II

The court was roofed with glass; the April air was mild; the cry of

women selling violets came in from the street and, mingling with the

rich hum of Paris, seemed to bring with it faintly the odour of the

flowers. There were other odours in the place, warm succulent and

Parisian, which ranged from fried fish to burnt sugar; and there were

many things besides: little tables for the post-prandial coffee; piles

of luggage inscribed (after the initials or frequently the name) R.

P. Scudamore or D. Jackson Hodge, Philadelphia Pa., or St. Louis

Mo.; rattles of unregarded bells, flittings of tray-bearing waiters,

conversations with the second-floor windows of admonitory landladies,

arrivals of young women with coffinlike bandboxes covered with black

oil-cloth and depending from a strap, sallyings-forth of persons staying

and arrivals just afterwards of other persons to see them; together with

vague prostrations on benches of tired heads of American families.

It was to this last element that Mr. Dosson himself in some degree

contributed, but it must be added that he had not the extremely bereft

and exhausted appearance of certain of his fellows. There was an air of

ruminant resignation, of habitual accommodation in him; but you would

have guessed that he was enjoying a holiday rather than aching for a

truce, and he was not so enfeebled but that he was able to get up from

time to time and stroll through the porte cochere to have a look at the

street.

He gazed up and down for five minutes with his hands in his pockets, and

then came back; that appeared to content him; he asked for little and

had no restlessness that these small excursions wouldn’t assuage. He

looked at the heaped-up luggage, at the tinkling bells, at the young

women from the lingere, at the repudiated visitors, at everything but

the other American parents. Something in his breast told him that he

knew all about these. It’s not upon each other that the animals in the

same cage, in a zoological collection, most turn their eyes. There was

a silent sociability in him and a superficial fineness of grain that

helped to account for his daughter Francie’s various delicacies. He was

fair and spare and had no figure; you would have seen in a moment

that the question of how he should hold himself had never in his life

occurred to him. He never held himself at all; providence held him

rather--and very loosely--by an invisible string at the end of which he

seemed gently to dangle and waver. His face was so smooth that his thin

light whiskers, which grew only far back, scarcely seemed native to his

cheeks: they might have been attached there for some harmless purpose of

comedy or disguise. He looked for the most part as if he were thinking

over, without exactly understanding it, something rather droll that had

just occurred; if his eyes wandered his attention rested, just as

it hurried, quite as little. His feet were remarkably small, and his

clothes, in which light colours predominated, were visibly the work of

a French tailor: he was an American who still held the tradition that it

is in Paris a man dresses himself best. His hat would have looked odd in

Bond Street or the Fifth Avenue, and his necktie was loose and flowing.

Mr. Dosson, it may further be noted, was a person of the simplest

composition, a character as cipherable as a sum of two figures. He had

a native financial faculty of the finest order, a gift as direct as

a beautiful tenor voice, which had enabled him, without the aid of

particular strength of will or keenness of ambition, to build up a large

fortune while he was still of middle age. He had a genius for happy

speculation, the quick unerring instinct of a “good thing”; and as he

sat there idle amused contented, on the edge of the Parisian street,

he might very well have passed for some rare performer who had sung his

song or played his trick and had nothing to do till the next call.

And he had grown rich not because he was ravenous or hard, but simply

because he had an ear, not to term it a nose. He could make out the tune

in the discord of the market-place; he could smell success far up

the wind. The second factor in his little addition was that he was an

unassuming father. He had no tastes, no acquirements, no curiosities,

and his daughters represented all society for him. He thought much

more and much oftener of these young ladies than of his bank-shares and

railway-stock; they crowned much more his sense of accumulated property.

He never compared them with other girls; he only compared his present

self with what he would have been without them. His view of them was

perfectly simple. Delia had a greater direct knowledge of life and

Francie a wider acquaintance with literature and art. Mr. Dosson had

not perhaps a full perception of his younger daughter’s beauty: he

would scarcely have pretended to judge of that, more than he would of a

valuable picture or vase, but he believed she was cultivated up to the

eyes. He had a recollection of tremendous school-bills and, in later

days, during their travels, of the way she was always leaving books

behind her. Moreover wasn’t her French so good that he couldn’t

understand it?

