IV

Delia had broken out the evening they took Mr. Probert to the circus;

she had apostrophised Francie as they each sat in a red-damask chair

after ascending to their apartments. They had bade their companions

farewell at the door of the hotel and the two gentlemen had walked

off in different directions. But upstairs they had instinctively not

separated; they dropped into the first places and sat looking at each

other and at the highly-decorated lamps that burned night after night

in their empty saloon. “Well, I want to know when you’re going to

stop,” Delia said to her sister, speaking as if this remark were a

continuation, which it was not, of something they had lately been

saying.

“Stop what?” asked Francie, reaching forward for a marron.

“Stop carrying-on the way you do--with Mr. Flack.”

Francie stared while she consumed her marron; then she replied in

her small flat patient voice: “Why, Delia Dosson, how can you be so

foolish?”

“Father, I wish you’d speak to her. Francie, I ain’t foolish,” Delia

submitted.

“What do you want me to say to her?” Mr. Dosson enquired. “I guess I’ve

said about all I know.”

“Well, that’s in fun. I want you to speak to her in earnest.”

“I guess there’s no one in earnest but you,” Francie remarked. “These

ain’t so good as the last.”

“NO, and there won’t be if you don’t look out. There’s something you

can do if you’ll just keep quiet. If you can’t tell difference of style,

well, I can!” Delia cried.

“What’s the difference of style?” asked Mr. Dosson. But before this

question could be answered Francie protested against the charge of

“carrying-on.” Quiet? Wasn’t she as quiet as a Quaker meeting? Delia

replied that a girl wasn’t quiet so long as she didn’t keep others so;

and she wanted to know what her sister proposed to do about Mr. Flack.

“Why don’t you take him and let Francie take the other?” Mr. Dosson

continued.

“That’s just what I’m after--to make her take the other,” said his elder

daughter.

“Take him--how do you mean?” Francie returned.

“Oh you know how.”

“Yes, I guess you know how!” Mr. Dosson laughed with an absence of

prejudice that might have been deplored in a parent.

“Do you want to stay in Europe or not? that’s what _I_ want to know,”

Delia pursued to her sister. “If you want to go bang home you’re taking

the right way to do it.”

“What has that got to do with it?” Mr. Dosson audibly wondered.

“Should you like so much to reside at that place--where is it?--where

his paper’s published? That’s where you’ll have to pull up sooner or

later,” Delia declaimed.

“Do you want to stay right here in Europe, father?” Francie said with

her small sweet weariness.

“It depends on what you mean by staying right here. I want to go right

home SOME time.”

“Well then you’ve got to go without Mr. Probert,” Delia made answer with

decision. “If you think he wants to live over there--”

“Why Delia, he wants dreadfully to go--he told me so himself,” Francie

argued with passionless pauses.

“Yes, and when he gets there he’ll want to come back. I thought you were

so much interested in Paris.”

“My poor child, I AM interested!” smiled Francie. “Ain’t I interested,

father?”

“Well, I don’t know how you could act differently to show it.”

“Well, I do then,” said Delia. “And if you don’t make Mr. Flack

understand _I_ will.”

“Oh I guess he understands--he’s so bright,” Francie vaguely pleaded.

“Yes, I guess he does--he IS bright,” said Mr. Dosson. “Good-night,

chickens,” he added; and wandered off to a couch of untroubled repose.

His daughters sat up half an hour later, but not by the wish of the

younger girl. She was always passive, however, always docile when

Delia was, as she said, on the war-path, and though she had none of her

sister’s insistence she was courageous in suffering. She thought Delia

whipped her up too much, but there was that in her which would have

prevented her ever running away. She could smile and smile for an hour

without irritation, making even pacific answers, though all the while

it hurt her to be heavily exhorted, much as it would have done to be

violently pushed. She knew Delia loved her--not loving herself meanwhile

a bit--as no one else in the world probably ever would; but there was

something funny in such plans for her--plans of ambition which could

only involve a “fuss.” The real answer to anything, to everything her

sister might say at these hours of urgency was: “Oh if you want to make

out that people are thinking of me or that they ever will, you ought to

remember that no one can possibly think of me half as much as you do.

Therefore if there’s to be any comfort for either of us we had both much

better just go on as we are.” She didn’t however on this occasion meet

her constant companion with that syllogism, because a formidable force

seemed to lurk in the great contention that the star of matrimony for

the American girl was now shining in the east--in England and France

and Italy. They had only to look round anywhere to see it: what did

they hear of every day in the week but of the engagement of somebody no

better than they to some count or some lord? Delia dwelt on the evident

truth that it was in that vast vague section of the globe to which she

never alluded save as “over here” that the American girl was now called

upon to play, under providence, her part. When Francie made the point

that Mr. Probert was neither a count nor a lord her sister rejoined that

she didn’t care whether he was or not. To this Francie replied that she

herself didn’t care, but that Delia ought to for consistency.

