parrot on a tree calling out his name: "Mr. Vinegar, you foolish man,
you blockhead, you simpleton; you went to the fair and laid out all your
money in buying a cow. Not content with that, you changed it for
bagpipes, on which you could not play and which were not worth one-tenth
of the money. You fool, you--you had no sooner got the bagpipes than you
changed them for the gloves, which were not worth one-quarter of the
money; and when you had got the gloves, you changed them for a poor
miserable stick; and now for your forty guineas, cow, bagpipes, and
gloves, you have nothing to show but that poor miserable stick, which
you might have cut in any hedge." On this the bird laughed immoderately,
and Mr. Vinegar, falling into a violent rage, threw the stick at its
head. The stick lodged in the tree, and he returned to his wife without
money, cow, bagpipes, gloves, or stick, and she instantly gave him such
a sound cudgelling that she almost broke every bone in his skin.
157
One of the greatest favorites among nursery
tales is the story of that Jack who showed "an
inquiring mind, a great courage and
enterprise," and who climbed the ladder of
fortune when he mounted his bean-stalk. The
traditional versions of this story are nearly
all crude and unsatisfactory, as are those of
many of the English tales. Joseph Jacobs made a
remarkably fine literary version in his
_English Fairy Tales_ from memories of his
Australian childhood. He materially shortens
the story by omitting the fairy lady, who, he
suggests, was put in "to prevent the tale
becoming an encouragement to theft." He also
made Jack's character more consistent by making
him more sympathetic and kind at the beginning
and less of a "ne'er-do-well," though the
noodle element in the selling of the cow could
not be eliminated. Andrew Lang, in his _Green
Fairy Book_, gives an excellent version of the
story in its most extended form. Both the
versions mentioned introduce, when the giant
comes in, the formula generally associated with
"Jack the Giant Killer":
"Fee-fi-fo-fum,
I smell the blood of an Englishman,
Be he alive, or be he dead,
I'll grind his bones to make my bread."
The version chosen for use here contains the
elements of the story most familiar to past
generations and is probably as near the
commoner oral traditions as it is possible to
secure. It is taken from Miss Mulock's _The
Fairy Book_, a very fine selection of tales,
first published in 1863, and still widely used.
Miss Muloch (Dinah Maria Craik, 1826-1887) is
best known as the author of the popular novel
_John Halifax, Gentleman_.
JACK AND THE BEAN-STALK
In the days of King Alfred there lived a poor woman, whose cottage was
in a remote country village, many miles from London. She had been a
widow some years, and had an only child named Jack, whom she indulged so
much that he never paid the least attention to anything she said, but
was indolent, careless, and extravagant. His follies were not owing to a
bad disposition, but to his mother's foolish partiality. By degrees he
spent all that she had--scarcely anything remained but a cow.
One day, for the first time in her life, she reproached him: "Cruel,
cruel boy! you have at last brought me to beggary. I have not money
enough to purchase even a bit of bread; nothing now remains to sell but
my poor cow! I am sorry to part with her; it grieves me sadly, but we
cannot starve."
For a few minutes Jack felt remorse, but it was soon over, and he began
asking his mother to let him sell the cow at the next village, teasing
her so much that she at last consented. As he was going along he met a
butcher, who inquired why he was driving the cow from home. Jack replied
that he was going to sell her. The butcher held some curious beans in
his hat; they were of various colors, and attracted Jack's attention.
This did not pass unnoticed by the man, who, knowing Jack's easy temper,
thought now was the time to take an advantage of it; and, determined not
to let slip so good an opportunity, asked what was the price of the cow,
offering at the same time all the beans in his hat for her. The silly
boy could not conceal the pleasure he felt at what he supposed so great
an offer. The bargain was struck instantly, and the cow exchanged for a
few paltry beans. Jack made the best of his way home, calling aloud to
his mother before he reached the door, thinking to surprise her.
When she saw the beans, and heard Jack's account, her patience quite
forsook her. She tossed the beans out of the window, where they fell on
the garden-bed below. Then she threw her apron over her head, and cried
bitterly. Jack attempted to console her, but in vain, and, not having
anything to eat, they both went supperless to bed.
Jack awoke early in the morning, and seeing something uncommon darkening
the window of his bed-chamber, ran down stairs into the garden, where he
found some of the beans had taken root and sprung up surprisingly. The
stalks were of an immense thickness, and had twined together until they
formed a ladder like a chain, and so high that the top appeared to be
lost in the clouds.
Jack was an adventurous lad; he determined to climb up to the top, and
ran to tell his mother, not doubting but that she would be equally
pleased with himself. She declared he should not go; said it would break
her heart if he did; entreated and threatened, but all in vain. Jack set
out, and after climbing for some hours reached the top of the
bean-stalk, quite exhausted. Looking around, he found himself in a
strange country. It appeared to be a barren desert; not a tree, shrub,
house, or living creature was to be seen; here and there were scattered
fragments of stone, and at unequal distances small heaps of earth were
loosely thrown together.
Jack seated himself pensively upon a block of stone and thought of his
mother. He reflected with sorrow upon his disobedience in climbing the
bean-stalk against her will, and concluded that he must die of hunger.
However, he walked on, hoping to see a house where he might beg
something to eat and drink. He did not find it; but he saw at a distance
a beautiful lady walking all alone. She was elegantly clad, and carried
a white wand, at the top of which sat a peacock of pure gold.
Jack, who was a gallant fellow, went straight up to her, when, with a
bewitching smile, she asked him how he came there. He told her all about
the bean-stalk. The lady answered him by a question, "Do you remember
your father, young man?"
"No, madam; but I am sure there is some mystery about him, for when I
name him to my mother she always begins to weep and will tell me
nothing."
"She dare not," replied the lady, "but I can and will. For know, young
man, that I am a fairy, and was your father's guardian. But fairies are
bound by laws as well as mortals; and by an error of mine I lost my
power for a term of years, so that I was unable to succor your father
when he most needed it, and he died." Here the fairy looked so sorrowful
that Jack's heart warmed to her, and he begged her earnestly to tell him
more.
"I will; only you must promise to obey me in everything, or you will
perish yourself."
Jack was brave, and, besides, his fortunes were so bad they could not
well be worse,--so he promised.
The fairy continued: "Your father, Jack, was a most excellent, amiable,
generous man. He had a good wife, faithful servants, plenty of money;
but he had one misfortune--a false friend. This was a giant, whom he had
succored in misfortune, and who returned his kindness by murdering him
and seizing on all his property; also making your mother take a solemn
oath that she would never tell you anything about your father, or he
would murder both her and you. Then he turned her off with you in her
arms, to wander about the wide world as she might. I could not help her,
as my power only returned on the day you went to sell your cow.
"It was I," added the fairy, "who impelled you to take the beans, who
made the bean-stalk grow, and inspired you with the desire to climb up
it to this strange country; for it is here the wicked giant lives who
was your father's destroyer. It is you who must avenge him, and rid the
world of a monster who never will do anything but evil. I will assist
you. You may lawfully take possession of his house and all his riches,
for everything he has belonged to your father, and is therefore yours.
Now, farewell! Do not let your mother know you are acquainted with your
father's history; this is my command, and if you disobey me you will
suffer for it. Now go."
Jack asked where he was to go.
"Along the direct road, till you see the house where the giant lives.
You must then act according to your own just judgment, and I will guide
you if any difficulty arises. Farewell!"
She bestowed on the youth a benignant smile, and vanished.
Jack pursued his journey. He walked on till after sunset, when, to his
great joy, he espied a large mansion. A plain-looking woman was at the
door. He accosted her, begging she would give him a morsel of bread and
a night's lodging. She expressed the greatest surprise, and said it was
quite uncommon to see a human being near their house; for it was well
known that her husband was a powerful giant, who would never eat
anything but human flesh, if he could possibly get it; that he would
walk fifty miles to procure it, usually being out the whole day for that
purpose.
This account greatly terrified Jack, but still he hoped to elude the
giant, and therefore he again entreated the woman to take him in for one
night only, and hide him where she thought proper. She at last suffered
herself to be persuaded, for she was of a compassionate and generous
disposition, and took him into the house. First, they entered a fine
large hall, magnificently furnished; they then passed through several
spacious rooms, in the same style of grandeur; but all appeared forsaken
and desolate. A long gallery came next, it was very dark, just light
enough to show that instead of a wall on one side, there was a grating
of iron which parted off a dismal dungeon, from whence issued the groans
of those victims whom the cruel giant reserved in confinement for his
own voracious appetite.
