By C. Shook

[Transcriber's Note: This etext was produced from

Astonishing Stories, June 1942.

Extensive research did not uncover any evidence that

the U.S. copyright on this publication was renewed.]

I'm playing trombone in a little five-piece combo at Benny's Bar and

Grill when it happens. At the time we are slightly enlarged by the

presence of four of Bill Gundry's boys who are working out at the park

and have dropped by to sit in after they have finished, and also we

have present Eddie Smith and Mart Allen, who are a clarinet and trumpet

from The Pines.

Benny's is the local hangout for all the musicians in town, which is

the main reason I'm playing there; one night Whiteman himself shows,

when his band is working a theatre job at the Palace.

During the early part of the night we play our own arrangements off the

paper, but after about one o'clock we are liable to be jamming with

any of the boys who can find seats--like this night I'm telling you

about.

When I first notice it we are giving out on the _Jazz Me Blues_, which

is a fine ensemble number, and we are hitting it in a fast Dixieland.

I'm ragging the beat and I can feel the old slush pump tremble, but

I figure it's because I'm really solid at the moment and I keep on

sending.

Well, we clean up the _Jazz Me's_ and I'm still hot so I hit right on

the B-natural for _Stardust_, with the boys jumping in, and we take it

slow and mellow through one chorus together. Then I stand up for a solo

on the second, and that is when it happens.

I don't know exactly what takes place, but I'm riding as I reach out

for a high one that's really out of the world. I feel the pump tremble

again, and then what happens is that I am really out of the world.

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