"Yes. And I'm sure that's what our poor, handsome friend is thinking."

"Do you suppose he--minds?"

"I reckon he would like to go on being acquainted with you, Betty, and

have the chances of other men. You're not an unattractive girl, you

know--or maybe you don't know. And he's human. I have a sort of idea

he'll try and make some change in his way of life, so that it may be

possible to meet you again."

When Sally said this, I had the oddest sensation, like a prickling in

all my veins. I longed to ask her if she were joking, or if she really

did think that Jim Brett was enough interested in me to take so much

trouble. But the words came only as far as the tip of my tongue, and

stuck to it as if they had been glued there.

VII

ABOUT SKY-SCRAPERS AND BEAUTIFUL LADIES

In the afternoon Mrs. Ess Kay and I in our thinnest muslins went out in

the motor. We whizzed up Fifth Avenue for several "blocks" (as she

called them), turned into an expensive-looking side street and stopped

before one of the most enormous buildings I ever saw in my life. It

seemed only half finished, for the steel columns of its skeleton were

still visible around the ground floor and the street before it was

still cluttered with bricks and boards and rubbish. In the hallway men

were working like active animals in an immense cage. Suddenly from

amongst them I saw emerge a beautifully dressed little girl foaming

with lace frills, led by a trained nurse in a grey and white uniform.

They were actually being let out of the lift, which had swooped down

with appalling swiftness, by a man in livery.

"Good Heavens," I exclaimed, "what a queer place for a child and its

nurse to be in."

"My dear girl, they live there," said Mrs. Ess Kay rather scornfully.

"That is Mrs. Harvey Richmount Taylour's little Rosemary with her

nurse."

"People live on top of those poles like Jack in a beanstalk!" I

exclaimed. "How appalling."

As I looked through the hallway up sprang the lift once more, fierce

and swift as one of the rockets which I used as a child to be afraid

might strike the angels. A minute of suspense and it swooped down again

with two girls in it. I felt as if it were a thing I oughtn't to be

seeing somehow; it was so much like spying on the digestive apparatus

of a skeleton.

"You see," explained Mrs. Ess Kay, "the Taylours and other people were

frightfully anxious to get in. The rest of the building will be

finished soon, and this is going to be one of the swellest apartment

houses in New York."

"This an apartment house!" cried I, thinking of the dull streets in

London, where almost every door has "Apartments" printed over it in

gilt letters, or else hanging crooked and dejected on a card. "But,

oh--perhaps you mean it's _flats_."

"For goodness sake, don't say 'flats' to Margaret Taylour," exclaimed

Mrs. Ess Kay, marshalling me into the mammoth skeleton. "Over here,

only common people live in flats; our sort have 'apartments.'"

"It's just the other way round with us," I explained. "Those who have

flats would be furious if you said they lived in apartments."

"You English are so quaint in some ways," remarked Mrs. Ess Kay, and

though I didn't answer, I was surprised. It's all well enough for us to

think Americans odd, and we are accustomed to that, for everybody says

they are; but that they should think _our_ ways comic does seem

extraordinary, almost improper.

By this time we were in the lift, which shut upon us with a vicious

snap, and then tossed us up towards the roof of the world. I do hope

one doesn't experience the same sensation in dying; though in that case

it would be worse going down than up.

Before I had time to do more than gasp, we were at the top; and as we

waited for an instant outside Mrs. Harvey Richmount Taylour's door, I

should have liked to pinch my cheeks lest my fright had left me pale.

Vic has a friend who lives in a flat near the Park for the Season, and

once I was taken there. I thought it quite beautiful, but though the

friend's a Countess and very rich, the flat is poor compared with this

topheavy nest of Mrs. Taylour's.

In a white drawing-room where the only spots of colour were the

roses--masses of pink roses in gold bowls--a Madonna-like being was

reclining in a green and white billow of a lace tea gown, on a white

sofa. She held out both hands to Mrs. Ess Kay, and looked at me,

apologising for not getting up.

When you come to examine her, the only thing really Madonna-like about

Mrs. Harvey Richmount Taylour is her way of doing her hair. It's parted

in the middle, and folds softly down in brown wings on either side of

rather a high forehead, white enough to match her drawing-room. She has

gently curved eyebrows, too; but under them her dark eyes are as bright

and sharp as a fox-terrier's. She has pale skin, red lips, and thin

features, with a stick-out chin, cut on the same pattern as Mrs. Ess

Kay's though it isn't as square yet, because she is years

younger--perhaps not more than twenty-eight.

