CHAPTER XVII

IN AND AROUND LUXOR, WITH A SIDE LIGHT ON RAMESES THE GREAT

Until we arrived at Luxor we did not know the total meaning of the word

"old." The ruins, which are the stock in trade of this ancient City of

Thebes, date so far back into the dimness of Nowhere that all the other

antiquities of earth seem as fresh and recent as a morning newspaper.

"Old" is merely a relative term, after all. I remember in my native

town we small boys used to gaze in reverent awe at a court house that

was actually built before the Civil War. We would look up at that

weather-beaten frame structure, two stories high, with a square bird

cage on top of it, and to us it had all the historic interest of a

mediaeval castle. Later, in Chicago, when the special writer on the

newspaper ran short of topics he would dish up an illustrated story on

the oldest building in town. It was constructed away back in 1833.

When a man from the West goes East for the first time and sees

Independence Hall in Philadelphia, he takes off his hat and tries to

grasp the overwhelming fact that the building stood there even in the

far distant Colonial period. When he travels to London and walks

through St. Paul's or stands in the Henry VII. Chapel at Westminster he

begins to get a new line on the meaning of "old." Later he sees the

Forum at Rome and declares to himself:--"At last I have found something

really ancient."

But when he arrives at Luxor and rambles among the elephantine ruins

and sits in the deep cool shade of temples that had been standing a

good many centuries before anyone thought of laying out the Forum in

Rome he will begin to understand how everything else in the world is

comparatively hot from the griddle. One day we were in the shop of

Mouhammed Mouhassib, in Luxor, and the old antiquarian reached under

the counter and lugged out a mummy. The body was well preserved, and

the embalming cloth in which it was wrapped and cross-wrapped still

retained a definite texture.

"This mummy dates back beyond any of the dynasties of which we have a

record," said the dealer. "There were no inscriptions on the mummy

case, because when this gentleman lived it was not the custom to

inscribe the cocoon. You will observe, however, that he was buried in

a sitting posture, and we know that this manner of burial was

discontinued about 6000 B.C."

As we stood there gazing into the calm features of the unidentified

has-been and realised that he had been sitting in that easy attitude

for eight thousand years waiting for us to come along and be presented

to him, we began to get a faint inkling of what the word "old" really

means.

Goodness knows I am not going to attempt any detailed description of

the stupendous ruins which make Luxor the most interesting spot in

Egypt. Anyone who is going to describe Luxor needs a new box of

adjectives every few minutes, and, besides, to repeat over and over

again that the columns and cavernous sanctuaries at Karnak are

"gigantic," and "colossal," and "huge," and so on, cannot bring the

reader to any actual conception of the barbaric massiveness of these

ancient structures.

The rulers who built the main temple of Karnak, a section at a time,

thought they were not doing themselves credit unless they piled up

columns about the size of the redwood trees in California and guarded

each entrance with statues as big as the Goddess of Liberty in New York

Harbour, and when they made a wall to enclose a courtyard, they put up

something to resemble a mountain range. The ordinary 150 pound mortal

edging his way through the corridors and under the vast shadows of

these overwhelming uplifts of masonry feels about as large and as

important as a gnat.

Everywhere about these temples there are uniformed guards whose duty it

is to protect the remains against the vandal and the relic hunter. The

guard follows a few feet behind you as you roam through the many acres

of toppling ruin. He is afraid that you will steal something.

Inasmuch as the smallest fragment of one of these huge statues, or

obelisks, would weigh probably six hundred pounds, we felt that he was

not justified in suspecting us. But he followed along and then, when

we were leaving, he calmly came forward and indicated that he was ready

to take a money insult. This move on his part was most characteristic

of the Egyptian attitude toward visitors in general. Every native

expects to get something out of a traveller for the simple reason that

he needs the money. Suppose that a suspicious character should arrive

in an American city and the chief of police sent out a detective to

shadow him and see that he did not blow open any safes or crawl into

any second stories. The detective, having followed the suspect all

day, approaches him at nightfall and says, "Look here; you have put me

to a lot of trouble. I have been on my feet all day watching you for

fear that you were going to commit a burglary, and I think it is only

right that you should pay me something."

Every time we visited an antiquity these guards tagged at our heels,

watching us like hawks, and invariably they tried to hold us up for a

piece of silver before we departed. There is a Masonic understanding

among the natives that the tourist is to be fleeced. For instance,

although the copper coins are in common use among the natives, and in

the cheaper shops the prices are usually reckoned in milliemes, it is

almost impossible for a traveller to get any of these copper coins

because the natives want him to bestow his gratuities in piastres. A

millieme is worth one-half cent, and then the millieme is further

subdivided into fractional coins, some of which are about the size of

the mustard seed and worth about as much as a share of mining stock.

Egyptian money is very easily understood by Americans. The piastre is

the same as our five-cent piece or nickel. The silver five piastre

piece resembles our quarter and has the same value. The ten piastre

piece is the same as our half-dollar. The 100 piastre bill is worth

five dollars. Inasmuch as many of the prices sound large and important

when quoted in piastres, the dealers have learned to demand English

pounds sterling or American dollars. That is, they name their first

prices in sovereigns and dollars and then gradually work down to

piastres. I saw a native trying to sell a scarab to a tourist. His

first price was L7, equivalent to $35. After a half-hour of haggling

he had cut it to 7 piastres, or 35 cents, and the deal was consummated.

