The thoughtful bent of the Hindu mind is visible in the Veda also, but

his mystic tendencies are not yet so fully developed. Of philosophy we

find but little, and what we find is still in its germ. The active

side of life is more prominent, and we meet occasionally with wars of

kings, with rivalries of ministers, with triumphs and defeats, with

war-songs and imprecations. Moral sentiments and worldly wisdom are

not yet absorbed by phantastic intuitions. Still the child betrays the

passions of the man, and there are hymns, though few in number, in the

Veda, so full of thought and speculation that at this early period no

poet in any other nation could have conceived them. I give but one

specimen, the 129th hymn of the tenth book of the Rig-veda. It is a

hymn which long ago attracted the attention of that eminent scholar H.

T. Colebrooke, and of which, by the kind assistance of a friend, I am

enabled to offer a metrical translation. In judging it we should bear

in mind that it was not written by a gnostic or by a pantheistic

philosopher, but by a poet who felt all these doubts and problems as

his own, without any wish to convince or to startle, only uttering

what had been weighing on his mind, just as later poets would sing the

doubts and sorrows of their heart.

Nor Aught nor Nought existed; yon bright sky

Was not, nor heaven's broad woof outstretched above.

What covered all? what sheltered? what concealed?

Was it the water's fathomless abyss?

There was not death--yet was there nought immortal,

There was no confine betwixt day and night;

The only One breathed breathless by itself,

Other than It there nothing since has been.

Darkness there was, and all at first was veiled

In gloom profound--an ocean without light--

The germ that still lay covered in the husk

Burst forth, one nature, from the fervent heat.

Then first came love upon it, the new spring

Of mind--yea, poets in their hearts discerned,

Pondering, this bond between created things

And uncreated. Comes this spark from earth

Piercing and all-pervading, or from heaven?

Then seeds were sown, and mighty powers arose--

Nature below, and power and will above--

Who knows the secret? who proclaimed it here,

Whence, whence this manifold creation sprang?

The Gods themselves came later into being--

Who knows from whence this great creation sprang?

He from whom all this great creation came,

Whether his will created or was mute,

The Most High Seer that is in highest heaven,

He knows it--or perchance even He knows not.

The grammar of the Veda (to turn from the contents to the structure of

the work) is important in many respects. The difference between it and

the grammar of the epic poems would be sufficient of itself to fix the

distance between these two periods of language and literature. Many

words have preserved in these early hymns a more primitive form, and

therefore agree more closely with cognate words in Greek or Latin.

Night, for instance, in the later Sanskrit is ni_s_a, which is a form

peculiarly Sanskritic, and agrees in its derivation neither with nox

nor with [Greek: nyx]. The Vaidik na_s_ or nak, night, is as near to

Latin as can be. Thus mouse in the common Sanskrit is mushas or

mushika, both derivative forms if compared with the Latin mus, muris.

The Vaidik Sanskrit has preserved the same primitive noun in the

plural mush-as = Lat. mures. There are other words in the Veda which

were lost altogether in the later Sanskrit, while they were preserved

in Greek and Latin. Dyaus, sky, does not occur as a masculine in the

ordinary Sanskrit; it occurs in the Veda, and thus bears witness to

the early Aryan worship of Dyaus, the Greek Zeus. Ushas, dawn, again

in the later Sanskrit is neuter. In the Veda it is feminine; and even

the secondary Vaidik form Ushasa is proved to be of high antiquity by

the nearly corresponding Latin form Aurora. Declension and conjugation

are richer in forms and more unsettled in their usage. It was a

curious fact, for instance, that no subjunctive mood existed in the

common Sanskrit. The Greeks and Romans had it, and even the language

of the Avesta showed clear traces of it. There could be no doubt that

the Sanskrit also once possessed this mood, and at last it was

discovered in the hymns of the Rig-veda. Discoveries of this kind may

seem trifling, but they are as delightful to the grammarian as the

appearance of a star, long expected and calculated, is to the

astronomer. They prove that there is natural order in language, and

that by a careful induction laws can be established which enable us to

guess with great probability either at the form or meaning of words

where but scanty fragments of the tongue itself have come down to us.

