We are all the more pleased, therefore, that a young German scholar,

Dr. Haug--who through the judicious recommendation of Mr. Howard,

Director of Public Instruction in the Bombay Presidency, was appointed

to a Professorship of Sanskrit in the Poona College--should have

grasped the opportunity, and devoted himself to a thorough study of

the sacred literature of the Parsis. He went to India well prepared

for his task, and he has not disappointed the hopes which those who

knew him entertained of him on his departure from Germany. Unless he

had been master of his subject before he went to Poona, the assistance

of the Dustoors would have been of little avail to him. But knowing

all that could be known in Europe of the Zend language and literature,

he knew what questions to ask, he could check every answer, and he

could learn with his eyes what it is almost impossible to learn from

books--namely, the religious ceremonial and the ritual observances

which form so considerable an element in the Vendidad and Vispered.

The result of his studies is now before us in a volume of 'Essays on

the Sacred Language, Writings, and Religion of the Parsees,' published

at Bombay, 1862. It is a volume of only three hundred and sixty-eight

pages, and sells in England for one guinea. Nevertheless, to the

student of Zend it is one of the cheapest books ever published. It

contains four Essays: 1. History of the Researches into the Sacred

Writings and Religion of the Parsees from the earliest times down to

the present; 2. Outline of a Grammar of the Zend Language; 3. The

Zend-Avesta, or the Scripture of the Parsees; 4. Origin and

Development of the Zoroastrian Religion. The most important portion is

the Outline of the Zend Grammar; for, though a mere outline, it is the

first systematic grammatical analysis of that curious language. In

other languages, we generally begin by learning the grammar, and then

make our way gradually through the literature. In Zend, the

grammatical terminations had first to be discovered by a careful

anatomy of the literature. The Parsis themselves possessed no such

work. Even their most learned priests are satisfied with learning the

Zend-Avesta by heart, and with acquiring some idea of its import by

means of a Pehlevi translation, which dates from the Sassanian period,

or of a Sanskrit translation of still later date. Hence the

translation of the Zend-Avesta published by Anquetil Duperron, with

the assistance of Dustoor Darab, was by no means trustworthy. It was,

in fact, a French translation of a Persian rendering of a Pehlevi

version of the Zend original. It was Burnouf who, aided by his

knowledge of Sanskrit, and his familiarity with the principles of

comparative grammar, approached, for the first time, the very words of

the Zend original. He had to conquer every inch of ground for himself,

and his 'Commentaire sur le Yasna' is, in fact, like the deciphering

of one long inscription, only surpassed in difficulty by his later

decipherments of the cuneiform inscriptions of the Achaemenian monarchs

of Persia. Aided by the labours of Burnouf and others, Dr. Haug has at

last succeeded in putting together the disjecta membra poetae, and we

have now in his Outline, not indeed a grammar like that of Pa_n_ini

for Sanskrit, yet a sufficient skeleton of what was once a living

language, not inferior, in richness and delicacy, even to the idiom of

the Vedas.

There are, at present, five editions, more or less complete, of the

Zend-Avesta. The first was lithographed under Burnouf's direction, and

published at Paris 1829-1843. The second edition of the text,

transcribed into Roman characters, appeared at Leipzig 1850, published

by Professor Brockhaus. The third edition, in Zend characters, was

given to the world by Professor Spiegel, 1851; and about the same

time a fourth edition was undertaken by Professor Westergaard, at

Copenhagen, 1852 to 1854. There are one or two editions of the

Zend-Avesta, published in India, with Guzerati translations, which we

have not seen, but which are frequently quoted by native scholars. A

German translation of the Zend-Avesta was undertaken by Professor

Spiegel, far superior in accuracy to that of Anquetil Duperron, yet in

the main based on the Pehlevi version. Portions of the ancient text

had been minutely analysed and translated by Dr. Haug, even before his

departure for the East.

