_Early American Colleges._--No other facts in American history are

more creditable to the American people than those which relate to

their early and steady esteem for higher education, and especially

to their efforts and their sacrifices in the founding of colleges.

Before the year 1765, seven colleges were established here: Harvard, in

1636; William and Mary, in 1693; Yale, in 1700; New Jersey, in 1746;

King’s--now Columbia--in 1754; Philadelphia--now the University of

Pennsylvania--in 1755; Rhode Island--now Brown University--in 1764.

Though all these little establishments bore the name of colleges, there

were considerable differences among them with respect to the grade

and extent of the instruction they furnished,--those founded latest

being, in that particular, the most rudimental. Nevertheless, at them

all one noble purpose prevailed,--the study of the ancient classics.

This extraordinary training in the ancient languages led to forms of

proficiency that have no parallel now in American colleges. So early

as 1649, President Dunster wrote to Ravius, the famous Orientalist,

that some of the students at Harvard could “with ease dexterously

translate Hebrew and Chaldee into Greek.” In 1678, there was in that

college even an Indian student who wrote Latin and Greek poetry; and

this accomplishment continued to be an ordinary one there as late as

the Revolutionary War; while the facile use of Latin, whether for

conversation or for oratory, was so common among the scholars of

Harvard and of Yale as to excite no remark. Nearly all the superior

men in public life, after the immigrant generation, were educated at

these little colleges; and in all the studies that then engaged the

attention of scholars in the Old World, these men, particularly if

clergymen, had a scholarship that was, in compass and variety, fully

abreast of the learning of the time. The existence here of these early

colleges was in many ways a means of colonial fellowship. Each college

was itself, in all portions of the country, a point of distinction for

its own colony; at each college were gathered some students from other

colonies; between all the colleges there grew a sense of fraternity

in learning and letters, and this re-enforced the general sense of

fraternity in civic destinies; finally, at these colleges was trained

no little of that masterly statesmanship of our later colonial time,

which, at a glance, interpreted the danger that hung upon the horizon

in 1765, proclaimed the imminent need of colonial union, and quickly

brought it about. The vast influence that our early colleges exerted

upon literary culture can hardly be overstated. Among all the people,

they nourished those spiritual conditions out of which, alone, every

wholesome and genuine literature must grow; and in their special

devotion to classical studies, they imparted to a considerable body

of men the finest training for literary work that the world is yet

possessed of. It was of incalculable service to American literature

that, even in these wild regions of the earth, the accents of Homer,

of Thucydides, of Cicero, were made familiar to us from the beginning;

that a consciousness of the æsthetic principle in verbal expression

was kept alive here, and developed, by constant and ardent study of

the supreme masters of literary form; and that the great, immemorial

traditions of literature were borne hither across the Atlantic from

their ancient seats, and were here housed in perpetual temples, for

the rearing of which the people gladly went to great cost. The tribute

of most eloquent homage, which, in 1775, in the House of Lords, the

Earl of Chatham paid to the intellectual force, the literary symmetry,

and the decorum of the state-papers then recently transmitted from

America, and then lying upon the table of that House, was virtually an

announcement to Europe of the astonishing news,--that, by means of an

intellectual cultivation formed in America, in its own little colleges,

on the best models of ancient and modern learning, America had already

become not only an integral part of the civilised world, but even a

member of the republic of letters.

_The Study of Physical Science in America._--The study of physical

science in this country began with the very settlement of the

country. The writings of the first Americans are strewn with sharp

observations on the geography of America, on its minerals, soils,

waters, plants, animals; on its climates, storms, earthquakes; on its

savage inhabitants, its diseases, its medicines; and on the phenomena

of the heavens as they appeared to this part of the earth. There were

here, even in our earliest age, several men of special scientific

inclination, such as William Wood, John Josselyn, John Sherman, John

Winthrop of Massachusetts, and John Winthrop of Connecticut. Indeed,

the latter was recognised as an eminent physicist even among the

contemporaneous physicists of England; and in Connecticut, where

he founded the city of New London, and where he was for many years

Governor, he pursued with great zeal his scientific researches,

carrying them even into the fatal chase for the philosopher’s stone.