Poor Jack was half dead with fear, and would have given the world to
have been with his mother again, for he now began to doubt if he should
ever see her more; he even mistrusted the good woman, and thought she
had let him into the house for no other purpose than to lock him up
among the unfortunate people in the dungeon. However, she bade Jack sit
down, and gave him plenty to eat and drink; and he, not seeing anything
to make him uncomfortable, soon forgot his fear, and was just beginning
to enjoy himself, when he was startled by a loud knocking at the outer
door, which made the whole house shake.
"Ah! that's the giant; and if he sees you he will kill you and me too,"
cried the poor woman, trembling all over. "What shall I do?"
"Hide me in the oven," cried Jack, now as bold as a lion at the thought
of being face to face with his father's cruel murderer. So he crept into
the oven--for there was no fire near it--and listened to the giant's
loud voice and heavy step as he went up and down the kitchen scolding
his wife. At last he seated himself at the table, and Jack, peeping
through a crevice in the oven, was amazed to see what a quantity of food
he devoured. It seemed as if he never would have done eating and
drinking; but he did at last, and, leaning back, called to his wife in a
voice like thunder:
"Bring me my hen!"
She obeyed, and placed upon the table a very beautiful live hen.
"Lay!" roared the giant, and the hen laid immediately an egg of solid
gold.
"Lay another!" and every time the giant said this the hen laid a larger
egg than before.
He amused himself a long time with his hen, and then sent his wife to
bed, while he fell asleep by the fireside, and snored like the roaring
of cannon.
As soon as he was asleep Jack crept out of the oven, seized the hen, and
ran off with her. He got safely out of the house, and finding his way
along the road he had come, reached the top of the bean-stalk, which he
descended in safety.
His mother was overjoyed to see him. She thought he had come to some ill
end.
"Not a bit of it, mother. Look here!" and he showed her the hen. "Now
lay!" and the hen obeyed him as readily as the giant, and laid as many
golden eggs as he desired.
These eggs being sold, Jack and his mother got plenty of money, and for
some months lived very happily together; till Jack got another great
longing to climb the bean-stalk and carry away some more of the giant's
riches. He had told his mother of his adventure, but had been very
careful not to say a word about his father. He thought of his journey
again and again, but still he could not summon resolution enough to
break it to his mother, being well assured that she would endeavor to
prevent his going. However, one day he told her boldly that he must take
another journey up the bean-stalk. She begged and prayed him not to
think of it, and tried all in her power to dissuade him. She told him
that the giant's wife would certainly know him again, and that the giant
would desire nothing better than to get him into his power, that he
might put him to a cruel death in order to be revenged for the loss of
his hen. Jack, finding that all his arguments were useless, ceased
speaking, though resolved to go at all events. He had a dress prepared
which would disguise him, and something to color his skin. He thought
it impossible for any one to recollect him in this dress.
A few mornings after, he rose very early, and, unperceived by any one,
climbed the bean-stalk a second time. He was greatly fatigued when he
reached the top, and very hungry. Having rested some time on one of the
stones, he pursued his journey to the giant's mansion, which he reached
late in the evening. The woman was at the door as before. Jack addressed
her, at the same time telling her a pitiful tale, and requesting that
she would give him some victuals and drink, and also a night's lodging.
She told him (what he knew before very well) about her husband's being a
powerful and cruel giant, and also that she had one night admitted a
poor, hungry, friendless boy; that the little ungrateful fellow had
stolen one of the giant's treasures; and ever since that her husband had
been worse than before, using her very cruelly, and continually
upbraiding her with being the cause of his misfortune.
Jack felt sorry for her, but confessed nothing, and did his best to
persuade her to admit him, but found it a very hard task. At last she
consented, and as she led the way, Jack observed that everything was
just as he had found it before. She took him into the kitchen, and after
he had done eating and drinking, she hid him in an old lumber-closet.
The giant returned at the usual time, and walked in so heavily that the
house was shaken to its foundation. He seated himself by the fire, and
soon after exclaimed, "Wife, I smell fresh meat!"
The wife replied it was the crows, which had brought a piece of raw meat
and left it at the top of the house. While supper was preparing, the
giant was very ill-tempered and impatient, frequently lifting up his
hand to strike his wife for not being quick enough. He was also
continually upbraiding her with the loss of his wonderful hen.
At last, having ended his supper, he cried, "Give me something to amuse
me--my harp or my money-bags."
"Which will you have, my dear?" said the wife humbly.
"My money-bags, because they are the heaviest to carry," thundered he.
She brought them, staggering under the weight; two bags--one filled with
new guineas, and the other with new shillings. She emptied them out on
the table, and the giant began counting them in great glee. "Now you may
go to bed, you old fool." So the wife crept away.
Jack from his hiding-place watched the counting of the money, which he
knew was his poor father's, and wished it was his own; it would give him
much less trouble than going about selling the golden eggs. The giant,
little thinking he was so narrowly observed, reckoned it all up, and
then replaced it in the two bags, which he tied up very carefully and
put beside his chair, with his little dog to guard them. At last he fell
asleep as before, and snored so loud that Jack compared his noise to the
roaring of the sea in a high wind when the tide is coming in.
At last Jack, concluding all secure, stole out, in order to carry off
the two bags of money; but just as he laid his hands upon one of them,
the little dog, which he had not seen before, started from under the
giant's chair and barked most furiously. Instead of endeavoring to
escape, Jack stood still, though expecting his enemy to awake every
instant. Contrary, however, to his expectation, the giant continued in a
sound sleep, and Jack, seeing a piece of meat, threw it to the dog, who
at once ceased barking and began to devour it. So Jack carried off the
bags, one on each shoulder, but they were so heavy that it took him two
whole days to descend the bean-stalk and get back to his mother's door.
When he came he found the cottage deserted. He ran from one room to
another, without being able to find any one. He then hastened into the
village, hoping to see some of the neighbors who could inform him where
he could find his mother. An old woman at last directed him to a
neighboring house, where she was ill of a fever. He was greatly shocked
at finding her apparently dying, and blamed himself bitterly as the
cause of it all. However, at sight of her dear son, the poor woman
revived, and slowly recovered health. Jack gave her his two money-bags.
They had the cottage rebuilt and well furnished, and lived happier than
they had ever done before.
For three years Jack heard no more of the bean-stalk, but he could not
forget it, though he feared making his mother unhappy. It was in vain
endeavoring to amuse himself; he became thoughtful, and would arise at
the first dawn of day, and sit looking at the bean-stalk for hours
together.
His mother saw that something preyed upon his mind, and endeavored to
discover the cause; but Jack knew too well what the consequence would be
should she succeed. He did his utmost, therefore, to conquer the great
desire he had for another journey up the bean-stalk. Finding, however,
that his inclination grew too powerful for him, he began to make secret
preparations for his journey. He got ready a new disguise, better and
more complete than the former; and when summer came, on the longest day
he woke as soon as it was light, and, without telling his mother,
ascended the bean-stalk. He found, the road, journey, etc., much as it
was on the two former times. He arrived at the giant's mansion in the
evening, and found the wife standing, as usual, at the door. Jack had
disguised himself so completely that she did not appear to have the
least recollection of him; however, when he pleaded hunger and poverty
in order to gain admittance, he found it very difficult indeed to
persuade her. At last he prevailed, and was concealed in the copper.
When the giant returned, he said furiously, "I smell fresh meat!" But
Jack felt quite composed, as he had said so before and had been soon
satisfied. However, the giant started up suddenly, and, notwithstanding
all his wife could say, he searched all round the room. Whilst this was
going forward, Jack was exceedingly terrified, wishing himself at home a
thousand times; but when the giant approached the copper, and put his
hand on the lid, Jack thought his death was certain. However, nothing
happened; for the giant did not take the trouble to lift up the lid, but
sat down shortly by the fireside and began to eat his enormous supper.
When he had finished, he commanded his wife to fetch down his harp.
Jack peeped under the copper lid and saw a most beautiful harp. The
giant placed it on the table, said, "Play!" and it played of its own
accord, without anybody touching it, the most exquisite music
imaginable.
Jack, who was a very good musician, was delighted, and more anxious to
get this than any other of his enemy's treasures. But the giant not
being particularly fond of music, the harp had only the effect of
lulling him to sleep earlier than usual. As for the wife, she had gone
to bed as soon as ever she could.
As soon as he thought all was safe, Jack got out of the copper, and,
seizing the harp, was eagerly running off with it. But the harp was
enchanted by a fairy, and as soon as it found itself in strange hands,
it called out loudly, just as if it had been alive, "Master! Master!"