The Zend-Avesta is not a voluminous work. We still call it the

Zend-Avesta, though we are told that its proper title is Avesta Zend,

nor does it seem at all likely that the now familiar name will ever be

surrendered for the more correct one. Who speaks of Cassius Dio,

though we are told that Dio Cassius is wrong? Nor do we feel at all

convinced that the name of Avesta Zend is the original and only

correct name. According to the Parsis, Avesta means sacred text, Zend

its Pehlevi translation. But in the Pehlevi translations themselves,

the original work of Zoroaster is spoken of as Avesta Zend. Why it is

so called by the Pehlevi translators, we are nowhere told by

themselves, and many conjectures have, in consequence, been started by

almost every Zend scholar. Dr. Haug supposes that the earliest

portions of the Zend-Avesta ought to be called Avesta, the later

portions Zend--Zend meaning, according to him, commentary,

explanation, gloss. Neither the word Avesta nor Zend, however, occurs

in the original Zend texts, and though Avesta seems to be the Sanskrit

avastha, the Pehlevi apestak, in the sense of 'authorised text,' the

etymology of Zend, as derived from a supposed zanti, Sanskrit _gn_ati,

knowledge, is not free from serious objections. Avesta Zend was most

likely a traditional name, hardly understood even at the time of the

Pehlevi translators, who retained it in their writings. It was

possibly misinterpreted by them, as many other Zend words have been at

their hands, and may have been originally the Sanskrit word

_k_handas,[46] which is applied by the Brahmans to the sacred hymns of

the Veda. Certainty on such a point is impossible; but as it is but

fair to give a preference to the conjectures of those who are most

familiar with the subject, we quote the following explanation of Dr.

Haug:

'The meaning of the term "Zend" varied at different periods.

Originally it meant the interpretation of the sacred texts

descended from Zarathustra and his disciples by the

successors of the prophet. In the course of time, these

interpretations being regarded as equally sacred with the

original texts, both were then called Avesta. Both having

become unintelligible to the majority of the Zoroastrians,

in consequence of their language having died out, they

required a Zend or explanation again. This new Zend was

furnished by the most learned priests of the Sassanian

period in the shape of a translation into the vernacular

language of Persia (Pehlevi) in those days, which

translation being the only source to the priests of the

present time whence to derive any knowledge of the old

texts, is therefore the only Zend or explanation they know

of.... The name Pazend, to be met with frequently in

connection with Avesta and Zend, denotes the further

explanation of the Zend doctrine..... The Pazend language is

the same as the so-called Parsi, i. e. the ancient Persian,

as written till about the time of Firdusi, 1000 A.D.'

[Footnote 46: See page 84.]

Whatever we may think of the nomenclature thus advocated by Dr. Haug,

we must acknowledge in the fullest manner his great merit in

separating for the first time the more ancient from the more modern

parts of the Zend-Avesta. Though the existence of different dialects

in the ancient texts was pointed out by Spiegel, and although the

metrical portions of the Ya_s_na had been clearly marked by

Westergaard, it is nevertheless Haug's great achievement to have

extracted these early relics, to have collected them, and to have

attempted a complete translation of them, as far as such an attempt

could be carried out at the present moment. His edition of the

Gathas--for this is the name of the ancient metrical portions--marks

an epoch in the history of Zend scholarship, and the importance of the

recovery of these genuine relics of Zoroaster's religion has been well

brought out by Bunsen in the least known of his books, 'Gott in der

Geschichte.' We by no means think that the translations here offered

by Dr. Haug are final. We hope, on the contrary, that he will go on

with the work he has so well begun, and that he will not rest till he

has removed every dark speck that still covers the image of

Zoroaster's primitive faith. Many of the passages as translated by him

are as clear as daylight, and carry conviction by their very

clearness. Others, however, are obscure, hazy, meaningless. We feel

that they must have been intended for something else, something more

definite and forcible, though we cannot tell what to do with the

words as they stand. Sense, after all, is the great test of

translation. We must feel convinced that there was good sense in these

ancient poems, otherwise mankind would not have taken the trouble to

preserve them; and if we cannot discover good sense in them, it must

be either our fault, or the words as we now read them were not the

words uttered by the ancient prophets of the world. The following are

a few specimens of Dr. Haug's translations, in which the reader will

easily discover the different hues of certainty and uncertainty, of

sense and mere verbiage:

1. That I will ask Thee, tell me it right, thou living God!

whether your friend (Sraosha) be willing to recite his own

hymn as prayer to my friend (Frashaostra or Vistaspa), thou

Wise! and whether he should come to us with the good mind,

to perform for us true actions of friendship.