Mrs. Ess Kay introduced us, in a more precise way than we have at home,

and Mrs. Taylour said that she was very happy to meet me, which I

should have thought particularly kind, if I hadn't found out that it's

a sort of formula which Americans think it polite to use.

She talked to me a good deal, and wanted to know how I liked America,

of course; I was sure she would do that.

Then Mrs. Ess Kay explained that I was interested in her apartment

being up so high, and thought her plucky to live in it before the house

was finished. This amused Mrs. Taylour very much.

"We are just thankful to be in it," she said. "I was tired out with

housekeeping, the servant question is too awful."

"I see you've a trained nurse-maid for Rosemary," said Mrs. Ess Kay.

"We met them going out."

"Isn't Rosemary a pet?" Mrs. Taylour asked me, as if she were speaking

of somebody else's little girl.

"Sweet," I said. "Has she been ill?"

"No. Do you think she looks delicate?"

"It was the hospital nurse----" I began; but Mrs. Taylour laughed.

"Oh, I suppose that _would_ strike you as funny. But we often have them

for our children. We poor New York women have so much to do socially,

we have to be relieved of _all_ feeling of responsibility, if we don't

want to come down with nervous prostration. I shall hang onto this same

nurse for years if she'll stay; she's _so_ good, and only ten dollars a

week. When Rosemary grows up and comes out, she will be her maid, you

know, Lady Betty. Do you ever have trained nurse-maids in England?"

"No," I said. "Fancy!"

"Oh, it's a splendid thing for a girl--nothing like it. You see the

woman looks after her like a maid and a nurse both; makes sure her

bath's the right temperature, takes care of her if she gets the grippe;

sits up and gives her beef tea or chocolate after balls, massages her,

and things like that. I used to have one myself, but a woman after

she's married is different from a Bud. She _must_ have a French woman

for her hair if she respects herself."

I said meekly that I supposed so; and then Mrs. Taylour left me to

myself for a few minutes, while she talked to Mrs. Ess Kay. They

compared notes about appendicitis, which they called the fashionable

complaint, and Mrs. Taylour suddenly exclaimed:

"Oh, my dear, I have had just _the_ smartest idea. As soon as Doctor

Pearson will let me go to Blue Bay I tell you I mean to wake them up

there. What I'll do, is to have an appendicitis lunch. It'll be rather

_conducive_, won't it?"

"You _are_ the most original thing!" exclaimed Mrs. Ess Kay. "How are

you going to manage?"

"Oh, nobody shall be invited except those who have had it; and the

great feature will be the decorations; operating instruments, you know,

and hospital nurses, and--oh, I don't know what all yet, but I'm

thinking it out. It was Cora Pitchley's Cat Lunch that put it in my

head." She turned to me. "In America we give Women's lunches," she

said. "Only women are asked, or a Cat Lunch couldn't be worked. Is it

so with you, too?"

"I'm afraid our women would think it a bore if there were no men," I

answered. "Anyway, there always are some, I believe. I'm not out yet.

Do tell about the Cat Lunch."

"Oh, it was only a pretty smart trick of my friend, Mrs. Pitchley's.

She was a rich young widow from the West, with millions, and very

pretty and lively, so some of the old cats snubbed her and tried to

keep her out of New York society, when I was introducing her around.

But she got her foot in at last, so tight they couldn't help

themselves, for the Van Tortens took her up, and she was _made_. So

what did she do but give a big lunch, inviting all the women who had

been the meanest to her, and not another soul. The _whole_ table

decoration consisted of cats; vases made of cats; flower-arrangements

shaped like cats; and a little gold cat with emerald eyes for each

woman to take away with her, so she wouldn't forget the lunch in a

hurry. And would you believe it, not one of them saw the joke till

_Smart Sayings_ got hold of it, and published an account of the

function next week."

"What did the women do?" I asked.