_October, 1853._

THE ZEND-AVESTA.

By means of laws like that of the Correspondence of Letters,

discovered by Rask and Grimm, it has been possible to determine the

exact form of words in Gothic, in cases where no trace of them

occurred in the literary documents of the Gothic nation. Single words

which were not to be found in Ulfilas have been recovered by applying

certain laws to their corresponding forms in Latin or Old High-German,

and thus retranslating them into Gothic. But a much greater conquest

was achieved in Persia. Here comparative philology has actually had to

create and reanimate all the materials of language on which it was

afterwards to work. Little was known of the language of Persia and

Media previous to the Shahnameh of Firdusi, composed about 1000 A.D.,

and it is due entirely to the inductive method of comparative

philology that we have now before us contemporaneous documents of

three periods of Persian language, deciphered, translated, and

explained. We have the language of the Zoroastrians, the language of

the Achaemenians, and the language of the Sassanians, which represent

the history of the Persian tongue in three successive periods--all now

rendered intelligible by the aid of comparative philology, while but

fifty years ago their very name and existence were questioned.

The labours of Anquetil Duperron, who first translated the

Zend-Avesta, were those of a bold adventurer--not of a scholar. Rask

was the first who, with the materials collected by Duperron and

himself, analysed the language of the Avesta scientifically. He

proved--

1. That Zend was not a corrupted Sanskrit, as supposed by W.

Erskine, but that it differed from it as Greek, Latin, or

Lithuanian differed from one another and from Sanskrit.

2. That the modern Persian was really derived from Zend as

Italian was from Latin; and

3. That the Avesta, or the works of Zoroaster, must have

been reduced to writing at least previously to Alexander's

conquest. The opinion that Zend was an artificial language

(an opinion held by men of great eminence in Oriental

philology, beginning with Sir W. Jones) is passed over by

Rask as not deserving of refutation.

The first edition of the Zend texts, the critical restitution of the

MSS., the outlines of a Zend grammar, with the translation and

philological anatomy of considerable portions of the Zoroastrian

writings, were the work of the late Eugene Burnouf. He was the real

founder of Zend philology. It is clear from his works, and from Bopp's

valuable remarks in his 'Comparative Grammar,' that Zend in its

grammar and dictionary is nearer to Sanskrit than any other

Indo-European language. Many Zend words can be retranslated into

Sanskrit simply by changing the Zend letters into their corresponding

forms in Sanskrit. With regard to the Correspondence of Letters in

Grimm's sense of the word, Zend ranges with Sanskrit and the classical

languages. It differs from Sanskrit principally in its sibilants,

nasals, and aspirates. The Sanskrit s, for instance, is represented by

the Zend h, a change analogous to that of an original s into the

Greek aspirate, only that in Greek this change is not general. Thus

the geographical name hapta hendu, which occurs in the Avesta, becomes

intelligible if we retranslate the Zend h into the Sanskrit s. For

sapta sindhu, or the Seven Rivers, is the old Vaidik name of India

itself, derived from the five rivers of the Penjab, together with the

Indus, and the Sarasvati.

Where Sanskrit differs in words or grammatical peculiarities from the

northern members of the Aryan family, it frequently coincides with

Zend. The numerals are the same in all these languages up to 100. The

name for thousand, however, sahasra, is peculiar to Sanskrit, and does

not occur in any of the Indo-European dialects except in Zend, where

it becomes haza_n_ra. In the same manner the German and Slavonic

languages have a word for thousand peculiar to themselves; as also in

Greek and Latin we find many common words which we look for in vain in

any of the other Indo-European dialects. These facts are full of

historical meaning; and with regard to Zend and Sanskrit, they prove

that these two languages continued together long after they were

separated from the common Indo-European stock.

Still more striking is the similarity between Persia and India in

religion and mythology. Gods unknown to any Indo-European nation are

worshipped under the same names in Sanskrit and Zend; and the change

of some of the most sacred expressions in Sanskrit into names of evil

spirits in Zend, only serves to strengthen the conviction that we have

here the usual traces of a schism which separated a community that had

once been united.

