CHAPTER XII

ROUND ABOUT CAIRO, WITH AND WITHOUT THE ASSISTANCE OF THE DRAGOMAN OR

SIMON LEGREE OF THE ORIENT

Mr. Peasley is a secretive student of the guide book.

He reads up beforehand and on the quiet. Then when we come face to

face with some "sight" and are wondering about this or that, Mr.

Peasley opens the floodgate of his newly-acquired knowledge and deluges

the whole party. He is seldom correct, and never accurate, but he

knows that he is dealing with an ignorance more profound than his own,

and that gives him confidence.

For instance, the first afternoon in Cairo we chartered an open

conveyance and rode out to the citadel and the mosque of Mohammed Ali,

both of which are perched on a high limestone cliff overlooking the

city. The mosque is modern and very gorgeous with alabaster columns, a

profusion of gay rugs, stained windows, and crystal chandeliers. We

were rhapsodising over the interior and were saying it was almost as

swell and elegant as the new Claypool Hotel in Indianapolis, when we

happened to overhear one of our countrywomen reading aloud from a very

entertaining book on Egypt written thirty years ago by Amelia B.

Edwards. Miss Edwards allowed that the mosque of Mohammed Ali was a

tawdry and hideous specimen of the most decadent period of the mixed-up

architectures imported from Araby and Turkey. When we heard that we

made a quick switch and began to find fault with the decorations and

told the guide we had enough.

On the way out to the parapet to enjoy the really wonderful view of the

city and the Nile Valley, with the pyramids lifting themselves dimly

from the old gold haze of the desert, Mr. Peasley wished to repay the

lady who had read to us, so he paused, and, making a very indefinite

and non-committal gesture, said, "Near this very spot Mohammed Ali

killed more than one hundred and fifty mamelukes in one day."

Our fair countrywoman looked at Mr. Peasley with a puzzled frown on her

brow and then timidly asked, "What is a mameluke?"

[Illustration: "_What is a mameluke?_"]

We thought she had him, but not so. He wasn't even feazed. He replied

promptly, "A mameluke is something like a mongoose, only larger."

That is Mr. Peasley's way. If he doesn't know, at least he will make a

stab at it. One evening at dinner we had anchovies as a curtain

raiser, and a man sitting next to Mr. Peasley poked at the briny

minnows with his fork and asked, "What are these?"

"Those are anchorites," replied Mr. Peasley, without the slightest

hesitation.

As a rule he gets one syllable right, which is pretty good for him. At

present he is much interested in the huge dams of masonry and iron

gates that have been thrown across the Nile at Assiut and Assouan.

Over here they are called "barrages." Mr. Peasley insists upon calling

them "garages." We tried to explain to him that a garage was a place

where automobiles were cared for, but he said that automobile and "dam"

belonged in the same category and often meant practically the same

thing, so he continues to speak of the "garage."

By the way, when a pious Englishman over here, say a bishop on a

vacation, wishes to relieve his feelings without the actual use of

profanity he exclaims "Assouan!" If he falls off his donkey,

"Assouan!" If his tea is served to him at less than 212 degrees

Fahrenheit, "Assouan!"

[Illustration: _Assouan!_]

"Assouan" means the superlative of all dams, the biggest dam in the

world. It takes the place of a whole row of these:-- ---- ------ ----

------. Mr. Peasley uses the word, when he can think of it. If his

memory fails him, he falls back on the American equivalent.

Inasmuch as I reside in Indiana, where it is a social offence to crave

a cigarette, a misdemeanor to keep one in the house, and a high crime

to smoke one, Cairo during the first day gave me many a shock. Cairo

is unquestionably the cigarette headquarters of the universe. If the

modern Egyptians followed the ancient method of loading the tomb with

supplies for the lately departed they would put in each sarcophagus

about ten thousand cigarettes and a few gallons of Turkish coffee. The

food wouldn't matter.

In Cairo, men, women, and children smoke. Only the camels and donkeys

abstain.

Cigarettes are sold nearly everywhere--not only by tobacconists, but

also by milliners, undertakers, real estate agents, etc. Those who do

not sell them give them away. A cigarette across the counter is the

usual preliminary to driving a bargain.

It surprised us to learn that although the Egyptians have been addicted

to this enfeebling vice ever since they first had a chance to cultivate

it, they have managed to survive and flourish as a distinct breed of

humanity for some seven thousand years, as nearly as I can figure it

off hand. By eliminating the cigarette from Indiana the Hoosiers

should beat this record. No doubt they will retain their primitive

vigour for a longer period, say nine thousand years. If so, the

anti-cigarette law will be vindicated.

We certainly had a feeling of guilty pleasure when we sat in front of

Shepheard's Hotel and smoked the wicked little things, and knew that

the policeman standing a few feet away did not dare to raise his hand

against us.

