OUR BOOKING-OFFICE.

Madam DARMESTETER'S _Retrospect and other Poems_ is turned out by

FISHER UNWIN in that dainty dress with which he has made attractive

his Cameo Series. We used to know Madam DARMESTETER as Miss MARY F.

ROBINSON, a writer of charming verse. That in her new estate she has

not lost the old touch is witnessed by several pieces in this volume,

notably the first, which supplies the title. The penultimate verse of

this little lyric is most musical. There are several others nearly as

good. But occasionally Madam writes sad stuff. Of such is _The Death

of the Count of Armaniac_, of which this verse is a fair sample:

"ARMANIAC, O ARMANIAC,

Why rode ye forth at noon?

Was there no hour at even,

No morning cool and boon?"

My Baronite, though not yet entered for the Poet Laureateship, thinks

that kind of thing might be reeled off by the mile. Why not

My Maniac, O my Maniac,

Why rode ye forth at eve?

Was there no hour at morning tide,

No water in the sieve?

[Illustration: A Clerk in Our Booking-Office.]

Three years ago an American firm issued a princely edition of _The

Memoir of Horace Walpole_, written by AUSTIN DOBSON. It was too

expensive for mere Britishers, and only a small number of copies found

their way to this country. But the literary work was so excellent,

that it was pronounced a pity it should be entombed in this costly

sarcophagus. Messrs. OSGOOD, MCILVAINE, & CO. have now brought out an

edition, in a single handsome volume, at a reasonable price. HORACE

WALPOLE has often been written about since he laid down the pen,

but never by a more sympathetic hand than Mr. DOBSON'S, nor by

one bringing to the task fuller knowledge of WALPOLE'S time and

contemporaries. The charm of style extends even to the notes, usually

in books of this class a tantalising adjunct. Mr. DOBSON'S are so full

of information, and so crisply told, that they might with advantage

have been incorporated in the text. The volume contains facsimiles of

HORACE WALPOLE'S handwriting, an etching of LAWRENCE'S portrait, and

a reproduction of the sketch of Strawberry Hill which illustrated the

catalogue of 1774. Altogether a delightful book that will, my Baronite

says, take its place on a favourite shelf of the library that has

grown up round the memory of one of the most interesting figures of

the Eighteenth Century.

Punch, or the London Charivari, Volume 105, July 8th 1893 · 第 25 / 32 题