CHAPTER XLII

AT THE PARTING OF THE WAYS

The days that followed brought uncertainty and doubt to the heart and

mind of John Saxton. He had seen Evelyn several times before she left

home, on occasions when he went to the house with Fenton for conferences

with her father. He had intended saying good-by to her, but the Porters

went hurriedly at last and he was not sorry; it was easier that way. But

Mrs. Whipple, who was exercising a motherly supervision over John, had

exacted a promise from him to come to Orchard Lane during the time that

she and the general were to be with the Porters in their new cottage.

When he went East, Saxton settled down at his club in Boston, and

pretended that it was good to be at home again; but he went about with

homesickness gnawing his heart. He had reason to be happy and satisfied

with himself. He had practically concluded the difficult work which he

had been sent to Clarkson to do; he had realized more money from their

assets than the officers of the trust company had expected; and they

held out to him the promise of employment in their Boston office as a

reward. So he walked the familiar streets planning his future anew. He

had succeeded in something at last, and he would stay in Boston,

having, he told himself, earned the right to live there. The assistant

secretaryship of the trust company, which had been mentioned to him,

would be a position of dignity and promise. He had never hoped to do so

well. Moreover, it would be pleasant to be near his sister, who lived at

Worcester. There were only the two of them, and they ought to live near

together.

It is, however, an unpleasant habit of the fates never to suffer us to

debate simple problems long; they must throw in new elements to puzzle

us. While he deferred going to Orchard Lane a new perplexity confronted

him. One of Margrave's "people" came from New York as the representative

of the syndicate that had purchased the Clarkson Traction Company, and

sought an interview. John had met this gentleman at the time the sale

was closed; he was a person of consequence in the financial world, who

came quickly to the point of his errand. He offered John the position of

general manager of the company.

Margrave, it appeared, was not to have full swing after all. He was to

be president, but John's visitor intimated broadly that the position was

to be largely honorary. They had looked into the matter thoroughly in

New York and were anxious that the policy and methods of the

receivership should continue. Mr. Margrave was an invaluable man, said

the New Yorker, but his duties with the railroad company had so

multiplied that he would be unable to give the necessary care to the

street car management. John should have absolute authority. The

syndicate would be greatly disappointed if he declined. A salary was

named which was larger than John had ever dreamed of receiving in any

occupation; and they wished an answer within a few days. John Saxton was

human, and it was not easy to decline a salary of six thousand dollars

for services which he knew he could perform, offered to him by a

gentleman whom people were not in the habit of refusing. He remained

indoors at the club all day, smoking many pipes in a fruitless effort to

reconcile his resolves with his new problems.

The next day he thought he saw it all more clearly. Perhaps, he

reflected, life in Boston would become endurable; there was his sister

to consider, and he owed something to her; she was all he had. He went

out and walked aimlessly through the hot streets, little heeding what he

did. He realized presently that he had gone into a railway office and

asked for a suburban time table. He carried this back to the club, where

the atmosphere of his cool, quiet room soothed him; and he lay down on a

couch and studied the list of Orchard Lane trains. He found that he

could run out almost any hour of the day. He slept and woke refreshed,

with the time table still grasped in his hand. He had been very foolish,

he concluded; it would be a simple matter to go out to Orchard Lane to

call on the Porters and Whipples, and he picked out one of the afternoon

trains and marked it on the folder with a lead pencil. He spent the

evening writing letters,--in particular a letter to the representative

of the Clarkson Traction syndicate, declining the general managership;

and the next afternoon when he went up to Orchard Lane he carried the

letter sealed and stamped in his pocket, as a kind of talisman that

would assure his safety.

It suited his righteous mood that he should find no one at home at Red

Gables but Mr. Porter, who played golf all the morning and slept and

experimented at landscape gardening all the afternoon. He welcomed John

with unwonted cordiality, in the inexplicable way people have of being

friendlier with a fellow townsman away from their common habitat than at

home. He led the way to a cool and cozy corner of the broad veranda,

where Japanese screens made a pleasant nook. The afternoon sea shimmered

beyond the trees; the lawn was tended with urban care. Porter was very

proud of the place and listened with approval to John's praise of it.

