These hanging gardens have aroused the wonder of the world for centuries

and indeed for millenniums. Their legendary connection with the name of

Semiramis has largely contributed to this, although it was directly

denied by Diodorus. Also the expression “hanging” has no doubt

heightened their fame, although the terms κρεμαστός and _pensilis_

conveyed no such marvellous ideas to ancient scholars as they do to us.

_Pensilia_ are the balconies of the Romans, and were nothing out of the

common for them. The reason why the hanging gardens were ranked among

the seven wonders of the world was that they were laid out on the roof

of an occupied building.

XV

THE PRINCIPAL COURT (H)

[Illustration:

FIG. 63.—The central part of the Southern Citadel.

]

The gate leading to the Principal Court (Fig. 63) is considerably larger

than the two previous ones; it is more spacious and the walls are

stronger, and therefore must have been carried higher. Here also we find

the two side-chambers. In the northern one there are the foundations of

an ascending stairway, which led to an upper storey, or to the roof. It

is one of the very few examples of its kind to be found in Babylon, and

with the outside steps in the canal wall on the south-east of the Kasr,

at the well, and on the transverse wall of the Ishtar Gate, the ascent

to the north-eastern bastion of the Kasr affords evidence of the way in

which these stairways were constructed. The long narrow passages in the

temples may quite possibly have contained the staircases. In private

houses we never find similar passages, and yet we can feel certain that

during the long summer heat the people must have had some means of

access to the roof, that exceedingly delightful and important part of

the house. We can therefore only imagine that in private houses they

used some wooden contrivance, made in the simplest fashion (see Fig.

238). The villagers of to-day often use a palm tree with steps roughly

cut in it, which they lean against the wall. This total absence of

staircases bears on the question of whether or not the Babylonian house

consisted of many storeys. Herodotus (i. 180) speaks of houses of three

or four storeys. Such do not now exist, and the mud walls of the private

houses in the town are scarcely strong enough to support even one upper

storey. The burnt-brick walls of the houses in the Southern Citadel, or

at any rate many of them, could undoubtedly have carried several

storeys. We cannot at present decide the question, but we shall not be

far wrong if we assume that the ordinary house was on one floor. Certain

dwellings, on the contrary, may have had upper storeys, in which case

wooden steps may have formed the means of communication.

The Principal Court occupies an imposing site 55 metres broad by 60

metres long. Like the others, it was paved with tiles, and towards the

close of the Sassanide period it was used for burials. Endless shallow

coffins either of trough or slipper shape, made of terra-cotta, and

frequently in blue glaze, were deposited in the soil as low as the

earliest floor-level, and frequently one above another. The brick

robbers have left them displaced and smashed to pieces.

Exactly in the centre is a somewhat small basin for water. It has been

cut through the brick pavement, and may therefore date back only to the

Persian period and not to Nebuchadnezzar. An outflow channel led the

water into the drain of the western passage; there are no signs of an

inflow. The sides are constructed of upright bricks, and the inside is

washed over first with asphalt and then with gypsum mortar. Gypsum

decomposes in water, but only very slowly. When our Expedition House was

built at Assur, the necessary reservoirs for water were made with gypsum

mortar, and the gypsum wash on the walls, the roof, and balustrades of

our house at Babylon has already lasted perfectly for twelve years. The

basin corresponds with the indispensable “Hudeh” of modern Persian

houses, in which everything employed for eating and drinking, and much

besides, is washed.

To the north lies a house of two courts (28 and 29) and one of four

courts (30, 31, 32, and 33); the bureau that adjoins the first is

connected with it by a door, while the two bureaus in front of the

second house are only accessible from the court. In the north-east

corner two parallel passages lead northwards. In one are the entrances

to 28 and 29, in the other are those to the eastern houses. These open

separately on to the passage, but the three northern houses are also

connected with each other by doors, and it thus appears that they could

be used if necessary either as separate dwellings or as one large one.

This passage, like the one yet farther to the east, led to a door in the

Citadel wall. In order to separate the two entrances to the Principal

Court as completely as possible, the dividing wall is reinforced by an

additional block that projects into the court.