The old city of Thebes was a huge and hustling metropolis, surrounded

by a high wall of a hundred gates, with countless regiments of soldiers

marching out to conquer distant lands and bring back slaves in little

batches of 80,000 or so. This was along about 2000 B.C. The city

began to lose some of its importance a few centuries before the

Christian era and dwindled in size until twenty years ago it was a mere

village of huts nestling in the shade of the great temples. Then the

tourist travel set in very heavily, and to-day Luxor is a hustling city

with large hotels and fancy shops and a general air of prosperity. The

magnificent temple of Luxor is in the very heart of the new city. The

rambling temple of Karnak is a short donkey ride to the north, and

across the river, some three miles to the west, there are more temples

and shattered statues and the wonderful tombs of the kings. In olden

days there was a broad avenue leading north to Karnak and thence west

to the valley in the desert, where the kings were buried, and this

boulevard was guarded on either side, for the entire distance, by huge

recumbent Sphinxes carved out of granite. Can you imagine a double row

of gigantic figures crouched on each side of the street and about

twenty feet apart all the way up Broadway to Central Park and then

through the Park to Riverside Drive and up the drive to the distant

suburbs? If so, you will understand to what an extent these old rulers

"went in" for sphinxes. Labour cost nothing and time did not count for

anything and if a king wished to build an avenue of sphinxes leading to

his private temple or tomb all he had to do was to give the word.

As soon as a king mounted the throne he began making his funeral

preparations, and ordered the entire staff of stone cutters to chisel

out hieroglyphs explaining that he was great and good and just, and

that he never took off his hat to anyone except the gods, and then not

ordinary picayune gods, but only those of the very first magnitude.

According to the hieroglyphs, every king that ruled in Egypt was as

wise as Solomon, as brilliant in military strategy as Napoleon, and as

hard on the evildoer as our own beloved T.R.

This unanimous outpouring of eulogy is largely explained by the fact

that every memorial in honour of a ruler was erected and supervised by

that ruler himself. It's a fact! Of all the countless temples and

obelisks and godlike granite figures and festal tomb chambers remaining

in Egypt to testify to the majesty and splendour of the ancient

dynasties, every one was built under the personal supervision of the

man who gets all of the glory out of the inscriptions. The succeeding

generation never got up subscription lists to build monuments to

statesmen or military commanders. The dutiful and loving son never

ordered a memorial in honour of his illustrious father. He was too

busy carving his own biography on the sandstone and depicting himself

as pursuing the enemy or taking afternoon tea with haughty three-headed

gods.

In old Egypt every king was his own press agent. These rulers could

have written some great "personal recollections" for the magazines,

because they remembered all the incidents that brought them to the

centre of the stage with the calcium turned on, and wisely forgot all

details calculated to injure their standing with posterity.

[Illustration: _In old Egypt every king was his own press agent_]

You take Rameses the Great. He is regarded as perhaps the king pin of

all the rulers during Egypt's long period of national splendour. Have

you ever heard anyone say a word in criticism of Rameses' fiscal

policy, his treatment of the rebate system, management of the Senate,

or his social relations with the dark emissaries that came up from

Nubia? No! Everyone has a good word for Rameses. The writers of

ancient history extol him, and the guide books print his name in big

black letters, and the travellers to Egypt gather about his

glass-covered coffin in the Ghizeh Museum at Cairo and try to trace

noble lineaments in the shrunken features. They sigh over his

departure and look down at him mournfully, with their hats in their

hands, as if they had lost him this spring, instead of 3164 years ago

this spring. They say:--"Well, he certainly was a grand character and

it's too bad we haven't got some rulers of his calibre nowadays."

[Illustration: _They look down at him mournfully_]

It is not my desire to attack Rameses, but I feel it my duty to submit

to students of history and archaeologists a very interesting papyrus,

which came into my possession at Luxor. If this document is accepted

as authentic and the statements are believed, then it would appear that

Rameses was the champion advertiser of ancient times. If Rameses were

alive to-day he would own all the billboards in America. He would take

a full page in every Sunday paper and have his picture on free

calendars. He would give Lawson cards and spades.

In all accepted records discovered up to this time Rameses has received

nothing but praise. Why? Because all the records were doctored by

Rameses himself. He was the great builder of Egypt and all over the

walls of every building that he erected he had his picture and tales of

his mighty achievements blazoned forth in bright colors like the row of

banners in front of a side show. Wherever in Egypt he could find a

large smooth-faced rock he would engage a member of the Royal Academy

to sculp something about Rameses, and he would always stand and look

over the sculptor's shoulder to make sure that the king didn't get the

worst of it. If the army of Rameses suffered a defeat at the hands of

the Hittites, did any mention of the fact find its way into the

inscriptions? Most assuredly not. Rameses had the hieroglyphs report

that he made a masterly manoeuvre in order to develop the strength of

the enemy and then retired to a new and more strategic position.

