CHAPTER VII.

ON THE CONSTRUCTION AND USE OF THE SIMPLE KALEIDOSCOPE.

In order to construct the Kaleidoscope in its most simple form, we

must procure two reflectors, about five, six, seven, or eight inches

long. These reflectors may be either rectangular plates, or plates

shaped like those represented in Fig. 1, having their broadest ends

=A O=, =B O=, from one to two inches wide, and their narrowest ends

=_a_ E=, =_b_ E=, half an inch wide. If the reflectors are of glass,

the newest plate glass should be used, as a great deal of light is

lost by employing old plate glass, with scratches or imperfections

upon its surface. The plate glass may be either quicksilvered or not,

or its posterior surface may be ground, or covered with black wax, or

black varnish, or anything else that removes its reflective power.

This, however, is by no means absolutely necessary, for if the eye

is properly placed, the reflexions from the posterior surface will

scarcely affect the distinctness of the picture, unless in very intense

lights. If it should be thought necessary to extinguish, as completely

as possible, all extraneous light that may be thrown into the tube

from the posterior surface of the glass plates, that surface should be

coated with a varnish of the same refractive and dispersive power as

the glass.

If the plates of glass have been skilfully cut with the diamond, so as

to have their edges perfectly straight, and free from chips, two of

the edges may be placed together, as in Fig. 17 (p. 49), or one edge

of one plate may be placed against the surface of the other plate, as

shown in the section of Mr. Bates’s Kaleidoscope. But if the edges are

rough and uneven, one of them may be made quite straight, and freed

from all imperfections, by grinding it upon a flat surface, with very

fine emery, or with the powder scraped from a hone. When the two plates

are laid together, so as to form a perfect junction, they are then to

be placed in a brass or any other tube, so as to form an angle of 45°,

36°, 30°, or any even aliquot part of a circle. In order to do this

with perfect accuracy, direct the tube containing the reflectors to

any line, such as _m n_, Fig. 2, placed very obliquely to one of the

reflectors =A O=, and open or shut the plates till the figure of a star

is formed, composed of 8, 10, or 12 sectors, or with 4, 5, or 6 points,

corresponding to angles of 45°, 36°, and 30°. When all the points of

the star are equally perfect, and none of the lines which form the

salient and re-entering angles disunited, the reflectors must be fixed

in that position by small arches of brass or wood =A B=, =_a b_=, Fig.

21, filed down till they exactly fit the space between the open ends of

the plates. The plates must then be kept in this position by pieces or

wedges of cork or wood, or any other substance pushed between them and

the tube. The greatest care, however, must be taken that these wedges

press lightly upon the reflectors, for a very slight force is capable

of bending and altering the figure even of very thick plates of glass.

When the reflectors are thus placed in the tube, as in Fig. 21, their

extremities =_a_ E=, =_b_ E=, next the eye, must reach to the very end

of the tube, as it is of the greatest importance that the eye get as

near as possible to the reflectors. The other ends of the reflectors

=A O=, =B O=, must also extend to the other extremity of the tube, in

order that they may be brought into contact with the objects which are

to be applied to the instrument. In using transparent objects the cell

or box which contains them may be screwed into the end of the tube, so

as to reach the ends of the reflectors, if they happen to terminate

within the tube; but an instrument thus constructed is incapable of

being applied to opaque objects, or to transparent objects seen by

reflected light.

[Illustration: FIG. 21.]

If the plates are narrower at the eye-end, as in Fig. 21, the angular

point =E= should be a little on one side of the axis of the tube, in

order that the aperture in the centre of the brass cap next the eye

may be brought as near as possible to =E=. When the plates have the

same breadth at both ends, the angular point =E= will be near the

lower circumference of the tube, as it is at =O=; and in this case it

is necessary to place the eye-hole out of the centre, so as to be a

little above the angular point =E=. This construction is less elegant

than the preceding; but it has the advantage of giving more room for

the introduction of a feather, or a piece of thin wood covered with

leather, for the purpose of removing the dust which is constantly

accumulating between the reflectors. In some instances the plates have

been put together in such a manner that they may be taken out of the

tube, for the purpose of being cleaned; but though this construction

has its advantages, yet it requires some ingenuity to replace the

reflectors with facility, and to fix them at the exact inclination

which is required. One of the most convenient methods is to support the

reflector in a groove cut out of a solid cylinder of dry wood of nearly

the same diameter as the tube; and after a slip of wood, or any other

substance, is placed along the open edges of the plates, to keep them

at the proper angle given by the groove, the whole is slipped into the

tube, where it remains firm and secure from all accident.

If the length of the reflectors is less than the shortest distance at

which the eye is capable of seeing objects with perfect distinctness,

it will be necessary to place at the eye-end =E= a convex lens, whose

focal length is equal to, or an inch or two greater than, the length

of the reflectors. By this means the observer will see with perfect

distinctness the objects placed at the object end of the Kaleidoscope.

This lens, however, must be removed when the instrument is to be used

by persons who are short-sighted.

The proper application of the objects at the end of the reflectors

is now the only step which is required to complete the simple

Kaleidoscope. The method of forming, selecting, and mixing the objects,

will be described in the next chapter. At present, we shall confine our

attention to the various methods which may be employed in applying them

to the end of the reflectors.

[Illustration: FIG. 22.]