A very clever young American owns a shop near the hotel. He is a

student of Egyptology and a dealer in genuine antiquities, including

mummies. While I was nosing through his collection of scarabs, idols,

coins, and other time-worn trinkets, he suggested that I purchase a

mummy.

"Can I get one?" I asked, in surprise.

"I can get you a gross, if you want them," he replied.

"What would a man do with a gross of mummies?"

"You can give them away. They are very ornamental. Formerly my only

customers were colleges and museums. Now I am selling to people who

put them in private residences. Nothing sets off an Oriental apartment

to better effect, or gives it more colour and atmosphere, as you might

say, than a decorated mummy case."

I told him I would not object to the "colour," but would draw the line

at "atmosphere." He assured me that after a few thousand years the

mortuary remains become as dry as a London newspaper and as odourless

as a Congressional investigation.

I followed him into a large back room and saw two beautifully preserved

specimens in their rigid overcoats being packed away for shipment to

America, while others leaned against the wall in careless attitudes.

What a grisly reflection! Here was a local potentate, let us say

Ipekak II. of Hewgag--ruler of a province, boss of his party, proud

owner of broad fields and grazing herds. When he died, 1400 B.C., and

was escorted to his rock tomb by all the local secret societies, the

military company, and a band of music, his friends lowered his embalmed

remains into a deep pit and then put in a rock filling and cut

hieroglyphics all over the place, telling of his wealth and social

importance, and begging all future generations to regard the premises

as sacred.

Some two thousand years later along comes a vandal in a cheap store

suit and a cork helmet, engages Ipekak's own descendants to pry open

the tomb and heave out the rock at fifteen cents per day, hauls the

mummy into the daylight, and ships it by luggage van to Cairo, where it

is sold to a St. Paul man for $125!

Until I talked to the dealer I had no idea that mummies were so

plentiful. In some parts of Egypt people go out and dig them up just

as they would dig potatoes. The prices vary greatly, somewhat

depending upon the state of preservation of the party of the first part

and the character of the decorations on the case, but more particularly

on account of the title or historical importance of the once lamented.

For instance, a Rameses or Ptolemy cannot be touched for less than

$1000. A prince, a trust magnate, or a military commander brings $150;

the Governor of a city or the president of a theological seminary

anywhere from $60 to $75. Within the last three years perfect

specimens of humourist have been offered for as low as $18, and the

dealer showed me one for $7.50--probably a tourist.

At Naples, proceeding eastward, one enters the land of Talk. The

French are conversational and animated, but Southern Italy begins to

show the real Oriental luxuriance of gab. A Neapolitan trying to sell

three cents' worth of fish will make more noise than a whole Wanamaker

establishment. The most commonplace and everyday form of dialogue

calls for flashing eyes, swaying body, and frantic gesticulations.

In front of a cafe in Naples Mr. Peasley became deeply interested in a

conversation between two well-dressed men at a table near ours. At

first we thought they were going to "clinch" and fight it out, but then

we saw that there was no real anger exhibited, but that apparently one

was describing to the other some very thrilling experience. He waved

his arms, struck at imaginary objects, made pinwheel movements with his

fingers, and carried on generally in a most hysterical manner. Mr.

Peasley, all worked up, beckoned the head waiter, who had been talking

to us in English.

"Look here," he said confidentially, "I want you to listen and tell me

what those fellows are talking about. I can't catch a word they say,

but as near as I can make out from the way they act that fellow with

the goatee is describing some new kind of torpedo boat. It goes

through the water at about thirty miles an hour, having three or four

screw propellers. When it comes within striking distance of the

enemy--bang! they cut her loose and the projectile goes whizzing to the

mark, and when it meets with any resistance there is a big explosion

and everything within a quarter of a mile is blown to flindereens.

Now, that's the plot, as near as I can follow it from watchin' that

short guy make motions. You listen to them and tell me if I am right."

The head waiter listened and then translated to us as follows:--"He is

saying to his friend that he slept very well last evening and got up

feeling good, but was somewhat annoyed at breakfast time because the

egg was not cooked to suit him."

"How about all these gymnastics?" asked the surprised Mr. Peasley.

"Why does he hop up and down, side step and feint and wiggle his

fingers and all that monkey business?"

"Quite so," replied the head waiter. "He is describing the egg."

[Illustration: "_He is describing the egg._"]

What a people--to take five cents worth of cheap information and

garland it with twenty dollars' worth of Delsarte and rhetoric!