The giant awoke, started up, and saw Jack scampering away as fast as his
legs could carry him.
"Oh, you villain! It is you who have robbed me of my hen and my
money-bags, and now you are stealing my harp also. Wait till I catch
you, and I'll eat you up alive!"
"Very well; try!" shouted Jack, who was not a bit afraid, for he saw the
giant was so tipsy he could hardly stand, much less run; and he himself
had young legs and a clear conscience, which carry a man a long way. So,
after leading the giant a considerable race, he contrived to be first at
the top of the bean-stalk, and then scrambled down it as fast as he
could, the harp playing all the while the most melancholy music, till he
said, "Stop"; and it stopped.
Arrived at the bottom, he found his mother sitting at her cottage door,
weeping silently.
"Here, mother, don't cry; just give me a hatchet; make haste." For he
knew there was not a moment to spare. He saw the giant beginning to
descend the bean-stalk.
However, it was too late--the monster's ill deeds had come to an end.
Jack with his hatchet cut the bean-stalk close off at the root; the
giant fell headlong into the garden, and was killed on the spot.
Instantly the fairy appeared and explained everything to Jack's mother,
begging her to forgive Jack, who was his father's own son for bravery
and generosity, and who would be sure to make her happy for the rest of
her days.
So all ended well, and nothing was ever more heard or seen of the
wonderful bean-stalk.
158
Those wonder stories that concern themselves
with giants or with very little people have
always been favorites with children. Of the
little heroes Tom Thumb has always held the
center of the stage. His adventures in one form
or another are in the folk tales of most
European countries. He has the honor of being
the subject of a monograph by the great French
scholar Gaston Paris. Hans Christian Andersen
turned him into a delightful little girl in his
derivative story of "Thumbelina." The English
version of "Tom Thumb" seems to have been
printed first in ballad form in the seventeenth
century, and later in many chapbook versions in
prose. Its plot takes the form of a succession
of marvelous accidents by land and sea, limited
only by the inventive ingenuity of the
story-teller. "According to popular tradition
Tom Thumb died at Lincoln. . . . There was a
little blue flagstone in the pavement of the
Minster which was shown as Tom Thumb's
monument, and the country folks never failed to
marvel at it when they came to church on the
Assize Sunday; but during some of the modern
repairs which have been inflicted on that
venerable building, the flagstone was displaced
and lost, to the great discomfiture of the
holiday visitants." Thus wrote an ancient and
learned scholar in illustration of the tendency
to give a local habitation and a name to our
favorite fancies. The version of the story
given by Miss Mulock in her _Fairy Book_ is the
one used here. It follows closely the rambling
events of the various chapbook and ballad
versions.
TOM THUMB
In the days of King Arthur, Merlin, the most learned enchanter of his
time, was on a journey; and being very weary, stopped one day at the
cottage of an honest ploughman to ask for refreshment. The ploughman's
wife with great civility immediately brought him some milk in a wooden
bowl and some brown bread on a wooden platter.
Merlin could not help observing that although everything within the
cottage was particularly neat and clean and in good order, the ploughman
and his wife had the most sorrowful air imaginable; so he questioned
them on the cause of their melancholy and learned that they were very
miserable because they had no children.
The poor woman declared with tears in her eyes that she should be the
happiest creature in the world if she had a son, although he were no
bigger than his father's thumb.
Merlin was much amused with the notion of a boy no bigger than a man's
thumb, and as soon as he returned home he sent for the queen of the
fairies (with whom he was very intimate) and related to her the desire
of the ploughman and his wife to have a son the size of his father's
thumb. She liked the plan exceedingly and declared their wish should be
speedily granted. Accordingly the ploughman's wife had a son, who in a
few minutes grew as tall as his father's thumb.
The queen of the fairies came in at the window as the mother was sitting
up in bed admiring the child. Her majesty kissed the infant and, giving
it the name of Tom Thumb, immediately summoned several fairies from
Fairyland to clothe her new little favorite.
"An oak-leaf hat he had for his crown;
His shirt it was by spiders spun;
With doublet wove of thistledown,
His trousers up with points were done;
His stockings, of apple-rind, they tie
With eye-lash plucked from his mother's eye,
His shoes were made of a mouse's skin,
Nicely tann'd with hair within."
Tom was never any bigger than his father's thumb, which was not a large
thumb either; but as he grew older he became very cunning, for which his
mother did not sufficiently correct him, and by this ill quality he was
often brought into difficulties. For instance, when he had learned to
play with other boys for cherry-stones and had lost all his own, he used
to creep into the boys' bags, fill his pockets, and come out again to
play. But one day as he was getting out of a bag of cherry-stones, the
boy to whom it belonged chanced to see him.
"Ah, ha, my little Tom Thumb!" said he, "have I caught you at your bad
tricks at last? Now I will reward you for thieving." Then he drew the
string tight around Tom's neck and shook the bag. The cherry-stones
bruised Tom Thumb's legs, thighs, and body sadly, which made him beg to
be let out and promise never to be guilty of such things any more.
Shortly afterwards Tom's mother was making a batter-pudding, and that
he might see how she mixed it, he climbed on the edge of the bowl; but
his foot happening to slip, he fell over head and ears into the batter.
His mother not observing him, stirred him into the pudding and popped
him into the pot to boil. The hot water made Tom kick and struggle; and
the mother, seeing the pudding jump up and down in such a furious
manner, thought it was bewitched; and a tinker coming by just at the
time, she quickly gave him the pudding. He put it into his budget and
walked on.
As soon as Tom could get the batter out of his mouth he began to cry
aloud, and so frightened the poor tinker that he flung the pudding over
the hedge and ran away from it as fast as he could. The pudding being
broken to pieces by the fall, Tom was released, and walked home to his
mother, who gave him a kiss and put him to bed.
Tom Thumb's mother once took him with her when she went to milk the cow;
and it being a very windy day, she tied him with a needleful of thread
to a thistle, that he might not be blown away. The cow, liking his
oak-leaf hat, took him and the thistle up at one mouthful. While the cow
chewed the thistle, Tom, terrified at her great teeth, which seemed
ready to crush him to pieces, roared, "Mother, mother!" as loud as he
could bawl.
"Where are you, Tommy, my dear Tommy?" said the mother.
"Here, mother, here in the red cow's mouth."
The mother began to cry and wring her hands; but the cow, surprised at
such odd noises in her throat, opened her mouth and let him drop out.
His mother clapped him into her apron and ran home with him.
Tom's father made him a whip of a barley straw to drive the cattle with,
and one day when he was in the field he slipped into a deep furrow. A
raven flying over picked him up with a grain of corn and flew with him
to the top of a giant's castle by the seaside, where he left him; and
old Grumbo, the giant, coming soon after to walk upon his terrace,
swallowed Tom like a pill, clothes and all.
Tom presently made the giant very uncomfortable, and he threw him up
into the sea. A great fish then swallowed him. The fish was soon after
caught, and sent as a present to King Arthur. When it was cut open,
everybody was delighted with little Tom Thumb. The king made him his
dwarf; he was the favorite of the whole court, and by his merry pranks
often amused the queen and the knights of the Round Table.
The king, when he rode on horse-back, frequently took Tom in his hand;
and if a shower of rain came on, he used to creep into the king's
waist-coat pocket and sleep till the rain was over. The king also
sometimes questioned Tom concerning his parents; and when Tom informed
his majesty they were very poor people, the king led him into his
treasury and told him he should pay his friends a visit and take with
him as much money as he could carry. Tom procured a little purse, and
putting a threepenny piece into it, with much labor and difficulty got
it upon his back; and, after travelling two days and nights, arrived at
his father's house.
When his mother met him at the door, he was almost tired to death,
having in forty-eight hours traveled almost half a mile with a huge
silver threepence upon his back. Both his parents were glad to see him,
especially when he had brought such an amazing sum of money with him.
They placed him in a walnut-shell by the fireside and feasted him for
three days upon a hazel-nut, which made him sick, for a whole nut
usually served him for a month.
Tom got well, but could not travel because it had rained; therefore his
mother took him in her hand, and with one puff blew him into King
Arthur's court, where Tom entertained the king, queen, and nobility at
tilts and tournaments, at which he exerted himself so much that he
brought on a fit of sickness, and his life was despaired of.