He was on terms of endearing intimacy with Watkins, Robert Boyle, and

other great leaders of science in England; and it is said that under

the menace of public calamities there, and drawn, likewise, by their

friendship for Winthrop, these men had proposed to leave England,

and to establish in the American colony over which Winthrop presided

“a society for promoting natural knowledge.” They were, however,

induced by Charles II. to remain in England; and accordingly, with the

co-operation of Winthrop, who happened to be in London at the time,

they founded there, instead of in New London, the association that soon

became renowned throughout the world as the Royal Society. Perhaps

there was no one of these early American students of nature whom it

is now pleasanter to recall than the Quaker naturalist, John Bartram.

Born in Pennsylvania, in 1701, he founded near Philadelphia the first

botanic garden in America. He was appointed American botanist to George

III., and won from Linnæus the praise of being “the greatest natural

botanist in the world.” As John Bartram represents high attainments

in science reached under all outward disadvantages, so John Winthrop

of Harvard College represents still higher attainments in science

reached under all outward advantages. A descendant of the first

Governor of Massachusetts, from 1738 until his death in 1779 he served

his Alma Mater with great distinction as professor of mathematics and

natural philosophy. For extent and depth of learning in his special

departments, he was probably the foremost American of his day. All

things considered, he was probably the most symmetrical example both

of scientific and of literary culture produced in America during the

colonial time; representing what was highest and broadest in it, what

was most robust and most delicate; a thinker and a writer born and

bred in a province, but neither in thought nor in speech provincial;

an American student of nature and of human nature, who stayed at home,

and bringing Europe and the universe to his own door, made himself

cosmopolitan.

Thus, from the earliest moment of American civilisation, there

were, here and there in this country, eager and keen students of

nature,--their number greatly multiplying with the passing of the

years. But it belongs to the essence of such studies that they

who pursue them should seek the fellowship of their own brethren,

either for help in solving difficulties or for delight in announcing

discoveries; and it is, beyond question, true that the union of the

American colonies was first laid in the friendly correspondence and

intellectual sympathies of students of physical science, who from an

early day were dispersed through these colonies. By the year 1740,

the American students of nature had become a multitude; and from

that year to the year 1765, the glory of physical research among us

culminated in the brilliant achievements of Benjamin Franklin, whose

good fortune it then was to enable his country to step at once to the

van of scientific discovery, and for a few years to be the teacher of

the world on the one topic of physical inquiry then uppermost in men’s

thoughts. In proposing the formation of the American Philosophical

Society, this wonderful man had announced to his own countrymen that

the time had come for them to make new and greater exertions for the

enlargement of human knowledge. Inspired by the noble enthusiasm of

Franklin, whose position brought him into large personal acquaintance

in all the colonies, the activity and the range of scientific studies

in America were then greatly increased,--a bond of scientific communion

that helped to prepare the way for political communion, whenever the

hour for that should come. The direct impulse given by all this eager

study of physical science to the development of American literature

is to be seen not only in scientific writings like those of Winthrop

and of Franklin, which have high and peculiar literary merit, but in

the general invigoration of American thought, in the development of

a sturdy rational spirit, and in a broadening of the field of our

intellectual vision.

But, in spite of all these influences working toward colonial

fellowship, the prevailing fact in American life, down to the year

1765, was colonial isolation. With that year came the immense event

that suddenly swept nearly all minds in the several colonies into the

same great current of absorbing thought, and that held them there for

nearly twenty years. From the date of that event, we cease to concern

ourselves with an American literature in the East or the South, in

this colony or in that. Henceforward American literature flows in

one great, common stream, and not in petty rills of geographical

discrimination,--the literature of one multitudinous people, variegated

indeed, in personal traits, but single in its commanding ideas and in

its national destinies.