"Well, sir; it's cooler than Clarkson."

"A trifle, yes; the efforts of the Clarkson papers to make a summer

resort of the town were never very successful." John's eyes rested on a

wicker table where there were books and a little sewing basket, which it

wrung his heart to see.

"Folks are all off somewhere. The Whipples are in town. Grant's gone

sailing and Evelyn's out visiting or attending a push of some kind up

the shore. But I guess I know when I've got a good thing. You don't

catch me gadding into town when I've got a cool place to sit." He

stretched his short legs comfortably. "I hope you'll smoke a cigar if

you've got one. They've cut mine off, and Evelyn won't let me keep any

around; thinks they'd be too much of a temptation."

"It's just as well to keep away from temptation," said John, not

thinking of cigars. The sight of Porter and the mention of Clarkson

brought his homesickness to an acute stage.

"I suppose our old friend Margrave's enjoying himself running the

Traction Company by this time," continued Porter. "Well, sir; I guess he

can have it. I thought for a while that I wanted it myself, but Fenton

talked me out of it. It will pay, if they run it right; yes, sir; it's a

good thing. But the trouble with Margrave is that he won't play square.

It ain't in him. He's so crooked that they'll never find a coffin for

him,--no, sir; not in stock; I guess it'll tax the manufacturer to his

full capacity to fit Tim. But he seems to have those Transcontinental

people on the string, and they're smart fellows, too. I reckon

Margrave's a handy man for them. They used to say _I_ was crooked,"--he

twirled his straw hat, and changed the position of his legs; "but I

guess that for pure sinuosity I was never in Tim Margrave's class. Well,

Tim's a good enough fellow when all's said and done!"

"They say of him that he always stands by his friends," said John. "And

that's a good deal."

"That's right. It's a whole lot," Porter assented.

There were some details connected with the final transfer of the

Traction Company to Margrave's syndicate which Porter had not fully

understood, or which Fenton had purposely kept from him; and he pressed

John for new light on these matters. John answered or parried as he

thought wisest. He was surprised to find how completely Porter had freed

himself from business; the sometime banker talked of Clarkson affairs

with an accentuation of the past tense, as if to wave them all away as

far as possible. Events in themselves did not interest him particularly;

but he took a mildly patronizing tone in philosophizing about them. He

drew from John the fact that most of the property of the Neponset Trust

Company in the Trans-Missouri region had been sold.

"That's good. I guess you've done pretty well for them, Saxton. But I

hope we shan't lose you from Clarkson. We need young men out there; and

I guess we've got as good a town as there is anywhere west of Chicago."

"I'm sure of that," said John; and he rose to go.

"I'm sorry the rest of them are not here," said Mr. Porter. "Evelyn

ought to have been home before this. But you must come again. Come out

and try the golf course and have dinner with us any time. I'm playing a

little myself this summer. Evelyn and Grant can outdrive me all right;

but they're not in it with me on putting. I'm one of the warmest putters

on the links. You can find the shore path this way." He led John to an

exit at the rear of the house, where there was an old apple orchard.

"After you pass the lighthouse you come to a road that leads right into

the village."

John left his greetings for the rest of the household and turned away.

It had all happened much more easily than he had expected. He had burned

all his bridges behind him now; he would mail his letter in the village;

not that it would be delivered any sooner, but because it fell in with

his spirit of renunciation that it should go hence with the Orchard Lane

postmark.

He took it from his pocket and carried it in his hand. He found the walk

very pleasant, with the rough shore of the bay on one hand and pretty

villas on the other. Orchard Lane was not wholly a fiction of

nomenclature. There were veritable lanes that survived the coming of

fashion and wealth, and spoke of simpler times on these northern shores.

The path was not altogether straight, but described a tortuous line past

the lighthouse which crouched on a point of the bay. There was a train

at six o'clock; it was now five and he loitered along, stopping often to

look out upon the sea. A group of people was gathered about a tea table

on the sloping lawn in front of one of the houses. The colors of the

women's dresses were bright against the dark green. It was a gay

company; their laughter floated out to him mockingly. He wondered

whether Evelyn was there, as he passed on, beating the rocky path with

his stick.

