To go by road from Tarbolton to Lochlea farm is to go around three

sides of a square, east, north, and then west again. Certain it is

that Burns never took so many superfluous steps to do it; and as I

drove along I found absorbing interest in looking at the little

cluster of farm buildings beyond the fields, and wondering where the

light-footed boy used to "cut across" for his nightly frolics. There

is nothing left at Lochlea now of him or his; nothing save a worn

lintel of the old barn. The buildings are all new; and there is a look

of thrift and comfort about the place, quite unlike the face it must

have worn in 1784. The house stands on a rising knoll, and from the

windows looking westward and seaward there must be a fine horizon and

headlands to be seen at sunset. Nobody was at home on this day except

a barefooted servant-girl, who was keeping the house while the family

were at church. She came to the door with an expression of almost

alarm, at the unwonted apparition of a carriage driving down the lane

on Sunday, and a stranger coming in the name of a man dead so long

ago. She evidently knew nothing of Burns except that, for some reason

connected with him, the old lintel was kept and shown. She was

impatient of the interruption of her Sabbath, and all the while she

was speaking kept her finger in her book--"Footprints of Jesus"--at

the place where she had been reading, and glanced at it continually,

as if it were an amulet which could keep her from harm through the

worldly interlude into which she had been forced.

"It's a pity ye came on the Sabba-day," remarked the driver again, as

we drove away from Lochlea. "The country people 'ull not speak on the

Sabbath." It would have been useless to try to explain to him that the

spectacle of this Scottish "Sabba-day" was of itself of almost as much

interest as the sight of the fields in which Robert Burns had walked

and worked.

The farm of Mossgiel, which was Burns's next home after Lochlea, is

about three miles from Tarbolton, and only one from Mauchline. Burns

and his brother Gilbert had become tenants of it a few months before

their father's death in 1784. It was stocked by the joint savings of

the whole family; and each member of the family was allowed fair rates

of wages for all labor performed on it. The allowance to Gilbert and

to Robert was seven pounds a year each, and it is said that during the

four years that Robert lived there, his expenses never exceeded this

pittance.

To Mossgiel he came with new resolutions. He had already reaped some

bitter harvests from the wild oats sown during the seven years at

Lochlea. He was no longer a boy. He says of himself at this time,--

"I entered on Mossgiel with a full resolution, 'Come, go; I will be

wise.'"

Driving up the long, straight road which leads from the highway to the

hawthorn fortress in which the Mossgiel farm buildings stand, one

recalls these words, and fancies the brave young fellow striding up

the field, full of new hope and determination. The hawthorn hedge

to-day is much higher than a man's head, and completely screens from

the road the farm-house and the outbuildings behind it. The present

tenants have lived on the farm forty years, the first twenty in the

same house which stood there when Robert and Gilbert Burns pledged

themselves to pay one hundred and twenty pounds a year for the farm.

When the house was rebuilt, twenty years ago, the old walls were used

in part, and the windows were left in the same places; but, instead of

the low, sloping-roofed, garret-like rooms upstairs, where Burns used

to sleep and write, are now comfortable chambers of modern fashion.

"Were you not sorry to have the old house pulled down?" I said to the

comely, aged farm-wife.

"'Deed, then, I was very prood," she replied; "it had na 'coomodation,

and the thatch took in the rain an' all that was vile."

In the best room of the house hung two autograph letters of Burns's

plainly framed: one, his letter to the lass of ----, asking her

permission to print the poem he had addressed to her; the other, the

original copy of the poem. These were "presented to the house by the

brother of the lady," the woman said, and they had "a great value

now." But when she first came to this part of the country she was

"vary soorpreezed" to find the great esteem in which Burns's poetry

was held. In the North, where she had lived, he was "na thocht weel

of." Her father had never permitted a copy of his poems to be brought

inside his doors, and had forbidden his children to read a word of

them. "He thocht them too rough for us to read." It was not until she

was a woman grown, and living in her husband's house, that she had

ever ventured to disobey this parental command, and she did not now

herself think they were "fitted for the reading of young pairsons."

"There was much more discreet writin's," she said severely; an opinion

which there was no gainsaying.