THE REVOLUTIONARY PERIOD

I. A GENERAL VIEW

_The Three Stages._--In the intellectual process of the American

Revolution, are to be observed three well defined stages of development

on the part of the men who began and carried through that notable

enterprise. The first stage--extending from the spring of 1763 to the

spring of 1775--represents the noble anxiety which brave men must feel

when their political safety is imperilled, this anxiety, however, being

deepened in their case by a sincere and even a passionate desire, while

roughly resisting an offensive ministerial policy, to keep within

the bounds of constitutional opposition, and neither to forsake nor

to forfeit that connection with the mother-country which they then

held to be among the most precious of their earthly possessions. The

second stage--extending from the spring of 1775 to the early summer

of 1776--represents a rapidly spreading doubt, and yet at first no

more than a doubt, as to the possibility of their continuing to be

free men without ceasing to be English colonists. This doubt, of

course, had been felt by not a few of them long before the day of

the Lexington and Concord fights; but under the appalling logic of

that day of brutality, it became suddenly weaponed with a power which

mere words never had,--the power to undo swiftly, in the hearts of

a multitude of liegemen, the tie of race, the charm of an antique

national tradition, the loyalty, the love, and the pride of centuries.

The third stage--extending from the early summer of 1776 to the very

close of the whole struggle--represents a final conviction, at least on

the part of a working majority of the American people, that it would be

impossible for them to preserve their political rights and at the same

time to remain inside the British Empire,--this conviction being also

accompanied by the resolve to preserve those rights whether or no, and

at whatsoever cost of time, or effort, or pain.

Of course, the intellectual attitude of the Loyalists of the

Revolution--always during that period an immense and a very

conscientious minority--correlated to that of the Revolutionists in

each one of these three stages of development: in the first stage, by a

position of qualified dissent as to the gravity of the danger and as to

the proper method of dealing with it; in the second and third stages,

by a position of unqualified dissent, and of implacable hostility, as

regards the object and motive and method of the opposition which was

then conducted by their more masterful fellow-countrymen.

_The Predominant Note._--The chief trait of American literature

during the period now under view is this: its concern with the

problems of American society, and of American society in a peculiar

condition--aroused, inflammable, in a state of alarm for its own

existence, but also in a state of resolute combat for it. The

literature which we are thus to inspect is not, then, a literature of

tranquillity, but chiefly a literature of strife, or, as the Greeks

would have said, of agony; and, of course, it must take those forms

in which intellectual and impassioned debate can be most effectually

carried on. The literature of our Revolution has almost everywhere

the combative note; its habitual method is argumentative, persuasive,

appealing, rasping, retaliatory; the very brain of man seems to be in

armour; his wit is in the gladiator’s attitude of offence and defence.

It is a literature indulging itself in grimaces, in mockery, in

scowls: a literature accented by earnest gestures meant to convince

people, or by fierce blows meant to smite them down. In this literature

we must not expect to find art used for art’s sake.

Our next discovery is the rather notable one that such a period

actually had a literary product very considerable in amount. Even in

those perturbed years between 1763 and 1783, there was a large mass of

literature produced in America. More than with most other epochs of

revolutionary strife, our epoch of revolutionary strife was a strife

of ideas: a long warfare of political logic; a succession of annual

campaigns in which the marshalling of arguments not only preceded the

marshalling of armies, but often exceeded them in impression upon the

final result. An epoch like this, therefore,--an epoch in which nearly

all that is great and dear in man’s life on earth has to be argued

for, as well as to be fought for, and in which ideas have a work to

do quite as pertinent and quite as effective as that of bullets,--can

hardly fail to be an epoch teeming with literature, with literature,

of course, in the particular forms suited to the purposes of political

co-operation and conflict.

We shall be much helped by keeping in mind the distinction between

two classes of writings then produced among us: first, those writings

which were the result of certain general intellectual interests and

activities apart from the Revolutionary movement, and, secondly, those

writings which were the result of intellectual interests and activities

directly awakened and sustained by that movement. The presence of the

first class we discover chiefly in the earlier years of this period,

before the Revolutionary idea had become fully developed and fully

predominant; and, again, in the later years of the period, when, with

the success of the Revolution assured, the Revolutionary idea had begun

to recede, and men’s minds were free to swing again toward the usual

subjects of human concern, particularly toward those which were to

occupy them after the attainment of independence and of peace.