The two girls, at any rate, formed the breeze in his sail and the only

directing determinant force he knew; when anything happened--and he was

under the impression that things DID happen--they were there for it to

have happened TO. Without them in short, as he felt, he would have been

the tail without the kite. The wind rose and fell of course; there were

lulls and there were gales; there were intervals during which he simply

floated in quiet waters--cast anchor and waited. This appeared to be one

of them now; but he could be patient, knowing that he should soon again

inhale the brine and feel the dip of his prow. When his daughters were

out for any time the occasion affected him as a “weather-breeder”--the

wind would be then, as a kind of consequence, GOING to rise; but their

now being out with a remarkably bright young man only sweetened the

temporary calm. That belonged to their superior life, and Mr. Dosson

never doubted that George M. Flack was remarkably bright. He represented

the newspaper, and the newspaper for this man of genial assumptions

represented--well, all other representations whatever. To know Delia and

Francie thus attended by an editor or a correspondent was really to see

them dancing in the central glow. This is doubtless why Mr. Dosson had

slightly more than usual his air of recovering slowly from a pleasant

surprise. The vision to which I allude hung before him, at a convenient

distance, and melted into other bright confused aspects: reminiscences

of Mr. Flack in other relations--on the ship, on the deck, at the hotel

at Liverpool, and in the cars. Whitney Dosson was a loyal father, but

he would have thought himself simple had he not had two or three strong

convictions: one of which was that the children should never go out with

a gentleman they hadn’t seen before. The sense of their having, and his

having, seen Mr. Flack before was comfortable to him now: it made mere

placidity of his personally foregoing the young man’s society in favour

of Delia and Francie. He had not hitherto been perfectly satisfied that

the streets and shops, the general immensity of Paris, were just the

safest place for young ladies alone. But the company of a helpful

gentleman ensured safety--a gentleman who would be helpful by the fact

of his knowing so much and having it all right there. If a big newspaper

told you everything there was in the world every morning, that was

what a big newspaper-man would have to know, and Mr. Dosson had never

supposed there was anything left to know when such voices as Mr. Flack’s

and that of his organ had daily been heard. In the absence of such happy

chances--and in one way or another they kept occurring--his girls might

have seemed lonely, which was not the way he struck himself. They were

his company but he scarcely theirs; it was as if they belonged to him

more than he to them.

They were out a long time, but he felt no anxiety, as he reflected that

Mr. Flack’s very profession would somehow make everything turn out to

their profit. The bright French afternoon waned without bringing them

back, yet Mr. Dosson still revolved about the court till he might have

been taken for a valet de place hoping to pick up custom. The landlady

smiled at him sometimes as she passed and re-passed, and even ventured

to remark disinterestedly that it was a pity to waste such a lovely day

indoors--not to take a turn and see what was going on in Paris. But Mr.

Dosson had no sense of waste: that came to him much more when he was

confronted with historical monuments or beauties of nature or art, which

affected him as the talk of people naming others, naming friends of

theirs, whom he had never heard of: then he was aware of a degree of

waste for the others, as if somebody lost something--but never when he

lounged in that simplifying yet so comprehensive way in the court. It

wanted but a quarter of an hour to dinner--THAT historic fact was not

beyond his measure--when Delia and Francie at last met his view, still

accompanied by Mr. Flack and sauntering in, at a little distance from

each other, with a jaded air which was not in the least a tribute to his

possible solicitude. They dropped into chairs and joked with each other,

mingling sociability and languor, on the subject of what they had

seen and done--a question into which he felt as yet the delicacy of

enquiring. But they had evidently done a good deal and had a good

time: an impression sufficient to rescue Mr. Dosson personally from the

consciousness of failure. “Won’t you just step in and take dinner with

us?” he asked of the young man with a friendliness to which everything

appeared to minister.

“Well, that’s a handsome offer,” George Flack replied while Delia put it

on record that they had each eaten about thirty cakes.

“Well, I wondered what you were doing so long. But never mind your

cakes. It’s twenty minutes past six, and the table d’hote’s on time.”

“You don’t mean to say you dine at the table d’hote!” Mr. Flack cried.

“Why, don’t you like that?”--and Francie’s candour of appeal to their

comrade’s taste was celestial.

“Well, it isn’t what you must build on when you come to Paris. Too many

flowerpots and chickens’ legs.”

“Well, would you like one of these restaurants?” asked Mr. Dosson. “_I_

don’t care--if you show us a good one.”

“Oh I’ll show you a good one--don’t you worry.” Mr. Flack’s tone was

ever that of keeping the poor gentleman mildly but firmly in his place.

“Well, you’ve got to order the dinner then,” said Francie.

“Well, you’ll see how I could do it!” He towered over her in the pride

of this feat.