There is a broader horizon to be seen, looking westward from the

fields of Mossgiel, than from those of Lochlea; the lands are higher

and nobler of contour. Superb trees, which must have been superb a

century ago, stand to right and left of the house,--beeches, ashes,

oaks, and planes. The fields which are in sight from the house are now

all grass-grown. I have heard that twenty years ago, it was

confidently told in which field Burns, ploughing late in the autumn,

broke into the little nest of the

"Wee sleekit, cow'rin', tim'rous beastie,"

whom every song-lover has known and pitied from that day to this, and

whose misfortunes have answered ever since for a mint of reassuring

comparison to all of us, remembering that "the best-laid schemes o'

mice an' men" must "gang aft aglee;" and the other field, also near

by, where grew that mountain daisy,

"Wee, modest, crimson-tippèd flower,"

whose name is immortal in our hearts as that of Burns. This farm-wife,

however, knew nothing about them. The stern air of the north country

in which she had been reared still chilled somewhat her thoughts of

Burns and her interest in his inalienable bond on the fields of her

farm.

It is but a mile from Mossgiel's gate to Mauchline, the town of

"bonnie Jean" and Nansie Tinnoch and Gavin Hamilton. Surely a

strange-assorted trio to be comrades of one man. Their houses are

still standing: Jean's a tumble-down thatched cottage, looking out of

place enough between the smart, new houses built on either side of it;

Gavin Hamilton's, a dark, picturesque stone house, joined to the ruins

of Mauchline Castle; and Nansie Tinnoch's, a black and dilapidated

hovel, into which it takes courage to go. It stands snugged up against

the wall of the old graveyard, part below it and part above it,--a

situation as unwholesome as horrible; a door at the head of the narrow

stairway opening out into the graveyard itself, and the slanting old

stones leering in at the smoky windows by crowds. In the days when all

the "country side" met at the open-air services in this churchyard,

"Some thinkin' on their sins, an' some on their claes,"

no doubt Nancy Tinnoch's was a lighter, whiter, cheerier place than

now; else the "Jolly Beggars" would never have gone there to tipple.

It was the nooning between services when I reached Mauchline, and

church-goers from a distance were taking their beer and crackers

decorously in the parlor of the inn. As the intermission was only

three quarters of an hour long, this much of involuntary dissipation

was plainly forced on them; but they did not abuse it, I can testify.

They partook of it as of a passover: young men and maidens as sober

and silent as if they had been doing solemn penance for sins, as

indeed, from one point of view, it might perhaps be truly said that

they were.

By dint of some difficult advances I drew one or two of them into

conversation about the Mossgiel farm and the disappearance of the old

relics of Burns's life in that region. It was a great pity, I said,

that the Mossgiel house had to be taken down.

"'Deed, then, it was na such thing," spoke up an elderly man. "It was

na moor than a wreck, an' I'm the mon who did it."

He was the landlord of the farm, it appeared. He seemed much amused at

hearing of the farm-wife's disapproval of Burns's verses, and of her

father's prohibition of them.

"He was a heepocritical auld Radical, if ye knows him," he said

angrily. "I hope we'll never have ony worse readin' in our country

than Robert Bur-r-r-ns." The prolongation of the "r" in the Scotch way

of saying "Burns" is something that cannot be typographically

represented. It is hardly a rolling of the "r," nor a multiplication

of it; but it takes up a great deal more time and room than any one

"r" ought to.

After the landlady had shown to me the big hall where the Freemasons

meet, "the Burns' Mother Lodge," and the chest which used to hold the

regalia at Tarbolton in Burns's day, and the little bedroom in which

Stedman and Hawthorne had slept,--coming also to look at Burns's

fields,--she told me in a mysterious whisper that there was a nephew

of Burns's in the kitchen, who would like to see me, if I would like

to see him. "A nephew of Burns's!" I exclaimed. "Weel, not exactly,"

she explained, "but he's a grand-nephew of Burns's wife; she thet was

Jean, ye know," with a deprecating nod and lowering of the eyelid. So

fast is the clutch of a Scotch neighborhood on its traditions of

offended virtue, even to-day poor Jean cannot be mentioned by a

landlady in her native town without a small stone cast backward at

her.