_Literary Centres._--We shall find, within the first decade of this

period and before its culmination into the final violence of the

Revolutionary controversy, the beginnings of a new and a truer life in

America. Of this new literary life there were, in general, two chief

centres, one in the New England, one in the Middle Colonies. The New

England literary centre was at New Haven, and was dominated by the

influence of Yale College, within which, especially between 1767 and

1773, was a group of brilliant young men passionately devoted to the

Greek and Roman classics, and brought into contact with the spirit of

modern letters through their sympathetic study of the later masters

of English prose and verse. The foremost man in this group was John

Trumbull.

The new literary life of the Middle Colonies had its seat in the

neighbourhood of New York and Philadelphia, and was keenly stimulated

by the influence of their two colleges, and also by that of the College

of New Jersey under the strong man--Witherspoon--who came to its

presidency in 1768. The foremost representative of this new literary

tendency was Philip Freneau, a true man of genius, the one poet of

unquestionable originality granted to America prior to the nineteenth

century. Of him and of his brother poet in New England, it is to be

said that both began to do their work while still in youth; both seemed

to have a vocation for disinterested literature in prose as well as

in verse; both were reluctantly driven from that vocation by the

intolerable political storm that then burst over the land; both were

swept into the Revolutionary movement, and, thenceforward, the chief

literary work of both was as political satirists. From about the year

1774, little trace of an æsthetic purpose in American letters is to be

discovered until after the close of the Revolution.

_Classification of the Revolutionary Writings._--The characteristic

life of the period we now have in view was political, and not political

only, but polemic, and fiercely polemic, and at last revolutionary; and

its true literary expression is to be recognised in those writings,

whether in prose or in verse, which gave utterance to that life. Such

writings seem naturally to fall into nine principal classes.

First, may here be named the correspondence of the time; especially,

the letters touching on public affairs which passed between persons in

different portions of America, and in which men of kindred opinions

found one another out, informed one another, stimulated, guided, aided

one another, in the common struggle. Indeed, the correspondence of

our Revolution, both official and unofficial, constitutes a vast, a

fascinating, and a significant branch of its literature. Undoubtedly,

the best of all the letter-writers of the time was Franklin; and next

to him, perhaps, were John Adams, and Abigail Adams, his wife. Indeed

the letters of Mrs. Adams, mostly to her husband, and covering this

entire period, are among the most delightful specimens of such work as

done by any American. Not far behind these first three letter-writers,

if indeed they were behind them, must be mentioned Jefferson and

John Dickinson; and, for shrewdness of observation, for humour, for

lightness of touch, for the gracious _negligée_ of cultivated speech,

not far behind any of them was a letter-writer now almost unknown,

Richard Peters of Philadelphia. Of course, no one goes to the letters

of Washington, in the expectation of finding there sprightliness of

thought, flexibility, or ease of movement; yet, in point of diligence

and productiveness, he was one of the great letter-writers of that age.

The second form of literature embodying the characteristic life of our

Revolutionary era is made up of those writings which were put forth

at nearly every critical stage of the long contest, either by the

local legislatures, or by the General Congress, or by prominent men in

public office, and which may now be described comprehensively as State

Papers. It is probable that we have never yet sufficiently considered

the extraordinary intellectual merits of this great group of writings,

or the prodigious practical service which, by means of those merits,

they rendered to the struggling cause of American self-government,

particularly in procuring for the insurrectionary colonists, first, the

respectful recognition, and then the moral confidence, of the civilised

world.

The third class of writings directly expressive of the spirit and

life of the Revolution consists of oral addresses, either secular or

sacred,--that is, of speeches, formal orations, and political sermons.

