blazing city. But all these foul deeds and all dangers now were as

naught to the old man.

"See my little book," he said. "How beautiful the lettering! Why, upon

this book, as upon a ship, civilization sailed across the dark waters of

the Middle Ages. Look at this book of beauty. The ugliness of the tenth

century is dead. The cruelty and the slavery of bloody tyrants is dead

also. The old cannon are quite rusted away. But look at this! Behold,

its beauty is immortal! Everything else dies. Soon all the smoke and

blood will go, but beauty and love and liberty will remain."

And then lifting the little book the old collector of Louvain pressed

his lips to the vellum page, bright with the blue and crimson and gold

of seven hundred years, and in a moment passed to the soul's summer

land, where no shriek of German shells rends the air, where wicked

Germans have ceased from troubling and where the French and Belgians,

worn by the cruelty of the Huns, are now at rest and peace.

The Blot on the Kaiser's 'Scutcheon · 第 40 / 63 题