Jean's grand-nephew proved to be a middle-aged man; not "ower

weel-to-do," the landlady said. He had tried his hand at doctoring

both in Scotland and America,--a rolling stone evidently, with too

much of the old fiery blood of his race in his veins for quiet and

decorous prosperity. He, too, seemed only half willing to speak of

poor "Jean,"--his kinswoman; but he led me to the cottage where she

had lived, and pointed out the window from which she was said to have

leaned out many a night listening to the songs of her lover when he

sauntered across from the Whiteford Arms, Johnny Pigeon's house, just

opposite, "not fou, but having had plenty" to make him merry and

affectionate. Johnny Pigeon's is a "co-operative store" now; and new

buildings have altered the line of the street so that "Rob Mossgiel"

would lose his way there to-day.

The room in which Burns and his "bonnie Jean" were at last married in

Gavin Hamilton's house, by Hamilton himself, is still shown to

visitors. This room I had a greater desire to see than any other spot

in Mauchline. "We can but try," said the grand-nephew; "but it's a

small chance of seeing it the Sabba."

The sole tenant of this house now is the widow of a son of Gavin

Hamilton's. Old, blind, and nearly helpless, she lives there alone

with one family servant, nearly as old as herself, but hale, hearty,

and rosy as only an old Scotchwoman can be. This servant opened the

door for us, her cap, calico gown, and white apron all alike bristling

with starch, religion, and pride of family. Her mistress would not

allow the room to be shown on the Sabbath, she said. Imploringly it

was explained to her that no other day had been possible, and that I

had come "all the way from America."

"Ye did na do weel to tak the Sabbath," was her only reply, as she

turned on her heel to go with the fruitless appeal to her mistress.

Returning, she said curtly,--

"She winna shew it on the Sabbath."

At this crisis my companion, who had kept in the background, stepped

forward with,--

"You don't know me, Elspie, do ye?"

"No, sir," she said stiffly, bracing herself up mentally against any

further heathenish entreaties.

"What, not know ----?" repeating his name in full.

Presto! as if changed by a magician's trick, the stiff, starched,

religious, haughty family retainer disappeared, and there stood, in

the same cap, gown, and apron, a limber, rollicking, wellnigh improper

old woman, who poked the grand-nephew in the ribs, clapped him on the

shoulder, chuckling, ejaculating, questioning, wondering, laughing,

all in a breath. Reminiscence on reminiscence followed between them.

"An' do ye mind Barry, too?" she asked. (This was an old man-servant

of the house.) "An' many's the quirrel, an' many's the gree we had."

Barry was dead. Dead also was the beautiful girl whom my companion

remembered well,--dead of a broken heart before she was eighteen years

of age. Forbidden to marry her lover, she had drooped and pined. He

went to India and died. It was in a December the news of his death

came, just at Christmas time, and in the next September she followed

him.

"Ay, but she was a bonnie lass," said Elspie, the tears rolling down

her face.

"I dare say she [nodding his head toward the house]--I dare say she's

shed many a salt tear over it; but naebody 'ill ever know she

repentit," quoth the grand-nephew.

"Ay, ay," said Elspie. "There's a wee bit closet in every hoos."

"'Twas in that room she died," pointing up to a small ivy-shaded

window. "I closed her eyes wi' my hands. She's never spoken of. She

was a bonnie lass."

The picture of this desolate old woman, sitting there alone in her

house, helpless, blind, waiting for death to come and take her to meet

that daughter whose young heart was broken by her cruel will, seemed

to shadow the very sunshine on the greensward in the court. The broken

arches and crumbling walls of the old stone abbey ruins seemed, in

their ivy mantles, warmly, joyously venerable by contrast with the

silent, ruined, stony old human heart still beating in the house they

joined.

In spite of my protestations, the grand-nephew urged Elspie to show us

the room. She evidently now longed to do it; but, casting a fearful

glance over her shoulder, said: "I daur na! I daur na! I could na open

the door that she'd na hear 't." And she seemed much relieved when I

made haste to assure her that on no account would I go into the room

without her mistress's permission. So we came away, leaving her gazing

regretfully after us, with her hand shading her eyes from the sun.

Going back from Mauchline to Ayr, I took another road, farther to the

south than the one leading through Tarbolton, and much more beautiful,

with superb beech-trees meeting overhead, and gentlemen's

country-seats, with great parks, on either hand.

On this road is Montgomerie Castle, walled in by grand woods, which

Burns knew so well.

"Ye banks and braes and streams around

The castle o' Montgomery,

Green be your woods and fair your flowers,

Your waters never drumlie!

There simmer first unfauld her robes,

And there the langest tarry,

For there I took the last fareweel

O' my sweet Highland Mary."