[Illustration: _To make sure the King didn't get the worst of it_]

We cannot discover from the old inscriptions that any Egyptian army

ever suffered defeat, and yet it has been learned from other sources

that now and then an invading army had the whole native population

running foot races up and down the Nile. However, it was not

considered good form for historians to mention these painful incidents.

The rate of mortality among those who criticised the administration was

exactly 100 per cent. It is because all of the familiar records are

known to have been under censorship that the papyrus discovered by me

at Luxor possesses a most startling interest.

As a cold matter of fact, I discovered this manuscript by proxy. That

is, I bought it from the man who said he had found it concealed in the

funeral vestments of a mummy uprooted near Thebes in the month of

February. I cannot give the name of this Egyptian for the reason that

all valuable antiquities discovered in Egypt are supposed to belong to

the government, and anyone concealing an art treasure or some document

of rare value may be severely punished. I can say this much,

however--the native from whom I bought the papyrus assured me that he

was an honourable and truthful guide, and he gave me his personal

guarantee that he had removed the document from the mummy's

undergarment with his own hands and had been waiting an opportunity to

offer it to a traveller who was really a _connoisseur_ of antiquities

and a reverent student of ancient languages. All this he told me while

we were out on the desert together, and after looking apprehensively in

all directions to make sure that no human being was within three miles

of us, he pulled a tin cylinder from under his robe and carefully

removed from it the time-stained but still intact roll of papyrus. I

must say that I never saw a more convincing document. The hieroglyphs

looked as Egyptian as anything could be, and as soon as I saw them I

had a burning curiosity to know what message to future generations this

poor mummy had been hugging in his bosom through all these centuries.

I asked regarding the mummy on which the papyrus had been found and

learned that the inscription on his outer coffin indicated that he had

been an officer assigned to the royal palace of Rameses II., the type

of courtier who must bend the supple knee and wear the smiling face, at

all times concealing his real opinion of things in general.

The guarantee which accompanied the papyrus was so heartfelt and

altogether emphatic that I made the purchase. The price was large, but

I felt justified in paying it, for the native assured me that I could

sell it to the British Museum at any time for twice as much. I

promised faithfully that I would never mention his name in connection

with the deal, and this promise was easily kept, because he had a name

that no one could have remembered for two minutes.

For obvious reasons I did not show the document to my travelling

companions. I knew that if people heard of my discovery and got to

talking about it I might not be permitted to take it out of the

country. When we arrived at Cairo I went to Mr. Ralph Blanchard, an

American who is noted as an antiquarian, Egyptologist, and mummy

collector, and after a few cautious preliminaries told him that I had a

document in hieroglyphics of which I desired a translation. I begged

him not to inquire where or how I had obtained the papyrus. All I

wanted him to do was to tell me what the fool thing meant.

Blanchard was startled as soon as he looked at the document. I could

see that. He said he had deciphered a good many acres of

hieroglyphics, but this record was unique and the most interesting that

had ever come under his observation. He spent two days on the

translation, so as to be absolutely accurate regarding every fine point

and get not only the cold words but also the literary style and the

real spirit of the original communication.

[Illustration: _The original papyrus_]

Let the translation speak for itself. I must confess that when it was

completed I was overwhelmed. Not only had a flood of light been let in

upon a most important epoch, but there were also surprising revelations

as to the origin of valued words and phrases. Here is the

translation:--

_Rameses Second is a Smooth Citizen. His Foxy Scheme is to bunko

Posterity. His Soldiers go out and put up a hard Scrap and do up the

enemy and he hires a Stonecutter to give an Account of it on a Granite

Rock and hand all the Bouquets to Rameses. He is building many

Temples. The Architects draw the Plans. The Labourers do the Work.

The Public foots the Bill. Rameses and the Local Deities are the only

ones who butt into the Inscriptions. He has the future doped out as

follows:--Three thousand years from now, when Cook's Tourists see my

Pictures all over the Shop, they will conclude that I must have been

the real Works and they will call me Rameses the Great._

[Illustration: _Translation of the Rameses papyrus_]

This revelation in regard to the self-advertising proclivities of the

great monarch, coming, as it did, from one who had been intimately

associated with him, was so vastly important that Mr. Blanchard thought

it better to verify the translation. He took a copy of the document to

several eminent Egyptologists, and they agreed with him on every point.

They said there was no getting away from "scraps" and "butt in" and

"dope out" and other characters which seemed to me to have somewhat of

a modern flavour.

After a man has been universally respected for nearly three thousand

two hundred years it does seem a low down trick to show him up. And,

possibly, the anonymous writer was prejudiced because he had failed to

secure an appointment. Did the papyrus really come from the bosom of

the mummy? Who knows? Sometimes it is the duty of the traveller to

record facts as they come under his observation and not to draw hasty

conclusions.

The documentary evidence is submitted herewith--first a copy of the

original papyrus and then the translation, word for word and phrase by

phrase. The testimony should convince any who are disposed to be

sceptical. My only hope is that it will not entirely blast the

reputation of Rameses.

In Pastures New · 第 17 / 20 章