Evelyn was not there; but her destination was that particular lawn and

its tea table. Turning a fresh bend in the path he came upon her. He had

had no thought of seeing her; yet she was coming down the path toward

him, her picture hat framed in the dome of a blue parasol. He had

renounced her for all time, and he should greet her guardedly; but the

blood was singing in his temples and throbbing in his finger tips at the

sight of her.

"This is too bad!" she exclaimed, as they met. "I hope you can come back

to the house."

She walked straight up to him and gave him her hand in her quick, frank

way.

"I'm sorry, but I must go in to town on this next train," he answered.

He turned in the path and walked along beside her.

"This happened to be one of our scattering days, for all except father."

"We had a nice talk, he and I. Your place is charming."

They descended the shore path until they came to the villa where the tea

drinkers were assembled.

"Don't let me detain you. I'm sure you were going to join these lotus

eaters."

"I don't believe they need me," she answered, evasively. "They seem

pretty busy. But if you're hungry--or thirsty, I can get something for

you there." They passed the gate, walking slowly along. He knew that he

ought to urge her to stop, and that he must hurry on to catch his train;

but it was too sweet to be near her; this was the last time and it was

his own!

"I seem to remember your tea drinking ways," she said. "You use only

sugar and the hot water."

"But that was in the winter," he responded. He wished she had not

referred to that afternoon, when he had been weak, just as he was

proving weak now. A yacht was steaming slowly into the bay. It was a

pretty, white plaything and they paused and commended its good qualities

with the easy certainty of superficial knowledge. They walked on,

passing the lighthouse, and slowly nearing the entrance to Red Gables.

She led the talk easily and her light-heartedness added to his

depression; every step he took was an error; but he would leave her at

the gate when they came to it and go on to the village and his train.

She paused abruptly and looked across a meadow which lay between them

and the Red Gables orchard.

"I really believe it's a cow; yes, it is a cow," she declared, with

quiet conviction.

"I thought it was a yacht. Was I as dull as that?" he demanded.

"Be it far from me to say; but I was getting a little breathless. Even

the professional monologuists in the vaudeville have to rest."

He was not in a humor for frivolous conversation; but she had never been

so gay. He had committed himself to general chaos and yet she was

smiling amid the ruin of the world.

"I don't believe there are any letter boxes along here," she continued,

looking straight ahead. He remembered his letter; he was stupidly

carrying it in his hand; his fingers were cramped from their clutch upon

it. It was not easy to resist her mood, and he now laughed in spite of

himself.

"I'm disappointed. I thought they had all the necessities of a

successful summer resort here,--even mails."

"Rather poor, don't you think? I suppose you were carrying the letter to

get an opening for that."

They paused and John held open the little gate in the stone wall. He was

grave again, and something of his seriousness communicated itself to

her. Clearly, he thought, this was the parting of the ways. He had not

relaxed his hold upon the letter; it was a straw at which he clutched

for support.

"Won't you come in? There are plenty of trains and we'd like you to dine

with us."

A great wave of loneliness and yearning swept over him. Her invitation

seemed to create new and limitless distances that stretched between

them. In fumbling with the latch of the gate he had dropped his letter.

The wind caught and carried it out into the grass.

He went soberly after it and picked it up. There was a dogged

resignation in his step as he walked slowly across the grass. While he

was securing the bit of paper, she sat down on a rustic bench and waited

for him.

"The fates don't agree with you about the letter, Mr. Saxton. You were

looking for a letter box and they tried to thwart you."

"I'm not superstitious," said John, smiling a little.

"One needn't be,--to act on the direct hints of Providence."

She sat at comfortable ease on the bench, holding her parasol across her

lap. There was room for two, and John sat down.

"Suppose it were a check on an overdrawn account; would Providence

intervene to prevent an overdraft?"

"That's a commercial hypothesis; I think we should be above such

considerations." Then they were silent. John bent forward with his

elbows on his knees, playing with his stick and still holding the

letter. The wind came up out of the sea and blew in their faces. The

brass mountings of the yacht shone resplendent in the slanting rays of

the lowering sun. It was very calm and restful in the orchard. Two

robins came and inspected them, and then flew away to one of the gnarled

old trees to gossip about them.