“Well, he’s a prince compared with Mr. Flack,” Delia declared.

“He hasn’t the same ability; not half.”

“He has the ability to have three sisters who are just the sort of

people I want you to know.”

“What good will they do me?” Francie asked. “They’ll hate me. Before

they could turn round I should do something--in perfect innocence--that

they’d think monstrous.”

“Well, what would that matter if HE liked you?”

“Oh but he wouldn’t then! He’d hate me too.”

“Then all you’ve got to do is not to do it,” Delia concluded.

“Oh but I should--every time,” her sister went on.

Delia looked at her a moment. “What ARE you talking about?”

“Yes, what am I? It’s disgusting!” And Francie sprang up.

“I’m sorry you have such thoughts,” said Delia sententiously.

“It’s disgusting to talk about a gentleman--and his sisters and his

society and everything else--before he has scarcely looked at you.”

“It’s disgusting if he isn’t just dying; but it isn’t if he is.”

“Well, I’ll make him skip!” Francie went on with a sudden approach to

sharpness.

“Oh you’re worse than father!” her sister cried, giving her a push as

they went to bed.

They reached Saint-Germain with their companions nearly an hour before

the time it had been agreed they had best dine; the purpose of this

being to enable them to enjoy with what remained of daylight a stroll on

the celebrated terrace and a study of the magnificent view. The evening

was splendid and the atmosphere favourable to these impressions; the

grass was vivid on the broad walk beside the parapet, the park and

forest were fresh and leafy and the prettiest golden light hung over

the curving Seine and the far-spreading city. The hill which forms the

terrace stretched down among the vineyards, with the poles delicate yet

in their bareness, to the river, and the prospect was spotted here

and there with the red legs of the little sauntering soldiers of

the garrison. How it came, after Delia’s warning in regard to her

carrying-on--especially as she hadn’t failed to feel the weight of her

sister’s wisdom--Francie couldn’t have told herself: certain it is that

before ten minutes had elapsed she became aware, first, that the evening

wouldn’t pass without Mr. Flack’s taking in some way, and for a certain

time, peculiar possession of her; and then that he was already doing so,

that he had drawn her away from the others, who were stopping behind to

appreciate the view, that he made her walk faster, and that he had ended

by interposing such a distance that she was practically alone with him.

This was what he wanted, but it was not all; she saw he now wanted a

great many other things. The large perspective of the terrace stretched

away before them--Mr. Probert had said it was in the grand style--and

he was determined to make her walk to the end. She felt sorry for his

ideas--she thought of them in the light of his striking energy; they

were an idle exercise of a force intrinsically fine, and she wanted to

protest, to let him know how truly it was a sad misuse of his free bold

spirit to count on her. She was not to be counted on; she was a vague

soft negative being who had never decided anything and never would, who

had not even the merit of knowing how to flirt and who only asked to

be let alone. She made him stop at last, telling him, while she leaned

against the parapet, that he walked too fast; and she looked back at

their companions, whom she expected to see, under pressure from Delia,

following at the highest speed. But they were not following; they still

stood together there, only looking, attentively enough, at the couple

who had left them. Delia would wave a parasol, beckon her back, send Mr.

Waterlow to bring her; Francie invoked from one moment to another some

such appeal as that. But no appeal came; none at least but the odd

spectacle, presently, of an agitation of the group, which, evidently

under Delia’s direction, turned round and retraced its steps. Francie

guessed in a moment what was meant by that; it was the most definite

signal her sister could have given. It made her feel that Delia counted

on her, but to such a different end, just as poor Mr. Flack did, just as

Delia wished to persuade her that Mr. Probert did. The girl gave a sigh,

looking up with troubled eyes at her companion and at the figure of

herself as the subject of contending policies. Such a thankless bored

evasive little subject as she felt herself! What Delia had said in

turning away was--“Yes, I’m watching you, and I depend on you to finish

him up. Stay there with him, go off with him--I’ll allow you half an

hour if necessary: only settle him once for all. It’s very kind of me

to give you this chance, and in return for it I expect you to be able to

tell me this evening that he has his answer. Shut him up!”

Francie didn’t in the least dislike Mr. Flack. Interested as I am in

presenting her favourably to the reader I am yet obliged as a veracious

historian to admit that she believed him as “bright” as her father had

originally pronounced him and as any young man she was likely to

meet. She had no other measure for distinction in young men but their

brightness; she had never been present at any imputation of ability or

power that this term didn’t seem to cover. In many a girl so great a

kindness might have been fanned to something of a flame by the breath of

close criticism. I probably exaggerate little the perversity of pretty

girls in saying that our young woman might at this moment have answered

her sister with: “No, I wasn’t in love with him, but somehow, since

you’re so very disgusted, I foresee that I shall be if he presses

me.” It is doubtless difficult to say more for Francie’s simplicity of

character than that she felt no need of encouraging Mr. Flack in order

to prove to herself that she wasn’t bullied. She didn’t care whether

she were bullied or not, and she was perfectly capable of letting Delia

believe her to have carried mildness to the point of giving up a man

she had a secret sentiment for in order to oblige a relative who

fairly brooded with devotion. She wasn’t clear herself as to whether it

mightn’t be so; her pride, what she had of it, lay in an undistributed

inert form quite at the bottom of her heart, and she had never yet

thought of a dignified theory to cover her want of uppishness. She felt

as she looked up at Mr. Flack that she didn’t care even if he should

think she sacrificed him to a childish docility. His bright eyes were

hard, as if he could almost guess how cynical she was, and she turned

her own again toward her retreating companions. “They’re going to

dinner; we oughtn’t to be dawdling here,” she said.