At this juncture the queen of the fairies came in a chariot, drawn by
flying mice, placed Tom by her side, and drove through the air without
stopping till they arrived at her palace. After restoring him to health
and permitting him to enjoy all the gay diversions of Fairyland, she
commanded a fair wind, and, placing Tom before it, blew him straight to
the court of King Arthur. But just as Tom should have alighted in the
courtyard of the palace, the cook happened to pass along with the king's
great bowl of furmenty (King Arthur loved furmenty), and poor Tom Thumb
fell plump into the middle of it and splashed the hot furmenty into the
cook's eyes. Down went the bowl.
"Oh, dear! Oh, dear!" cried Tom.
"Murder! murder!" bellowed the cook; and away poured the king's nice
furmenty into the kennel.
The cook was a red-faced, cross fellow, and swore to the king that Tom
had done it out of mere mischief; so he was taken up, tried, and
sentenced to be beheaded. Tom hearing this dreadful sentence and seeing
a miller stand by with his mouth wide open, he took a good spring and
jumped down the miller's throat, unperceived by all, even the miller
himself.
Tom being lost, the court broke up, and away went the miller to his
mill. But Tom did not leave him long at rest; he began to roll and
tumble about, so that the miller thought himself bewitched and sent for
a doctor. When the doctor came, Tom began to dance and sing. The doctor
was as much frightened as the miller and sent in great haste for five
more doctors and twenty learned men.
While all these were debating upon the affair, the miller (for they were
very tedious) happened to yawn, and Tom, taking the opportunity, made
another jump and alighted on his feet in the middle of the table. The
miller, provoked to be thus tormented by such a little creature, fell
into a great passion, caught hold of Tom, and threw him out of the
window into the river. A large salmon swimming by snapped him up in a
minute. The salmon was soon caught and sold in the market to a steward
of a lord. The lord, thinking it an uncommonly fine fish, made a present
of it to the king, who ordered it to be dressed immediately. When the
cook cut open the salmon he found poor Tom and ran with him directly to
the king; but the king, being busy with state affairs, desired that he
might be brought another day.
The cook, resolving to keep him safely this time, as he had so lately
given him the slip, clapped him into a mouse-trap and left him to amuse
himself by peeping through the wires for a whole week. When the king
sent for him, he forgave him for throwing down the furmenty, ordered
him new clothes, and knighted him.
"His shirt was made of butterflies' wings;
His boots were made of chicken skins,
His coat and breeches were made with pride,
A tailor's needle hung by his side;
A mouse for a horse he used to ride."
Thus dressed and mounted, he rode a-hunting with the king and nobility,
who all laughed heartily at Tom and his prancing steed. As they rode by
a farm-house one day, a cat jumped from behind the door, seized the
mouse and little Tom, and began to devour the mouse; however, Tom boldly
drew his sword and attacked the cat, who then let him fall. The king and
his nobles, seeing Tom falling, went to his assistance, and one of the
lords caught him in his hat; but poor Tom was sadly scratched, and his
clothes were torn by the claws of the cat. In this condition he was
carried home, and a bed of down was made for him in a little ivory
cabinet.
The queen of the fairies came and took him again to Fairyland, where she
kept him for some years; and then, dressing him in bright green, sent
him flying once more through the air to the earth, in the days of King
Thunstone. The people flocked far and near to look at him; and the king,
before whom he was carried, asked him who he was, whence he came, and
where he lived? Tom answered:
"My name is Tom Thumb;
From the fairies I come;
When King Arthur shone,
This court was my home;
In me he delighted;
By him I was knighted.
Did you ever hear of
Sir Thomas Thumb?"
The king was so charmed with this address that he ordered a little chair
to be made, in order that Tom might sit on his table, and also a palace
of gold a span high with a door an inch wide, for little Tom to live in.
He also gave him a coach drawn by six small mice. This made the queen
angry, because she had not a new coach too; therefore, resolving to ruin
Tom, she complained to the king that he had behaved very insolently to
her. The king sent for him in a rage. Tom, to escape his fury, crept
into an empty snail-shell and there lay till he was almost starved;
then, peeping out of the hole, he saw a fine butterfly settle on the
ground. He then ventured out, and getting astride, the butterfly took
wing and mounted into the air with little Tom on his back. Away he flew
from field to field, from tree to tree, till at last he flew to the
king's court. The king, queen, and nobles all strove to catch the
butterfly, but could not. At length poor Tom, having neither bridle nor
saddle, slipped from his seat and fell into a watering-pot, where he was
found almost drowned.
The queen vowed he should be guillotined; but while the guillotine was
getting ready, he was secured once more in a mousetrap. The cat, seeing
something stir and supposing it to be a mouse, patted the trap about
till she broke it and set Tom at liberty.
Soon afterwards a spider, taking him for a fly, made at him. Tom drew
his sword and fought valiantly, but the spider's poisonous breath
overcame him:
"He fell dead on the ground where late he had stood,
And the spider suck'd up the last drop of his blood."
King Thunstone and his whole court went into mourning for little Tom
Thumb. They buried him under a rosebush and raised a nice white marble
monument over his grave, with the following epitaph:
"Here lies Tom Thumb, King Arthur's knight,
Who died by a spider's cruel bite.
He was well known in Arthur's court,
Where he afforded gallant sport;
He rode at tilt and tournament,
And on a mouse a-hunting went.
Alive he fill'd the court with mirth,
His death to sorrow soon gave birth.
Wipe, wipe your eyes, and shake your head,
And cry, 'Alas! Tom Thumb is dead.'"
159
This chapbook form of the famous "Whittington
and His Cat" is the one reprinted by Hartland
in his _English Fairy and Folk Tales_. It goes
back to the early eighteenth century. Sir
Richard Whittington, at least, was a historical
character and served his first term as Lord
Mayor of London in 1397. Like most popular
stories, this one of a fortune due to a cat is
common to all Europe. Mr. Clouston, in the
second volume of his _Popular Tales and
Fictions_, outlines a number of these stories,
and even points out a Persian parallel of an
earlier date than the birth of Sir Richard.
Just how this very prosperous business man of
London, who was never in reality a poor boy,
came to be adopted as the hero of the English
version of this romantic tale has never been
made clear. Probably it was due to the common
tendency of the folk in all lands to attribute
unusual success in any field to other than
ordinary causes. However that may be, it is
certainly true that no story more completely
satisfies the ideal of complete success for
children than this "History of Sir Richard
Whittington." Mr. Jacobs calls attention to the
interesting fact that the chapbook places the
introduction of the potato into England rather
far back!
WHITTINGTON AND HIS CAT
In the reign of the famous King Edward III, there was a little boy
called Dick Whittington, whose father and mother died when he was very
young, so that he remembered nothing at all about them and was left a
ragged little fellow, running about a country village. As poor Dick was
not old enough to work, he was very badly off; he got but little for his
dinner and sometimes nothing at all for his breakfast, for the people
who lived in the village were very poor indeed and could not spare him
much more than the parings of potatoes and now and then a hard crust of
bread.
For all this, Dick Whittington was a very sharp boy and was always
listening to what everybody talked about. On Sunday he was sure to get
near the farmers as they sat talking on the tombstones in the churchyard
before the parson was come; and once a week you might see little Dick
leaning against the sign post of the village alehouse, where people
stopped to drink as they came from the next market town; and when the
barber's shop door was open, Dick listened to all the news that his
customers told one another.
In this manner Dick heard a great many very strange things about the
city called London; for the foolish country people at that time thought
that folks in London were all fine gentlemen and ladies, and that there
was singing and music there all day long, and that the streets were all
paved with gold.
One day a large wagon and eight horses, all with bells at their heads,
drove through the village while Dick was standing by the signpost. He
thought that this wagon must be going to the fine town of London; so he
took courage and asked the wagoner to let him walk with him by the side
of the wagon. As soon as the wagoner heard that poor Dick had no father
or mother and saw by his ragged clothes that he could not be worse off
than he was, he told him he might go if he would, so they set off
together.
I could never find out how little Dick contrived to get meat and drink
on the road, nor how he could walk so far, for it was a long way, nor
what he did at night for a place to lie down to sleep in. Perhaps some
good-natured people in the towns that he passed through, when they saw
he was a poor little ragged boy, gave him something to eat; and perhaps
the wagoner let him get into the wagon at night and take a nap upon one
of the boxes or large parcels in the wagon.
Dick, however, got safe to London and was in such a hurry to see the
fine streets paved all over with gold that I am afraid he did not even
stay to thank the kind wagoner, but ran off as fast as his legs would
carry him through many of the streets, thinking every moment to come to
those that were paved with gold, for Dick had seen a guinea three times
in his own little village and remembered what a deal of money it brought
in change; so he thought he had nothing to do but to take up some little
bits of the pavement and should then have as much money as he could wish
for.