Sitting in the sun, on a bench outside the gate-house, with his little

granddaughter on his lap, was the white-haired gate-keeper. As the

horses' heads turned toward the gate, he arose slowly, without a

change of muscle, and set down the child, who accepted her altered

situation also without a change of muscle in her sober little face.

"Is it allowed to go in?" asked the driver.

"Eh--ye'll not be calling at the hoos?" asked the old man, surprised.

"No, I'm a stranger; but I like to see all the fine places in your

country," I replied.

"I've no orders," looking at the driver reflectively; "I've no

orders--but--a decent pairson"--looking again scrutinizingly at

me,--"I think there can be no hairm." And he opened the gate.

Grand trees, rolling tracts of velvety turf, an ugly huge house of

weather-beaten stone, with white pillars in front; conservatories

joining the wings to the centre; no attempt at decorative landscape

art; grass, trees, distances,--these were all; but there were miles of

these. It was at least a mile's drive to the other entrance to the

estate, where the old stone gateway house was in ruin. I fancy that it

was better kept up in the days before an Earl of Eglinstoune sold it

to a plain Mr. Patterson.

At another fine estate nearer Ayr, where an old woman was gate-keeper,

and also had "no orders" about admitting strangers, the magic word

"America" threw open the gates with a sweep, and bent the old dame's

knees in a courtesy which made her look three times as broad as she

was long. This estate had been "always in the Oswald family, an' is

likely always to be, please God," said the loyal creature, with

another courtesy at the mention, unconsciously devout as that of the

Catholic when he crosses himself. "An' it's a fine country ye've

yersel' in America," she added politely. The Oswald estate has acres

of beautiful curving uplands, all green and smooth and open; a lack of

woods near the house, but great banks of sunshine instead, make a

beauty all their own; and the Ayr Water, running through the grounds,

and bridged gracefully here and there, is a possession to be coveted.

From all points is a clear sight of sea, and headlands north and

south,--Ayr harbor lying like a crescent, now silver, now gold, afloat

between blue sky and green shore, and dusky gray roof-lines of the

town.

The most precious thing in all the parish of Ayr is the cottage in

which Burns was born. It is about two miles south from the centre of

the town, on the shore of "Bonnie Doon," and near Alloway Kirk. You

cannot go thither from Ayr over any road except the one Tam o' Shanter

took: it has been straightened a little since his day, but many a rod

of it is the same that Maggie trod; and Alloway Kirk is as ghostly a

place now, even at high noon, as can be found "frae Maidenkirk to

Johnny Groat's." There is nothing left of it but the walls and the

gable, in which the ancient bell still hangs, intensifying the silence

by its suggestion of echoes long dead.

The Burns cottage is now a sort of inn, kept by an Englishman whose

fortunes would make a tale by themselves. He fought at Balaklava and

in our civil war; and side by side on the walls of his dining-room

hang, framed, his two commissions in the Pennsylvania Volunteers and

the menu of the Balaklava Banquet, given in London to the brave

fellows that came home alive after that fight. He does not love the

Scotch people.

"I would not give the Americans for all the Scotch ever born," he

says, and is disposed to speak with unjust satire of their apparent

love of Burns, which he ascribes to a perception of his recognition by

the rest of the world and a shamefaced desire not to seem to be

behindhand in paying tribute to him.

"Oh, they let on to think much of him," he said. "It's money in their

pockets."

The room in which Burns was born is still unaltered, except in having

one more window let in. Originally, it had but one small square window

of four panes. The bed is like the beds in all the old Scotch

cottages, built into the wall, similar to those still seen in Norway.

Stifling enough the air surely must have been in the cupboard bed in

which the "waly boy" was born.

"The gossip keekit in his loof;

Quo' scho, 'Wha lives will see the proof,--

This waly boy will be nae coof;

I think we'll ca' him Robin.'"