“He has got an interest in some place,” Delia declared. “He has taken us

to ever so many stores where he gets his commission.”

“Well, I’d pay you to take them round,” said Mr. Dosson; and with much

agreeable trifling of this kind it was agreed that they should sally

forth for the evening meal under Mr. Flack’s guidance.

If he had easily convinced them on this occasion that that was a more

original proceeding than worrying those old bones, as he called it, at

the hotel, he convinced them of other things besides in the course of

the following month and by the aid of profuse attentions. What he mainly

made clear to them was that it was really most kind of a young man who

had so many big things on his mind to find sympathy for questions, for

issues, he used to call them, that could occupy the telegraph and the

press so little as theirs. He came every day to set them in the right

path, pointing out its charms to them in a way that made them feel how

much they had been in the wrong. It made them feel indeed that they

didn’t know anything about anything, even about such a matter as

ordering shoes--an art in which they had vaguely supposed themselves

rather strong. He had in fact great knowledge, which was wonderfully

various, and he knew as many people as they knew few. He had

appointments--very often with celebrities--for every hour of the day,

and memoranda, sometimes in shorthand, on tablets with elastic straps,

with which he dazzled the simple folk at the Hotel de l’Univers et de

Cheltenham, whose social life, of narrow range, consisted mainly in

reading the lists of Americans who “registered” at the bankers’ and at

Galignani’s. Delia Dosson in particular had a trick of poring solemnly

over these records which exasperated Mr. Flack, who skimmed them and

found what he wanted in the flash of an eye: she kept the others waiting

while she satisfied herself that Mr. and Mrs. D. S. Rosenheim and Miss

Cora Rosenheim and Master Samuel Rosenheim had “left for Brussels.”

Mr. Flack was wonderful on all occasions in finding what he

wanted--which, as we know, was what he believed the public wanted--and

Delia was the only one of the party with whom he was sometimes a little

sharp. He had embraced from the first the idea that she was his enemy,

and he alluded to it with almost tiresome frequency, though always in a

humorous fearless strain. Even more than by her fashion of hanging over

the registers she provoked him by appearing to find their little party

not sufficient to itself, by wishing, as he expressed it, to work in new

stuff. He might have been easy, however, for he had sufficient chance to

observe how it was always the fate of the Dossons to miss their friends.

They were continually looking out for reunions and combinations that

never came off, hearing that people had been in Paris only after they

had gone away, or feeling convinced that they were there but not to be

found through their not having registered, or wondering whether they

should overtake them if they should go to Dresden, and then making up

their minds to start for Dresden only to learn at the eleventh hour,

through some accident, that the hunted game had “left for” Biarritz even

as the Rosenheims for Brussels. “We know plenty of people if we could

only come across them,” Delia had more than once observed: she

scanned the Continent with a wondering baffled gaze and talked of the

unsatisfactory way in which friends at home would “write out” that other

friends were “somewhere in Europe.” She expressed the wish that such

correspondents as that might be in a place that was not at all vague.

Two or three times people had called at the hotel when they were out and

had left cards for them without an address and superscribed with some

mocking dash of the pencil--“So sorry to miss you!” or “Off to-morrow!”

The girl sat looking at these cards, handling them and turning them over

for a quarter of an hour at a time; she produced them days afterwards,

brooding upon them afresh as if they were a mystic clue. George Flack

generally knew where they were, the people who were “somewhere in

Europe.” Such knowledge came to him by a kind of intuition, by the

voices of the air, by indefinable and unteachable processes. But he held

his peace on purpose; he didn’t want any outsiders; he thought their

little party just right. Mr. Dosson’s place in the scheme of Providence

was to “go” with Delia while he himself “went” with Francie, and nothing

would have induced George Flack to disfigure that equation. The young

man was professionally so occupied with other people’s affairs that it

should doubtless be mentioned to his praise that he still managed to

have affairs--or at least an affair--of his own. That affair was Francie

Dosson, and he was pleased to perceive how little SHE cared what had

become of Mr. and Mrs. Rosenheim and Master Samuel and Miss Cora. He

counted all the things she didn’t care about--her soft inadvertent eyes

helped him to do that; and they footed up so, as he would have said,

that they gave him the rich sense of a free field. If she had so few

interests there was the greater possibility that a young man of bold

conceptions and cheerful manners might become one. She had usually the

air of waiting for something, with a pretty listlessness or an amused

resignation, while tender shy indefinite little fancies hummed in her

brain. Thus she would perhaps recognise in him the reward of patience.

