CHAPTER XIV

THE CLERK OF THE COUNCIL

We had a wonderful time at the City Hall that afternoon with Louis. It

was quite near our hotel, so Dee's agony over Louis' feelings about

carfare was assuaged.

My idea of a City Hall had always been that it was a very ugly and stiff

place where City Fathers wrangled about sewerage and garbage

collections, and whether they should or should not open up such and such

a street or close such and such an alley,--a place where taxes were paid

or evaded, and where one kicked about the size of the gas bill.

The Charleston City Hall was quite different. There may have been places

where discontented persons contended about gas and taxes, but we did not

see them. We were told that Charleston had but recently gone through

what was a real riot on the subject of the election of the Mayor, but

there was a dignity and peace breathing from the very stones of that old

edifice that made us doubt the possibility of dissension having been

within its walls.

City Fathers could not have mentioned such a thing as sewerage and

garbage in the presence of those wonderful and august portraits and

busts. As for opening streets that never had been opened before! Why do

it? And alleys that had always been closed! Let well enough alone.

Louis Gaillard was quite a friend of the Clerk of the Council, a very

scholarly and interesting young man with a French name, who was kindness

itself in showing us the treasures of the City Hall. He knew and loved

every one of them, and Cornelia, the mother of the Gracchi, could not

have been more eloquent in praise of her jewels. He might well be proud

of them, as I doubt there being a more complete collection of things of

civic and historical interest in any City Hall in all the world,

certainly not in America.

In the Mayor's office there hung a peculiarly interesting fragment of a

painting by Sir Godfrey Kneller. It was Queen Anne's hand resting on a

crown. The rest of the picture had been cut away by some vandal after

the wonderful painting had gone through various vicissitudes during the

Revolutionary War. Queen Anne was always a dead, dull person to my mind,

and the only thing that ever interested me about her was the fact that

she did have a crown, and perhaps if the picture was to be destroyed the

crown was about the most interesting part to preserve.

I don't want to sound like a guide-book, and I am afraid I might if I

tell of all the treasures in that Council Chamber. I must mention

Trumbull's portrait of Washington, however. It is very wonderful. The

great general stands in Continental uniform by his white charger, every

inch a soldier.

"It does not look exactly like the Gilbert Stuart portraits," said Dum.

"No," explained the young man ingenuously, "Stuart painted Washington

after he had false teeth, and that changed his appearance a great deal.

This picture is valued at $100,000, but of course no money could induce

the City of Charleston to part with it."

Then there was Healy's portrait of John C. Calhoun, a wonderful

painting. Dum and Mrs. Green thought that from an artistic standpoint it

was of more value than the Trumbull portrait of Washington. I am frankly

ignorant of what is best in pictures, but I am trying to learn. I

certainly liked the Healy portrait very much, though. The hands were

wonderful, and Dum said that was a true test of painting; that if an

artist was not a top-notcher he could not draw hands, and usually made

the model sit on them or put them in his pocket, or if it happened to be

a woman, covered them up with drapery. The Clerk of the Council seemed

very much amused by Dum's remarks and delighted with her interest, and

we noticed he addressed most of his explanations to her while we trailed

along in their wake.

There was a portrait of Francis Marion which rather amused us, as he is

dressed in uniform with a brigadier general's hat. Now we all knew that

Marion never wore anything more tony than a coon skin cap, and he looked

as funny as Daniel Boone would painted in a Tuxedo with an opera hat.

Portraits of President Monroe, Andrew Jackson, Zachary Taylor, General

Moultrie, Beauregard, Wade Hampton, and five mayors who held the civic

reins of Charleston in troublous times adorn the walls. There were many

other Charlestonians of note whom their city had delighted to honor, but

I am afraid of getting too guide-booky if I dwell on them.

The cablegram Queen Victoria sent at the time of the earthquake,

expressing her sympathy for the sufferers has been carefully preserved.

It is the original autograph copy, which, together with the letters from

Mayor Courtney, Secretary of State Bayard, and E. J. Phelps, United

States Minister to the Court of St. James, which were written in regard

to obtaining the original message, are embodied in a book and handsomely

bound. The message reads:

"To the President of the United States: I desire

to express profound sympathy with the sufferers by

the late earthquake, and await with anxiety

further intelligence which, I hope, may show the

effects to have been less disastrous than

expected.

(Signed) "VICTORIA, REGINA."

We took leave of the very agreeable Clerk of the Council regretfully. He

had been so pleasant, and was so interesting that we hoped we might see

him again.

"It seems a sin," sighed Dum, "to meet such a nice man as that and never

to see him again."

"I always feel that I am going to meet persons like again," said Mrs.

Green; "if not here, in the hereafter. Kindred souls must manage to get

together or 'What's a heaven for?'"

"That's the way I like to think of heaven, a place where you find the

persons you naturally like, not a place where you just naturally like

all the persons you meet. I don't see why just because you are good

enough to go to heaven you should lose all your discrimination. I could

go to heaven a million years and not like Mabel Binks. Cat!" and Dum

scowled.

"Who is Mabel Binks?" laughed Mrs. Green.

"Oh, she's a person Dee and I can't abide. Page hates her, too, only she

won't say so. She was at Gresham with us the first year we were there,

and she started in making a dead set at Zebedee and has kept it up ever

since."

"Is she pretty?"

"Oh, she's handsome enough in a kind of oochy-koochy style, but she is

too florid to suit me. There's a letter from her to Zebedee now. She's

always writing to him and trying to get him into something or other."

"How do you know it's from her?" I asked.

I was not very joyful myself when our one-time schoolmate made too free

with Mr. Tucker. I didn't really and truly think he cared a snap for

her, but I well knew how persistent effort on the part of a designing

female could eventually work wonders on the male heart.

"How do I know? I'd like to know who but Mabel Binks writes on burnt

orange paper, with brown ink, with an envelope big enough to hold all

the documents in the City Hall, and that smelling like a demonstration

counter of cheap perfumes. I'd hate to think Zebedee could put up with

two female admirers as gaudy as she is."

Dum always stormed like that when Mabel Binks was in question, or any

woman under fifty who happened to like her father. Dee was walking with

Louis or she, too, would have joined in the tirade against their _bete

noir_.

"I shouldn't think you would feel the slightest uneasiness about your

father. I am sure you can trust his good taste if he should ever marry,"

and Mrs. Green drew Dum to her.

I didn't know about that. I thought it was quite possible for the wrong

person to hoodwink Zebedee into not knowing his taste from hers. I had

been brought up by Mammy Susan, who was somewhat of a cynic in her way,

and she used to say:

"Th' ain't no countin' on what kin' er wife a widderman is goin' ter

pick out. One thing you may be sho' of, a man nebber picks out two

alike. If the fus' one was tall an' thin the nex' one is sho' ter be

sho't an' fat. I tell yer, men is pow'ful weak an' women is mighty

'suadin'."

That phrase that Mammy Susan was so fond of, "Men is weak an' women is

'suadin'," made me tremble sometimes for what the father of the twins

might do. He had talked to me about marrying again, and had given me to

understand many times that Mabel Binks was not his style, but sometimes

I used to think that maybe "he doth protest too much."

We were missing Zebedee greatly, and were very glad when we got back to

the hotel to learn from a long distance message that he would be with us

the next morning.

Tripping with the Tucker Twins · 第 14 / 21 章