Chapter XII--What Happened

For a few minutes after Mr. Kempwood left, I moved around looking at the

Napoleon relics, which, of course, are fascinating. Some people think

that Stephen Jumel bought these from Royalty itself, but others think

that they came to Madam Jumel and were by way of wiping out an

indebtedness. . . . Madam Jumel lived in Paris between 1819 and 1826,

and during those years the cousin of the Empress Josephine, who was

Madame la Comtesse de la Pagerie, made her home with the Jumels, and

moved with them from house to house as they did--seeming one of the

family--part of the establishment. I think she was not well off and had

to accept much from the Jumels for which she could make no return. So,

when Madam Jumel came back to America the Comtesse settled in

snuff-boxes, vases, shoe-buckles, lockets, and dear knows what all. And

I think Madam Jumel probably made a good bargain, for she was the sort

who could do that. It is said that the things that she brought to the

United States were valued at twenty-five thousand dollars, which

strengthens the fact that she must have got them without money output,

for at that time Stephen Jumel was in pecuniary straits and probably a

sum of that size would have been difficult for him to spare for such

purpose.

I loved looking at them and thinking of how the Empress Josephine might

have had this or that small box upon her dressing-table. And it always

gives me a curious feeling. I think old things are much more interesting

because of the people who have touched them, and I have often thought

that if you could touch one of these things and close your eyes you

might drift off into a dream that would take you into another time, but

I suppose that is silly.

After I had moved around for perhaps seven or eight minutes I heard a

small boy call to another. “Come out here!” he screamed in a high

soprano. “There’s a man biffed on the bean, and _mebbe_ he’s dead!”

And how people moved! I didn’t immediately. I couldn’t, for I remembered

my giving Mr. Kempwood the bracelet, and I _knew_ what had happened. I

felt sick, and swallowed hard, although I hadn’t any more spit than

usual. But that is the way that fright made me feel. . . . It was the

worst I had ever felt. . . . Somehow I hurried toward the door with the

crowd, and I then did the second cowardly thing which hurt one of my

friends who cares for the Mansion, I slipped off my bracelet and handed

it to him.

“Until I come back----” I whispered, after a gasp. He nodded and put it

in his pocket. I suppose he thought I was afraid of sneak thieves in the

mob which had collected. Then I pushed through the door. . . . All the

excitement was back of the Mansion where--Mr. Kempwood lay on the

ground--absolutely white and with his eyes closed, and people were

bending over him. I began to sob, although I didn’t cry any tears at

all.

“Let me through,” I said, as I tried to get past the circle which had

formed. “I know him. . . . I love him. . . . He has been good to me, and

he is my friend!” And then, somehow I had reached him and was on my

knees beside him, holding one of his cold, stiff hands between both of

mine.

“Is he dead?” I whispered to one of the policemen.

“Stunned,” he answered. For a moment I held his hand tightly pressed

against my heart, and then I began to sob harder than ever. . . . I

think the relief that comes with good news often makes you more upset

than the bad and hurts more. I don’t know why this is, but it is

so. . . . After a few moments a policeman asked me where he lived, and I

told him.

Someone offered a motor, and they began to lift Mr. Kempwood. Another

officer had detained some people and was questioning them. “Weren’t you

here?” he asked of a heavy old Italian woman who had been sitting on a

bench, but she only shook her head, blinked and muttered: “Non parlo la

Inglesa, parlo Italiano solamente!” And someone said she had been

sleeping, but the officer looked doubtful.

“Nevertheless,” he said, “we will take you along,” and I, in that

moment, saw that she did understand, for in her eyes was a sudden glint

of terror. It faded soon, and she replaced it with a vacant look, but--I

had caught the other. I think she had _seen_.

“She knows,” I began to say, when suddenly everything was forgotten,

for, from the Jumel Mansion came a cry which began loudly and faded to a

horrible silence, and the cry was for help. . . . Of course, the

officers ran, and somehow--the old Italian woman slipped away. I had

seen her the moment before, but when I turned back to look after Mr.

