REAL CHILDHOOD

The world is old because its history is made up of successive childhoods

and of their impressions. Your hours when you were six were the enormous

hours of the mind that has little experience and constant and quick

forgetfulness. Therefore when your mother's visitor held you so long at

his knee, while he talked to her the excited gibberish of the grown-up,

he little thought what he forced upon you; what the things he called

minutes really were, measured by a mind unused; what passive and then

what desperate weariness he held you to by his slightly gesticulating

hands that pressed some absent-minded caress, rated by you at its right

value, in the pauses of his anecdotes. You, meanwhile, were infinitely

tired of watching the play of his conversing moustache.

Indeed, the contrast of the length of contemporary time (this pleonasm is

inevitable) is no small mystery, and the world has never had the wit

fully to confess it.

You remembered poignantly the special and singular duration of some such

space as your elders, perhaps, called half-an-hour--so poignantly that

you spoke of it to your sister, not exactly with emotion, but still as a

dreadful fact of life. You had better instinct than to complain of it to

the talkative, easy-living, occupied people, who had the management of

the world in their hands--your seniors. You remembered the duration of

some such separate half-hour so well that you have in fact remembered it

until now, and so now, of course, will never forget it.

As to the length of Beethoven, experienced by you on duty in the drawing

room, it would be curious to know whether it was really something greater

than Beethoven had any idea of. You sat and listened, and tried to fix a

passage in your mind as a kind of half-way mark, with the deliberate

provident intention of helping yourself through the time during a future

hearing; for you knew too well that you would have to bear it all again.

You could not do the same with sermons, because, though even more

fatiguing, they were more or less different each time.

While your elders passed over some particularly tedious piece of road--and

a very tedious piece of road existed within short distance of every house

you lived in or stayed in--in their usual state of partial absence of

mind, you, on the contrary, perceived every inch of it. As to the length

of a bad night, or of a mere time of wakefulness at night, adult words do

not measure it; they hardly measure the time of merely waiting for sleep

in childhood. Moreover, you were tired of other things, apart from the

duration of time--the names of streets, the names of tradesmen,

especially the _fournisseurs_ of the household, who lived in them.

You were bored by people. It did not occur to you to be tired of those

of your own immediate family, for you loved them immemorially. Nor were

you bored by the newer personality of casual visitors, unless they held

you, as aforesaid, and made you so listen to their unintelligible voices

and so look at their mannered faces that they released you an older child

than they took you prisoner. But--it is a reluctant confession--you were

tired of your relations; you were weary of their bonnets. Measured by

adult time, those bonnets were, it is to be presumed, of no more than

reasonable duration; they had no more than the average or common life.

You have no reason, looking back, to believe that your great-aunts wore

bonnets for great and indefinite spaces of time. But, to your sense as a

child, long and changing and developing days saw the same harassing

artificial flowers hoisted up with the same black lace. You would have

had a scruple of conscience as to really disliking the face, but you

deliberately let yourself go in detesting the bonnet. So with dresses,

especially such as had any little misfit about them. For you it had

always existed, and there was no promise of its ceasing. You seemed to

have been aware of it for years. By the way, there would be less cheap

reproving of little girls for desiring new clothes if the censors knew

how immensely old their old clothes are to them.

The fact is that children have a simple sense of the unnecessary ugliness

of things, and that--apart from the effects of _ennui_--they reject that

ugliness actively. You have stood and listened to your mother's

compliments on her friend's hat, and have made your mental protest in

very definite words. You thought it hideous, and hideous things offended

you then more than they have ever offended you since. At nine years old

you made people, alas! responsible for their faces, as you do still in a

measure, though you think you do not. You severely made them answer for

their clothes, in a manner which you have seen good reason, in later

life, to mitigate. Upon curls, or too much youthfulness in the aged, you

had no mercy. To sum up the things you hated inordinately, they were

friskiness of manner and of trimmings, and curls combined with rather

bygone or frumpish fashions. Too much childish dislike was wasted so.

But you admired some things without regard to rules of beauty learnt

later. At some seven years old you dwelt with delight upon the contrast

of a white kid glove and a bright red wrist. Well, this is not the

received arrangement, but red and white do go well together, and their

distribution has to be taught with time. Whose were the wrist and glove?

Certainly some one's who must have been distressed at the _bouquet_ of

colour that you admired. This, however, was but a local admiration. You

did not admire the girl as a whole. She whom you adored was always a

married woman of a certain age; rather faded, it might be, but always

divinely elegant. She alone was worthy to stand at the side of your

mother. You lay in wait for the border of her train, and dodged for a

chance of holding her bracelet when she played. You composed prose in

honour of her and called the composition (for reasons unknown to

yourself) a "catalogue." She took singularly little notice of you.

Wordsworth cannot say too much of your passion for nature. The light of

summer morning before sunrise was to you a spiritual splendour for which

you wanted no name. The Mediterranean under the first perceptible touch

of the moon, the calm southern sea in the full blossom of summer, the

early spring everywhere, in the showery streets, in the fields, or at

sea, left old childish memories with you which you try to evoke now when

you see them again. But the cloudy dusk behind poplars on the plains of

France, the flying landscape from the train, willows, and the last of the

light, were more mournful to you then than you care to remember now. So

were the black crosses on the graves of the French village; so were

cypresses, though greatly beloved.

If you were happy enough to be an internationally educated child, you had

much at heart the heart of every country you knew. You disliked the

English accent of your compatriots abroad with a scorn to which, needless

to say, you are not tempted now. You had shocks of delight from Swiss

woods full of lilies of the valley, and from English fields full of

cowslips. You had disquieting dreams of landscape and sun, and of many

of these you cannot now tell which were visions of travel and which

visions of slumber. Your strong sense of place made you love some places

too keenly for peace.

The Children · 第 20 / 20 题