"Nothing, but feel cattier than before. She's richer than ever now, for

she's married a man worth twenty millions, and the first thing he did

was to give orders to Celeste, her dressmaker, to turn out two new

dresses for his wife, every week of the year without fail, not one of

them to cost less than two hundred and fifty dollars. It was such a

strain on Celeste, thinking of new ideas, that she had to give it up

after the first year, though it nearly broke her heart."

"I should have thought it would be a strain having the dresses to

wear," said I. "Fancy getting passionately attached to one frock, but

never being able to wear it more than once or twice, on account of your

duty to the new ones always coming towards you in a long, relentless

procession, down the years. I should hate it."

"I wouldn't," said Mrs. Taylour. "I can't have too many new things, and

I always change each scrap of furniture and decoration in my own rooms

every year, so that Mr. Taylour won't get tired of them. He's such a

nervous man. But you'll meet Cora Pitchley at Newport. Her house is

there. She's a type of an American woman, just as bright as she can be.

Her second husband was a wholesale dry goods man years ago, but most

people have forgotten that, now he's worth his millions, and he's got

the most gorgeous place, quite like one of your old castles. The worst

of it is, his mother lives with them, and when she was showing the

bride--Cora--over the house (which was decorated pretty weirdly for the

first wife,) the old lady kept explaining: 'This is the Louis Seize

room; this is the Queen Anne room.' Cora just looked at the things, and

said: 'What makes you think so?' Smart, wasn't it? But Cora's changed

everything inside the house now. She loves change. She's even changed

her birthday, so as to have it in leap year; and as for her mind, she

changes it entirely at least six times a day; says that's why women

have nicer minds than men; they change them oftener. But I've gossiped

enough about a person you don't know, Lady Betty. Let's talk about

England. I run over to Paris for a month or two most years, but I've

only been twice to England. I did all the sights, though, didn't miss

anything. I gave four days to London alone. Candidly, I don't think

your women dress nearly as well as we do, or hold themselves as well,

but perhaps you're more _feminine_ looking, take you all in all. I

don't mean anything _personal_, of course. But I _do_ think your men

are lovely. I met a perfectly charming Member of Parliament, and he

invited me to tea on the terrace. Such strawberries and cream. But I'm

afraid I hurt his feelings. I said I couldn't help thinking 'House of

Commons' a most insulting name, and if we called our Senate anything

like that we couldn't get an American man who respected himself to go

into it. But English people are so queer. They don't seem to mind

admitting that there is a class above theirs."

"Betty doesn't need to know anything about that," said Mrs. Ess Kay.

"She is on the highest pinnacle."

"Oh, dear no," said I. "There are the Royalties."

"Don't you think you are just as _good_?" asked Mrs. Taylour.

"I never thought about it in that way," I answered, stupidly. For of

course I hadn't.

"Surely you don't bob to them?"

"Indeed we do," I protested.

"Well then, I _wouldn't_," said Mrs. Taylour, firmly. "I'd have my head

cut off first, especially before I'd curtsey to a Man."

Quite a colour flew into her face as she asserted her independence, and

Mrs. Ess Kay must have seen that the invalid was getting excited, for

she rose quickly to go.

"Come, Betty," said she, and I came.

The lift plunged us down through the inner workings of the skeleton. I

had the sensation that it was dropping away from under my feet, and

that as I dangled above it like a wobbly little balloon my head had

been left behind somewhere near the top. But I didn't leave my heart

behind in Mrs. Taylour's flat.

VIII

ABOUT NEWPORT AND GORGEOUSNESS

I was anxious to travel in an American train, so Mrs. Ess Kay said we

might go by rail to Newport, instead of by boat as she had intended.

I know it was very wrong in principle, but when we got to the Grand

Central Station, (or Depot, as perhaps I ought to call it,) I did wish

that slavery existed again, so that I could have bought two or three of

those delightful _cafe-au-lait_-coloured porters in grey livery and red

caps. There were several I would have given anything to have to take

home with me, and make pets of; but I suppose even if they had been for

sale, they would have come too expensive and I should have had to give

them up; for their eyes alone, to say nothing of their pleasant white

grins, would have been worth pounds and pounds. As for their voices,

they were the sweetest I'd heard in America, soft, and a little

throaty, with a peculiar quality, quite different from the voice of a

person who hasn't been dipped in _cafe au lait_. With their vivid red

caps, their brilliant eyes, and their lightning-flash smiles, they

looked to me more like great wonderful, tropical birds than human

beings, and they seemed so honey-luscious in their good nature that I'm

sure all the things that serious and learned people say in England

about the "dangers of the increasing coloured population in America"

must be nonsense. Serious and learned people do make such mistakes,

through never seeing the fun in anything; and every few years they find

out that they have been quite wrong in what they have taught with so

much trouble, about comets and microbes and men, and other progressive

things.