George Flack was aware that he exposed his friends to considerable

fatigue: he brought them back pale and taciturn from suburban excursions

and from wanderings often rather aimless and casual among the boulevards

and avenues of the town. He regarded them at such times with complacency

however, for these were hours of diminished resistance: he had an idea

that he should be able eventually to circumvent Delia if he only could

catch her some day sufficiently, that is physically, prostrate. He liked

to make them all feel helpless and dependent, and this was not difficult

with people who were so modest and artless, so unconscious of the

boundless power of wealth. Sentiment, in our young man, was not a

scruple nor a source of weakness; but he thought it really touching, the

little these good people knew of what they could do with their money.

They had in their hands a weapon of infinite range and yet were

incapable of firing a shot for themselves. They had a sort of social

humility; it appeared never to have occurred to them that, added to

their loveliness, their money gave them a value. This used to strike

George Flack on certain occasions when he came back to find them in the

places where he had dropped them while he rushed off to give a turn

to one of his screws. They never played him false, never wearied of

waiting; always sat patient and submissive, usually at a cafe to which

he had introduced them or in a row of chairs on the boulevard, on the

level expanse of the Tuileries or in the Champs Elysees.

He introduced them to many cafes, in different parts of Paris, being

careful to choose those which in his view young ladies might frequent

with propriety, and there were two or three in the neighbourhood of

their hotel where they became frequent and familiar figures. As the

late spring days grew warmer and brighter they mainly camped out on

the “terrace,” amid the array of small tables at the door of the

establishment, where Mr. Flack, on the return, could descry them

from afar at their post and in the very same postures to which he

had appointed them. They complained of no satiety in watching the

many-coloured movement of the Parisian streets; and if some of the

features in the panorama were base they were only so in a version that

the social culture of our friends was incapable of supplying. George

Flack considered that he was rendering a positive service to Mr. Dosson:

wouldn’t the old gentleman have sat all day in the court anyway? and

wasn’t the boulevard better than the court? It was his theory too that

he nattered and caressed Miss Francie’s father, for there was no one

to whom he had furnished more copious details about the affairs, the

projects and prospects, of the Reverberator. He had left no doubt in the

old gentleman’s mind as to the race he himself intended to run, and Mr.

Dosson used to say to him every day, the first thing, “Well, where have

you got to now?”--quite as if he took a real interest. George Flack

reported his interviews, that is his reportings, to which Delia and

Francie gave attention only in case they knew something of the persons

on whom the young emissary of the Reverberator had conferred

this distinction; whereas Mr. Dosson listened, with his tolerant

interposition of “Is that so?” and “Well, that’s good,” just as

submissively when he heard of the celebrity in question for the first

time.

In conversation with his daughters Mr. Flack was frequently the theme,

though introduced much more by the young ladies than by himself, and

especially by Delia, who announced at an early period that she knew what

he wanted and that it wasn’t in the least what SHE wanted. She amplified

this statement very soon--at least as regards her interpretation of Mr.

Flack’s designs: a certain mystery still hung about her own, which, as

she intimated, had much more to recommend them. Delia’s vision of the

danger as well as the advantage of being a pretty girl was closely

connected, as was natural, with the idea of an “engagement”: this idea

was in a manner complete in itself--her imagination failed in the oddest

way to carry it into the next stage. She wanted her sister to be engaged

but wanted her not at all to be married, and had clearly never made up

her mind as to how Francie was to enjoy both the peril and the shelter.

It was a secret source of humiliation to her that there had as yet to

her knowledge been no one with whom her sister had exchanged vows; if

her conviction on this subject could have expressed itself intelligibly

it would have given you a glimpse of a droll state of mind--a dim theory

that a bright girl ought to be able to try successive aspirants. Delia’s

conception of what such a trial might consist of was strangely innocent:

it was made up of calls and walks and buggy-drives, and above all of

being, in the light of these exhibitions, the theme of tongues and

subject to the great imputation. It had never in life occurred to

her withal that a succession of lovers, or just even a repetition of

experiments, may have anything to say to a young lady’s delicacy. She

felt herself a born old maid and never dreamed of a lover of her own--he

would have been dreadfully in her way; but she dreamed of love

as something in its nature essentially refined. All the same she

discriminated; it did lead to something after all, and she desired that

for Francie it shouldn’t lead to a union with Mr. Flack. She looked at

such a union under the influence of that other view which she kept as

yet to herself but was prepared to produce so soon as the right occasion

should come up; giving her sister to understand that she would never

speak to her again should this young man be allowed to suppose--! Which

was where she always paused, plunging again into impressive reticence.