2. That I will ask Thee, tell me it right, thou living God!

How arose the best present life (this world)? By what means

are the present things (the world) to be supported? That

spirit, the holy (Vohu mano), O true wise spirit! is the

guardian of the beings to ward off from them every evil; He

is the promoter of all life.

3. That I will ask Thee, tell me it right, thou living God!

Who was in the beginning the Father and Creator of truth?

Who made the sun and stars? Who causes the moon to increase

and wane if not Thou? This I wish to know, except what I

already know.

4. That I will ask Thee, tell me it right, thou living God!

Who is holding the earth and the skies above it? Who made

the waters and the trees of the field? Who is in the winds

and storms that they so quickly run? Who is the Creator of

the good-minded beings, thou Wise?

This is a short specimen of the earliest portion of the Zend-Avesta.

The following is an account of one of the latest, the so-called Ormuzd

Yasht:

'Zarathustra asked Ahuramazda after the most effectual spell

to guard against the influence of evil spirits. He was

answered by the Supreme Spirit, that the utterance of the

different names of Ahuramazda protects best from evil.

Thereupon Zarathustra begged Ahuramazda to communicate to

him these names. He then enumerates twenty. The first is

Ahmi, i. e. "I am;" the fourth, Asha-vahista, i. e. "the

best purity;" the sixth, "I am wisdom;" the eighth, "I am

knowledge;" the twelfth, Ahura, i. e. "living;" the

twentieth, "I am who I am, Mazdao."'

Ahuramazda says then further:

'"If you call me at day or at night by these names, I shall

come to assist and help you; the angel Serosh will then

come, the genii of the waters and the trees." For the utter

defeat of the evil spirits, bad men, witches, Peris, a

series of other names are suggested to Zarathustra, such as

protector, guardian, spirit, the holiest, the best

fire-priest, etc.'

Whether the striking coincidence between one of the suggested names of

Ahuramazda, namely, 'I am who I am,' and the explanation of the name

Jehova, Exodus iii. 14, 'I am that I am,' is accidental or not, must

depend on the age that can be assigned to the Ormuzd Yasht. The

chronological arrangement, however, of the various portions of the

Zend-Avesta is as yet merely tentative, and these questions must

remain for future consideration. Dr. Haug points out other

similarities between the doctrines of Zoroaster and the Old and New

Testaments. 'The Zoroastrian religion,' he writes, 'exhibits a very

close affinity to, or rather identity with, several important

doctrines of the Mosaic religion and Christianity, such as the

personality and attributes of the devil, and the resurrection of the

dead.' Neither of these doctrines, however, would seem to be

characteristic of the Old or New Testament, and the resurrection of

the dead is certainly to be found by implication only, and is nowhere

distinctly asserted, in the religious books of Moses.

There are other points on which we should join issue with Dr.

Haug--as, for instance, when, on page 17, he calls the Zend the elder

sister of Sanskrit. This seems to us in the very teeth of the evidence

so carefully brought together by himself in his Zend grammar. If he

means the modern Sanskrit, as distinguished from the Vedic, his

statement would be right to some extent; but even thus, it would be

easy to show many grammatical forms in the later Sanskrit more

primitive than their corresponding forms in Zend. These, however, are

minor points compared with the great results of his labours which Dr.

Haug has brought together in these four Essays; and we feel certain

that all who are interested in the study of ancient language and

ancient religion will look forward with the greatest expectations to

Dr. Haug's continued investigations of the language, the literature,

the ceremonial, and the religion of the descendants of Zoroaster.

_December, 1862._

VI.