“Well, if they’re going to dinner they’ll have to eat the napkins.

I ordered it and I know when it’ll be ready,” George Flack answered.

“Besides, they’re not going to dinner, they’re going to walk in the

park. Don’t you worry, we shan’t lose them. I wish we could!” the young

man added in his boldest gayest manner.

“You wish we could?”

“I should like to feel you just under my particular protection and no

other.”

“Well, I don’t know what the dangers are,” said Francie, setting herself

in motion again. She went after the others, but at the end of a few

steps he stopped her again.

“You won’t have confidence. I wish you’d believe what I tell you.”

“You haven’t told me anything.” And she turned her back to him, looking

away at the splendid view. “I do love the scenery,” she added in a

moment.

“Well, leave it alone a little--it won’t run away! I want to tell

you something about myself, if I could flatter myself you’d take any

interest in it.” He had thrust the raised point of his cane into the low

wall of the terrace, and he leaned on the knob, screwing the other end

gently round with both hands.

“I’ll take an interest if I can understand,” said Francie.

“You can understand right enough if you’ll try. I got to-day some news

from America,” he went on, “that I like awfully. The Reverberator has

taken a jump.”

This was not what Francie had expected, but it was better. “Taken a

jump?”

“It has gone straight up. It’s in the second hundred thousand.”

“Hundred thousand dollars?” said Francie.

“No, Miss Francie, copies. That’s the circulation. But the dollars are

footing up too.”

“And do they all come to you?”

“Precious few of them! I wish they did. It’s a sweet property.”

“Then it isn’t yours?” she asked, turning round to him. It was an

impulse of sympathy that made her look at him now, for she already knew

how much he had the success of his newspaper at heart. He had once told

her he loved the Reverberator as he had loved his first jack-knife.

“Mine? You don’t mean to say you suppose I own it!” George Flack

shouted. The light projected upon her innocence by his tone was so

strong that the girl blushed, and he went on more tenderly: “It’s a

pretty sight, the way you and your sister take that sort of thing for

granted. Do you think property grows on you like a moustache? Well,

it seems as if it had, on your father. If I owned the Reverberator I

wouldn’t be stumping round here; I’d give my attention to another branch

of the business. That is I’d give my attention to all, but I wouldn’t

go round with the delivery-cart. Still, I’m going to capture the blamed

thing, and I want you to help me,” the young man went on; “that’s

just what I wanted to speak to you about. It’s a big proposition as it

stands, but I mean to make it bigger: the most universal society-paper

the world has seen. That’s where the future lies, and the man who sees

it first is the man who’ll make his pile. It’s a field for enlightened

enterprise that hasn’t yet begun to be worked.” He continued, glowing

as if on a sudden with his idea, and one of his knowing eyes half-closed

itself for an emphasis habitual with him when he talked consecutively.

The effect of this would have been droll to a listener, the note of the

prospectus mingling with the question of his more intimate hope. But it

was not droll to Francie; she only thought it, or supposed it, a proof

of the way Mr. Flack saw everything on a stupendous scale. “There are

ten thousand things to do that haven’t been done, and I’m going to do

them. The society-news of every quarter of the globe, furnished by the

prominent members themselves--oh THEY can be fixed, you’ll see!--from

day to day and from hour to hour and served up hot at every

breakfast-table in the United States: that’s what the American people

want and that’s what the American people are going to have. I wouldn’t

say it to every one, but I don’t mind telling you, that I consider my

guess as good as the next man’s on what’s going to be required in

future over there. I’m going for the inside view, the choice bits, the

chronique intime, as they say here; what the people want’s just what

ain’t told, and I’m going to tell it. Oh they’re bound to have the

plums! That’s about played out, anyway, the idea of sticking up a sign

of ‘private’ and ‘hands off’ and ‘no thoroughfare’ and thinking you can

keep the place to yourself. You ain’t going to be able any longer to

monopolise any fact of general interest, and it ain’t going to be

right you should; it ain’t going to continue to be possible to keep out

anywhere the light of the Press. Now what I’m going to do is to set up

the biggest lamp yet made and make it shine all over the place. We’ll

see who’s private then, and whose hands are off, and who’ll frustrate

the People--the People THAT WANTS TO KNOW. That’s a sign of the American

people that they DO want to know, and it’s the sign of George P. Flack,”

the young man pursued with a rising spirit, “that he’s going to help

them. But I’ll make the touchy folks crowd in THEMSELVES with their

information, and as I tell you, Miss Francie, it’s a job in which you

can give me a lovely lift.”

