The Lap-dog.--The Dame Blanche.--The Beauty in a Gallery.--The
Lingère.--Madame Frederic.--Fête de Longchamps.--Parisian
Fashions.--Holy Concerts.--Pretty Women.--Empire of Fashion.--Reign
of Beauty.--The Fashionable Lady.
May, 1836.
I have just had yours of the 4th of April, and have seen two of Miss
Kitty’s, very acid. Doctor ---- let one of them fall in the Seine from
the Pont Neuf, and it made lemonade to St. Cloud. Poor Miss Kitty! I
wish she had such a husband as her mother, who, instead of going to
carnivals, and masquerades, and receptions, and such places, and giving
uneasiness to his wife, stays at home and looks cross all the evening,
by the fire-side.--I walked out this morning in one of these domestic
fits, and kicked a lady’s lap-dog in the Tuileries, and was called to
account for it by a pair of mustachios like the horns of a centipede,
and I got off only by making an apology to the lady and the
puppy--(smiling to her and patting the dog a little) which I would not
have done under the administration of James Madison.
This happened just by the statue of Lucretia, who used to stay at home
also in the same way of an evening in spinning; it would have been,
perhaps, better for both of us to have mixed a little more in the
amusements of the town. The fact is, it puzzles the best of us to know
how to behave ourselves. One may fall, like the Roman lady into
difficulties at home, and another into temptations abroad. But alas,
poor Kitty!--Beware of telling her what I am going to relate to you. You
know what a thing jealousy is. Doctor ---- has fallen in love with a
French woman. To be sure, she is one of the most glorious beauties of
Paris, admired by the very first nobility--by the Duke of Orleans, by
the Duke of Nemours, and by the Duke of I don’t know what else; and if
the truth was known, I believe the king himself is fond of her. If you
had only seen her last night at her harp!--a fine woman is dangerous in
any shape whatever; but when she adds music to her charms--one
surrenders at discretion.
If you had heard her wild notes, as they thrilled upon the wires, and as
her fluttering voice softened and expired upon the listening ear, you
would not yourself have blamed a little infidelity towards one’s wife,
especially all the way to Paris. I hate to keep you in pain, so I will
tell you at once her name.--What makes it a little more unhappy perhaps
is, that she is a lady of rather a doubtful reputation; and belongs at
present to the “Opera Comique:” In fine, if you will absolutely know, it
was the “_Dame Blanche_.”
And now that I am in the chapter of accidents, I may as well tell you
that your old acquaintance, D. D--, on Saturday night, was found
dead--(say nothing of this to his sister, she will be so afflicted)--he
was found dead drunk in the _Place du Carrousel_; and on Monday he got
up at six in the morning, and went deliberately into a tippling-shop in
the neighbourhood, and ran himself through the body--(being mad at his
father for not sending him money)--with a pint of rum.
I have now prepared you for a story of a much more serious import--a
story which concerns myself. I would not tell it to you but in obedience
to my invariable rule of concealing nothing from you. What a place this
Paris is! No virtue is under shelter from its temptations. Solomon had a
great deal more wisdom than I can pretend to, and he was seduced away by
foreigners, who, I dare say, were not half so tempting as these French.
I was looking out a few days ago to see what kind of weather it
was;--there was not a cloud in the firmament; but there was a very
beautiful woman standing in a gallery almost opposite; so I left off
looking at the heavens just to look at this woman a little, never
supposing any harm would come of it. But nothing is so dangerous as this
cross-the-street kind of acquaintance. The silent conversation of looks,
so much more expressive than words; the mysterious conjectures about
what each other’s thoughts may be, and above all, the obstacle of the
intervening space--you know what amorous things obstacles are.
If it had not been the wall with the crack in it at Babylon, I dare say
Pyramus and Thisbe would not have cared for each other a French
sou.--She kept looking and looking (I mean the woman in the gallery) and
now and then I looked back at her. And if I have been looking into the
looking-glass, more than usual, and if the tailor has just brought me
home an entire new suit, which I could not well afford, it is all owing
to her. I wish you could have seen the elegant creature this morning, as
I did, at her toilette; as she stood like our first mother combing down
to her ankles (the prettiest pair but one you ever saw) her long hair,
which hung around her as a misty cloud about the full moon.