The first and most simple method consists in bringing the tube about

half an inch beyond the ends of the reflectors. A circular piece of

thin plane glass of the same diameter as the tube, is then pushed into

the tube, so as to touch the reflectors. The pieces of coloured glass

being laid upon this piece of glass when the tube is held in a vertical

position, another similar disc of plane glass, having its outer surface

ground with fine emery, is next placed above the glass fragments, being

prevented from pressing upon them, or approaching too near the first

plane glass by a ring of copper or brass; and is kept in its place

by burnishing down the end of the tube. The eye being placed at the

other end of the instrument, the observer turns the whole round in

his hand, and perceives an infinite variety of beautiful figures and

patterns, in consequence of the succession of new fragments, which are

brought opposite the aperture by their own gravity, and by the rotatory

motion of the tube. In this rude state, however, the instrument is by

no means susceptible of affording very pleasing exhibitions. A very

disagreeable effect is produced by bringing the darkest sectors, or

those formed by the greatest number of reflexions, to the upper part

of the circular field, and though the variety of patterns will be very

great, yet the instrument is limited to the same series of fragments,

and cannot be applied to the numerous objects which are perpetually

presenting themselves to our notice. These evils can be removed only

by adopting the construction shown in Fig. 22, in which the reflectors

reach the very end of the tube. Upon the end of the tube _a b_, _c

d_, Fig. 22, is placed a ring of brass, _m n_, which moves easily upon

the tube _a b c d_, and is kept in its place by a shoulder of brass

on each side of it. A brass cell, =M N=, is then made to slip tightly

upon the moveable ring _m n_, so that when the cell is turned round by

means of the milled end at =M N=, the ring _m n_ may move freely upon

the tube. The fragments of coloured glass, etc., are now placed in a

small object-box, as it may be called, consisting of two glasses, the

innermost of which, _m n_, is transparent, and the other ground on

the outside =P=, and kept at the distance of ⅛th or ⅒th of an inch by

a brass rim: this brass rim generally consists of two pieces, which

screw into one another, so that the object-plate can be opened by

unscrewing it, and the fragments changed at pleasure. This object-box

is placed at the bottom of the cell =M N=, as shown at =O P=, and the

depth of the cell is such as to allow the side =O= to touch the end

of the reflectors, when the cell is slipped upon the ring _m n_. When

this is done, the instrument is held in one hand with the angular point

=E=, Fig. 21, downwards, which is known by a mark on the upper side

of the tube between _a_ and _b_, and the cell is turned round with

the other hand, so as to present different fragments of the included

glass before the aperture =A O B=. The tube may be directed to the

brightest part of the sky in the day-time, or in the evening to a

candle, or an Argand Lamp, so as to transmit the light directly through

the coloured fragments; but it will always be found to give richer and

more brilliant effects if the tube is directed to the window-shutter,

a little to one side of the light, or is held to one side of the

candle—or, what is still better, between two candles or lamps placed

as near each other as possible. In this way the picture created by the

instrument is not composed of the harsh tints formed by transmitted

light; but of the various reflected and softened colours which are

thrown into the tube from the sides and angles of the glass fragments.

When the pattern remains fixed in any position of the instrument, a

variety of beautiful changes may be effected by making the end of the

tube revolve round a candle or a bright gas flame, placed near the

object-plate. The general pattern remains the same, but its colours

vary both in their position and intensity, as the light falls upon

different sides of the fragments of glass.

In the preceding method of applying the objects to the reflectors,

the fragments of coloured glass are introduced before the aperture,

and pass across it in concentric circles; and as the fragments always

descend by their own gravity, the changes in the picture, though

infinite in number, constantly take place in a similar manner. This

defect may be remedied, and a great degree of variety exhibited in

the motion of the fragments, by making the object-plates rectangular

instead of circular, and moving them through a groove cut in the cell

at =M N=, in the same manner as is done with the pictures or sliders

for the magic lantern and solar microscope. By this means the different

fragments that present themselves to the aperture may be made to pass

across it in every possible direction, and very interesting effects may

be produced by a combination of the rotatory and rectilineal motions of

the object-plate. When the object or objects are fixed, and the tube

with the reflectors moved round a centre, as described in Chapter

II.,[3] we have the same succession of symmetrical pictures; but in

this case every alternate sector is stationary, and the same number in

motion, the moving figures always changing their form, and assuming

that of the figures in the stationary sectors, which of course change,

while the ends of the mirror pass over the fixed objects.

[3] See Chapter X.

When the simple Kaleidoscope is applied to opaque objects, such as a

seal, a watch-chain, the seconds hands of a watch, coins, pictures,

gems, shells, flowers, leaves, and petals of plants, impressions

from seals, etc., the object, instead of being held between the eye

and the light, must be viewed in the same manner as we view objects

through a microscope, being always placed as near the instrument as

possible, and so as to allow the light to fall freely upon the object.

The object-plates, and all transparent objects, may be viewed in this

manner; but the most splendid exhibition of this kind is to view minute

fragments of coloured glass, and objects with opaque colours, etc.,

placed in a flat box, the bottom of which is made of mirror-glass. The

light reflected from the mirror-glass, and transmitted through the

transparent fragments, is combined with the light reflected both from

the transparent and opaque fragments, and forms an effect of the finest

kind.

As dust is apt to collect in the angle formed by the reflectors, it may

be removed when the reflectors are fixed, either by the end of a strong

feather, or blown away with a pair of bellows. When the dust is lodged

upon the face of the reflectors, it should be removed by a piece of

soft leather.

The kaleidoscope · 第 7 / 23 章