Burnouf, who compared the language and religion of the Avesta

principally with the later classical Sanskrit, inclined at first to

the opinion that this schism took place in Persia, and that the

dissenting Brahmans immigrated afterwards into India. This is still

the prevailing opinion, but it requires to be modified in accordance

with new facts elicited from the Veda. Zend, if compared with

classical Sanskrit, exhibits in many points of grammar, features of a

more primitive character than Sanskrit. But it can now be shown, and

Burnouf himself admitted it, that when this is the case, the Vaidik

differs on the very same points from the later Sanskrit, and has

preserved the same primitive and irregular form as the Zend. I still

hold, that the name of Zend was originally a corruption of the

Sanskrit word _k_handas (i. e. metrical language, cf. scandere),[35]

which is the name given to the language of the Veda by Pa_n_ini and

others. When we read in Pa_n_ini's grammar that certain forms occur in

_k_handas, but not in the classical language, we may almost always

translate the word _k_handas by Zend, for nearly all these rules apply

equally to the language of the Avesta.

[Footnote 35: The derivation of _k_handas, metre, from the same root

which yielded the Latin scandere, seems to me still the most

plausible. An account of the various explanations of this word,

proposed by Eastern and Western scholars, is to be found in Spiegel's

'Grammar of the Parsi Language' (preface, and p. 205), and in his

translation of the Vendidad (pp. 44 and 293). That initial _k_h in

Sanskrit may represent an original sk, has never, as far as I am

aware, been denied. (Curtius, 'Grundzuege,' p. 60.) The fact that the

root _k_hand, in the sense of stepping or striding, has not been fixed

in Sanskrit as a verbal, but only as a nominal base, is no real

objection either. The same thing has happened over and over again, and

has been remarked as the necessary result of the dialectic growth of

language by so ancient a scholar as Yaska. ('Zeitschrift der Deutschen

Morgenlaendischen Gesellschaft, vol. viii. p. 373 seq.) That scandere

in Latin, in the sense of scanning is a late word, does not affect the

question at all. What is of real importance is simply this, that the

principal Aryan nations agree in representing metre as a kind of

stepping or striding. Whether this arose from the fact that ancient

poetry was accompanied by dancing or rhythmic choral movements, is a

question which does not concern us here. (Carmen descindentes

tripodaverunt in verba haec: Enos Lases, etc. Orelli, 'Inscript.' No.

2271.) The fact remains that the people of India, Greece, and Italy

agree in calling the component elements of their verses feet or steps

([Greek: pous], pes, Sanskrit pad or pada; padapankti, a row of

feet, and _g_agati, i. e. andante, are names of Sanskrit metres). It

is not too much, therefore, to say that they may have considered metre

as a kind of stepping or striding, and that they may accordingly have

called it 'stride.' If then we find the name for metre in Sanskrit

_k_handas, i. e. skandas, and if we find that scando in Latin (from

which sca(d)la), as we may gather from ascendo and descendo, meant

originally striding, and that skand in Sanskrit means the same as

scando in Latin, surely there can be little doubt as to the original

intention of the Sanskrit name for metre, viz. _k_handas. Hindu

grammarians derive _k_handas either from _k_had, to cover, or from

_k_had, to please. Both derivations are possible, as far as the

letters are concerned. But are we to accept the dogmatic

interpretation of the theologians of the _K_handogas, who tell us that

the metres were called _k_handas because the gods, when afraid of

death, covered themselves with the metres? Or of the Va_g_asaneyins,

who tell us that the _k_handas were so called because they pleased

Pra_g_apati? Such artificial interpretations only show that the

Brahmans had no traditional feeling as to the etymological meaning of

that word, and that we are at liberty to discover by the ordinary

means its original intention. I shall only mention from among much

that has been written on the etymology of _k_handas, a most happy

remark of Professor Kuhn, who traces the Northern skald, poet, back to

the same root as the Sanskrit _k_handas, metre. (Kuhn's 'Zeitschrift,'

vol. iii. p. 428.)]