“In America, as in the Grand Rebellion in England,” said a Loyalist

writer--Boucher--of our Revolutionary time, “much execution was done by

sermons.” Had it been otherwise, there would now be cause for wonder.

Indeed, the preachers were then in full possession of that immense

leadership, intellectual and moral, which had belonged to their order,

in America ever since its settlement, in England ever since the middle

of the sixteenth century; and though this tradition of leadership

was beginning to suffer under the rivalry of the printing-press and

under the ever-thickening blows of rationalism, yet, when aroused

and concentrated upon any object, they still wielded an enormous

influence over the opinions and actions of men,--even as to the

business of this world. Without the aid “of the black regiment,” as he

facetiously called them, James Otis declared his inability to carry

his points. Late in the year 1774, the Loyalist, Daniel Leonard, in an

essay accounting for the swift and alarming growth of the spirit of

resistance and even of revolution in America, gave a prominent place to

the part then played in the agitation by “our dissenting ministers.”

“What effect must it have had upon the audience,” said he, “to hear

the same sentiments and principles, which they had before read in a

newspaper, delivered on Sundays from the sacred desk, with a religious

awe, and the most solemn appeals to heaven, from lips which they had

been taught from their cradles to believe could utter nothing but

eternal truths!” The literary history of the pulpit of the American

Revolution is virtually a history of the pulpit-champions of that

movement; since those preachers who were not its champions could seldom

find a printer bold enough to put their sermons to press, or even an

opportunity to speak them from the pulpit. Nor was it necessary that

ministers should seem to go out of their way in order to discourse upon

those bitter secular themes: indeed, they would have been forced to go

out of their way in order to avoid doing so. Fast days, thanksgiving

days, election days, the anniversaries of battles and of important

acts of Congress and of other momentous events in the progress of the

struggle, brought such topics to the very doors of their studies, and

even laid them upon the open Bibles in their pulpits. Moreover, if any

clergyman held back from political preaching, he was not likely to

escape some reminder, more or less gentle, as to what was expected of

him in such a time of awful stress and peril. “Does Mr. Wibird preach

against oppression and the other cardinal vices of the time?” wrote

John Adams to his wife, from Philadelphia, shortly after the battle

of Bunker Hill. “Tell him, the clergy here of every denomination, not

excepting the Episcopalian, thunder and lighten every Sabbath. They

pray for Boston and the Massachusetts. They thank God most explicitly

and fervently for our remarkable successes. They pray for the American

army.”

More than in all other publications, it was in the fourth class of

writings, namely, the political essays of the period, that the American

people, on both sides of the great controversy, gave utterance to their

real thoughts, their real purposes, their fears, their hopes, their

hatreds, touching the bitter questions which then divided them. The

political essay, whether in the shape of the newspaper article or in

that of the pamphlet, gives us the most characteristic type of American

literature for that portion of the eighteenth century.

Closely associated with the political essay as the most powerful form

of prose in the literature of the American Revolution, should be

mentioned the political satire, as being likewise the most powerful

form of verse during the same period, and as constituting the fifth

class of writings directly expressive of its thought and passion.

The best examples of satire to be met with among us before the

Revolutionary dispute had reached its culmination may be seen in the

earlier and non-political verse of Freneau and John Trumbull. It is

true that no great place was given to satire until about the year

1775--that is, until the debate had nearly passed beyond the stage of

argument. From that time, however, and until very near the close of the

Revolution, this form of literature rivalled, and at times almost set

aside, the political essay as an instrument of impassioned political

strife. On the Revolutionist side, the chief masters of political

satire were Francis Hopkinson, John Trumbull, and Philip Freneau. On

the side of the Loyalists, the satirical poet who in art and in power

surpassed all his fellows, was Jonathan Odell.

For the sixth class of writings characteristic of the period, we may

take the popular lyric poetry of the Revolution,--the numberless

verses, commonly quite inelaborate and unadorned, that were written to

be sung at the hearth-stone, by the camp-fire, on the march, on the

battle-field, in all places of solemn worship.

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