THE BRIDE OF LAMMERMOOR.

BRIDE OF LAMMERMOOR, one of the products of 1819, is founded on

a remarkable narrative, connected with the marriage of Miss Janet

Dalrymple, daughter of the first Lord Stair, who, without the parental

knowledge, engaged herself to the Lord Rutherford, but who subsequently

consented to abandon her noble lover, and accept the hand of David

Dunbar, younger of Baldoon, whose suit was supported by her parents. On

the 24th August 1669, shortly after the nuptial ceremony, the bridegroom

was found in the bridal chamber lying across the threshold, frightfully

wounded and streaming with blood. On a search, the bride was discovered

in the chimney-corner, dabbled in gore, and moping as an idiot; she

survived only two weeks. The bridegroom, who recovered from his wounds,

refused to answer any questions in relation to the tragedy; he was

killed by a fall from his horse in March 1682.*

* The marriage contract of the Bride of Lammermoor has

lately been discovered at St Mary's Isle, the seat of the

Earl of Selkirk. His lordship is the representative of the

family of Dunbar of Baldoon, and has the family papers in

his possession. In arranging these he came upon the

contract. The four signatures are, David Dunbar the

bridegroom, Janet Dalrymple the bride, James Dalrymple, and

Baldoon, father of the bridegroom. James Dalrymple may have

been the bride's brother, who rode behind her to the church,

and whose dagger was used in the assault There is a little

tremor in the bride's signature.

The accompanying illustration represents Fast Castle, the original

of Wolf's Crag, of which the proprietors, the Logans and Humes, were

conspicuous in Scottish history. Margaret of England, on her way to

join her husband, James IV, at Edinburgh, lodged a night in the castle.

"Yonder is Wolf's Crag," said Ravenswood, "and whatever it still

contains is at your service, Bucklaw." The roar of the sea had long

announced their approach to the cliff, on the summit of which, like the

nest of some sea-eagle, the founder of the fortalice had perched his

eyrie. The pale moon, which had hitherto been contending with flitting

clouds, now shone out, and gave them a view of the solitary and naked

tower, situated on a projecting cliff that beetled on the German Ocean.

On three sides the rock was precipitous; on the fourth, which was

towards the land, it had been originally fenced by an artificial ditch

and drawbridge, but the latter was broken down and ruinous, and the

former had been in part filled up, so as to allow a passage for a

horseman into the narrow courtyard, encircled on two sides by low

offices and stables partly ruinous, and closed on the landward front

by a low embattled wall, while the remaining side of the quadrangle

was occupied by the tower, built of a greyish stone, glimmering in the

moonlight like the sheeted spectre of some huge giant. A wilder or

more disconsolate dwelling, it was perhaps difficult to conceive. The

sombrous and heavy sound of the billows successively dashing against

a rocky beach at a profound distance beneath, was to the ear what

the landscape was to the eye, a symbol of unvaried and monotonous

melancholy.

[Illustration: 062-063]

[Illustration: 064]

Mr Cruikshank has successfully depicted the humorous spectacle of Caleb

Balderstone snatching provisions for his master's table. Dame Lightbody

expected a number of guests to the christening of her "bit wean," when

Caleb entered. There bubbled on the bickering fire a huge caldron, while

before it revolved two spits, one loaded with a quarter of mutton,

the other with a fat goose and a brace of wild ducks. Caleb turned to

reconnoitre as the mother and grandmother hastened to attend the hero of

the evening in a remote corner. Sending one of the youthful turnspits for

"snishing," Caleb, not apprehending danger from the other, lifted up

the spit bearing the wild-fowl, put on his hat, and marched off with

the plunder. The boy at the spit was so bewildered that he became

motionless, and suffered the mutton to burn as black as a coal.

The Centenary Garland Being Pictorial Illustrations of the Novels of Sir Walter Scott · 第 15 / 33 题