In mythology also, the 'nomina and numina' of the Avesta appear at

first sight more primitive than in Manu or the Mahabharata. But if

regarded from a Vaidik point of view, this relation shifts at once,

and many of the gods of the Zoroastrians come out once more as mere

reflections and deflections of the primitive and authentic gods of the

Veda. It can now be proved, even by geographical evidence, that the

Zoroastrians had been settled in India before they immigrated into

Persia. I say the Zoroastrians, for we have no evidence to bear us out

in making the same assertion of the nations of Persia and Media in

general. That the Zoroastrians and their ancestors started from India

during the Vaidik period can be proved as distinctly as that the

inhabitants of Massilia started from Greece. The geographical

traditions in the first Fargard of the Vendidad do not interfere with

this opinion. If ancient and genuine, they would embody a remembrance

preserved by the Zoroastrians, but forgotten by the Vaidik poets--a

remembrance of times previous to their first common descent into the

country of the Seven Rivers. If of later origin, and this is more

likely, they may represent a geographical conception of the

Zoroastrians after they had become acquainted with a larger sphere of

countries and nations, subsequent to their emigration from the land of

the Seven Rivers.[36]

[Footnote 36: The purely mythological character of this geographical

chapter has been proved by M. Michel Breal, 'Journal Asiatique,'

1862.]

These and similar questions of the highest importance for the early

history of the Aryan language and mythology, however, must await their

final decision, until the whole of the Veda and the Avesta shall have

been published. Of this Burnouf was fully aware, and this was the

reason why he postponed the publication of his researches into the

antiquities of the Iranian nation. The same conviction is shared by

Westergaard and Spiegel, who are each engaged in an edition of the

Avesta, and who, though they differ on many points, agree in

considering the Veda as the safest key to an understanding of the

Avesta. Professor Roth, of Tuebingen, has well expressed the mutual

relation of the Veda and Zend-Avesta under the following simile: 'The

Veda,' he writes, 'and the Zend-Avesta are two rivers flowing from one

fountain-head: the stream of the Veda is the fuller and purer, and has

remained truer to its original character; that of the Zend-Avesta has

been in various ways polluted, has altered its course, and cannot,

with certainty, be traced back to its source.'

As to the language of the Achaemenians, presented to us in the Persian

text of the cuneiform inscriptions, there was no room for doubt, as

soon as it became legible at all, that it was the same tongue as that

of the Avesta, only in a second stage of its continuous growth. The

process of deciphering these bundles of arrows by means of Zend and

Sanskrit has been very much like deciphering an Italian inscription

without a knowledge of Italian, simply by means of classical and

mediaeval Latin. It would have been impossible, even with the quick

perception and patient combination of a Grotefend, to read more than

the proper names and a few titles on the walls of the Persian palaces,

without the aid of Zend and Sanskrit; and it seems almost

providential, as Lassen remarked, that these inscriptions, which at

any previous period would have been, in the eyes of either classical

or oriental scholars, nothing but a quaint conglomerate of nails,

wedges, or arrows, should have been rescued from the dust of centuries

at the very moment when the discovery and study of Sanskrit and Zend

had enabled the scholars of Europe to grapple successfully with their

difficulties.

Upon a closer inspection of the language and grammar of these mountain

records of the Achaemenian dynasty, a curious fact came to light which

seemed to disturb the historical relation between the language of

Zoroaster and the language of Darius. At first, historians were

satisfied with knowing that the edicts of Darius could be explained by

the language of the Avesta, and that the difference between the two,

which could be proved to imply a considerable interval of time, was

such as to exclude for ever the supposed historical identity of Darius

Hystaspes and Gushtasp, the mythical pupil of Zoroaster. The language

of the Avesta, though certainly not the language of Zarathustra,[37]

displayed a grammar so much more luxuriant, and forms so much more

primitive than the inscriptions, that centuries must have elapsed

between the two periods represented by these two strata of language.