The little shoe soon embraced her foot and the garter her knee; the maid
laced up her corsets, giving graceful folds to her _jupe_, gracility to
her waist, and relief to her tournure; and incased her fair form in a
frock, “soft as the dove’s down and as white;”--her glossy tresses
having already received their fittest harmony from her nimble and
tapering fingers.
And now she sat at her mirror, and perused her elegant features; she
looked joyful, then sad, then cruel, then tender, and brought out each
sentiment into its most eloquent and dangerous expression; she studied a
frown and then put on the magic of a smile.--The fine rhetoric of the
bosom came next--the rock upon which taste so often is wrecked. Here she
meditated and pondered much and inquired of the Graces, how far she
might adventure--“how much to the curious eye disclose, how much to
fancy leave.”
I walked with her yesterday, amidst the elegant life of the Tuileries,
at her return from an airing in the Bois de Boulogne. Unless you see a
woman at all her fashionable hours, as well as in all her attitudes and
passions, you know nothing of her beauty. She wore a little airy hat, _à
la Duchesse de la Vallière_, the bird of Paradise waving over her
stately brow;
“Suave a guisa va di un bel pavone,
Diritta sopra se, come una grua;”
with cock-feathers in weeping willow upon the crown.--I went in the
evening to the ball with her--_parole d’honneur_; in her dress of satin,
citron colour, trimmed in _gauze volant_, and a tunique of the same,
with wreaths of roses; and in her hair a garland of forget-me-not, with
gems assorted by Beaudran, and beautiful as the stars upon the azure
firmament. In her morning walk, if she condescends ever to walk in the
mornings, her mantle is of deep colours. She wears in half dress, a
_chapeau bibi_; in negligé, her tresses are parted under a _capote_, and
her thin gauze handkerchief zig-zag, is narrow by an inch;
---- “’neath which you see
Two crisp young ivory apples come and go,
Like waves that on the shore beat tenderly,
When a sweet air is ruffling to and fro.”
I send you a copy of her washerwoman’s list for the last week. I have
seen one of the Queen Elizabeth’s somewhere, which began thus:
Elizabeth, by the grace of God, Queen of England, Ireland and France,
Defender of the Faith. _Two petticoats, &c._ This Frenchwoman’s is
without preface as follows: One frock, _à l’abri galant_; one ditto,
_souris effrayé_; two ditto, _rassurées_; one jupon _inexorable_; two
ditto, _implacables_; with other articles too tedious to enumerate.
Apropos. The department of the wash-tub is important, and I may as well
give you here its statistics. There is the _Bourgeoise_, who
superintends, and under her in order, the _savoneuse_, the _empeseuse_
and _refineuse_. A plain washerwoman has forty-two sous per day, and a
starcher, clear starcher and ironer, three francs. There is scarcely
any thing in Paris more neat and elegant than a _Lingère_. Each branch
is brought, by a division of labour, to a nice perfection, which you
will see in no other country; but, to find a single person, who can put
a shirt through all its varieties, is nearly impossible. A gentleman’s
account stands thus: Une chemise, _trois sous_; une veste, _trois sous_;
une pantalon de drap, _six sous_; un collet, _un sou_; pair de bas,
_deux sous_. And the washerwoman, when she brings you in your linen,
will come in her court dress, and counting your shirts, she will inquire
after your health, and as she retires she will have the “honour to
salute you.” Madame Frederic is one of the notabilities of Paris, and no
one who has a proper respect for clean linen ever speaks to her but with
his hat in his hand; she has a _reputation Européenne_, but she refuses
to wash any thing under a ministerial shirt--and not even that, if it be
worn twice.
And now I will proceed to tell you who this elegant woman is, in whom,
by this time, you must have taken some interest. She is a Parisian by
birth and education, a married woman, and the greatest coquette and most
capricious creature of all Paris; and yet all Paris--alas, more than
all Paris, does nothing but run after her. As for me, I declare with
Cicero, “_malle me errare cum illa, quam aliis recte sapere_.”