To the south lies the largest chamber of the Citadel, the throne-room of

the Babylonian kings. It is so clearly marked out for this purpose that

no reasonable doubt can be felt as to its having been used as their

principal audience chamber. If any one should desire to localise the

scene of Belshazzar’s eventful banquet, he can surely place it with

complete accuracy in this immense room. It is 17 metres broad and 52

metres long. The walls on the longest side are 6 metres thick,

considerably in excess of those at the ends, and lead us to suppose that

they supported a barrel-vaulting, of which, however, there is no proof.

A great central door and two equally important side doors open upon the

court. Immediately opposite the main door in the back wall there is a

doubly recessed niche in which doubtless the throne stood, so that the

king could be visible to those who stood in the court, an arrangement

similar to that of the Ninmach temple, where the temple statue could be

clearly seen from the court. The pavement does not consist in the usual

manner of a single layer of brick, but of at least six, which were laid

in asphalt and thus formed a homogeneous solid platform which rested on

a projecting ledge built out from the walls. As we have already seen

from the east gate, the walls of these chambers were washed over with

white gypsum.

The façade of the court was very strikingly decorated with richly

ornamented enamelled tiles (_M.D.O.-G._ No. 13). On a dark blue ground

are yellow columns with bright blue capitals, placed near together and

connected by a series of palmettos. The capitals with the bold curves of

their double volutes remind us of the forms long known to us in Cyprus

(Fig. 64). Above was a frieze of white double palmettos, bordered below

by a band of squares, alternately yellow, black, and white. The various

colours of the decoration were effectively heightened on the dark

background by means of white borders. This fantastic representation of a

pillared building, such as the king and his followers would naturally

have seen in their military expeditions, must have appeared strangely

foreign to the Babylonian countryman, who was unaccustomed to either

capitals or entablatures.

[Illustration:

FIG. 64.—DECORATION OF THE THRONE-ROOM.

]

[Illustration:

FIG. 65.—Position marks on the enamelled bricks.

]

The technique is similar to that of the flat enamels of the Ishtar Gate;

each colour is outlined in black, and the position marks are also

employed here in the same manner. They can be better studied here than

elsewhere, for the greater number of the bricks were found in their

original connection. After the destruction of the wall by brick robbers

the outer coating fell towards the north, and we could take them up, one

piece after another, as though no accident had befallen them. The system

of signs can be seen best on the capitals (Fig. 65). Here the markings

consist of numerals combined with dots. They are marked on the upper

edge of the bricks with a poor, somewhat blackened, glaze. The signs

that distinguish the courses are in the centre, those for the lateral

arrangement are close to the vertical joints. Each of the latter signs

is a counterpart of the sign near the vertical joint of the brick

adjoining it. Of the central signs that mark the courses the top course

of the upper row of volutes has one stroke, the second has two, and so

on up to seven. The seven courses of the lower row of volutes are

numbered in the same way, but the groups of strokes are preceded by a

dot to distinguish them from those of the upper series. For the sequence

of the bricks one of the intermediate ornaments forms a single unit with

the capital adjoining it on the right. All the bricks that belong to the

same unit bear the same number of strokes. The counting runs from left

to right. The numerals are crossed by a transverse stroke, which, in

order to mark the direction of the signs, has a dot attached to it. This

direction line is parallel to the vertical joint on the central

ornament, and parallel with the front of the brick on the volutes. It is

quite probable that the separate groups were first provisionally built

together, at any rate for the purpose of drawing the design, which is

still visible in red colour under the enamel, so as to secure that

boldness and freedom of outline which delights us with its beauty at the

present time. But when once the process of enamelling began—the

transportation of the bricks, the drying, the burning, and all the

unavoidable processes that had to be carried through before the bricks

could be placed in the wall—it would be impossible to keep them apart.

The marks would then afford the only means of placing them correctly on

the walls, and rendering it easy to deliver them in groups to the

respective masons.