Talk is one of the few things of which there is a superabundance in the

Levant. In nearly all particulars the Arab is economical and

abstemious. He eats sparingly and cheaply, wears just enough clothing

to keep from violating the municipal ordinances, smokes conservatively,

so as to get the full value of his tobacco, and lives in a house which

is furnished with three or four primitive utensils. But when it comes

to language, he is the most reckless spendthrift in the world. He uses

up large bales of conversation.

Suppose that three porters at a railway station are to take a trunk

from a car and put it on a truck and wheel it out to a cab. The talk

made necessary by this simple operation would fill several pages in the

Congressional Record. All three talk incessantly, each telling the

others what to do and finding fault because they don't do it his way.

One seems to be superintendent, the second is foreman, and the third is

boss.

Endless disputes of a most vivid character rage among the donkey boys

and peddlers who assemble near the hotels and lie in wait for victims.

"What do they find to talk about?" is the question that comes to one

every time he hears the babel of excited voices. And while we are

smiling at their childish tantrums they are splitting their sides over

new stories relating to that strange being from the antipodes, the

barbarian with the mushroom helmet who exudes money at every pore, who

keeps himself bundled in unnecessary clothes and rides out to the

desert every day to stand in the baking sun and solemnly contemplate a

broken column and a heap of rubbish. Truly it all depends on the point

of view.

We held back the Pyramids and the Sphinx so as to make our visit to

them the cap sheaf of the stay in Cairo. As for sightseeing, most of

the time we just rambled up one street and down another, looking in

shop windows, watching the workmen kill time with their prehistoric

implements, smelling the bazaars, dodging dog carts, donkeys and

camels, and having a fine time generally.

Aimless excursions are the best, after all. It is more fun to drift

around a new town and rub up against the people than to deliver

yourself, body and soul, over to a guide. In Egypt the guide is called

a dragoman. He puts on airs and has an inside pocket bulging with

testimonials from people who were so glad to get out of his clutches

that they willingly perjured themselves by giving him half-hearted

certificates of good character. While you are in the hands of the

dragoman you feel like a dumb, driven cow. You follow the fluttering

nightshirt and the tall red fez of this arch villain for hours at a

time, not knowing where you are going, or why. He takes absolute

charge of you, either by making specious representations or boldly

assuming authority, and when you start out to visit the famous mosque

of old Midullah Oblongahta or some other defunct celebrity you finish

up in a junk shop for the sale of antiques, all of which are personally

guaranteed by the dragoman, because he is a silent partner in the

business.

In many countries, especially at times when the traveller must condense

his itinerary, the guide is a necessary evil, and in Egypt he is

supposed to be a sort of ornamental body guard. We found that we could

wander about without being haltered and led, so we spent pleasant hours

in the Mouski, which is the native shopping street, and also we went to

the race meeting and saw native horses and ponies, carrying 140 to 160

pounds each, saunter around a half-mile track while a large number of

English in Mardi Gras costumes drank gallons of tea and simulated a

polite interest.

One afternoon we wandered into a market and a man tried to sell me a

camel. Wherever we go, if a man has something he doesn't want, he

tries to sell it to me, and sometimes he does it. But I refused to

take the camel. I did not see how I could fold it up and secrete it so

as to get it through the custom house.

Camels in the Cairo market are now steady, not literally speaking, but

as regards their value. A good terra cotta camel, 55 to 60 hands high

and broken to single-foot, will fetch as high as $150. The older

ones--spavined, hairless, or pigeontoed--can be bought for as low as

$50 each. The common or garden camel, trained to collapse like a

pocket camera and carry from three to eight tons of cargo, can usually

be bought at from $100 to $125.

Cairo, as a whole, was a big surprise to us. We knew that it was going

to be cosmopolitan, but we were not prepared to find it so

metropolitan. We had pictured it as one or two semi-European streets

hedged in by a vast area of native quarter. But, unless you seek out

the old parts of the town or the bazaars, each showing a distinct type

of the Oriental shark, Cairo is outwardly quite modern, very

attractive, and decidedly gay--that is, not real wicked gayety of the

Parisian brand, but modified, winter-resort gayety, the kind that is

induced by the presence of money-spending tourists. There is no hurrah

night life, and gambling, which flourished here for many seasons under

the skilful direction of our countryman, Mr. Pat Sheedy, has yielded to

British reformatory influence.

The modern streets in Cairo, with their attractive hotels, residences,

and shops, suggest a blending of Paris and the Riviera--consistent

architecture, trees, palms, gardens. The streets are of boulevard

width, and the houses of cheerful colouring, many of them bearing

coloured frescoes in delicate shades. We who live in a country of

rainfall and smoke and changing temperatures are impelled to stop and

gaze in wonder at a mansion of snowy white with a pattern of pale

blossoms drooping down the front of it. That style of decoration would

last about twenty minutes in Chicago.

In Pastures New · 第 12 / 20 章