Before he was many days old, or, as some traditions have it, on the

very night he was born, a violent storm "tirled" away part of the roof

of the poor little "clay biggin," and mother and babe were forced to

seek shelter in a neighbor's cottage. Misfortune and Robin early

joined company, and never parted. The little bedroom is now the

show-room of the inn, and is filled with tables piled with the

well-known boxes, pincushions, baskets, paper-cutters, etc., made from

sycamore wood grown on the banks of Doon and Ayr. These articles are

all stamped with some pictures of scenery associated with Burns or

with quotations from his verses. It is impossible to see all this

money-making without thinking what a delicious, rollicking bit of

verse Burns would write about it himself if he came back to-day. There

are those who offer for sale articles said to be made out of the old

timbers of the Mossgiel house; but the Balaklava Englishman scouts all

that as the most barefaced imposture. "There wasn't an inch of that

timber," he says,--and he was there when the house was taken

down--"which wasn't worm-eaten and rotten; not enough to make a

knife-handle of!"

One feels disposed to pass over in silence the "Burns Monument," which

was built in 1820, at a cost of over three thousand pounds; "a

circular temple supported by nine fluted Corinthian columns,

emblematic of the nine muses," say the guide-books. It stands in a

garden overlooking the Doon, and is a painful sight. But in a room in

the base of it are to be seen some relics at which no Burns lover can

look unmoved,--the Bibles he gave to Highland Mary, the ring with

which he wedded Jean (taken off after her death), and two rings

containing some of his hair.

It is but a few steps from this monument down to a spot on the "banks

o' bonnie Doon," from which is a fine view of the "auld brig." This

shining, silent water, and the overhanging, silent trees, and the

silent bell in the gable of Alloway Kirk, speak more eloquently of

Burns than do all nine of the Corinthian muse-dedicated pillars in his

monument.

So do the twa brigs of Ayr, which still stand at the foot of High

Street, silently recriminating each other as of old.

"I doubt na, frien', ye'll think ye'r nae sheep-shank

When ye are streekit o'er frae bank to bank,"

sneers the Auld; and

"Will your poor, narrow foot-path of a street,

Where twa wheelbarrows tremble when they meet,

Your ruined, formless bulk o' stane and lime,

Compare wi' bonny brigs o' modern time?"

retorts the New; and "the sprites that owre the brigs of Ayr preside"

never interrupt the quarrel. Spite of all its boasting, however, the

new bridge cracked badly two years ago, and had to be taken down and

entirely rebuilt.

The dingy little inn where

"Tam was glorious,

O'er a' the ills o' life victorious,"

is still called by his name, and still preserves, as its chief claims

to distinction, the big wooden mug out of which Tam drank, and the

chair in which he so many market-nights

"Gat planted unco richt."

The chair is of oak, wellnigh black as ebony, and furrowed thick with

names cut upon it. The smart young landlady who now keeps the house

commented severely on this desecration of it, and said that for some

years the house had been "keepit" by a widow, who was "in no sense up

to the beesiness," and "a' people did as they pleased in the hoos in

her day." The mug has a metal rim and base; but spite of these it has

needed to be clasped together again by three ribs of cane, riveted on.

"Money couldn't buy it," the landlady said. It belongs to the house,

is mentioned always in the terms of lease, and the house has changed

hands but four times since Tam's day.

In a tiny stone cottage in the southern suburbs of Ayr, live two

nieces of Burns, daughters of his youngest sister, Isabella. They are

vivacious still, and eagerly alive to all that goes on in the world,

though they must be well on in the seventies. The day I called they

had "just received a newspaper from America," they said. "Perhaps I

knew it. It was called 'The Democrat.'" As I was not able to identify

it by that description, the younger sister made haste to fetch it. It

proved to be a paper printed in Madison, Iowa. The old ladies were

much interested in the approaching American election, had read all

they could find about General Garfield, and were much impressed by the

wise reticence of General Grant. "He must be a vary cautious man;

disna say enough to please people," they said, with sagacious nods of

approbation. They remembered Burns's wife very well, had visited her

when she was living, a widow, at Dumfries, and told with glee a story

which they said she herself used to narrate, with great relish, of a

pedler lad who, often coming to the house with wares to sell in the

kitchen, finally expressed to the servant his deep desire to see Mrs.

Burns. She accordingly told him to wait, and her mistress would, no

doubt, before long come into the room. Mrs. Burns came in, stood for

some moments talking with the lad, bought some trifle of him, and went

away. Still he sat waiting. At last the servant asked why he did not

go. He replied that she had promised he should see Mrs. Burns.

"But ye have seen her; that was she," said the servant.

"Eh, eh?" said the lad. "Na! never tell me now that was 'bonnie

Jean'!"

Glimpses of Three Coasts · 第 14 / 37 段