In order to close the joints completely the bricks are slightly

wedge-shaped. The joints between the courses are laid in mud over

asphalt, which, as we observe in other careful building, does not extend

to the front of the building but stops at a distance of half a brick,

thus avoiding any blotching of the face of the wall.

In addition to the black outline and the dark blue ground, the colours

employed are white, light blue, yellow, and red. The red now has

everywhere the appearance of green, but where this colour is thickened,

as for instance where drops have trickled down, a core of brilliant red

is found coated with green, which must be the result of a superficial

change of colour that has occurred during the course of ages. We have

also some large pieces of enamel from ancient breakages in which we can

observe this same fact. The green coating extends to a depth of 2 to 3

millimetres, which in the ordinary enamel on the brick would entirely

supersede the original red colouring. This is an important point,

because the manufacture of opaque red enamel has been attended with

considerable difficulty even in recent times, while transparent red

glaze is made with ease at the present time. Thus in forming a judgment

on the sense of colour of the ancient Babylonian it must not be

forgotten that this fine red was included in their scheme. We can well

imagine a red-haired, but not a green-haired lion (see above, p. 28).

Beside the decoration already described we find other designs which

belonged to a floral frieze. This was undoubtedly placed on the façade

of the throne-room, but nothing definite has so far been found to show

its exact position. It must always be remembered that an exhaustive

study of these bricks and of other similar objects found in Babylon

requires far more space than our Expedition House can afford; the things

must be spread out, and that cannot be done here. We have always to be

careful to pack away the finds as quickly as possible, and that renders

them inaccessible for any further comparison, however desirable it may

be. The conditions of our work are by no means easy, and in dealing with

small objects such as terra-cottas, cylinder seals, implements, ceramics

and the like, I have experienced serious and unavoidable difficulties.

As the purpose of the principal hall is unusual, so also the chambers

behind differ considerably from the usual arrangement, but they show

some similarity to the inner chambers near the great hall of the central

court. They are three lofty chambers or courts each provided with a

side-chamber on the south side, which can also be entered from the open

passage behind the wall of the Citadel. The side courts are connected

with the throne-room by an intermediate chamber, and with the side

corridors by another apartment, while they communicate with each other

through the central court 35. In each of the two chambers that abut on

the rear wall of the throne-room there is a circular walled well, and

each of these chambers is completely walled in from the floor down to

water-level with broken brick, asphalt, and mud. The wells in each case

lie in the south-west corner of the chamber. The object of this solid

walling-off of the wells must have been to secure absolutely pure water

for the use of the royal household. The river water would naturally be

well filtered by the earth through which it passed before reaching the

wells. A peculiarity of this country at the present time is the fine

distinction made between the various kinds of drinking water, as a

natural result of the climate. The people distinguish the various kinds

of water, such as sweet, salt, flat or brackish, much as we distinguish

our alcoholic drinks, and as we speak of light or heavy beer, so the

Oriental speaks of light or heavy water. The water of the Euphrates is

famed, and is considered lighter than the water of the Tigris. One of

the earlier governors of Bagdad drank Euphrates water exclusively, and

had it sent daily from Musseyib. Another travelled from Bagdad to

Constantinople with a large supply of Euphrates water stored in leather

bottles, just as a celebrated modern traveller drank nothing but

champagne during a long journey to Haïl in Central Arabia. Nowadays the

water in most of the wells on the town site of Babylon, as in many other

ruined sites, is brackish or salt and not good. I still do not

understand fully why this should be the case; it certainly was not so in

early times, otherwise it would be difficult to explain the number of

wells found in all the ruins, where the soil is now so salt that the

Arabs in early summer collect the upper crust of earth and from it

obtain salt for cooking and saltpetre for gunpowder. As a result of this

the ruins are extremely bare of vegetation, and stand out grey and

barren in contrast with the surrounding plain, which is green, at any

rate during the spring-tide, when there is some slight rainfall.