PROGRESS OF ZEND SCHOLARSHIP.[47]

There are certain branches of philological research which seem to be

constantly changing, shifting, and, we hope, progressing. After the

key to the interpretation of ancient inscriptions has been found, it

by no means follows that every word can at once be definitely

explained, or every sentence correctly construed. Thus it happens that

the same hieroglyphic or cuneiform text is rendered differently by

different scholars; nay, that the same scholar proposes a new

rendering not many years after his first attempt at a translation has

been published. And what applies to the decipherment of inscriptions

applies with equal force to the translation of ancient texts. A

translation of the hymns of the Veda, or of the Zend-Avesta, and, we

may add, of the Old Testament too, requires exactly the same process

as the deciphering of an inscription. The only safe way of finding the

real meaning of words in the sacred texts of the Brahmans, the

Zoroastrians, or the Jews, is to compare every passage in which the

same word occurs, and to look for a meaning that is equally applicable

to all, and can at the same time be defended on grammatical and

etymological grounds. This is no doubt a tedious process, nor can it

be free from uncertainty; but it is an uncertainty inherent in the

subject itself, for which it would be unfair to blame those by whose

genius and perseverance so much light has been shed on the darkest

pages of ancient history. To those who are not acquainted with the

efforts by which Grotefend, Burnouf, Lassen, and Rawlinson unravelled

the inscriptions of Cyrus, Darius, and Xerxes, it may seem

inexplicable, for instance, how an inscription which at one time was

supposed to confirm the statement, known from Herodotus, that Darius

obtained the sovereignty of Persia by the neighing of his horse,

should now yield so very different a meaning. Herodotus relates that

after the assassination of Smerdis the six conspirators agreed to

confer the royal dignity on him whose horse should neigh first at

sunrise. The horse of Darius neighed first, and he was accordingly

elected king of Persia. After his election, Herodotus states that

Darius erected a stone monument containing the figure of a horseman,

with the following inscription: 'Darius, the son of Hystaspes,

obtained the kingdom of the Persians by the virtue of his horse

(giving its name), and of Oibareus, his groom.' Lassen translated one

of the cuneiform inscriptions, copied originally by Niebuhr from a

huge slab built in the southern wall of the great platform at

Persepolis, in the following manner: 'Auramazdis magnus est. Is

maximus est deorum. Ipse Darium regem constituit, benevolens imperium

obtulit. Ex voluntate Auramazdis Darius rex sum. Generosus sum Darius

rex hujus regionis Persicae; hanc mihi Auramazdis obtulit "hoc

pomoerio ope equi (Choaspis) clarae virtutis."' This translation was

published in 1844, and the arguments by which Lassen supported it, in

the sixth volume of the 'Zeitschrift fuer die Kunde des Morgenlandes,'

may be read with interest and advantage even now when we know that

this eminent scholar was mistaken in his analysis. The first step

towards a more correct translation was made by Professor Holtzmann,

who in 1845 pointed out that Smerdis was murdered at Susa, not at

Persepolis; and that only six days later Darius was elected king of

Persia, which happened again at Susa, and not at Persepolis. The

monument, therefore, which Darius erected in the [Greek: proasteion],

or suburb, in the place where the fortunate event which led to his

elevation occurred, and the inscription recording the event in loco,

could not well be looked for at Persepolis. But far more important was

the evidence derived from a more careful analysis of the words of the

inscription itself. Niba, which Lassen translated as pomoerium,

occurs in three other places, where it certainly cannot mean suburb.

It seems to be an adjective meaning splendid, beautiful. Besides, niba

is a nominative singular in the feminine, and so is the pronoun hya

which precedes, and the two words which follow it--uva_s_pa and

umartiya. Professor Holtzmann translated therefore the same sentence

which Professor Lassen had rendered by 'hoc pomoerio ope equi

(Choaspis) clarae virtutis,' by 'quae nitida, herbosa, celebris est,' a

translation which is in the main correct, and has been adopted

afterwards both by Sir H. Rawlinson and M. Oppert. Sir H. Rawlinson

translates the whole passage as follows: 'This province of Persia

which Ormazd has granted to me, which is illustrious, abounding in

good horses, producing good men.' Thus vanished the horse of Darius,

and the curious confirmation which the cuneiform inscription was at

one time supposed to lend to the Persian legend recorded by Herodotus.

[Footnote 47: 'A Lecture on the Original Language of Zoroaster.' By

Martin Haug. Bombay, 1865.]