Poor Dick ran till he was tired and had quite forgotten his friend the
wagoner; but at last, finding it grow dark and that every way he turned
he saw nothing but dirt instead of gold, he sat down in a dark corner
and cried himself to sleep.
Little Dick was all night in the streets; and next morning, being very
hungry, he got up and walked about and asked everybody he met to give
him a halfpenny to keep him from starving. But nobody stayed to answer
him, and only two or three gave him a halfpenny; so that the poor boy
was soon quite weak and faint for the want of victuals.
At last a good-natured looking gentleman saw how hungry he looked. "Why
don't you go to work, my lad?" said he to Dick.
"That I would, but I do not know how to get any," answered Dick.
"If you are willing, come along with me," said the gentleman, and took
him to a hay-field, where Dick worked briskly and lived merrily till the
hay was made.
After this he found himself as badly off as before; and being almost
starved again, he laid himself down at the door of Mr. Fitzwarren, a
rich merchant. Here he was soon seen by the cook-maid, who was an
ill-tempered creature and happened just then to be very busy dressing
dinner for her master and mistress; so she called out to poor Dick:
"What business have you there, you lazy rogue? There is nothing else but
beggars. If you do not take yourself away, we will see how you will like
a sousing of some dish water; I have some here hot enough to make you
jump."
Just at that time Mr. Fitzwarren himself came home to dinner; and when
he saw a dirty ragged boy lying at the door, he said to him: "Why do you
lie there, my boy? You seem old enough to work. I am afraid you are
inclined to be lazy."
"No, indeed, sir," said Dick to him, "that is not the case, for I would
work with all my heart, but I do not know anybody, and I believe I am
very sick for the want of food."
"Poor fellow, get up; let me see what ails you."
Dick then tried to rise, but was obliged to lie down again, being too
weak to stand, for he had not eaten any food for three days and was no
longer able to run about and beg a halfpenny of people in the street. So
the kind merchant ordered him to be taken into the house, and have a
good dinner given him, and be kept to do what dirty work he was able for
the cook.
Little Dick would have lived very happy in this good family if it had
not been for the ill-natured cook, who was finding fault and scolding
him from morning to night, and besides she was so fond of basting that
when she had no meat to baste she would baste poor Dick's head and
shoulders with a broom or anything else that happened to fall in her
way. At last her ill-usage of him was told to Alice, Mr. Fitzwarren's
daughter, who told the cook she should be turned away if she did not
treat him kinder.
The ill-humor of the cook was now a little amended; but besides this
Dick had another hardship to get over. His bed stood in a garret where
there were so many holes in the floor and the walls that every night he
was tormented with rats and mice. A gentleman having given Dick a penny
for cleaning his shoes, he thought he would buy a cat with it. The next
day he saw a girl with a cat and asked her if she would let him have it
for a penny. The girl said she would and at the same time told him the
cat was an excellent mouser.
Dick hid his cat in the garret and always took care to carry a part of
his dinner to her, and in a short time he had no more trouble with the
rats and mice, but slept quite sound every night.
Soon after this his master had a ship ready to sail; and as he thought
it right that all his servants should have some chance for good fortune
as well as himself, he called them all into the parlor and asked them
what they would send out.
They all had something that they were willing to venture except poor
Dick, who had neither money nor goods, and therefore could send nothing.
For this reason he did not come into the parlor with the rest; but Miss
Alice guessed what was the matter and ordered him to be called in. She
then said she would lay down some money for him from her own purse; but
the father told her this would not do, for it must be something of his
own.
When poor Dick heard this, he said he had nothing but a cat which he
bought for a penny some time since of a little girl.
"Fetch your cat then, my good boy," said Mr. Fitzwarren, "and let her
go."
Dick went up stairs and brought down poor puss, with tears in his eyes,
and gave her to the captain, for he said he should now be kept awake
again all night by the rats and mice.
All the company laughed at Dick's odd venture; and Miss Alice, who felt
pity for the poor boy, gave him some money to buy another cat.
This and many other marks of kindness shown him by Miss Alice made the
ill-tempered cook jealous of poor Dick, and she began to use him more
cruelly than ever and always made game of him for sending his cat to
sea. She asked him if he thought his cat would sell for as much money as
would buy a stick to beat him.
At last poor Dick could not bear this usage any longer, and he thought
he would run away from his place; so he packed up his few things and
started very early in the morning on All-hallows Day, which is the first
of November. He walked as far as Holloway, and there sat down on a
stone, which to this day is called Whittington's stone, and began to
think to himself which road he should take as he proceeded.
While he was thinking what he should do, the Bells of Bow Church, which
at that time had only six, began to ring, and he fancied their sound
seemed to say to him:
"Turn again, Whittington,
Lord Mayor of London."
"Lord Mayor of London!" said he to himself. "Why, to be sure, I would
put up with almost anything now to be Lord Mayor of London and ride in a
fine coach when I grow to be a man! Well, I will go back and think
nothing of the cuffing and scolding of the old cook if I am to be Lord
Mayor of London at last."
Dick went back and was lucky enough to get into the house and set about
his work before the old cook came downstairs.
The ship, with the cat on board, was a long time at sea, and was at last
driven by the winds on a part of the coast of Barbary where the only
people were the Moors, whom the English had never known before.
The people then came in great numbers to see the sailors, who were of
different color from themselves, and treated them very civilly, and when
they became better acquainted were very eager to buy the fine things
that the ship was loaded with.
When the captain saw this, he sent patterns of the best things he had to
the king of the country, who was so much pleased with them that he sent
for the captain to the palace. Here they were placed, as it is the
custom of the country, on rich carpets marked with gold and silver
flowers. The king and queen were seated at the upper end of the room,
and a number of dishes were brought in for dinner. When they had sat but
a short time, a vast number of rats and mice rushed in, helping
themselves from almost every dish. The captain wondered at this and
asked if these vermin were not very unpleasant.
"Oh, yes," said they, "very offensive; and the king would give half his
treasure to be freed of them, for they not only destroy his dinner, as
you see, but they assault him in his chamber and even in bed, so that he
is obliged to be watched while he is sleeping for fear of them."
The captain jumped for joy; he remembered poor Whittington and his cat
and told the king he had a creature on board the ship that would
dispatch all these vermin immediately. The king's heart heaved so high
at the joy which this news gave him that his turban dropped off his
head. "Bring this creature to me," says he; "vermin are dreadful in a
court, and if she will perform what you say, I will load your ship with
gold and jewels in exchange for her."
The captain, who knew his business, took this opportunity to set forth
the merits of Mrs. Puss. He told his majesty that it would be
inconvenient to part with her, as, when she was gone, the rats and mice
might destroy the goods in the ship--but to oblige his majesty he would
fetch her. "Run, run!" said the queen; "I am impatient to see the dear
creature."
Away went the captain to the ship, while another dinner was got ready.
He put puss under his arm and arrived at the palace soon enough to see
the table full of rats.
When the cat saw them, she did not wait for bidding, but jumped out of
the captain's arms and in a few minutes laid almost all the rats and
mice dead at her feet. The rest of them in their fright scampered away
to their holes.
The king and queen were quite charmed to get so easily rid of such
plagues and desired that the creature who had done them so great a
kindness might be brought to them for inspection. The captain called,
"Pussy, pussy, pussy!" and she came to him. He then presented her to the
queen, who started back and was afraid to touch a creature who had made
such a havoc among the rats and mice. However, when the captain stroked
the cat and called, "Pussy, pussy," the queen also touched her and
cried, "Putty, putty," for she had not learned English. He then put her
down on the queen's lap; where she, purring, played with her majesty's
hand and then sang herself to sleep.
The king, having seen the exploits of Mrs. Puss and being informed that
she was with young and would stock the whole country, bargained with the
captain for the whole ship's cargo and then gave him ten times as much
for the cat as all the rest amounted to.
The captain then took leave of the royal party and set sail with a fair
wind for England, and after a happy voyage arrived safe in London.
One morning when Mr. Fitzwarren had just come to his counting-house and
seated himself at the desk, somebody came tap, tap, at the door. "Who's
there?" says Mr. Fitzwarren.
"A friend," answered the other; "I come to bring you good news of your
ship _Unicorn_." The merchant, bustling up instantly, opened the door,
and who should be seen waiting but the captain with a cabinet of jewels
and a bill of lading, for which the merchant lifted up his eyes and
thanked heaven for sending him such a prosperous voyage.