"It happens to be important," said John, indicating the letter.

[Illustration]

"Oh, pardon me!" with real contrition. It was not her way to flirt with

a young man over a letter. John held up the envelope so that she saw the

superscription. She knew the name very well. It was constantly in the

newspapers, and the owner of it had dined once at her father's house.

"He's the head of the syndicate that has bought the Traction Company. He

has asked me to stay in Clarkson and run the street cars."

"That's very nice. But merit gets rewarded sometimes."

"But I have refused the offer," he said quietly. He had not intended to

tell her; but it was doubtless just as well; and it would alter nothing.

"My work in Clarkson is finished," he went on. "Warry's affairs will

make it necessary for me to go back from time to time, but it will not

be home again."

"I'm sorry," she said. "I thought you were to be of us. But I suppose

there is a greater difference between the East and the West than any one

can understand who has not known both." They regarded each other

gravely, as if this were, of course, the whole matter at issue.

"I can't go back,--it's too much; I can't do it," he said wearily.

"I know how it must be,--this last year and Warry! It was all so

terrible--for all of us." She was looking away; the wind had freshened;

the yacht's pennant stood out against the blue sky.

John rose and looked down at her. It was natural that she should include

herself with him in a common grief for the man who had been his friend

and whom she had loved. She had always been kind to him; her kindness

stung him now, for he knew that it was because of Warry; and a resolve

woke in him suddenly. He would not suffer her kindness under a false

pretense; he could at least be honest with her.

"I can't go back, because he is not there; and because--because you are

there! You don't know,--you should never know, but I was disloyal to

Warry from the first. I let him talk to me from day to day of you; I let

him tell me that he loved you; I never let him know--I never meant any

one to know--" He ceased speaking; she was very still and did not look

at him. "It was base of me," he went on. "I would gladly have died for

him if he had lived; but now that he is dead I can betray him. I hate

myself worse than you can hate me. I know how I must wound and shock

you--"

"Oh, no!" she moaned.

But he went on; he would spare himself nothing.

"It is hideous--it was cowardly of me to come here."

His hands were clenched and his face twitched with pain. "Oh, if he had

lived! If he had lived!"

She rose now and looked at him with an infinite pity. This is one of

God's unreckoned gifts to man,--the gift of pity that He has made the

great secret of a woman's eyes. Evelyn's were gray now, like the stretch

of sea beyond her, where a mist was creeping shoreward over the blue

water.

"If he had lived," she said very softly, looking away through the

sun-dappled aisles of the orchard, "if he had lived--it would have been

the same, John."

But he did not understand. His name as she spoke it rang strange in his

ears. The letter had fallen to the ground and lay in the grass between

them; he half stooped to pick it up, not knowing what he did.

She walked away through the orchard path, which suddenly became to him

a path of gold that stretched into paradise; and he sprang after her

with a great fear in his heart lest some barrier might descend and shut

her out forever.

"Evelyn! Evelyn!"

It was not a voice that called her; it was a spirit, long held in

thrall, that had shaken free and become a name.

* * * * *

A LIST _of_ IMPORTANT FICTION

THE BOBBS-MERRILL COMPANY

_It is fresh and spontaneous, having nothing of that wooden quality

which is becoming associated with the term "historical novel."_

HEARTS COURAGEOUS

By HALLIE ERMINIE RIVES

"Hearts Courageous" is made of new material, a picturesque yet delicate

style, good plot and very dramatic situations. The best in the book are

the defence of George Washington by the Marquis; the duel between the

English officer and the Marquis; and Patrick Henry flinging the brand of

war into the assembly of the burgesses of Virginia.

Williamsburg, Virginia, the country round about, and the life led in

that locality just before the Revolution, form an attractive setting for

the action of the story.

With six illustrations by A. B. Wenzell

12mo. Price, $1.50

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

THE GREAT NOVEL OF THE YEAR

THE MISSISSIPPI BUBBLE

_How the star of good fortune rose and set and rose again, by a woman's

grace, for one John Law, of Lauriston_

A novel by EMERSON HOUGH

Emerson Hough has written one of the best novels that has come out of

America in many a day. It is an exciting story, with the literary touch

on every page.--JEANNETTE L. GILDER, of _The Critic_.

