AFTER the publication of "Ivanhoe," Scott returned for a time to the
illustration of Scottish life. "The Monastery" was published in March
1820, in three duodecimo volumes. Owing to the supernatural element
introduced by the White Lady of Avenel, the novel was less successful
than its predecessors. It was, however, redeemed from absolute failure
through the beautiful descriptions of natural scenery and the striking
Scottish manners which it presented.
In the accompanying engraving is represented the Abbey of Melrose
amidst the beautiful scenery by which it is surrounded. It is the finest
specimen of Gothic architecture in Scotland. The spire of the central
tower has disappeared, but the tower itself, eighty-four feet in
height, imparts dignity to the structure. The grand east window is
of unparallelled beauty and elegance. Gothic pinnacles terminate the
principal buttresses,'which, with the various windows, are decorated
with admirably carved figures and niches richly sculptured. In Melrose
Abbey was deposited the heart of King Robert the Bruce, after the
unsuccessful attempt to carry it to Palestine.
The absence of Father Eustace, superior of the abbey, who was detained
much beyond his accustomed hour of returning home, created alarm among
his brethren, and the dependants had all been summoned to assist, with
torches, in searching for the venerable man. The shout of joy that
was raised as he approached, soon convinced him of the object of the
assemblage; and the invitations distributed to the people, to call
at the convent kitchen for a "quarter of a yard of roast beef each,"
demonstrated the esteem in which he was held in the institution.
*****
In our second illustration Herbert Glendinning is presenting the silver
bodkin which he received from the White Lady. The production of this
token has caused the most extraordinary change in the aspect of Sir
Piercie Shafton, whose serenity has suddenly become transformed into
fury. He has started up, quivering with rage, and in his inflamed and
agitated features he resembles a demoniac rather than a mortal under
the government of reason. He thrusts both his clenched fists towards
Glendinning's face, but the next moment withdraws them, and striking his
open palm against his forehead, rushes from the apartment.
[Illustration: 071-072]
[Illustration: 073]