She has a brother too, as much admired by the ladies as she by the
gentlemen, and is so exquisite in taste and dress, that many doubt
whether he himself may not be of the softer gender. I wish I had time to
describe to you his wardrobe also. His _petite redingote_ of blue, and
his white _pantalons_ in contrast with his black vest and azure cravat,
for the morning promenade; his graceful _Polonaise_ trousers black, and
vest white, for the field sports, and his----
---- But he is a proud and insolent fellow, and I hate him because he
always has an eye upon his sister, and unless you ruin yourself
altogether, in expenses for new coats, he won’t speak to you. In fine,
to keep you no longer in suspense about this elegant couple ---- they are
called “The Fashions.” Enough of parables; to-morrow I will treat you to
matters of fact.
To-morrow, May 8th.
This old fool, Paris, has turned out again upon the Boulevards, three
days of this week, as thick as a _Mardi gras_; it is called the _fête de
Longchamps_, and the object is to determine the fashions for the coming
season. The most important decision of this year seems to be the entire
suppression of “gigot sleeves.” Only think; they were last year as wide
as the British Channel, and now they are to be all at once razed to the
quick. The public, however, does not submit quietly to the curtailment.
Nothing else indeed but mutton sleeves and the President’s message is
thought fit for conversation, or discussion in the newspapers, this
month past. It is found to be exceedingly difficult to legislate for the
head and shoulders, and lower parts at the same time; what is a benefit
to one section being a prejudice to the other. The waist especially is
indignant; it has been straightened enough and squeezed enough in all
conscience ever since it was first invented. It has remonstrated; and
petition after petition has been sent in, signed by all the neighbouring
states, threatening to nullify the union, unless these restrictions are
taken off. However, by relieving a little the flatness and nakedness of
the arm with a row or two of _point d’Angleterre_, it is supposed a
compromise may be effected. Indeed I have already seen several pairs of
these sleeves venturing abroad, and two yesterday amidst the _bravas_
of the Tuileries. But what a figure is a woman, shrunk into those narrow
circumstances above, and so prominent beneath! she seems scarcely of the
same species. She is Horace’s _mulier formosa superné_ reversed.
Another decree of the Longchamps is to lengthen the frock still more at
the tail; though longer already than cleanliness or mercy to many a
reluctant pair of ankles should have permitted. Ankles are said to be
very beautiful in Paris, and they resisted with all their might this
innovation the last season; they had enjoyed the privilege of being seen
for years, and it was natural they should take some steps to maintain
it; but did it avail? In this you see only another signal example of the
despotism of Fashion. Not two years ago a frock was circumcised
midleg--no one indeed looked at a lady’s legs, as a matter of curiosity,
much below the knee--and now, unless in a whirlwind or stepping into a
coach, not a “peeping ankle” is to be seen upon the whole pavé of Paris.
Alas, all you can see now-a-days is
“The feet, that from each petticoat
Like little mice creep in and out.”
Formerly, the cause of going to Longchamps was to say mass; now it is a
mutton-sleeve. This Longchamps was once a Convent, and was founded by
St. Louis’s sister, Isabelle de France, who after her death performed in
this place (a pretty good number for a woman) forty miracles. The place
therefore became very celebrated; pilgrims visited it by thousands, and
the sick were carried there to be cured, and princesses shut themselves
up in it from the temptations of the world. But these nuns were very
pretty, and the rakes of Paris went thither on pilgrimage also; amongst
the rest went Henry the Fourth to court Mademoiselle Catherine de
Vérdun.
In the course of time every one heard certain holy concerts spoken of,
that were given there on Wednesdays, Thursdays and Fridays of the Holy
week, (the days now celebrated.) On which occasions the church was
illuminated, embalmed with incense, and the little nuns sang so sweetly,
that many pious people thought their songs not of this earth, but hymns
that came directly from the celestial choirs: and the crowds that
frequented Longchamps was immense.