“Well, I don’t see how,” said Francie candidly. “I haven’t got any

choice bits or any facts of general interest.” She spoke gaily because

she was relieved; she thought she had in truth a glimpse of what he

wanted of her. It was something better than she had feared. Since he

didn’t own the great newspaper--her view of such possibilities was of

the dimmest--he desired to possess himself of it, and she sufficiently

grasped the idea that money was needed for that. She further seemed to

make out that he presented himself to her, that he hovered about her

and pressed on her, as moneyless, and that this brought them round by

a vague but comfortable transition to a helpful remembrance that her

father was not. The remaining divination, silently achieved, was quick

and happy: she should acquit herself by asking her father for the sum

required and by just passing it on to Mr. Flack. The grandeur of his

enterprise and the force of his reasoning appeared to overshadow her as

they stood there. This was a delightful simplification and it didn’t for

the moment strike her as positively unnatural that her companion should

have a delicacy about appealing to Mr. Dosson directly for financial

aid, though indeed she would have been capable of thinking that odd had

she meditated on it. There was nothing simpler to Francie than the idea

of putting her hand into her father’s pocket, and she felt that even

Delia would be glad to appease their persecutor by this casual gesture.

I must add unfortunately that her alarm came back to her from his look

as he replied: “Do you mean to say you don’t know, after all I’ve done?”

“I’m sure I don’t know what you’ve done.”

“Haven’t I tried--all I know--to make you like me?”

“Oh dear, I do like you!” cried Francie; “but how will that help you?”

“It will help me if you’ll understand how I love you.”

“Well, I won’t understand!” replied the girl as she walked off.

He followed her; they went on together in silence and then he said: “Do

you mean to say you haven’t found that out?”

“Oh I don’t find things out--I ain’t an editor!” Francie gaily quavered.

“You draw me out and then you gibe at me,” Mr. Flack returned.

“I didn’t draw you out. Why, couldn’t you see me just strain to get

away?”

“Don’t you sympathise then with my ideas?”

“Of course I do, Mr. Flack; I think your ideas splendid,” said Francie,

who hadn’t in the least taken them in.

“Well then why won’t you work with me? Your affection, your brightness,

your faith--to say nothing of your matchless beauty--would be everything

to me.”

“I’m very sorry, but I can’t, I can’t!” she protested.

“You could if you would, quick enough.”

“Well then I won’t!” And as soon as these words were spoken, as if to

mitigate something of their asperity, she made her other point. “You

must remember that I never said I would--nor anything like it; not one

little wee mite. I thought you just wanted me to speak to poppa.”

“Of course I supposed you’d do that,” he allowed.

“I mean about your paper.”

“About my paper?”

“So as he could give you the money--to do what you want.”

“Lord, you’re too sweet!” George Flack cried with an illumined stare.

“Do you suppose I’d ever touch a cent of your father’s money?”--a speech

not rankly hypocritical, inasmuch as the young man, who made his own

discriminations, had never been guilty, and proposed to himself never

to be, of the indelicacy of tugging at his potential father-in-law’s

purse-strings with his own hand. He had talked to Mr. Dosson by the hour

about his master-plan of making the touchy folks themselves fall

into line, but had never dreamed this man would subsidise him as an

interesting struggler. The only character in which he could expect it

would be that of Francie’s accepted suitor, and then the liberality

would have Francie and not himself for its object. This reasoning

naturally didn’t lessen his impatience to take on the happy character,

so that his love of his profession and his appreciation of the girl at

his side now ached together in his breast with the same disappointment.

She saw that her words had touched him like a lash; they made him for a

moment flush to his eyes. This caused her own colour to rise--she could

scarcely have said why--and she hurried along again. He kept close to

her; he argued with her; he besought her to think it over, assuring her

he had brains, heart and material proofs of a college education. To this

she replied that if he didn’t leave her alone she should cry--and how

would he like that, to bring her back in such a state to the others? He

answered “Damn the others!” but it didn’t help his case, and at last

he broke out: “Will you just tell me this, then--is it because you’ve

promised Miss Delia?” Francie returned that she hadn’t promised Miss

Delia anything, and her companion went on: “Of course I know what she

has got in her head: she wants to get you into the smart set--the grand

monde, as they call it here; but I didn’t suppose you’d let her fix your

life for you. You were very different before HE turned up.”

“She never fixed anything for me. I haven’t got any life and I don’t

want to have any,” Francie veraciously pleaded. “And I don’t know who

you’re talking about either!”

“The man without a country. HE’LL pass you in--that’s what your sister

wants.”

“You oughtn’t to abuse him, because it was you that presented him,” the

girl pronounced.