In "The Mississippi Bubble" Emerson Hough has taken John Law and certain

known events in his career, and about them he has woven a web of romance

full of brilliant coloring and cunning work. It proves conclusively that

Mr. Hough is a novelist of no ordinary quality.--_The Brooklyn Eagle._

As a novel embodying a wonderful period in the growth of America "The

Mississippi Bubble" is of intense interest. As a love story it is rarely

and beautifully told. John Law, as drawn in this novel, is a great

character, cool, debonair, audacious, he is an Admirable Crichton in his

personality, and a Napoleon in his far-reaching wisdom.--_The Chicago

American._

The Illustrations by Henry Hutt

12mo, 452 pages, $1.50

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

YOUTH, SPLENDOR AND TRAGEDY

FRANCEZKA

By MOLLY ELLIOT SEAWELL

There is no character in fiction more lovable and appealing than is

Francezka. Miss Seawell has told a story of youth, splendor and tragedy

with an art which links it with summer dreams, which drowns the somber

in the picturesque, which makes pain and vice a stage wonder.

The book is marked by the same sparkle and cleverness of the author's

earlier work, to which is added a dignity and force which makes it most

noteworthy.

"Here is a novel that not only provides the reader with a succession of

sprightly adventures, but furnishes a narrative brilliant, witty and

clever. The period is the first half of that most fascinating,

picturesque and epoch-making century, the eighteenth. Francezka is a

winsome heroine. The story has light and shadow and high spirits,

tempered with the gay, mocking, debonair philosophy of the

time."--_Brooklyn Times._

Charmingly illustrated by Harrison Fisher

Bound in green and white and gold

12mo, cloth. Price, $1.50

The Bobbs Merrill Company, _Indianapolis_

* * * * *

A BRILLIANT AND SERIOUS NOVEL

CHILDREN OF DESTINY

By MOLLY ELLIOT SEAWELL

Author of Francezka and The Sprightly Romance of Marsac.

One of Miss Seawell's most brilliant and serious works is this novel of

Old Virginia. One lives again the patrician elegance of those mannerly

times with all their freedom and all their limitations. In the midst of

those quiet people--some rich in worldly goods, all rich in their birth

and station--is born a man with the unrest of genius. Miss Seawell's

powerful delineations of this man's character, her charming presentation

of the old days, her sprightly humor, playing on the foibles of these

early nineteenth century aristocrats, the tenderness and beautiful love

of her heroine, show her as a brilliant writer and deep thinker. In none

of her other books is her art so true and her touch so poised.

With six Illustrations by A. B. Wenzell and a Cover in Blue and Gold.

12mo, Cloth, Price, $1.50

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

A SPLENDIDLY VITAL NARRATION

THE MASTER OF APPLEBY

_A romance of the Carolinas_

By FRANCIS LYNDE

Viewed either as a delightful entertainment or as a skilful and finished

piece of literary art, this is easily one of the most important of

recent novels. One can not read a dozen pages without realizing that the

author has mastered the magic of the story-teller's art. After the dozen

pages the author is forgotten in his creations.

It is rare, indeed, that characters in fiction live and love, suffer and

fight, grasp and renounce in so human a fashion as in this splendidly

vital narration.

With pictures by T. de Thulstrup

12mo, cloth. Price, $1.50

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

WHAT BOOK BY A NEW AUTHOR HAS RECEIVED SUCH PRAISE?