They then told the story of the cat and showed the rich present that the
king and queen had sent for her to poor Dick. As soon as the merchant
heard this, he called out to his servants:
"Go fetch him--we will tell him of the same;
Pray call him Mr. Whittington by name."
Mr. Fitzwarren now showed himself to be a good man; for when some of his
servants said so great a treasure was too much for him, he answered,
"God forbid I should deprive him of the value of a single penny."
He then sent for Dick, who at that time was scouring pots for the cook
and was quite dirty.
Mr. Fitzwarren ordered a chair to be set for him, and so he began to
think they were making game of him, at the same time begging them not to
play tricks with a poor simple boy, but to let him go down again, if
they pleased, to his work.
"Indeed, Mr. Whittington," said the merchant, "we are all quite in
earnest with you, and I most heartily rejoice in the news these
gentlemen have brought you, for the captain has sold your cat to the
King of Barbary and brought you in return for her more riches than I
possess in the whole world; and I wish you may long enjoy them!"
Mr. Fitzwarren then told the men to open the great treasure they had
brought with them, and said, "Mr. Whittington has nothing to do but to
put it in some place of safety."
Poor Dick hardly knew how to behave himself for joy. He begged his
master to take what part of it he pleased, since he owed it all to his
kindness. "No, no," answered Mr. Fitzwarren, "this is all your own, and
I have no doubt but you will use it well."
Dick next asked his mistress, and then Miss Alice, to accept a part of
his good fortune; but they would not, and at the same time told him they
felt great joy at his good success. But this poor fellow was too
kind-hearted to keep it all to himself; so he made a present to the
captain, the mate, and the rest of Mr. Fitzwarren's servants, and even
to the ill-natured old cook.
After this Mr. Fitzwarren advised him to send for a proper tradesman and
get himself dressed like a gentleman, and told him he was welcome to
live in his house till he could provide himself with a better.
When Whittington's face was washed, his hair curled, and his hat cocked,
and he was dressed in a nice suit of clothes, he was as handsome and
genteel as any young man who visited at Mr. Fitzwarren's; so that Miss
Alice, who had once been so kind to him and thought of him with pity,
now looked upon him as fit to be her sweetheart; and the more so, no
doubt, because Whittington was now always thinking what he could do to
oblige her and making her the prettiest presents that could be.
Mr. Fitzwarren soon saw their love for each other and proposed to join
them in marriage, and to this they both readily agreed. A day for the
wedding was soon fixed; and they were attended to church by the Lord
Mayor, the court of aldermen, the sheriffs, and a great number of the
richest merchants in London, whom they afterwards treated with a very
rich feast.
History tells us that Mr. Whittington and his lady lived in great
splendor and were very happy. They had several children. He was Sheriff
of London, also Mayor, and received the honor of knighthood by Henry V.
The figure of Sir Richard Whittington with his cat in his arms, carved
in stone, was to be seen till the year 1780 over the archway of the old
prison of Newgate that stood across Newgate Street.
160
The next story came from Suffolk, England, and
the original is in the pronounced dialect of
that county. Mr. Jacobs thinks it one of the
best folk tales ever collected. The version
given follows Jacobs in reducing the dialect.
There is enough left, however, to raise the
question of the use of dialect in stories for
children. Some modern versions eliminate the
dialect altogether. It is certain that the
retention of some of the qualities of the
folk-telling makes it more dramatically
effective and appropriate. The original form of
the story may be seen in Hartland's _English
Fairy and Folk Tales_. Teachers should feel
free to use their judgment as to the best form
in which to tell a story to children.
Name-guessing stories are very common, and may
be "a 'survival' of the superstition that to
know a man's name gives you power over him, for
which reason savages object to tell their
names." The Grimm story of "Rumpelstiltskin" is
the best known of many variants (No. 178). "Tom
Tit Tot" has a rude vigor and dramatic force
not in the continental versions, and it will be
interesting to compare it with the Grimm tale.
Jacobs suggests that "it may be necessary to
explain to the little ones that Tom Tit can be
referred to only as 'that,' because his name is
not known until the end."
TOM TIT TOT
Once upon a time there was a woman, and she baked five pies. And when
they came out of the oven, they were that over-baked the crusts were too
hard to eat. So she says to her daughter: "Darter," says she, "put you
them there pies on the shelf, and leave 'em there a little, and they'll
come again."--She meant, you know, the crust would get soft.
But the girl, she says to herself, "Well, if they'll come again, I'll
eat 'em now." And she set to work and ate 'em all, first and last.
Well, come supper-time the woman said, "Go you and get one o' them there
pies. I dare say they've come again now."
The girl went and she looked, and there was nothing but the dishes. So
back she came and says she, "Noo, they ain't come again."
"Not one of 'em?" says the mother.
"Not one of 'em," says she.
"Well, come again or not come again," said the woman, "I'll have one for
supper."
"But you can't if they ain't come," said the girl.
"But I can," says she. "Go you and bring the best of 'em."
"Best or worst," says the girl, "I've ate 'em all, and you can't have
one till that's come again."
Well, the woman she was done, and she took her spinning to the door to
spin, and as she span she sang:
"My darter ha' ate five, five pies to-day.
My darter ha' ate five, five pies to-day."
The king was coming down the street, and he heard her sing, but what she
sang he couldn't hear, so he stopped and said, "What was that you were
singing, my good woman?"
The woman was ashamed to let him hear what her daughter had been doing,
so she sang, instead of that:
"My darter ha' spun five, five skeins to-day.
My darter ha' spun five, five skeins to-day."
"Stars o' mine!" said the king, "I never heard tell of any one that
could do that."
Then he said, "Look you here, I want a wife, and I'll marry your
daughter. But look you here," says he, "eleven months out of the year
she shall have all she likes to eat, and all the gowns she likes to get,
and all the company she likes to keep; but the last month of the year
she'll have to spin five skeins every day, and if she don't I shall kill
her."
"All right," says the woman; for she thought what a grand marriage that
was. And as for the five skeins, when the time came, there'd be plenty
of ways of getting out of it, and likeliest, he'd have forgotten all
about it.
Well, so they were married. And for eleven months the girl had all she
liked to eat and all the gowns she liked to get and all the company she
liked to keep.
But when the time was getting over, she began to think about the skeins
and to wonder if he had 'em in mind. But not one word did he say about
'em, and she thought he'd wholly forgotten 'em.
However, the first day of the last month he takes her to a room she'd
never set eyes on before. There was nothing in it but a spinning-wheel
and a stool. And says he, "Now, my dear, here you'll be shut in
to-morrow with some victuals and some flax, and if you haven't spun
five skeins by the night, your head'll go off." And away he went about
his business.
Well, she was that frightened, she'd always been such a gatless girl,
that she didn't so much as know how to spin, and what was she to do
to-morrow with no one to come nigh her to help her? She sat down on a
stool in the kitchen, and law! how she did cry!
However, all of a sudden she heard a sort of a knocking low down on the
door. She upped and oped it, and what should she see but a small little
black thing with a long tail. That looked up at her right curious, and
that said, "What are you a-crying for?"
"What's that to you?" says she.
"Never you mind," that said, "but tell me what you're a-crying for."
"That won't do me no good if I do," says she.
"You don't know that," that said, and twirled that's tail round.
"Well," says she, "that won't do no harm, if that don't do no good," and
she upped and told about the pies and the skeins and everything.
"This is what I'll do," says the little black thing, "I'll come to your
window every morning and take the flax and bring it spun at night."
"What's your pay?" says she.
That looked out of the corner of that's eyes, and that said, "I'll give
you three guesses every night to guess my name, and if you haven't
guessed it before the month's up you shalt be mine."
Well, she thought she'd be sure to guess that's name before the month
was up. "All right," says she, "I agree."
"All right," that says, and law! how that twirled that's tail.
Well, the next day her husband took her into the room, and there was the
flax and the day's food.
"Now, there's the flax," says he, "and if that ain't spun up this night,
off goes your head." And then he went out and locked the door.
He'd hardly gone when there was a knocking against the window. She upped
and she oped it, and there sure enough was the little old thing sitting
on the ledge.
"Where's the flax?" says he.
"Here it be," says she. And she gave it to him.
Well, come the evening a knocking came again to the window. She upped
and she oped it, and there was the little old thing with five skeins of
flax on his arm.
"Here it be," says he, and he gave it to her. "Now, what's my name?"
says he. "What, is that Bill?" says she. "Noo, that ain't," says he, and
he twirled his tail. "Is that Ned?" says she. "Noo, that ain't," says
he, and he twirled his tail. "Well, is that Mark?" says she. "Noo, that
ain't," says he, and he twirled his tail harder, and away he flew.