At a later period, apparently during Persian times, two pillars formed

of two roughly hewn palm stems were set up in court 36 to support a roof

constructed either half way or completely over the court. They stood on

the brick pavement, which here as in the adjoining chambers is composed

of tiles measuring 40 × 41 centimetres. The lower end of the pillars was

encased in a socket of brickwork covered with plaster (Fig. 66). The

interior of this base still retains the impressions of the palm stems,

the upper portion of which was also plastered. Strabo describes this

kind of pillar (xvi. 1, 5): “διὰ δὲ τὴν τῆς ὕλης σπάνιν ἐκ φοινικίνων

ξύλων αἱ οἰκοδομαὶ συντελοῦνται καὶ δοκοῖς καὶ στύλοις· περὶ δὲ τοὺς

στύλους στρέφοντες ἐκ τῆς καλάμης σχοινία περιτιθέασιν, εἶτ’

ἐπαλείφοντες χρώμασι καταγράφουσι, τὰς δὲ θύρας ἀσφάλτῳ.” Nothing now

remains of the reed rope that was twisted round the palm stems, but it

is fairly certain that the stems were plastered over.

[Illustration:

FIG. 66.—Bases of late columns in court 36, Southern Citadel.

]

The rear wall of the group of chambers behind the throne-room is toothed

in a peculiar fashion. Since the wall joins the building at an oblique

angle the series of rooms must either have been oblique, or, if the

architects insisted on making them rectangular, the inner face of the

wall could not have been parallel with the outer face. The latter could

only have been effected by inserting wedge-shaped portions in the single

brick courses, which would have imperilled the cohesion of the bricks

and would have been very clumsy workmanship. If, on the contrary, the

wall were built in retreating steps, the inner chambers could be

rectangular and the rows of bricks laid straight, thus ensuring good

bonding of the wall. This very characteristic feature of the outside of

the building completely dominated the whole of the secular Babylonian

architecture of the later period (cf. Fig. 156). All the streets of the

town excavated by us in Merkes show these walls faced with remarkable

one-sided projections, a method which was still adhered to in the later

Graeco-Parthian period, when so much building was done with broken

brick, although it was not then justified by technical considerations.

It must not, therefore, be regarded as a mere requirement of the

workmen, but as a model arising from the technique of an early art,

unusual but very characteristic.

In the houses 28, 29, 30, a large chamber is interposed between the

court and the usual principal room lying to the south of it. This

additional chamber is a hall that opens with a wide arch on to the

court. This must have been a very pleasant room in summer, for the

entrance lies all day in shadow. These halls opening with wide arches

into the court played a prominent part in Parthian and Sassanide times

in the ground-plans of Ktesiphon, Hatra, Assur and other towns of that

period, especially in the palaces; and as _liwan_ they now play an

important part in modern oriental architecture. Visitors to Mossul,

Aleppo, and many other cities have a vivid recollection of them.

Here in Babylon the idea shows itself tentatively and timidly. The

houses 13, 14, and 16 have similar rooms. In 25, 26, 27, the entrance

hall opens in _liwan_ fashion on to the court. We can here observe the

uncertainty that attends a new idea, which only after the course of

centuries, and not without reiterated fertilisation from the west, has

at last emerged into glorious fruition.

In the north-west corner of the Principal Court a broad passage guarded

by a series of three arched doorways leads to a gate in the city wall.

Here the eastern portion of the Citadel wall, with its closely set

towers, adjoins the western portion, of which only the foundations

remain which show no traces of towers. In the passage is a large drain,

roofed over with corbelled brick courses, which carried off the surface

water from the Principal Court through the door in the wall past the

palace and then farther west to the Euphrates. The same drain also

branched off to the south, down through the southern wall of the

Citadel, where, as the wall was already in existence, an outlet was cut

for it. Thus it had a fall to the north and another to the south.

[Illustration:

FIG. 67.—Ramps between the Nebuchadnezzar and Nabopolassar Palaces.