WHAT MANNER OF MAN

By EDNA KENTON

The novel, "What Manner of Man," is a study of what is commonly known as

the "artistic temperament," and a novel so far above the average level

of merit as to cause even tired reviewers to sit up and take hope once

more.--_New York Times._

It will certainly stand out as one of the most notable novels of the

year.--_Philadelphia Press._

It does not need a trained critical faculty to recognize that this book

is something more than clever.--_N. Y. Commercial._

Note should be made of the literary charm and value of the work, and

likewise of its eminently readable quality, considered purely as a

romance.--_Philadelphia Record._

Literary distinction is stamped on every page, and the author's insight

into the human heart gives promise of a brilliant future.--_Chicago

Record-Herald._

The whole book is full of dramatic force. The author is an unusual

thinker and observer, and has a rare gift for creative

literature.--_Philadelphia Evening Telegraph._

"What Manner of Man" is a study and a creation.--_N. Y. World._

12mo, Cloth, Gilt Top, $1.50

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

DIFFERENT AND DELIGHTFUL

UNDER THE ROSE

A Story of the Loves of a Duke and a Jester

By FREDERIC S. ISHAM

Author of The Strollers

In "Under the Rose" Mr. Isham has written a most entertaining book--the

plot is unique; the style is graceful and clever; the whole story is

pervaded by a spirit of sunshine and good humor, and the ending is a

happy one. Mr. Christy's pictures mark a distinct step forward in

illustrative art. There is only one way, and it is an entertaining one,

to find out what is "Under the Rose"--read it.

"No one will take up 'Under the Rose' and lay it down before completion;

many will even return to it for a repeated reading"--_Book News._

"Mr. Isham tells all of his fanciful, romantic tale delightfully. The

reader who loves romance, intrigue and adventure, love-seasoned, will

find it here."--_The Lamp._

With Illustrations in Six Colors by Howard Chandler Christy

12mo, Cloth, Price, $1.50

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

A NEW NOTE IN FICTION

THE STROLLERS

By FREDERIC S. ISHAM

"The Strollers" is a novel of much merit.

The scenes are laid in that picturesque and interesting period of

American life--the last of the stage coach days--the days of the

strolling player.

The author, Frederic S. Isham, gives a delightful and accurate account

of a troop of players making a circuit in the wilderness from New York

to New Orleans, travelling by stage, carrying one wagon load of scenery,

playing in town halls, taverns, barns or whatnot.

"The Strollers" is a new note in fiction.

With eight illustrations by Harrison Fisher

12mo. Price, $1.50

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

"NOTHING BUT PRAISE"

LAZARRE

By MARY HARTWELL CATHERWOOD

Glorified by a beautiful love story.--_Chicago Tribune._

We feel quite justified in predicting a wide-spread and prolonged

popularity for this latest comer into the ranks of historical

fiction.--_The N. Y. Commercial Advertiser._

After all the material for the story had been collected a year was

required for the writing of it. It is an historical romance of the

better sort, with stirring situations, good bits of character drawing

and a satisfactory knowledge of the tone and atmosphere of the period

involved.--_N. Y. Herald._

Lazarre, is no less a person than the Dauphin, Louis XVII. of France,

and a right royal hero he makes. A prince who, for the sake of his lady,

scorns perils in two hemispheres, facing the wrath of kings in Europe

and the bullets of savages in America; who at the last spurns a kingdom

that he may wed her freely--here is one to redeem the sins of even those

who "never learn and never forget."--_Philadelphia North American._

With six Illustrations by Andre Castaigne

12 mo. Price, $1.50

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

"THE MERRIEST NOVEL OF MANY, MANY MOONS"

MY LADY PEGGY GOES TO TOWN

By FRANCES AYMAR MATHEWS

The Daintiest and Most Delightful Book of the Season.

A heroine almost too charming to be true is Peggy, and it were a

churlish reader who is not, at the end of the first chapter, prostrate

before her red slippers.--_Washington Post._

To make a comparison would be to rank "My Lady Peggy" with "Monsieur

Beaucaire" in points of attraction, and to applaud as heartily as that

delicate romance, this picture of the days "When patches nestled o'er

sweet lips at chocolate times."--_N. Y. Mail and Express._

12 mo. Beautifully illustrated and bound.

Price, $1.25 net

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

A VIVACIOUS ROMANCE OF REVOLUTIONARY DAYS

ALICE _of_ OLD VINCENNES

By MAURICE THOMPSON

_The Atlanta Constitution says_:

"Mr. Thompson, whose delightful writings in prose and verse have made

his reputation national, has achieved his master stroke of genius in

this historical novel of revolutionary days in the West."

_The Denver Daily News says:_:

"There are three great chapters of fiction: Scott's tournament on Ashby

field, General Wallace's chariot race, and now Maurice Thompson's duel

scene and the raising of Alice's flag over old Fort Vincennes."