Well, when her husband came in, there were the five skeins ready for
him. "I see I shan't have to kill you to-night, my dear," says he;
"you'll have your food and your flax in the morning," says he, and away
he goes.
Well, every day the flax and the food were brought, and every day that
there little black impet used to come mornings and evenings. And all the
day the girl sat trying to think of names to say to it when it came at
night. But she never hit on the right one. And as it got towards the end
of the month, the impet began to look so maliceful, and that twirled
that's tail faster and faster each time she gave a guess.
At last it came to the last day but one. The impet came at night along
with the five skeins, and that said, "What, ain't you got my name yet?"
"Is that Nicodemus?" says she. "Noo, 't ain't," that says. "Is that
Sammle?" says she. "Noo, 't ain't," that says. "A-well, is that
Methusalem?" says she. "Noo, 't ain't that neither," that says.
Then that looks at her with that's eyes like a coal o' fire, and that
says, "Woman, there's only to-morrow night, and then you'll be mine!"
And away it flew.
Well, she felt that horrid. However she heard the king coming along the
passage. In he came, and when he sees the five skeins, says he, "Well,
my dear, I don't see but what you'll have your skeins ready to-morrow
night as well and as I reckon I shan't have to kill you, I'll have
supper in here to-night." So they brought supper and another stool for
him, and down the two sat.
Well, he hadn't eaten but a mouthful or so, when he stops and begins to
laugh.
"What is it?" says she.
"A-why," says he, "I was out a-hunting to-day, and I got away to a place
in the wood I'd never seen before. And there was an old chalk-pit. And I
heard a kind of a sort of humming. So I got off my hobby, and I went
right quiet to the pit, and I looked down. Well, what should there be
but the funniest little black thing you ever set eyes on. And what was
that doing, but that had a little spinning-wheel, and that was spinning
wonderful fast, and twirling that's tail. And as that span that sang:
"Nimmy nimmy not
My name's Tom Tit Tot."
Well, when the girl heard this, she felt as if she could have jumped out
of her skin for joy, but she didn't say a word.
Next day that there little thing looked so maliceful when he came for
the flax. And when night came she heard that knocking against the window
panes. She oped the window, and that come right in on the ledge. That
was grinning from ear to ear, and Oo! that's tail was twirling round so
fast.
"What's my name?" that says, as that gave her the skeins. "Is that
Solomon?" she says, pretending to be afeard. "Noo, 't ain't," that says,
and that came further into the room. "Well, is that Zebedee?" says she
again. "Noo, 't ain't," says the impet. And then that laughed and
twirled that's tail till you couldn't hardly see it.
"Take time, woman," that says; "next guess, and you're mine." And that
stretched out that's black hands at her.
Well, she backed a step or two, and she looked at it, and then she
laughed out and says she, pointing her finger at it:
"Nimmy nimmy not
Your name's Tom Tit Tot."
Well, when that heard her, that gave an awful shriek and away that flew
into the dark, and she never saw it any more.
161
In 1697 the French author Charles Perrault
(1628-1703) published a little collection of
eight tales in prose familiarly known as _The
Tales of Mother Goose_ (_Contes de Ma Mere
l'Oye_). These tales were "The Fairies" ("Toads
and Diamonds"), "The Sleeping Beauty in the
Wood," "Bluebeard," "Little Red Riding Hood,"
"Puss-in-Boots," "Cinderella," "Rique with the
Tuft," and "Little Thumb." Perrault was
prominent as a scholar and may have felt it
beneath his dignity to write nursery tales. At
any rate he declared the stories were copied
from tellings by his eleven-year-old son. But
Perrault's fairies have not only saved him from
oblivion: in countless editions and
translations they have won him immortality. The
charming literary form of his versions,
"Englished by R. S., Gent," about 1730, soon
established them in place of the more somber
English popular versions. It is practically
certain that the name Mother Goose, as that of
the genial old lady who presides over the light
literature of the nursery, was established by
the work of Perrault.
"Little Red Riding Hood," a likely candidate
for first place in the affections of childish
story-lovers, is here given in its "correct"
form. Many versions are so constructed as to
have happy endings, either by having the
woodmen appear in the nick of time to kill the
wolf before any damage is done, or by having
the grandmother and Little Red Riding Hood
restored to life after recovering them from the
"innards" of the wolf. Andrew Lang thinks that
the tale as it stands is merely meant to waken
a child's terror and pity, after the fashion of
the old Greek tragedies, and that the narrator
properly ends it by making a pounce, in the
character of wolf, at the little listener. That
this was the correct "business" in Scotch
nurseries is borne out by a sentence in
Chambers' _Popular Rhymes of Scotland_: "The
old nurse's imitation of the _gnash, gnash_,
which she played off upon the youngest urchin
lying in her lap, was electric."
LITTLE RED RIDING-HOOD
Once upon a time there lived in a certain village a little country girl,
the prettiest creature that was ever seen. Her mother was excessively
fond of her; and her grandmother doted on her still more. This good
woman got made for her a little red riding-hood, which became the girl
so extremely well that everybody called her Little Red Riding-Hood.
One day her mother, having made some custards, said to her, "Go, my
dear, and see how thy grandmamma does, for I hear that she has been very
ill; carry her a custard and this little pot of butter."
Little Red Riding-Hood set out immediately to go to her grandmother, who
lived in another village.
As she was going through the wood, she met with Gaffer Wolf, who had a
very great mind to eat her up, but he durst not because of some
fagot-makers hard by in the forest. He asked her whither she was going.
The poor child, who did not know that it was dangerous to stay and hear
a wolf talk, said to him, "I am going to see my grandmamma and carry her
a custard and a little pot of butter from my mamma."
"Does she live far off?" said the wolf.
"Oh! aye," answered Little Red Riding-Hood, "it is beyond the mill you
see there at the first house in the village."
"Well," said the wolf, "and I'll go and see her too. I'll go this way
and you go that, and we shall see who will be there soonest."
The wolf began to run as fast as he could, taking the nearest way, and
the little girl went by that farthest about, diverting herself by
gathering nuts, running after butterflies, and making nosegays of such
little flowers as she met with. The wolf was not long before he got to
the old woman's house. He knocked at the door--tap, tap.
"Who's there?"
"Your grandchild, Little Red Riding-Hood," replied the wolf,
counterfeiting her voice, "who has brought you a custard and a pot of
butter sent you by mamma."
The good grandmother, who was in bed because she was somewhat ill, cried
out, "Pull the bobbin and the latch will go up."
The wolf pulled the bobbin and the door opened, and then presently he
fell upon the good woman and ate her up in a moment, for it was above
three days that he had not touched a bit. He then shut the door and went
into the grandmother's bed, expecting Little Red Riding-Hood, who came
some time afterward and knocked at the door--tap, tap.
"Who's there?"
Little Red Riding-Hood, hearing the big voice of the wolf, was at first
afraid, but believing her grandmother had got a cold and was hoarse,
answered, "'Tis your grandchild, Little Red Riding-Hood, who has brought
you a custard and a little pot of butter mamma sends you."
The wolf cried out to her, softening his voice as much as he could,
"Pull the bobbin and the latch will go up."
Little Red Riding-Hood pulled the bobbin and the door opened.
The wolf, seeing her come in, said to her, hiding himself under the
bedclothes, "Put the custard and the little pot of butter upon the stool
and come and lie down with me."
Little Red Riding-Hood undressed herself and went into bed, where, being
greatly amazed to see how her grandmother looked in her night-clothes,
she said to her, "Grandmamma, what great arms you have got!"
"That is the better to hug thee, my dear."
"Grandmamma, what great legs you have got!"
"That is to run the better, my child."
"Grandmamma, what great ears you have got!"
"That is to hear the better, my child."
"Grandmamma, what great eyes you have got!"
"It is to see the better, my child."
"Grandmamma, what great teeth you have got!"
"That is to eat thee up."
And saying these words, this wicked wolf fell upon Little Red
Riding-Hood and ate her all up.
162
Because many modern teachers are distressed at
the tragedy of the real story of "Little Red
Riding Hood" as just given, they prefer some
softened form of the tale. The Grimm version,
"Little Red Cap," is generally used by those
who insist on a happy ending. There Little Red
Riding Hood and her grandmother are both
recovered and the wicked wolf destroyed. The
story that follows is from a modern French
author, Charles Marelles, and is given in the
translation found in Lang's _Red Fairy Book_.
