CHAPTER THIRTEEN.

"GOOD-NIGHT!"

Era gia l'ora che volge 'l disio,

A' naviganti e 'ntenerisce il cuore,

Lo di ch' ban detto a' dolci amici addio,

E che lo nuova peregrin d'amore

Punge, se ode Squilla di lontano,

Che paja 'l giorno pianger che si muore!

"Parting is such sweet sorrow,

That I could say good-night till it be morrow!"

We were sitting side by side, Min and I, leaning over the gunwale of the

"gondola" which was rapidly gliding down the river; the stream being in

our favour, and our teamster on the towing path keeping his horse up to

a brisk trot, that caused us to proceed at a faster rate than we could

have pulled even a lighter boat.

It was a lovely summer night, calm and still, with hardly a breath of

wind in the air; although, it was not at all unpleasantly close or

oppressive.

A bright crescent moon was shining, touching up the trees that skirted

the bank with a flood of silvery-azure light, that brought out each twig

and particle of foliage in strong relief, and cast their trunks in

shade; while, the surface of the water, unstirred by the slightest

ripple, gleamed like a mirror of burnished steel, winding in and out, in

its serpentine course, between masses of dense shadow--until it was lost

to sight in the distance, behind a sudden bend, and a dark projecting

clump of willows and undergrowth.

Our boat seemed to be the only floating thing for miles!

Had it not been for an occasional twinkle from the far-off window of

some riparian villa, and the "whish" of a startled swan as it swerved

aside to allow the boat to sweep by, we might easily have imagined

ourselves traversing the bosom of one of those vast, solitary rivers of

the wilderness across the sea.

The children were nearly all asleep, tired out with happiness in excess;

and, most of us were silent, being awed by the beauty of the evening

into voiceless admiration.

A little girl near us, wakeful still, was breaking one of the daisy-

chains that Min had woven her at Richmond, and casting the pieces one by

one into the current as it hurried along:--the daisy cups sometimes

keeping pace with us, as our tow-rope slackened, and then falling

astern, on our horse trotting ahead once more.

"Don't you remember," said I to Min, "those lines of Schiller's _Der

Jungling am Bache_? They seem appropriate to that little incident,"--I

continued, pointing to the small toddlekin, who was destroying the

daisy-chain:--

"`An der Quelle sass der Knabe

Blumen wand er sich zum Kranz,

Und er sah sie fortgerissen

Treiben in den wellen Tanz.

Und so fleihen meine Tage,

Wie die quelle rastlos hin!

Und so bleichet meine Jugend,

Wie die Kranze schnell verbluhn!'"

"They are very pretty," said Min. "Still, do you know, as a rule I do

not think German poetry nice. It always sounds so harsh and guttural to

me, however tender and sentimental the words may be."

"That may be true in some respects," I answered; "but if you hear it

well read, or sung, there is much more pathos and softness about it than

one is able to discern when simply skimming it over to oneself. Some of

Goethe's little ballads, for instance, such as `The Erl King,' and

others that Walter Scott has translated, are wonderfully beautiful; not

to speak of Uhland's poetry, and La Motte Fouque's charming _Undine_,

which is as pretty a poem as I have ever read."

"I confess," said Min, "that I have not had any general experience of

German literature. Indeed, I have quite neglected it since I left

school; and then I only studied heavy books--such as _The History of

Frederick the Great_, that wearisome _Jungfrau von Orleans_, and others

of Schiller's plays."

"Ah!" I replied, "that accounts for it, then. The more you read

German, the more you will like it. I think our schoolmasters and

schoolmistresses make a great mistake, generally, in the books they

select for the instruction and familiarising of their pupils with

foreign languages. They appear, really, to choose the driest authors

they can pick out! If I had anything to do with `teaching the young

idea how to shoot,' I should adopt a very different plan."

"Dear me!" she exclaimed, laughing. "I can fancy I see you, a grim old

pedagogue, with a pair of horn-rimmed spectacles and a snuff-coloured

coat! What would be your new system, Mr Professor?"

