THE CABINET-MAKER.

1. It is the business of the cabinet-maker to manufacture particular

kinds of household furniture, such as tables, stands, bureaus,

sideboards, desks, book-cases, sofas, bedsteads, &c., as well as a

certain description of chairs made of mahogany and maple. Many of the

operations of this business are similar to those of the carpenter and

joiner, although they require to be conducted with greater nicety and

exactness.

2. The qualifications of a finished cabinet-maker are numerous and of

difficult acquisition; so that they are seldom concentrated in any

single individual. He requires not only a correct taste, but also a

knowledge of drawing, architecture, and mechanics, besides the

abilities of a good practical workman.

3. A knowledge of drawing is especially useful in designing new

articles of furniture, or in improving the form of those which have

been already introduced. It also enables the artist to determine with

accuracy what would be the general effect of furniture, were different

pieces of it placed in any proposed apartment; and, combined with

architectural knowledge, it enables him to adapt the style of his

wares to that of the building for which they may be designed.

4. In general, the principles of this business are fixed, so far as

relates to the mode of operating in the execution of the work; yet

continual changes are made in the form and construction of its various

articles, so as to keep pace with the advancement of correct taste, or

with the caprices of fashion. In fact, the shapes of furniture are

almost as changeable as those of female dress; and this causes many

expensive pieces to fall into disuse, while others are introduced,

which, for a time, are considered indispensable to comfort, and which

in turn enjoy but a temporary favor.

5. The cabinet-maker uses various kinds of wood in the manufacture of

his wares; but those which are most frequently employed in the United

States are pine, maple, poplar, cherry, black walnut, white oak,

beach, mahogany, and rose, all of which are abundant in this country,

except the last two. Mahogany is brought in great quantities from the

West Indies and South America; rose-wood is obtained chiefly from the

West Indies and Brazil, although it was first introduced into notice

from the island of Cyprus.

6. The applicability of mahogany to the manufacture of cabinet-ware,

was accidentally discovered in London, about the year 1724. A

physician, named Gibbons, received a present of some of the planks

from his brother, a sea-captain, who had brought them from the West

Indies, chiefly as ballast. The doctor was, at that time, erecting a

house, and, supposing them to be adapted to the purposes of building,

gave them to his workmen, who, on trial, rejected them as being too

hard to be wrought with their tools.

7. A cabinet-maker was next employed to make a candle-box of some of

it, and he also complained of the hardness of the timber; but, when

the box was finished, it outshone in beauty all the doctor's other

furniture. He then required a bureau to be made of the same kind of

material; and this, having been finished, became the subject of

exhibition to his friends, as a piece of remarkable beauty. The wood

was immediately taken into general favor, and it soon became an

article of merchandise of considerable importance.

8. In giving the reader a view of the operative part of this business,

we have selected the bureau as affording the best means of

illustration. The material which composes the frame and drawers of

this piece of furniture, is commonly some kind of soft wood, such as

pine or poplar; and this is faced with thin layers of mahogany in

those parts which are to be exposed to view.

9. The materials for the frame and drawers are first marked out, and

the several pieces reduced to the form and dimensions required, with

planes and other instruments. Thin pieces of mahogany are firmly fixed

to the surfaces which require them. This part of the work is called

_veneering_. The workman prepares the surface of the soft wood for the

_veneer_, by cutting it into small contiguous grooves by means of a

small plane, the cutting edge of which is full of little notches and

teeth.

10. Melted glue having been spread upon both surfaces with a brush,

the parts are placed in contact, and firmly pressed together by means

of _hand-screws_. Before the screws are applied, the surface of the

veneer is covered with a piece of heated board, termed, in this

application, a _caul_. One piece of this kind commonly serves a veneer

on each side of it at the same time.

11. The mahogany thus attached to the softer wood, is afterwards

wrought with the _toothed-plane_, and others of the common kind. It is

then scraped with a flat piece of steel, having edges which act upon

the surface in the same manner as pieces of broken panes of glass. The

polishing is finished, so far as it is carried at this stage of the

process, by the use of sand-paper.

12. The several pieces which compose the frame of the bureau are put

together with the joint called _mortice_ and _tenon_; and those which

form the four sides of the drawers, with that called _dove-tail_. The

bottom is united to the sides on the right and left, and sometimes in

front, by the _groove-and-tongue_, and its rear edge is fastened with

a few nails. The _bearers_ of the drawers are fastened on by means of

nails.

13. The joints are made to fit not only by the accuracy of the work,

but by the application of glue previous to the union of the parts;

this is especially the case with the mortice and tenon. The back of

the bureau is composed of some cheap wood, such as pine or poplar; but

the panel at each end is most commonly plain mahogany through its

entire thickness.

14. The parts which are to be exposed to view are next to be varnished

and polished. The material for the former purpose is called _copal

varnish_, because one of the principal ingredients in it is a kind of

gum called copal, which is obtained from various parts of South

America. This kind of varnish is made by melting the gum with an equal

quantity of linseed-oil and spirits of turpentine or alcohol.

15. To give the work a complete finish, four coats of varnish are

successively applied; in addition to these, a particular kind of

treatment is used after laying on and drying each coat. After the

application of the first coat, the surface is rubbed with a piece of

wood of convenient form; after the second, with sand-paper and

pulverized pumice-stone; after the third, with pumice-stone again; and

after the fourth, with very finely powdered pumice-stone and

rotten-stone. A little linseed-oil is next applied, and the whole

process is finished by rubbing the surface with the hand charged with

flour.

16. Some parts of several pieces of furniture are turned in the lathe;

and, in large cities, this part of the work is performed by professed

turners. The veneering of certain kinds of work of a cylindrical form

is, also, in some cases, a distinct business; but, in places distant

from large cities, the whole work is commonly performed by the

cabinet-maker himself.

17. Mahogany is brought to market in logs hewn to a square form; and

persons who deal in it, commonly purchase it in large quantities, and

cause it to be sawn into pieces of suitable dimensions for sale.

Formerly, and in some cases at present, slabs were sawn into thin

pieces for veneering by hand; but, within a few years, a more

expeditious method, by the circular saw, has been adopted. In

performing the operation by this means, the slab is placed upon its

edge, and shoved along against the teeth of the rapidly-revolving saw.

It is kept in the proper position by holding the right side of it

firmly against an upright plank, called the _rest_.

18. Mahogany is either _plain_, _mottled_, or _crotched_;

nevertheless, the different kinds expressed by these terms are met

with in the same tree. The variegated kinds are found at or near the

joining of the limbs to the trunk; and these are used almost

exclusively for veneering. The plain sort is employed for more common

purposes, and in those parts of furniture required to be less splendid

in appearance. It may be well to remark, also, that plain mahogany is

often veneered, as well as the softer woods. Black walnut, white oak,

rose, and several other woods, are likewise used for veneering,

although not so much as mahogany. Our native woods will be hereafter

more used in this way, since mahogany is becoming scarce.

19. In Europe, particularly in England, the business of the

cabinet-maker is commonly united with that of the upholsterer; and

this is sometimes the case in the United States. All, however, who

make sofas and chairs, intrude enough upon the latter business to

cover and stuff them; or they employ a journeyman upholsterer to

perform this part of the work.

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