“I never presented him! I’d like to kick him.”

“We should never have seen him if it hadn’t been for you,” she

maintained.

“That’s a fact, but it doesn’t make me love him any better. He’s the

poorest kind there is.”

“I don’t care anything about his kind.”

“That’s a pity if you’re going to marry him right off! How could I know

that when I took you up there?”

“Good-bye, Mr. Flack,” said Francie, trying to gain ground from him.

This attempt was of course vain, and after a moment he resumed: “Will

you keep me as a friend?”

“Why Mr. Flack, OF COURSE I will!” cried the easy creature.

“All right,” he replied; and they presently overtook their companions.

V

Gaston Probert made his plan, confiding it only to his friend Waterlow

whose help indeed he needed to carry it out. These revelations cost him

something, for the ornament of the merciless school, as it might have

been called, found his predicament amusing and made no scruple of

showing it. Gaston was too much in love, however, to be upset by a bad

joke or two. This fact is the more noteworthy as he knew that Waterlow

scoffed at him for a purpose--had a view of the good to be done him

by throwing him on the defensive. The French tradition, or a grimacing

ghost of it, was in Waterlow’s “manner,” but it had not made its mark

on his view of the relations of a young man of spirit with parents and

pastors. He mixed his colours, as might have been said, with the general

sense of France, but his early American immunities and serenities could

still swell his sail in any “vital” discussion with a friend in whose

life the principle of authority played so large a part. He accused

Probert of being afraid of his sisters, which was an effective way--and

he knew it--of alluding to the rigidity of the conception of the family

among people who had adopted and had even to Waterlow’s sense, as the

phrase is, improved upon the “Latin” ideal. That did injustice--and this

the artist also knew--to the delicate nature of the bond uniting the

different members of the house of Probert, who were each for all and all

for each. Family feeling among them was not a tyranny but a religion,

and in regard to Mesdames de Brecourt, de Cliche and de Douves what

Gaston most feared was that he might seem to them not to love them

enough. None the less Charles Waterlow, who thought he had charming

parts, held that the best way hadn’t been taken to make a man of him,

and the zeal with which the painter appeared to have proposed to repair

that mistake was founded in esteem, though it sometimes flowered in

freedom. Waterlow combined in odd fashion many of the forms of the

Parisian studio with the moral and social ideas of Brooklyn Long Island,

where the seeds of his strictness had been sown.

Gaston Probert desired nothing better than to be a man; what worried

him--and it is perhaps a proof that his instinct was gravely at

fault--was a certain vagueness as to the constituents of that character.

He should approximate more nearly, as it seemed to him, to the brute

were he to sacrifice in such an effort the decencies and pieties--holy

things all of them--in which he had been reared. It was very well for

Waterlow to say that to be a “real” man it was necessary to be a little

of a brute; his friend was willing, in theory, to assent even to that.

The difficulty was in application, in practice--as to which the painter

declared that all would be easy if such account hadn’t to be taken of

the marquise, the comtesse and--what was the other one?--the princess.

These young amenities were exchanged between the pair--while Gaston

explained, almost as eagerly as if he were scoring a point, that the

other one was only a baronne--during that brief journey to Spain of

which mention has already been made, during the later weeks of the

summer, after their return (the friends then spent a fortnight together

on the coast of Brittany), and above all during the autumn, when they

were settled in Paris for the winter, when Mr. Dosson had reappeared,

according to the engagement with his daughters, when the sittings for

the portrait had multiplied (the painter was unscrupulous as to the

number he demanded), and the work itself, born under a happy star,

seemed to take more and more the turn of a great thing. It was at

Granada that Gaston had really broken out; there, one balmy night, he

had dropped into his comrade’s ear that he would marry Francina Dosson

or would never marry at all. The declaration was the more striking as

it had come after such an interval; many days had elapsed since their

separation from the young lady and many new and beautiful objects

appealed to them. It appeared that the smitten youth had been thinking

of her all the while, and he let his friend know that it was the dinner

at Saint-Germain that had finished him. What she had been there Waterlow

himself had seen: he wouldn’t controvert the lucid proposition that she

showed a “cutting” equal to any Greek gem.