Kempwood, I found only the old blind man coming up the side steps to the

garden, shuffling, shambling up, with his cane feeling the way. He and I

and a doctor were alone.

“The old Italian woman has gone,” I said, “and I think she knew----”

“Don’t think so,” said the doctor as he moved Mr. Kempwood’s head and

felt the back of it. . . . “Couldn’t speak English; she was frightened.

When the men come back we can get someone to help us lift him in a

motor. He’s going to come around all right, but that was a blow. . . .

Right over the back of the head. You say he lives near here?” I nodded,

and then someone came back and helped us lift Mr. Kempwood in a motor.

“What happened in there?” I asked unsteadily, as we moved toward the

gate and down the steps.

“One of the guards knocked senseless,” he answered. “Over the back of

the head--like this. Busy day for excitement around here--there you are.

He _is_ a weight. . . . The guard isn’t hurt badly and nothing broken,

but the glass over the little case that held the bracelet is cracked.”

I nodded, feeling more sick and faint than ever, and then we turned

toward home. The doctor held up Mr. Kempwood, who was beginning to

groan, and I held his cane and said my prayers hard. . . . For I felt

that it was all my fault. And that is a terrible feeling. . . .

Somehow, I got through the next hour. I will never know how. . . . They

settled Mr. Kempwood, told me he wasn’t going to die and would truly be

all right, and I left. Of course, I went back to the Jumel Mansion. I

had to.

Here I found the sort of let down that you always find after excitement.

Everyone was limp and sat down whenever possible. One of the women told

me about it.

“I was in the back room,” she said. “Mr. Kelsey had just come in and

shown me your bracelet. He whispered to me: ‘Think I’ll put it up in the

cupboard, then if she comes back for it when I’m not here, you can give

it to her----’ I nodded, thinking that a safe place. . . . That high

cupboard, you know.”

I did. It had always fascinated me. It seemed big enough for a spy to

hide in, and I wondered whether one ever had hidden there. . . .

“He put it there,” she went on, “and then went back to the front room. I

went to the window and looked out at the crowd which had collected about

your friend Mr. Kempwood, and then I heard Mr. Kelsey’s cry. . . . I

suppose I was slow about reaching him; you know how your knees act and

how fright sometimes slows actions, for before I reached him I heard the

blow which I found afterward had been directed at the bracelet case, and

when I reached him he was not alone. . . . The old blind man who is

around here so much was with him. . . . He was standing in the doorway,

saying, ‘Someone is hurt. . . . Someone is hurt. Will no one come to

help?’ and there were tears on his cheeks. . . . It, added to all the

rest, was almost the last straw.”

“I saw him in the garden before I left,” I said, “and he was all right

then.”

“You couldn’t have,” she contradicted; “he was here the entire time.

Someone took him off and started him toward Amsterdam Avenue, and that

was ten minutes after the whole affair had quieted down.”

“But,” I said, and with some heat, “I _did_ see him. I _really_ did.”

“How could you,” she asked, “if he was here?”

I shook my head and gave it up. She was unconvinced, I could see.

Probably thinking that the excitement had made me incapable of realizing

what I had really seen or when I had seen it. But I had seen him in the

garden. I knew that!

“Well,” I said, “that isn’t vital. You said Mr. Kelsey isn’t badly

hurt?”

Again she assured me that he wasn’t, and I was greatly relieved. Then

she gave me the bracelet. I snapped it on, and left. As I went out, I

paused before the portrait, for it did seem as if what Madam Jumel saw

from that had an effect on events; made them--rather--horrible ones.

I couldn’t speak, for there were people in the hall, but I bared my arm

and thought very hard: “I have it back. If anyone must be hurt I must be

the person, for it is mine, and hereafter I will keep the

responsibility.” And after that--I turned toward home.

I stopped at Mr. Kempwood’s going up, and I found that he was conscious

and wanted to see me. I was very glad to see him. . . . I couldn’t speak

at all, but simply clung to his hand. However, he seemed to understand,

so it was all right.

“Sit down, Miss Natalie Randolph Page,” he ordered, and a servant slid a

chair near his bed, and I did. Then the man left, and we were alone.