Not the inhabitants of Paris only came, but of London and other foreign
cities, striving to rival each other in the richness of their dresses,
and the magnificence of their equipages. Their emulation went so far at
last, that the very wheels of the chariots were often gilt, and the
shoes of the horses were also of the precious metals; and the coachmen
and footmen more gold than gold (κρυσω κρυσοτερα.) But again libertinism
broke into the sacred cloisters, and the concerts were suppressed;
finally the Revolution came, and the convent was demolished; not a stone
was left to testify the miracles of Isabelle de France. But the
multitude still continues its annual pilgrimage to Longchamps.
In the present fêtes there is scarcely any thing which recals the
sumptuousness of ancient times. Coaches indeed are varnished, stirrups
are burnished, and lacqueys have a new livery; and here and there an
English lord, or an American Colonel blazes out with chariots,
postilions, and mounted gens d’armes. The French aristocracy has been so
unvarnished by the Revolution, that twenty thousand a year has got very
little chance of being exceedingly magnificent.
The procession is an uninterrupted train of vehicles of all sorts in
motion the whole length of the Boulevards; and up through the Champs
Elysées to the Bois de Boulogne, a distance of about four miles, and
having arrived at a certain spot, the cavalcade wheels about and
returns in the same manner; the one side of the way being used for going
and the other for coming. The chief concern of the day is, the
exhibition of pretty women in open barouches, clad in the splendours and
novelties of the season. Mounted beaux, too, on steeds richly
caparisoned are exceedingly in favour.
The decrees of Longchamps, like Cæsar’s, go forth upon the whole earth;
and it is the only tribunal that can claim upon the earth this extensive
jurisdiction. A revolution has passed, like a hurricane, over its very
throne, and left its authority undisturbed; and there is no reason to
believe that this supreme and universal power will ever pass away.
Causes and effects both co-operate to perpetuate its existence. In other
countries, men and women, follow fashion, and have consequently little
exercise of taste or invention; but the Parisians are by general consent
inventors; they are gay, vain and ostentatious, and from the nature of
their commerce, and from the number of strangers who are induced to
reside amongst them, they will give always to dress and fashion an
importance they can have no where else. Let us then recognise our
legitimate sovereigns, and bow graciously to their natural and
indisputable authority. Let us recognise, too, the wisdom of Providence,
which by giving a diversity of products to the earth, and of capacities
to the civilised nations, who inhabit it, has bound them by ties of
mutual necessity, to live together in peace and harmony. The savages of
our country, who have no such ties, who have but the same pursuits and
capacities, have also but one passion, the destruction of each other.
To compare the American and French modiste, is to compare the mere
manual operation, to the imaginative and intelligent exercise of the
mind. A French bonnet maker is not made, she is born; she meditates, she
invents, she conceives a hat--as much as Pindar did a lyric poem. And
when she has made you a hat, your only wonder is, whether the hat was
made for you, or you were made for the hat.
Why, in Philadelphia a hat may be worn by two faces; here it is a
constituent part of the woman it was invented for, and they cannot be
separated from each other without injury to both. Do you believe that
_Madame Palmyre_ ever makes two frocks alike? it would be the ruin of
the woman’s reputation. What kind of feelings must a lady have, coming
into an assembly, and finding another woman’s frock having the same
physiognomy as her own! I have seen more than one in a fit of hysterics
from this very occurrence. And do you believe that _Simon’s_ chapeaux
are formed upon the cold precepts of the schools, or Herbault’s _bibis_?
Do you think that _Michael’s_ shoes, or those exquisite bottines of
_Gelot_, or those kid gloves of _Boivin_ are produced without
enthusiasm? or _Batton’s_ flowers or _Cartier’s_ plumes, without
inspiration?
A modiste in America indeed!--why the same woman cuts out a frock and
makes it! The same woman who does the head-work of a bonnet, does the
stitchings! In France there is an adaptation of labour to the abilities
of the artist; and a modiste _en chef_ no more thinks of the
manipulation of a frock, than Scribe of a vaudeville, or Carème of a
dinner.