In November, in Paris--it was months and weeks before the artist began

to please himself--Gaston came often to the Avenue de Villiers toward

the end of a sitting and, till it was finished, not to disturb the

lovely model, cultivated conversation with the elder sister: the

representative of the Proberts was capable of that. Delia was always

there of course, but Mr. Dosson had not once turned up and the

newspaper-man happily appeared to have faded from view. The new aspirant

learned in fact from Miss Dosson that a crisis in the history of his

journal had recalled Mr. Flack to the seat of that publication. When the

young ladies had gone--and when he didn’t go with them; he accompanied

them not rarely--the visitor was almost lyrical in his appreciation of

his friend’s work; he had no jealousy of the act of appropriation that

rendered possible in its turn such an act of handing over, of which the

canvas constituted the field. He was sure Waterlow painted the girl too

well to be in love with her and that if he himself could have dealt with

her in that fashion he mightn’t have wanted to deal in any other. She

bloomed there on the easel with all the purity of life, and the artist

had caught the very secret of her beauty. It was exactly the way in

which her lover would have chosen to see her shown, and yet it had

required a perfectly independent hand. Gaston mused on this mystery and

somehow felt proud of the picture and responsible for it, though it

was no more his property as yet than the young lady herself. When in

December he put before Waterlow his plan of campaign the latter made

a comment. “I’ll do anything in the world you like--anything you think

will help you--but it passes me, my dear fellow, why in the world you

don’t go to them and say: ‘I’ve seen a girl who is as good as cake and

pretty as fire, she exactly suits me, I’ve taken time to think of it

and I know what I want; therefore I propose to make her my wife. If you

happen to like her so much the better; if you don’t be so good as to

keep it to yourselves.’ That’s much the most excellent way. Why in the

name of goodness all these mysteries and machinations?”

“Oh you don’t understand, you don’t understand!” sighed Gaston, who had

never pulled so long a face. “One can’t break with one’s traditions

in an hour, especially when there’s so much in them that one likes. I

shan’t love her more if they like her, but I shall love THEM more, and

I care about that. You talk as a man who has nothing to consider. I’ve

everything to consider--and I’m glad I have. My pleasure in marrying

her will be double if my father and my sisters accept her, and I shall

greatly enjoy working out the business of bringing them round.”

There were moments when Charles Waterlow resented the very vocabulary

of his friend; he hated to hear a man talk about the “acceptance” by any

one but himself of the woman he loved. One’s own acceptance--of one’s

bliss--in such a case ended the matter, and the effort to bring round

those who gave her the cold shoulder was scarcely consistent with the

highest spirit. Young Probert explained that of course he felt his

relatives would only have to know Francina to like her, to delight

in her, yet also that to know her they would first have to make her

acquaintance. This was the delicate point, for social commerce with such

malheureux as Mr. Dosson and Delia was not in the least in their

usual line and it was impossible to disconnect the poor girl from

her appendages. Therefore the whole question must be approached by an

oblique movement--it would never do to march straight up. The wedge

should have a narrow end, which Gaston now made sure he had found. His

sister Susan was another name for this subtle engine; he would break

her in first and she would help him to break in the others. She was

his favourite relation, his intimate friend--the most modern, the most

Parisian and inflammable member of the family. She had no suite dans

les idees, but she had perceptions, had imagination and humour, and was

capable of generosity, of enthusiasm and even of blind infatuation. She

had in fact taken two or three plunges of her own and ought to allow for

those of others. She wouldn’t like the Dossons superficially any better

than his father or than Margaret or than Jane--he called these ladies by

their English names, but for themselves, their husbands, their friends

and each other they were Suzanne, Marguerite and Jeanne; but there was

a good chance of his gaining her to his side. She was as fond of

beauty and of the arts as he--this was one of their bonds of union. She

appreciated highly Charles Waterlow’s talent and there had been talk of

her deciding to sit to him. It was true her husband viewed the project

with so much colder an eye that it had not been carried out.

According to Gaston’s plan she was to come to the Avenue de Villiers to

see what the artist had done for Miss Francie; her brother was to have

worked upon her in advance by his careful rhapsodies, bearing wholly on

the achievement itself, the dazzling example of Waterlow’s powers, and

not on the young lady, whom he was not to let her know at first that he

had so much as seen. Just at the last, just before her visit, he was to

mention to her that he had met the girl--at the studio--and that she was

as remarkable in her way as the picture. Seeing the picture and

hearing this, Mme. de Brecourt, as a disinterested lover of charming

impressions, and above all as an easy prey at all times to a rabid

curiosity, would express a desire also to enjoy a sight of so rare a

creature; on which Waterlow might pronounce it all arrangeable if she

would but come in some day when Miss Francie should sit. He would give

her two or three dates and Gaston would see that she didn’t let the

opportunity pass. She would return alone--this time he wouldn’t go with

her--and she would be as taken as could be hoped or needed. Everything

much depended on that, but it couldn’t fail. The girl would have to take

her, but the girl could be trusted, especially if she didn’t know who

the demonstrative French lady was, with her fine plain face, her hair

so blond as to be nearly white, her vividly red lips and protuberant

light-coloured eyes. Their host was to do no introducing and to reveal

the visitor’s identity only after she had gone. That was a condition

indeed this participant grumbled at; he called the whole business an

odious comedy, though his friend knew that if he undertook it he

would acquit himself honourably. After Mme. de Brecourt had been

captivated--the question of how Francie would be affected received

in advance no consideration--her brother would throw off the mask and

convince her that she must now work with him. Another meeting would be

managed for her with the girl--in which each would appear in her proper

character; and in short the plot would thicken.