“You know it was my fault,” I said, “because I gave you that bracelet.”

And then I had to stop speaking. That made me dreadfully ashamed. I had

to look down, too, because I didn’t want him to see that my eyes were

full of tears. . . . Once I never cried! . . . But the whole affair was

making me jumpy and unlike my old self. And Mr. Kempwood’s being hurt

had almost made me sick.

“Look here, Nat,” he said, turning over very carefully so that he faced

me, “we’re friends, aren’t we?”

I nodded, just as hard as I could, for emphasis. For various reasons, I

decided I would not speak just then. I was afraid my voice would behave

as Willy Jepson’s used to when he was fourteen. He himself never knew

whether it was going to sound like Hamlet, in the soliloquy, or Miss

Hooker when she saw a fuzzy caterpillar; and those ranges differ widely.

“Well, if we’re friends,” went on Mr. Kempwood, “whatever bothers you

must bother me. I want it to.”

I shook my head. “Oh _no_!” I said.

He nodded, then stopped (I think it hurt), and said, “Oh _yes_!” just

the way I said “Oh no!” I laughed a little, and then I wiped my eyes.

“When I thought you were dead----!” I said.

“Go on,” he ordered. “What happened? Did you mind it, or wonder whether

you had enough of your allowance left for a nice wreath? Honestly,

confess your thought!” All over again, I choked up. “My dear,” he said

suddenly (I think he saw how I felt), “I’m not going to leave life. I

love it too much. . . . Especially since we’ve been friends. Why, I’d

hang on to it now, with both hands, and I’d like to see anyone make me

let it go! Nat, I’m going to stick around, and by the time you’re twenty

we’ll be the best friends going. . . . I’ve planned my campaign; you’re

helpless.”

I smiled at him and explained how much he had helped me in New York, and

how different he had made it all seem. Of course, I told him that my

aunt, uncle, and cousins were kind to me (for they _are_), but I said

once in a while I was a little lonely, and when I thought of New York

without him I almost fainted. And I explained about how I had felt when

I thought he was dead. Especially about the swallowing so much when

there was nothing to swallow and no occasion for doing it. And I added

that lots of times in the dentist’s chair when I needed to swallow,

_dreadfully_, I couldn’t, and that it was strange how emotions affected

you. He listened attentively and agreed with me about the last.

Then he asked if I had been carrying his cane around all day, and I

looked and found I had! I was surprised! I must have taken it to the

Jumel Mansion, back, and even up to aunt’s. I clung to it without

thinking, because I was so upset, I suppose.

“You don’t need it,” he said, with a flicker of hurt going across his

face.

“No,” I answered. And I did wish I were tactful, but I never know quite

what to say beside the truth, which makes me clumsy.

“And you care an awful lot about men who go in for athletics, don’t

you?” he asked. “They seem _men_ to you?”

I think he imagined that our friendship couldn’t be as deep because I

liked outdoor things and his lameness kept him from enjoying them.

But--it was deeper; for while I knew all he missed, I also saw all he

gained--from pain, or whatever it is, that makes some people, who aren’t

strong in all ways, nicer.

“I like you best this way,” I said, and very awkwardly, I’m afraid, but

Mr. Kempwood always seems to understand. “I’m sorry you have to carry

it,” I went on, “but I think it has made you nicer and kinder. If I were

ever very unhappy, or needed help, I would come to you.” And then I

stood up, for I thought it was time to go.

“You can leave my cane by the bedside,” he said. “I find I don’t dislike

it--quite so much as I thought. . . .” Then his voice changed and became

everyday, and he said: “Good-bye, child. You’re not going to be

nervous?”

I promised him I wouldn’t and waved at him from the doorway.

I went up to our floor feeling much better. Everyone was out, and I

decided to dress because Evelyn was to have guests, and she had said

that Amy and I might appear for a little while, if we liked. On my

bureau I found a note. It was scrawled hurriedly as before and had the

same initials under it, and it said: “Don’t wear the duplicate of my

bracelet to-day. I will see that something unpleasant happens if you

do!--E. J.”

Natalie Page · 第 12 / 24 章