We had a number of these tropical birds that have been tamed to serve

the railway, to help us with our bags and things getting into the

train, although there were Louise and a couple of Mrs. Ess Kay's

footmen as well. I looked at their brown hands, and they were quite

pink inside, as pink as mine. I don't know why this gave me a shock,

but it did. Perhaps one had the feeling that the nice creatures were

only painted to play their parts, or that their white souls--just like

ours--were striking through their skins.

It was a beautiful train. Even the engine was different from our kind,

much fiercer, and reared its head higher, like a wild stag compared to

a stout but reliable ox. Our carriage had no compartments in it, but

was just one long wide, moving corridor, all plate glass windows and

mirrors, and painted panels, and velvet arm chairs dotted about, rather

like a hotel drawing-room on wheels.

There were a good many people in it when we got in, which annoyed Mrs.

Ess Kay so much that she wished she had borrowed a private car from a

friend who would have loved lending it. But I was glad she hadn't, for

the people were part of the fun. Mrs. Ess Kay was sure they were

nobodies, because she didn't happen to know any of their faces; but

perhaps they were thinking the same thing about her.

Anyway, they were mostly women and all pretty and perfectly dressed, as

even quite common people appear to be in America. I haven't caught

sight of a dowdy woman since I came. None of their frocks hitch up in

front and dip down behind, as you see people's doing if you are taken

to a shop in Oxford Street or even sometimes in Bond Street; and their

belts always point beautifully down at the waist, although it _isn't_

the Season in New York.

The train was a fast one, and simply hurled itself and us through

space, as if we had got onto the tail of a comet by mistake; but it

hardly waggled at all, so that we could have studied the scenery nicely

if we had been able to see it behind the advertisements.

Passing the outskirts of New York, it seemed as if every villa, even

the quite smart ones, did their own washing. The gardens--which Sally

told me to call back yards--were just as full of clean clothes as the

meadows were of advertisement hoardings, and I rather wondered why some

enterprising agents didn't go round and offer the people big prices for

painting Uneeda Biscuit on their petticoats and shirts.

We tore through such charming places with fascinating houses built of

wood, among parks of feathery green trees, that I was sure Newport

could be no prettier; but Mrs. Ess Kay spoiled the most picturesque one

for me by saying that it was practically settled by retired butchers

and tailors. According to Mrs. Ess Kay and her brother, all you have to

do to be sure of being rich in America, is to decide to be either a

tailor or a butcher, so it seems quite simple, and I'm surprised that

everybody doesn't do it. Only if you do, it appears there is no use in

your going to Newport until you've lived it down; which, of course,

must be a drawback.

Just as I had got rather giddy from looking out of the window, a boy

(exactly like the boys in melodrama who begin by selling papers and end

by saving the heroine from the villain) came into the car, piled up to

his head with novels and magazines. He scattered a lot over us, like

manna, without asking us to pay, but just as I had got passionately

interested in a short story he came back and began to gather everything

up. Seeing that I clung to my lot, Potter bought them all for me,

before I could stop him.

There were two books and four magazines, with superlatively

good-looking, well-groomed young men and divinely lovely girls for the

heroes and heroines. The story I was most interested in had a hero like

Mr. Brett; but it was disappointing in the end, because he married a

short plump girl with black eyes, and somehow it spoiled the realism,

as I couldn't fancy he would really have cared so dreadfully for a girl

like that. Anyway, it put me out of the mood for reading any more

stories and I began glancing over the advertisements. At least, I

glanced at first, but soon I was absorbed; for they were wonderful.

I had never dreamed that there were such kind, thoughtful men in

business as the ones who advertised in those fat American

magazines,--and so clever, too; they seemed to have spent their whole

past lives simply in studying things, so that eventually they could

make you happy and save you trouble.