“To suppose what?” Francie would ask as if she were totally

unacquainted--which indeed she really was--with the suppositions of

young men.

“Well, you’ll see--when he begins to say things you won’t like!” This

sounded ominous on Delia’s part, yet her anxiety was really but thin:

otherwise she would have risen against the custom adopted by Mr. Flack

of perpetually coming round. She would have given her attention--though

it struggled in general unsuccessfully with all this side of their

life--to some prompt means of getting away from Paris. She expressed to

her father what in her view the correspondent of the Reverberator was

“after”; but without, it must be added, gaining from him the sense of it

as a connexion in which he could be greatly worked up. This indeed was

not of importance, thanks to her inner faith that Francie would never

really do anything--that is would never really like anything--her

nearest relatives didn’t like. Her sister’s docility was a great comfort

to Delia, the more that she herself, taking it always for granted, was

the first to profit by it. She liked and disliked certain things much

more than her junior did either; and Francie cultivated the convenience

of her reasons, having so few of her own. They served--Delia’s

reasons--for Mr. Dosson as well, so that Francie was not guilty of any

particular irreverence in regarding her sister rather than her father as

the controller of her fate. A fate was rather an unwieldy and terrible

treasure, which it relieved her that some kind person should undertake

to administer. Delia had somehow got hold of hers first--before even her

father, and ever so much before Mr. Flack; and it lay with Delia to make

any change. She couldn’t have accepted any gentleman as a party to an

engagement--which was somehow as far as her imagination went--without

reference to Delia, any more than she could have done up her hair

without a glass. The only action taken by Mr. Dosson on his elder

daughter’s admonitions was to convert the general issue, as Mr. Flack

would have called it, to a theme for daily pleasantry. He was fond,

in his intercourse with his children, of some small usual joke, some

humorous refrain; and what could have been more in the line of true

domestic sport than a little gentle but unintermitted raillery on

Francie’s conquest? Mr. Flack’s attributive intentions became a theme of

indulgent parental chaff, and the girl was neither dazzled nor annoyed

by the freedom of all this tribute. “Well, he HAS told us about half

we know,” she used to reply with an air of the judicious that the

undetected observer I am perpetually moved to invoke would have found

indescribably quaint.

Among the items of knowledge for which they were indebted to him floated

the fact that this was the very best time in the young lady’s life to

have her portrait painted and the best place in the world to have it

done well; also that he knew a “lovely artist,” a young American of

extraordinary talent, who would be delighted to undertake the job. He

led his trio to this gentleman’s studio, where they saw several

pictures that opened to them the strange gates of mystification. Francie

protested that she didn’t want to be done in THAT style, and Delia

declared that she would as soon have her sister shown up in a magic

lantern. They had had the fortune not to find Mr. Waterlow at home, so

that they were free to express themselves and the pictures were shown

them by his servant. They looked at them as they looked at bonnets and

confections when they went to expensive shops; as if it were a question,

among so many specimens, of the style and colour they would choose.

Mr. Waterlow’s productions took their place for the most part in the

category of those creations known to ladies as frights, and our friends

retired with the lowest opinion of the young American master. George

Flack told them however that they couldn’t get out of it, inasmuch as

he had already written home to the Reverberator that Francie was to sit.

They accepted this somehow as a kind of supernatural sign that she would

have to, for they believed everything they ever heard quoted from a

newspaper. Moreover Mr. Flack explained to them that it would be idiotic

to miss such an opportunity to get something at once precious and cheap;

for it was well known that impressionism was going to be the art of the

future, and Charles Waterlow was a rising impressionist. It was a new

system altogether and the latest improvement in art. They didn’t want

to go back, they wanted to go forward, and he would give them an

article that would fetch five times the money in about five years--which

somehow, as he put it, seemed a very short time, though it would have

seemed immense for anything else. They were not in search of a bargain,

but they allowed themselves to be inoculated with any reason they

thought would be characteristic of informed people; and he even

convinced them after a little that when once they had got used to

impressionism they would never look at anything else. Mr. Waterlow

was the man, among the young, and he had no interest in praising him,

because he was not a personal friend: his reputation was advancing

with strides, and any one with any sense would want to secure something

before the rush.

The Reverberator · 第 4 / 14 题