_The Chicago Record-Herald says_:

"More original than 'Richard Carvel,' more cohesive than 'To Have and To

Hold,' more vital than 'Janice Meredith,' such is Maurice Thompson's

superb American romance, 'Alice of Old Vincennes.' It is, in addition,

more artistic and spontaneous than any of its rivals."

VIRGINIA HARNED EDITION

12mo, with six Illustrations by F. C. Yohn, and a Frontispiece in Color

by Howard Chandler Christy. Price, $1.50

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

A STORY BY THE "MARCH KING"

THE FIFTH STRING

By JOHN PHILIP SOUSA

The "March King" has written much in a musical way, but "The Fifth

String" is his first published story. In the choice of his subject, as

the title indicates, Mr. Sousa has remained faithful to his art; and the

great public, that has learned to love him for the marches he has made,

will be as delighted with his pen as with his baton.

"The Fifth String" has a strong and clearly defined plot which shows in

its treatment the author's artistically sensitive temperament and his

tremendous dramatic power. It is a story of a marvelous violin, of a

wonderful love and of a strange temptation.

A cover, especially designed, and six full-page illustrations by Howard

Chandler Christy, serve to give the distinguishing decorative

embellishments that this first book by Mr. Sousa so richly deserves.

With Pictures by Howard Chandler Christy

12mo. Price, $1.25

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

A GOOD DETECTIVE STORY

THE FILIGREE BALL

By ANNA KATHERINE GREEN

Author of "The Leavenworth Case"

This is something more than a mere detective story; it is a thrilling

romance--a romance of mystery and crime where a shrewd detective helps

to solve the mystery. The plot is a novel and intricate one, carefully

worked out. There are constant accessions to the main mystery, so that

the reader can not possibly imagine the conclusion. The story is

clean-cut and wholesome, with a quality that might be called manly. The

characters are depicted so as to make a living impression. Cora Tuttle

is a fine creation, and the flash of love which she gives the hero is

wonderfully well done. Unlike many mystery stories The Filigree Ball is

not disappointing at the end. The characters most liked but longest

suspected are proved not only guiltless, but above suspicion. It is a

story to be read with a rush and at a sitting, for no one can put it

down until the mystery is solved.

Illustrated by C. M. Relyea.

12mo, Cloth, Price, $1.50

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

A VIVID WESTERN STORY OF LOVE AND POLITICS

THE 13TH DISTRICT

By BRAND WHITLOCK

This is a story of high order. By its scope and strength it deserves to

be spoken of as a novel--and that word has been very much abused by

hanging it to any old thing. It is a wonderfully good and interesting

account of the workings of politics from before the primaries on through

election, with a splendid love story also woven into it.

One would think for instance, that it would be impossible to give an

account of a "primary" and keep it interesting; it is natural to suppose

a writer would become entangled with the dull routine of it all, but he

does not, he makes it interesting. He shows the tricks, the heat, the

passion, the tumult; the weariness and stubborness of a dead lock. The

descriptions of society life in the book are equally good.

12mo. Price, $1.50

The Bobbs-Merrill Company, _Indianapolis_

* * * * *

THE TRIUMPH OF FORGIVENESS

THE LOOM OF LIFE

By CHARLES FREDERIC GOSS

Author of "The Redemption of David Corson."

In "The Loom of Life" Dr. Goss has written a powerful book, filled with

the poetry and tragedy of life. It tells a novel and impressive story in

a style marked by a charming felicity of expression.

The story, which has an epic broadness and strength, is of a young girl

who revenges a wrong done to her with life-long persecution. Finally,

however, she is forced to realize that on earth peace and happiness can

be obtained only by forgiveness.

"Mr. Goss' splendid powers have been demonstrated afresh. This book

alone is strong enough, big enough, important enough, enough suggestive

and informing, to make a reputation for any one.

"He has already a large audience created by his earlier book, 'The

Redemption of David Corson.' The new book will at once find favorable

and eager readers."--_The Living Church._

12mo, cloth. Price, $1.50

The Bobbs-Merrill Company, _Indianapolis_

The Main Chance · 第 42 / 42 章