"Well," said I, "in the first place, I should not dream of putting books

like Schiller's dramas into their hands, as is the ordinary course,

before they were able to translate pretty fluently, gathering the sense

of what they read without the aid of a dictionary. I say nothing

against the masterpieces of the great German classic. I like Schiller,

myself. But, what boy or girl can appreciate the poetry of his

descriptions, and the grandeur of his verse, when every second word they

meet with is a stumbling-block, that has to be sought out diligently in

the lexicon ere they can understand the context? Instead of this

inculcating a love for what they read, it breeds disgust. Even now, I

confess, I cannot take an interest in _William Tell_, just because he,

and his fellow Switzers, of Uri and elsewhere, will always be associated

in my mind with so many lines of translation and repetition that I had

to learn by heart at school."

"But, what would you give your pupils to study in lieu of such works?"

she asked.

"Vividly interesting stories--novels, if you like--in the language they

had to learn. Not short pieces, or `elegant extracts;' but, good, long

tales of thrilling adventure and well worked-up plots, whose interest,

and the desire to know what was coming next, would make them read on and

stammer out the sense, until they reached the denouement. And, if it

should be objected that German and French novels are not exactly what

you would place before young children for study, I would retort, that,

the majority of the works of our best authors are now translated into

both those languages almost as soon as they are published over here; let

them read those! However, you were saying that you did not think German

poetry pleasing or euphonious?"

"No," she said, "I do not; although, it may be owing to what you have

remarked, that school study has given me a distaste for it. Still, you

have now made me wish that I knew more of it. I think I will take it up

again; and, perhaps, Mr Professor, under your tuition, I may learn

better to like it."

"I should be only too glad, Min," I said, "to unfold its beauties to

you; but, I'm the worst teacher in the world, and too impatient of

blunders. Yet, I don't think I could be a very hard master to _you_" I

added, lowering my voice to a whisper.

"Couldn't you?" she said. "I don't know about that, Master Frank! I

well remember a particular evening, and my birthday party; and how a

certain gentleman--whom I won't name--behaved then and since."

"Oh! Haven't you forgiven me yet, Min?" I exclaimed. "I thought--"

"Don't mind about that," she said, hurriedly.--"Go on with what you were

telling me concerning German; the others will hear you! Do you think

the language soft?"

"I can't say exactly that it _is_ as soft as our own," I proceeded to

say, for the benefit of Miss Spight, who appeared to be listening to our

conversation.--"But, a good many people, who call the Teuton tongue

uncouth, seem to forget its close resemblance both in style and

expression, to English. Either language can be rendered in the

vernacular of the other, without losing its force or even sound; and

that is more than can be said for French or Italian. Shakspeare, for

instance, in German, is almost equally as telling and forcible as

Shakspeare in English; while, in French--Bah! you should just hear it as

_once_ I heard it, and you would laugh! Indeed, if we are strictly

logical on the point of the euphony of language, the Italian dialect,

which we deem so soft and liquid, sounds quite harsh, I'm told, in

comparison with the labial syllables that the Polynesian islanders use

in the South Seas."

We then relapsed into silence again, Min still leaning over the side of

the boat and dipping her fingers in the limpid, silvery water, which

sparkled with gem-like coruscations of light as she stirred it to and

fro.

At Mortlake she splashed a shower of sprinkling pearls over an irate

swan pater-familias, who had hurried out from the alders, to see what

business we meant by coming at that time of night so near the domain of

Mrs Swan and her cygnet progeny. We were both much amused at the

fierce air with which he advanced, as if to eat us all up; and then, his

precipitate retreat, on getting wetted so unceremoniously. He turned

tail at once; and, propelling himself away with vigorous strokes of his

webbed sculls, made the water foam from his prow-like curving neck,

leaving a broad wake behind him of glistening sheen.

"What a nice day we have had," said Min, presently. "All has gone off

so well, without a hitch. We have had such a nice talk, too. Why is

it, I wonder," she continued, musingly, "that ordinary conversation is

generally so empty and silly? Gentlemen appear to believe that ladies

know nothing but about balls, and dancing, and the weather, and croquet!