Nor does she suffer her genius to be dissipated and wasted upon
varieties even the most important. Each branch has its professor, whose
whole mind is concentrated upon this one object. Even the invention has
its specialities. One adapts colours to complexions, and another studies
the proportions of the human form, and its shapes, and the congruity of
dresses with its various sizes; how to bring out an attraction more
seductive by the sacrifice of one less potent; where to enhance a beauty
by a defect; and how to discover a charm under pretext of concealing it;
one is a kind of Minister of the Interior, another of Foreign Affairs.
In the manual operations, too, the same series is observed. One folds,
another crimples, one bastes, another rips; one spends her days in
“undoing,” another in “trying-on,” another again grows old in puckering,
and so in crisping, pranking, curling, and flouncing--all have their
several functions, and all their tasks assorted to their several
abilities.
At the fête of the Longchamps the eye is dazzled by the splendour, and
the attention is distracted by the variety. A fashion, to have vogue,
must present itself in a more “questionable shape.” A pretty woman is
therefore selected, who for a season may personate the many-coloured
goddess; she is called during her reign the “Most fashionable”--not
indeed as the king is called the “Most Christian,” for truly, she is the
most fashionable--“_la plus à la mode de Paris_.”
The Parisians have a way of getting this fashionable woman up, pretty
much as we get up a great man in the United States. A few of the
leaders of fashion, young gentlemen in their first down, having made
choice of a fit person, first direct upon her all the rays of their
admiration. She is not required to be a duchess, or to have any more
beauty or accomplishments than her neighbours, but she had better be the
wife of a rich banker. If she rides out of an afternoon to the Bois de
Boulogne, then will a dozen of these fashionables gather around her
barouche; and hats in hand, they will canter alongside; they will be
unable to contain their admiration, and they will set the multitude
gaping. Thus in the crowd one stares at the heavens, and another, till
at last the world is on the gaze; and as all see different wonders in
the skies, one a whale, another a weasel, and many phantasms and idle
visions; so in the heaven of this lady’s face, beauties are now struck
out that had remained, but for this general regard, for ever
undiscovered; beauties which herself, if possible, had never seen.
----“As learned critics view
In Homer, beauties Homer never knew.”
The same gallants pursue her to the opera, and there gather into her
box with noise and bustle and assiduities, till they have drawn the
whole house upon her, and every glass is pointed; as in the chase, where
the hare stands at bay, and the hunters have but a single aim; only that
here the danger is reversed.
So at the concert, and so at the ball, where she is engaged for twenty
sets a-head, before half up the stairs; so every where the same ardour,
the same _empressement_, the same adoration. She is gazetted too in the
newspapers, and all her particulars, jetty hair, inky eye-brows, turn-up
nose, pouting lips; every thing circumstantially described. Every one
knows her, every one loves her, and every one not wishing to pass for a
clown, without taste, swears she is adorable. She is in every one’s
mouth, she is in every one’s heart, she is ---- in a word, she is _la
femme la plus à la mode de Paris_.
Thus our fashionable lady is turned about in the vortex of dissipation
till Spring, and enjoys a flood of frothy adulation beyond the lot of
all other monarchs. The spring arrives, and then the summer; and being
fashionable, she leaves of course during the warm months for the
Waterings, or her castle in a distant province, and returns in the
Autumn: and in the Autumn she finds another “Fashionable Lady” in her
place. It is scarce to be expected that such violent admiration should
be bestowed on the same person for more than a season. She now abdicates
and sinks into obscurity, or which is more common, being unable to
endure the reverse of fortune, dies of mortification and spite.
I send you this by Mr. C----, of Philadelphia, with a single sheet of
music, a delightful air from the Puritani--an air which is graven upon
ten thousand hearts. Oh, if you had heard Rubini sing it over the coffin
of Bellini at the Invalids! The sexton wept. It stole upon the ear as if
from the spheres--mournful as the wood-pigeon’s moan:--
----“Soft as the mother’s lullaby
When babies sleep.”
Learn to sing it in your most plaintive voice. I will love you the more
for recalling one of the tenderest scenes of my absence. Good night.