THE CHAIR-MAKER.

1. The chair was invented at so early a period, that its origin cannot

now be ascertained. It was used by all the civilized nations of

antiquity; and some of their patterns for this species of furniture

have been revived, with some modifications, in modern times; for

example, a stool for sitting at the piano, now called the X, is the

lower part of a chair used in the Roman empire near two thousand years

ago. The seat and back were stuffed with some soft elastic substance.

2. The seats used by the barbarous conquerors of the Roman empire,

hardly deserve the name of chairs, as they commonly consisted of

little or nothing more than a stool with three or four legs. Even the

great Alfred, who swayed the sceptre of England in the latter part of

the ninth century, possessed nothing approaching nearer to a chair

than a three-legged stool made of oak timber. This species of seat was

at length improved into a chair by the addition of another leg and a

back.

3. The next step in the art of chair-making was to cover the seats

with cloth, and to stuff them with some kind of wadding. The material

of which the frames were made was oak; and for a long period, they

were exceedingly heavy and inconvenient. The armed-chair is said to

have been contrived by an alderman of Cripplegate. Such chairs,

however, were in use among the ancient Greeks and Romans.

4. Our old-fashioned chair, with four upright posts, several

horizontal rounds and slats, together with wooden splints or flags for

the bottom, is comparatively modern, although it is impossible to

state the period of its introduction. Very few of any other kind were

used in the United States, until near the beginning of the present

century.

5. The Windsor chair seems to have been first used for a rural seat in

the grounds about Windsor castle, England; whence its name. It was

originally constructed of round wood, with the bark on; but the

chair-makers soon began to make them of turned wood, for the common

purposes of house-keeping. We cannot learn that any were made in this

country before the close of the revolution, in 1783.

6. A great proportion of the chair-maker's stuff is brought to the

proper form by means of the lathe; and this machine is used for this

purpose in every practicable case; but this part of the work is not

performed in the cities, since it is found to be less expensive and

more convenient, to purchase the timber turned in the country. Slats

for the back, bent to the proper shape, are also obtained from the

same source.

7. The Windsor chair is varied in its construction and finish, in

some particulars; but, in all cases, it has a seat made of thick plank

of cypress, bass, or some other soft wood. The slats, when employed,

are also made of the same wood, or of soft maple. The parts which are

turned, are commonly of the wood last mentioned.

8. In constructing chairs from these materials, the workman undertakes

several at a time, say from one to two or three dozens. We may

suppose, as is frequently the case, that he first cuts up a quantity

of planks to the proper size for the seats, and reduces them to the

proposed form and smoothness by means of the drawing-knife, adze,

spoke-shaves, and sand-paper. He next cuts the various pieces which

are to compose the frame, to the proper length, turns the ends of

those which need it, to make the joint, and bores the requisite holes

with a _bit_. In putting the parts together, the joints are made to

fit very closely, and their union is rendered permanent by means of

glue.

9. The chairs are next covered with three coats of paint, and with two

coats of copal or some other kind of varnish; and this, for plain

work, completes the whole process of the manufacture. But, when they

are to be ornamented, gold or copper leaf or bronze is put on before

the application of the last coat of varnish. The bronze used by

painters, is finely pulverized copper, tin, or zinc.

10. The _ornamenter_ uses paper patterns, which he applies to the

surface to be ornamented, to guide him in the execution of his work.

The powder is laid on with a camel's-hair brush, or with a piece of

raw cotton. Light and shade are produced by a proper distribution of

the powder, or by paint of a dark colour. The bronze is made to adhere

by means of _size_, which has been previously laid on.

11. Several other kinds of chairs are, also, made by the common

chair-maker; and the frames, or some parts of them, are sawn out of

planks with a narrow-bladed saw, which can be easily guided upon the

line of any pattern. The principal parts of the frame are commonly put

together with the mortice and tenon; and the bottoms are composed of

cane, flags, or a peculiar kind of rush. The cane is likewise used in

the backs of chairs, especially in those having rockers.

12. The manufacture of mahogany chairs with stuffed seats, sometimes

constitutes a distinct branch of business; at other times, it is

connected with that of making sofas; and again, with cabinet-making in

general. It is generally supposed, that rockers were first applied to

chairs in this country, but at what time or by whom, it cannot be

determined.

[Illustration: CARVER & GILDER.]

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