]

The entire west front of the Principal Court was occupied by the façade

of the earliest part of the palace, which extended from north to south,

the building named by us the Nabopolassar Palace. This palace on its

older and lower level was still in use when the newer eastern portion on

its higher level was completed. In order, however, not to render

communication between the two buildings unnecessarily difficult, the

following method was adopted: the Principal Court was shut off on the

west by a mud wall, which left an intermediate space between it and the

old palace, of the same breadth as the northern passage, and a second

one lying at the same level as the old palace. A wide doorway, which

later was narrowed, led through the mud wall. Ramps led up to the higher

levels (Fig. 67). At first they were constructed in the shape of shallow

funnels which led upwards from the doorways in all directions. With the

first relaying of the pavement, however, they were ingeniously enclosed

on both sides with walls of mud brick. Finally, the old palace itself

was raised to the same level as the later one, the ramps were filled up,

and overlaid with fine large tiles bearing Nebuchadnezzar’s stamp on the

side. As a consequence of this the two ramps with their ancient pavement

of roughened limestone flags are in a state of perfect preservation. The

mud wall still remained and was only demolished on a further raising of

the pavement. This last pavement, which again had the usual bricks with

Nebuchadnezzar’s stamps, is almost destroyed owing to its later use as a

burial-place.

Such is the palace which Nebuchadnezzar in the Grotefend cylinder

(_K.B._ iii. 2, p. 39, col. 3 l. 27) specially designates as a palace

intended both for government and for administration, in these words: “In

those days I built the palace, the seat of my kingdom, the bond of the

vast assemblage of all mankind, the dwelling-place of joy and gladness,

where I ... the gifts, in Babylon anew, laid its foundations on Earth’s

wide breast with bitumen and bricks, mighty trunks of cedars I brought

from Lebanon, the bright forest, for its roofing, I caused it to be

surrounded with a mighty wall of bitumen and brick, the royal command,

the lordly injunction I caused to go forth from it” (trans. by Winckler

and Delitzsch).

XVI

THE PALACE OF NABOPOLASSAR

So far we have traced the eastern, official portion of the palace, which

is quite distinct from the private part on the western side of the

Principal Court. Here the lowest part represents the earliest palace of

those we can recognise on the Kasr. We have named this the palace of

Nabopolassar, without, however, having found written authority for it on

the site itself. Our grounds for the hypothesis are as follows. In the

great _Steinplatten_ inscription, 7, 34, Nebuchadnezzar says: “In Babil,

my favourite city, that I love, was the palace, the house the marvel of

mankind, the centre of the land, the shining residence, the dwelling of

Majesty, upon the Babil place in Babil, from Imgur-bel to the eastern

canal Libil-ḫigalla, from the bank of the Euphrates to Aiburšabû, which

Nabopolassar, King of Babylon, my father, my begetter, built of crude

bricks and dwelt in it—in consequence of high waters its foundations had

become weak, and owing to the filling up of the street of Babil the

gateways of that palace had become too low. I tore down its walls of

dried brick, and laid its corner-stone bare and reached the depth of the

waters. Facing the water I laid its foundation firmly, and raised it

mountain high with bitumen and burnt brick. Mighty cedars I caused to be

laid down at length for its roofing. Door leaves of cedar overlaid with

copper, thresholds and sockets of bronze I placed in its doorways.

Silver and gold and precious stones, all that can be imagined of

costliness, splendour, wealth, riches, all that was highly esteemed I

heaped up within it, I stored up immense abundance of royal treasure

within it” (trans. by Delitzsch). Nebuchadnezzar undoubtedly speaks here

of the whole Southern Citadel. We need not infer from this, however,

that the palace of Nabopolassar was of the same extent, for the ancient

kings were not too exact with regard to such statements (cf. the

inscription of Neriglissar).

The walls of mud brick of which the ancient palace consisted can of

course no longer be found, as Nebuchadnezzar states that he destroyed

them, but the foundations remain, which he improved and strengthened,

and which therefore must have been built of burnt brick and not of crude

brick. This method adopted by Nabopolassar of building a wall of crude

brick on a foundation of burnt brick is actually seen on the north-west

corner of his Arachtu wall, and appears also in the houses in Merkes

that date from the time of Hammurabi. It is my opinion that these burnt

brick foundations of Nabopolassar still exist on the western part of the

Southern Citadel, and if so Nebuchadnezzar made use of them without any

alteration in laying out his new building.

The excavations at Babylon · 第 7 / 20 段