F. M. MIDDLETON.

[A diversity of opinion prevails as to the exact import of this term.

The great musical critic Mattheson, in a work written on the word,

having rejected eleven meanings, decides in favour of the twelfth,

which makes the word equivalent to the modern Italian _da capo_. In

this view, the word _selah_ directs a repetition of the air or song

from the commencement, to the parts where it is placed. Herder held

that _selah_ denoted a swell, or a change in the rapidity of the

movement, or in the key. The Easterns, he says, are fond of a very

uniform, and, as it appears to Europeans, mournful music; but at

certain points, they of a sudden change the key, and pass into a

different melody. These points, he thinks, were among the Hebrews

indicated by the word _selah_. The balance of authority, however, is in

favour of the former view.--_The People's Dict. of the Bible._ Consult

also, Julius Bate's _Critica Hebræa_, and Gesenius' _Hebrew and English

Lexicon_.]

_The Long Parliament._--Where is a list of it, including its various

changes, to be seen?

Notes and Queries, Number 236, May 6, 1854 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 47 / 119 题