It would be easy to point out many passages of this kind, and to use

them in order to throw discredit on the whole method by which these

and other inscriptions have lately been deciphered. It would not

require any great display of forensic or parliamentary eloquence, to

convince the public at large, by means of such evidence, that all the

labours of Grotefend, Burnouf, Lassen, and Rawlinson had been in vain,

and to lay down once for all the general principle that the original

meaning of inscriptions written in a dead language, of which the

tradition is once lost, can never be recovered. Fortunately, questions

of this kind are not settled by eloquent pleading or by the votes of

majorities, but, on the contrary, by the independent judgment of the

few who are competent to judge. The fact that different scholars

should differ in their interpretations, or that the same scholars

should reject his former translation, and adopt a new one that

possibly may have to be surrendered again as soon as new light can be

thrown on points hitherto doubtful and obscure--all this, which in the

hands of those who argue for victory and not for truth, constitutes so

formidable a weapon, and appeals so strongly to the prejudices of the

many, produces very little effect on the minds of those who understand

the reason of these changes, and to whom each new change represents

but a new step in advance in the discovery of truth.

Nor should the fact be overlooked that, if there seems to be less

change in the translation of the books of the Old Testament for

instance, or of Homer, it is due in a great measure to the absence of

that critical exactness at which the decipherers of ancient

inscriptions and the translators of the Veda and Zend-Avesta aim in

rendering each word that comes before them. If we compared the

translation of the Septuagint with the authorised version of the Old

Testament, we should occasionally find discrepancies nearly as

startling as any that can be found in the different translations of

the cuneiform inscriptions, or of the Veda and Zend-Avesta. In the

Book of Job, the Vulgate translates the exhortation of Job's wife by

'Bless God and die;' the English version by 'Curse God and die;' the

Septuagint by 'Say some word to the Lord and die.' Though, at the time

when the Seventy translated the Old Testament, Hebrew could hardly be

called a dead language, yet there were then many of its words the

original meaning of which even the most learned rabbi would have had

great difficulty in defining with real accuracy. The meaning of words

changes imperceptibly and irresistibly. Even where there is a

literature, and a printed literature like that of modern Europe, four

or five centuries work such a change that few even of the most learned

divines in England would find it easy to read and to understand

accurately a theological treatise written in English four hundred

years ago. The same happened, and happened to a far greater extent, in

ancient languages. Nor was the sacred character attributed to certain

writings any safeguard. On the contrary, greater violence is done by

successive interpreters to sacred writings than to any other relics

of ancient literature. Ideas grow and change, yet each generation

tries to find its own ideas reflected in the sacred pages of their

early prophets, and, in addition to the ordinary influences which blur

and obscure the sharp features of old words, artificial influences are

here at work distorting the natural expression of words which have

been invested with a sacred authority. Passages in the Veda or

Zend-Avesta which do not bear on religious or philosophical doctrines

are generally explained simply and naturally, even by the latest of

native commentators. But as soon as any word or sentence can be so

turned as to support a doctrine, however modern, or a precept, however

irrational, the simplest phrases are tortured and mangled till at last

they are made to yield their assent to ideas the most foreign to the

minds of the authors of the Veda and Zend-Avesta.

To those who take an interest in these matters we may recommend a

small Essay lately published by the Rev. R. G. S. Browne--the 'Mosaic

Cosmogony'--in which the author endeavours to establish a literal

translation of the first chapter of Genesis. Touching the first verb

that occurs in the Bible, he writes: 'What is the meaning or scope of

the Hebrew verb, in our authorised version, rendered by "created?" To

English ears and understandings the sound comes naturally, and by long

use irresistibly, as the representation of an ex nihilo creation. But,

in the teeth of all the Rabbinical and Cabbalistic fancies of Jewish

commentators, and with reverential deference to modern criticism on

the Hebrew Bible, it is not so. R. D. Kimchi, in his endeavour to

ascertain the shades of difference existing between the terms used in

the Mosaic cosmogony, has assumed that our Hebrew verb bara has the

full signification of ex nihilo creavit. Our own Castell, a profound

and self-denying scholar has entertained the same groundless notion.

And even our illustrious Bryan Walton was not inaccessible to this

oblique ray of Rabbinical or ignis fatuus.'

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