I do not mean, when we are all talking together, as to-day; but, when

one is alone with them, and not one of a circle of talkers, they never

say anything of any depth and reflection. Perhaps, when I go out, it is

my fate to meet with exceptional partners at parties. But, I declare,

they never utter a sensible remark! I suppose they think me very

stupid, and not worth the trouble of seriously conversing to. Really, I

imagine that gentlemen believe all girls to belong to an inferior order

of intellect; and fancy that it is necessary for them to descend from

their god-like level, in order to talk to them about such senseless

trivialities as they think suited to their age and sex!"

"Perhaps it is not all the fault of the men," said I. "They are

probably bashful, as most of us are."

"Bashful?" she replied; "I like that, Master Frank. Why, you are all a

most intolerable set of conceited mortals! No, it is not that:--it is,

because the `lords of creation' think us beneath the notice of their

superior minds."--And she tossed her little head proudly.

"Well, then," I said, "your duty is to draw us out. Many men are

diffident of speaking earnestly and showing their feelings, from the

fear of being laughed at, or ridiculed, as solemn prigs and book-worms.

Ladies should think of this, and encourage us."

"Yet, some of you," she replied, undauntedly, "are not so reticent and

retiring. There is Mr Mawley, for instance. He always talks to me

about literature and art, and politics, too--although I do not care much

about _them_--just as if I were a man like himself, and blessed with the

same understanding!"

"Oh," said I, "the curate is usually fond of hearing himself talk!"

"You need not abuse poor Mr Mawley," she said, laughing. "`Those who

live in glass houses,' you know, `should not throw stones!' _You_ are,

also, not averse to airing your opinions, Master Frank! But, don't get

angry--" she continued, as I slightly withdrew from her side, in

momentary pique at hearing the curate's part taken.--"I like to hear you

talk of such things, Frank, far better than if you only spoke to me of

commonplace matters, as most gentlemen do, or dosed me with flattery,

which I detest!"

"I do not talk so to _everybody_,"--I said, meaningly, coming closer to

her again and taking one of her hands captive.--"Do you know why I like

to let you know my deeper thoughts, Min, and learn more of my inner

nature than others?" I whispered, bending over her.

"N-o!" she said, faintly, turning away her head.

"Because, Min--" I said, hesitatingly, almost abashed at my own

rashness--"because, I--I--love you!"

She said nothing in reply; but she bent her head lower, so that I could

not see her face; and, the little hand I held, trembled in my grasp.

At this point, too, our conversation was interrupted by the vicar asking

Bessie Dasher and her sister to start the "Canadian Boat Song," in which

we all joined in harmony:--the music, borne far and wide over the

expanse of resonant water, sounding like some fairy chorus of yellow-

haired sea-maidens, singing fathoms deep below in ocean caves!

When I was seeing her home, however, after we had all arrived at the

vicarage, and separated severally with a cheerful "good-night," I was

able to prosecute my wooing.

We were walking along side by side--she declined taking my arm, being

shy, and quite unlike the frank, straightforward Min whom I had before

known. I was not downhearted at this change, though:--I really felt

shy, and nervous, myself!

As soon as we had got a safe distance from the others, and there was no

fear of being overheard in the stillness of the night, I again spoke to

her.

"Min," I said, "do you remember what I said to you just now when we were

on the river?"

She made no answer; but, quickening her steps, walked on hurriedly, I

still keeping pace by her side.

"Min, my darling," I said once more, "I love you dearer than life.

Won't you try to like me a little in return? Won't you listen to me?

Won't you hear me?"

"O-oh, Frank!" she exclaimed.

"Ever since I first saw you in church, so many long months ago, Min, I

have thought of you, dreamt of you, loved you!"--I proceeded,

passionately.--"O, my darling! my darling! won't you try and like me a

little; or, have I been deceived in thinking that you could care for

me?"

"I _do_ like you, Frank," she said, softly, laying her little hand on my

arm.

She and I, Volume 1 A Love Story. A Life History. · 第 54 / 60 题