When, however, the forms of these languages were subjected to a more

searching analysis, it became evident that the phonetic system of the

cuneiform inscriptions was more primitive and regular than even that

of the earlier portions of the Avesta. This difficulty, however,

admits of a solution; and, like many difficulties of the kind, it

tends to confirm, if rightly explained, the very facts and views which

at first it seemed to overthrow. The confusion in the phonetic system

of the Zend grammar is no doubt owing to the influence of oral

tradition. Oral tradition, particularly if confided to the safeguard

of a learned priesthood, is able to preserve, during centuries of

growth and change, the sacred accents of a dead language; but it is

liable at least to the slow and imperceptible influences of a corrupt

pronunciation. Nowhere can we see this more clearly than in the Veda,

where grammatical forms that had ceased to be intelligible, were

carefully preserved, while the original pronunciation of vowels was

lost, and the simple structure of the ancient metres destroyed by the

adoption of a more modern pronunciation. The loss of the Digamma in

Homer is another case in point. There are no facts to prove that the

text of the Avesta, in the shape in which the Parsis of Bombay and

Yezd now possess it, was committed to writing previous to the

Sassanian dynasty (226 A.D.). After that time it can indeed be traced,

and to a great extent be controlled and checked by the Huzvaresh

translations made under that dynasty. Additions to it were made, as it

seems, even after these Huzvaresh translations; but their number is

small, and we have no reason to doubt that the text of the Avesta, in

the days of Arda Viraf, was on the whole exactly the same as at

present. At the time when these translations were made, it is clear

from their own evidence that the language of Zarathustra had already

suffered, and that the ideas of the Avesta were no longer fully

understood even by the learned. Before that time we may infer, indeed,

that the doctrine of Zoroaster had been committed to writing, for

Alexander is said to have destroyed the books of the Zoroastrians,

Hermippus of Alexandria is said to have read them.[38] But whether on

the revival of the Persian religion and literature, that is to say 500

years after Alexander, the works of Zoroaster were collected and

restored from extant MSS., or from oral tradition, must remain

uncertain, and the disturbed state of the phonetic system would rather

lead us to suppose a long-continued influence of oral tradition. What

the Zend language might become, if entrusted to the guardianship of

memory alone, unassisted by grammatical study and archaeological

research, may be seen at the present day, when some of the Parsis, who

are unable either to read or write, still mutter hymns and prayers in

their temples, which, though to them mere sound, disclose to the

experienced ear of an European scholar the time-hallowed accents of

Zarathustra's speech.

[Footnote 37: Spiegel states the results of his last researches into

the language of the different parts of the Avesta in the following

words:

'We are now prepared to attempt an arrangement of the different

portions of the Zend-Avesta in the order of their antiquity. First, we

place the second part of the Ya_s_na, as separated in respect to the

language of the Zend-Avesta, yet not composed by Zoroaster himself,

since he is named in the third person; and indeed everything intimates

that neither he nor his disciple Gushtasp was alive. The second place

must unquestionably be assigned to the Vendidad. I do not believe that

the book was originally composed as it now stands: it has suffered

both earlier and later interpolations; still, its present form may be

traced to a considerable antiquity. The antiquity of the work is

proved by its contents, which distinctly show that the sacred

literature was not yet completed.

'The case is different with the writings of the last period, among

which I reckon the first part of the Ya_s_na, and the whole of the

Yeshts. Among these a theological character is unmistakeable, the

separate divinities having their attributes and titles dogmatically

fixed.

'Altogether, it is interesting to trace the progress of religion in

Parsi writings. It is a significant fact, that in the oldest, that is

to say, the second part of the Ya_s_na, nothing is fixed in the

doctrine regarding God. In the writings of the second period, that is

in the Vendidad, we trace the advance to a theological, and, in its

way, mild and scientific system. Out of this, in the last place, there

springs the stern and intolerant religion of the Sassanian

epoch.'--From the Rev. J. Murray Mitchell's Translation.]

[Footnote 38: 'Lectures on the Science of Language,' First Series, p.

95.]

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