Gaston’s forecast of his difficulties showed how finely he could

analyse; but that was not rare enough in any French connexion to make

his friend stare. He brought Suzanne de Brecourt, she was enchanted with

the portrait of the little American, and the rest of the drama began to

follow in its order. Mme. de Brecourt raved to Waterlow’s face--she had

no opinions behind people’s backs--about his mastery of his craft; she

could dispose the floral tributes of homage with a hand of practice all

her own. She was the reverse of egotistic and never spoke of herself;

her success in life sprang from a much wiser adoption of pronouns.

Waterlow, who liked her and had long wanted to paint her ugliness--it

was a gold-mine of charm--had two opinions about her: one of which was

that she knew a hundred times less than she thought, and even than her

brother thought, of what she talked about; and the other that she was

after all not such a humbug as she seemed. She passed in her family

for a rank radical, a bold Bohemian; she picked up expressions out

of newspapers and at the petits theatres, but her hands and feet were

celebrated, and her behaviour was not. That of her sisters, as well, had

never been disastrously exposed.

“But she must be charming, your young lady,” she said to Gaston while

she turned her head this way and that as she stood before Francie’s

image. “She’s a little Renaissance statuette cast in silver, something

of Jean Goujon or Germain Pilon.” The young men exchanged a glance, for

this struck them as the happiest comparison, and Gaston replied in a

detached way that the girl was well worth seeing.

He went in to have a cup of tea with his sister on the day he knew she

would have paid her second visit to the studio, and the first words she

greeted him with were: “But she’s admirable--votre petite--admirable,

admirable!” There was a lady calling in the Place Beauvau at the

moment--old Mme. d’Outreville--who naturally asked for news of the

object of such enthusiasm. Gaston suffered Susan to answer all questions

and was attentive to her account of the new beauty. She described his

young friend almost as well as he would have done, from the point of

view of her type, her graces, her plastic value, using various technical

and critical terms to which the old lady listened in silence, solemnly,

rather coldly, as if she thought such talk much of a galimatias:

she belonged to the old-fashioned school and held a pretty person

sufficiently catalogued when it had been said she had a dazzling

complexion or the finest eyes in the world.

“Qu’est-ce que c’est que cette merveille?” she enquired; to which Mme.

de Brecourt made answer that it was a little American her brother had

somewhere dug up. “And what do you propose to do with it, may one ask?”

Mme. d’Outreville demanded, looking at Gaston with an eye that seemed to

read his secret and that brought him for half a minute to the point of

breaking out: “I propose to marry it--there!” But he contained himself,

only pleading for the present his wish to ascertain the uses to which

she was adapted; meanwhile, he added, there was nothing he so much liked

as to look at her, in the measure in which she would allow him. “Ah

that may take you far!” their visitor cried as she got up to go; and the

young man glanced at his sister to see if she too were ironic. But she

seemed almost awkwardly free from alarm; if she had been suspicious it

would have been easier to make his confession. When he came back from

accompanying their old friend Outreville to her carriage he asked her

if Waterlow’s charming sitter had known who she was and if she had been

frightened. Mme. de Brecourt stared; she evidently thought that kind

of sensibility implied an initiation--and into dangers--which a little

American accidentally encountered couldn’t possibly have. “Why should

she be frightened? She wouldn’t be even if she had known who I was; much

less therefore when I was nothing for her.”

“Oh you weren’t nothing for her!” the brooding youth declared; and when

his sister rejoined that he was trop aimable he brought out his lurking

fact. He had seen the lovely creature more often than he had mentioned;

he had particularly wished that SHE should see her. Now he wanted his

father and Jane and Margaret to do the same, and above all he wanted

them to like her even as she, Susan, liked her. He was delighted she

had been taken--he had been so taken himself. Mme. de Brecourt protested

that she had reserved her independence of judgement, and he answered

that if she thought Miss Dosson repulsive he might have expressed it in

another way. When she begged him to tell her what he was talking about

and what he wanted them all to do with the child he said: “I want you

to treat her kindly, tenderly, for such as you see her I’m thinking of

bringing her into the family.”

“Mercy on us--you haven’t proposed for her?” cried Mme. de Brecourt.

“No, but I’ve sounded her sister as to THEIR dispositions, and she tells

me that if I present myself there will be no difficulty.”

“Her sister?--the awful little woman with the big head?”

“Her head’s rather out of drawing, but it isn’t a part of the affair.

She’s very inoffensive; she would be devoted to me.”

“For heaven’s sake then keep quiet. She’s as common as a dressmaker’s

bill.”

“Not when you know her. Besides, that has nothing to do with Francie.

You couldn’t find words enough a moment ago to express that Francie’s

exquisite, and now you’ll be so good as to stick to that. Come--feel it

all; since you HAVE such a free mind.”

“Do you call her by her little name like that?” Mme. de Brecourt asked,

giving him another cup of tea.