They lived only for that, those incredibly nice men. There were

photographs of some of them with their advertisements, so that you

could know what they were really like, and have even more confidence in

them than you would if you hadn't seen their style of features. There

were two or three whose profiles I could _never_ get to feel at home

with, even if I had been born with one of them; but the majority were

brave, energetic,--oh! terribly energetic-looking men, as indeed they

would need to be, if they were really to accomplish all the things they

promised, not only for you but for the hundreds of thousands of other

people who might be inclined to put them to the test.

There were things like this in the magazines,--all the magazines:

* * * * *

"Listen to me, Miss (or Madam). I have something to say which will

interest You. Do you want a Perfect Complexion? Don't move. Sit

still in your chair. Cut out this Coupon. Slip it into a stamped

envelope, and we will give You what You want by return of post."

"Why Suffer? You have Headache. We have the Cure. We ask nothing

better than to take away the One and give you the Other."

"Let us lend you a Beautiful Diamond Ring to wear till you are

tired of it. When you are, we will take it back, and return you all

but five per cent. of your money."

"Don't come to Us. Let us come to You, and bring You Something. You

have always Wanted Health, Wealth, Wisdom."

"We would like to give You some Friendly Advice. We don't want a

Red Cent for it."

"You are going to have a Party, and you are worried. Don't worry.

Just 'phone to us, and we will arrange Everything for you better

than you could yourself, with no trouble to you and your servants."

* * * * *

There were so many splendid things to have, to wear, and to eat,

advertised in the same kind, fatherly way, that I felt as if I had

unconsciously yearned for each one of them more than for anything else

in my life, and now it had been put into my head in all its fatal

fascination, I couldn't possible exist another day without sending for

it, to one in that procession of noble, self-sacrificing, American

advertisers. I felt, too, that if anything disagreeable should happen

to me, like a railway or motor car accident, I could spend the rest of

my existence lying down, and still the splendid things would come

running to me, if I just 'phoned or flung a stamp into space.

I mentioned something of the sort to Sally. "I wonder they don't offer

to choose you a husband," said I. "I didn't know advertisements could

be so interesting."

"What about your own?" she asked. "They're a hundred times quainter."

I thought hard about the _Morning Post_ and _The Queen_, but couldn't

remember anything extraordinary in the advertising line, and said so.

"Perhaps you, being English, don't see anything extraordinary about a

clergyman's wife offering to exchange a canary bird for six months'

subscription to _Punch_; or the widow of an officer earnestly desiring

an idiot lady to board with her; or a decayed gentlewoman inviting the

public to give her five pounds; but we, being American, _do_," replied

Sally. "Why, I'd rather read the advertisements in some of your morning

papers and ladies' weeklies than I would eat."

"Talking of eating, it's lunch-time," said Potter. "There'll be a big

menagerie feeding in the dining-car, but there's no good waiting for it

to finish, as then there'll be no food left."

So we took his suggestion; and there was a crowd, but he had secured a

table for four, and we squeezed ourselves into the places.

I have travelled abroad with Mother and Vic, where there were Americans

in the dining-car, and they have been cross because they didn't get

served quickly and they have said things. But in this car going to

Newport, you forgot what you had had last before the next course came,

yet nobody seemed to mind. They were as patient as lambs, and simply

took what was given them when they could get it, although they looked

as if they were used to everything very nice at home. I suppose it must

have been because they were all Americans together, eating American

things, with American waiters to wait upon them and no foreigners who

ought to know they wouldn't stand that sort of nonsense, hanged if they

would.

Some of Mrs. Ess Kay's servants had gone on before us, and some were in

our train. Exactly how it was managed, I don't know; but things that

would worry us into grey-haired graves don't seem to bother Americans

at all; and there was the motor waiting when we arrived at the end of

our journey, with a private motor omnibus for the servants and luggage.

Sometimes it is rather a pretty sight at the station where you have to

get out for Battlemead, or for the village, when one of the best trains

from Town comes in, especially if Mother or anyone at other big places

in the neighbourhood should be having a house party. There are several

rather good victorias with nice sleek horses, a handsome brougham or

two, a motor car or two, to say nothing of dog carts and phaetons. But

it is a poor show compared to the scene at Newport. I felt suddenly as

if I were at the theatre, and the curtain had just gone up on a

brilliant new act.

Lady Betty Across the Water · 第 9 / 20 段