“Only to you. She’s perfectly simple. It’s impossible to imagine

anything better. And think of the delight of having that charming object

before one’s eyes--always, always! It makes a different look-out for

life.”

Mme. Brecourt’s lively head tossed this argument as high as if she had

carried a pair of horns. “My poor child, what are you thinking of? You

can’t pick up a wife like that--the first little American that comes

along. You know I hoped you wouldn’t marry at all--what a pity I think

it for a man. At any rate if you expect us to like Miss--what’s her

name?--Miss Fancy, all I can say is we won’t. We can’t DO that sort of

thing!”

“I shall marry her then,” the young man returned, “without your leave

given!”

“Very good. But if she deprives you of our approval--you’ve always had

it, you’re used to it and depend on it, it’s a part of your life--you’ll

hate her like poison at the end of a month.”

“I don’t care then. I shall have always had my month.”

“And she--poor thing?”

“Poor thing exactly! You’ll begin to pity her, and that will make you

cultivate charity, and cultivate HER WITH it; which will then make you

find out how adorable she is. Then you’ll like her, then you’ll love

her, then you’ll see what a perfect sense for the right thing, the right

thing for ME, I’ve had, and we shall all be happy together again.”

“But how can you possibly know, with such people,” Mme. de Brecourt

demanded, “what you’ve got hold of?”

“By having a feeling for what’s really, what’s delicately good and

charming. You pretend to have it, and yet in such a case as this you

try to be stupid. Give that up; you might as well first as last, for

the girl’s an exquisite fact, she’ll PREVAIL, and it will be better to

accept her than to let her accept you.”

Mme. de Brecourt asked him if Miss Dosson had a fortune, and he said

he knew nothing about that. Her father certainly must be rich, but he

didn’t mean to ask for a penny with her. American fortunes moreover were

the last things to count upon; a truth of which they had seen too many

examples. To this his sister had replied: “Papa will never listen to

that.”

“Listen to what?”

“To your not finding out, to your not asking for settlements--comme cela

se fait.”

“Pardon me, papa will find out for himself; and he’ll know perfectly

whether to ask or whether to leave it alone. That’s the sort of thing he

does know. And he knows quite as well that I’m very difficult to place.”

“You’ll be difficult, my dear, if we lose you,” Mme. de Brecourt

laughed, “to replace!”

“Always at any rate to find a wife for. I’m neither fish nor flesh. I’ve

no country, no career, no future; I offer nothing; I bring nothing. What

position under the sun do I confer? There’s a fatuity in our talking as

if we could make grand terms. You and the others are well enough: qui

prend mari prend pays, and you’ve names about which your husbands take a

great stand. But papa and I--I ask you!”

“As a family nous sommes tres-bien,” said Mme. de Brecourt. “You know

what we are--it doesn’t need any explanation. We’re as good as anything

there is and have always been thought so. You might do anything you

like.”

“Well, I shall never like to marry--when it comes to that--a

Frenchwoman.”

“Thank you, my dear”--and Mme. de Brecourt tossed her head.

“No sister of mine’s really French,” returned the young man.

“No brother of mine’s really mad. Marry whomever you like,” Susan

went on; “only let her be the best of her kind. Let her be at least a

gentlewoman. Trust me, I’ve studied life. That’s the only thing that’s

safe.”

“Francie’s the equal of the first lady in the land.”

“With that sister--with that hat? Never--never!”

“What’s the matter with her hat?”

“The sister’s told a story. It was a document--it described them, it

classed them. And such a PATOIS as they speak!”

“My dear, her English is quite as good as yours. You don’t even know how

bad yours is,” the young man went on with assurance.

“Well, I don’t say ‘Parus’ and I never asked an Englishman to marry me.

You know what our feelings are,” his companion as ardently pursued; “our

convictions, our susceptibilities. We may be wrong, we may be hollow, we

may be pretentious, we mayn’t be able to say on what it all rests; but

there we are, and the fact’s insurmountable. It’s simply impossible for

us to live with vulgar people. It’s a defect, no doubt; it’s an immense

inconvenience, and in the days we live in it’s sadly against one’s

interest. But we’re made like that and we must understand ourselves.

It’s of the very essence of our nature, and of yours exactly as much as

of mine or of that of the others. Don’t make a mistake about it--you’ll

prepare for yourself a bitter future. I know what becomes of us. We

suffer, we go through tortures, we die!”

The accent of passionate prophecy was in this lady’s voice, but her

brother made her no immediate answer, only indulging restlessly in

several turns about the room. At last he took up his hat. “I shall come

to an understanding with her to-morrow, and the next day, about this

hour, I shall bring her to see you. Meanwhile please say nothing to any

one.”

Mme. de Brecourt’s eyes lingered on him; he had grasped the knob of the

door. “What do you mean by her father’s being certainly rich? That’s

such a vague term. What do you suppose his fortune to be?”

“Ah that’s a question SHE would never ask!” her brother cried as he left

her.

The Reverberator · 第 6 / 14 题