In it the events are dramatically imagined in
detail, even if the writer does turn it all
into a sunflower myth at the close.
TRUE HISTORY OF LITTLE GOLDEN HOOD
You know the tale of poor Little Red Riding-Hood, that the wolf deceived
and devoured, with her cake, her little butter can, and her grandmother.
Well, the true story happened quite differently, as we know now. And
first of all, the little girl was called and is still called Little
Golden Hood; secondly, it was not she, nor the good granddame, but the
wicked wolf who was, in the end, caught and devoured.
Only listen.
The story begins something like the tale.
There was once a little peasant girl, pretty and nice as a star in its
season. Her real name was Blanchette, but she was more often called
Little Golden Hood, on account of a wonderful little cloak with a hood,
gold and fire colored, which she always had on. This little hood was
given her by her grandmother, who was so old that she did not know her
age; it ought to bring her good luck, for it was made of a ray of
sunshine, she said. And as the good old woman was considered something
of a witch, every one thought the little hood rather bewitched too.
And so it was, as you will see.
One day the mother said to the child: "Let us see, my little Golden
Hood, if you know now how to find your way by yourself. You shall take
this good piece of cake to your grandmother for a Sunday treat
to-morrow. You will ask her how she is, and come back at once, without
stopping to chatter on the way with people you don't know. Do you quite
understand?"
"I quite understand," replied Blanchette gayly. And off she went with
the cake, quite proud of her errand.
But the grandmother lived in another village, and there was a big wood
to cross before getting there. At a turn of the road under the trees
suddenly, "Who goes there?"
"Friend Wolf."
He had seen the child start alone, and the villain was waiting to devour
her, when at the same moment he perceived some wood-cutters who might
observe him, and he changed his mind. Instead of falling upon Blanchette
he came frisking up to her like a good dog.
"'Tis you! my nice Little Golden Hood," said he. So the little girl
stops to talk with the wolf, whom, for all that, she did not know in the
least.
"You know me, then!" said she. "What is your name?"
"My name is friend Wolf. And where are you going thus, my pretty one,
with your little basket on your arm?"
"I am going to my grandmother to take her a good piece of cake for her
Sunday treat to-morrow."
"And where does she live, your grandmother?"
"She lives at the other side of the wood in the first house in the
village, near the windmill, you know."
"Ah! yes! I know now," said the wolf. "Well, that's just where I'm
going. I shall get there before you, no doubt, with your little bits of
legs, and I'll tell her you're coming to see her; then she'll wait for
you."
Thereupon the wolf cuts across the wood, and in five minutes arrives at
the grandmother's house.
He knocks at the door: toc, toc.
No answer.
He knocks louder.
Nobody.
Then he stands up on end, puts his two fore paws on the latch, and the
door opens.
Not a soul in the house.
The old woman had risen early to sell herbs in the town, and had gone
off in such haste that she had left her bed unmade, with her great
night-cap on the pillow.
"Good!" said the wolf to himself, "I know what I'll do."
He shuts the door, pulls on the grandmother's night-cap down to his
eyes; then he lies down all his length in the bed and draws the
curtains.
In the meantime the good Blanchette went quietly on her way, as little
girls do, amusing herself here and there by picking Easter daisies,
watching the little birds making their nests, and running after the
butterflies which fluttered in the sunshine.
At last she arrives at the door.
Knock, knock.
"Who is there?" says the wolf, softening his rough voice as best he can.
"It's me, granny, your Little Golden Hood. I'm bringing you a big piece
of cake for your Sunday treat to-morrow."
"Press your finger on the latch; then push and the door opens."
"Why, you've got a cold, granny," said she, coming in.
"Ahem! a little, my dear, a little," replies the wolf, pretending to
cough. "Shut the door well, my little lamb. Put your basket on the
table, and then take off your frock and come and lie down by me; you
shall rest a little."
The good child undresses, but observe this:--she kept her little hood
upon her head. When she saw what a figure her granny cut in bed, the
poor little thing was much surprised.
"Oh!" cries she, "how like you are to friend Wolf, grandmother!"
"That's on account of my night-cap, child," replies the wolf.
"Oh! what hairy arms you've got, grandmother!"
"All the better to hug you, my child."
"Oh! what a big tongue you've got, grandmother!"
"All the better for answering, child."
"Oh! what a mouthful of great white teeth you have, grandmother!"
"That's for crunching little children with!" And the wolf opened his
jaws wide to swallow Blanchette.
But she put down her head, crying, "Mamma! mamma!" and the wolf only
caught her little hood.
Thereupon, oh, dear! oh, dear! he draws back, crying and shaking his jaw
as if he had swallowed red-hot coals.
It was the little fire-colored hood that had burnt his tongue right down
his throat.
The little hood, you see, was one of those magic caps that they used to
have in former times, in the stories, for making one's self invisible or
invulnerable.
So there was the wolf with his throat burned, jumping off the bed and
trying to find the door, howling and howling as if all the dogs in the
country were at his heels.
Just at this moment the grandmother arrives, returning from the town
with her long sack empty on her shoulder.
"Ah, brigand!" she cries, "wait a bit!" Quickly she opens her sack wide
across the door, and the maddened wolf springs in head downward.
It is he now that is caught, swallowed like a letter in the post. For
the brave old dame shuts her sack, so; and she runs and empties it in
the well, where the vagabond, still howling, tumbles in and is drowned.
"Ah, scoundrel! you thought you would crunch my little grandchild! Well,
to-morrow we will make her a muff of your skin, and you yourself shall
be crunched, for we will give your carcass to the dogs."
Thereupon the grandmother hastened to dress poor Blanchette, who was
still trembling with fear in the bed.
"Well," she said to her, "without my little hood where would you be now,
darling?" And, to restore heart and legs to the child, she made her eat
a good piece of her cake, and drink a good draught of wine, after which
she took her by the hand and led her back to the house.
And then, who was it who scolded her when she knew all that had
happened?
It was the mother.
But Blanchette promised over and over again that she would never more
stop to listen to a wolf, so that at last the mother forgave her.
And Blanchette, the Little Golden Hood, kept her word. And in fine
weather she may still be seen in the fields with her pretty little hood,
the color of the sun.
But to see her you must rise early.
163
The next Perrault story is given in the
traditional English form made by "R. S., Gent."
Perrault met the popular taste of his time for
"morals" by adding more or less playful ones in
verse to his stories. Here is a prose rendering
of a portion of the _Moralite_ attached to
"Puss-in-Boots": "However great may be the
advantage of enjoying a rich inheritance coming
down from father to son, industry and ingenuity
are worth more to young people as a usual thing
than goods acquired without personal effort."
In relation to this moral, Ralston says, "the
conclusion at which an ordinary reader would
arrive, if he were not dazzled by fairy-land
glamor, would probably be that far better than
either tact and industry on a master's part is
the loyalty of an unscrupulous retainer of an
imaginative turn of mind. The impropriety of
this teaching is not balanced by any other form
of instruction. What the story openly
inculcates is not edifying, and it does not
secretly convey any improving doctrine." But on
the other hand it may be argued that the
"moral" passes over the child's head. Miss
Kready, in her _Study of Fairy Tales_ (p. 275),
makes a very elaborate and proper defense of
"Puss-in-Boots" as a story for children. There
is delight in its strong sense of adventure, it
has a hero clever and quick, there is loyalty,
love, and sacrifice in Puss's devotion to his
master, the tricks are true to "cat-nature,"
there are touches of nature beauty, a simple
and pleasing plot, while we should not forget
the delightful Ogre and his transformations
into Lion and Mouse. The story is found in many
forms among many different peoples. Perhaps the
great stroke of genius which endears Perrault's
version is in the splendid boots with which his
tale provides the hero so that briers may not
interfere with his doings. (Extended studies of
this tale and its many parallels may be found
in Lang's _Perrault's Popular Tales_; in
McCulloch's _Childhood of Fiction_, chap. viii;
in an article by Ralston in the _Nineteenth
Century_, January, 1883, reprinted in _Living
Age_, Vol. CLVI, p. 362.)
PUSS-IN-BOOTS
There was once a miller who left no more estate to the three sons he had
than his mill, his ass, and his cat. The partition was soon made.
Neither the clerk nor the attorney was sent for. They would soon have
eaten up all the poor patrimony. The eldest had the mill, the second the
ass, and the youngest nothing but the cat.
The poor young fellow was quite comfortless at having so poor a lot. "My
brothers," said he, "may get their living handsomely enough by joining
their stocks together; but for my part, when I have eaten up my cat and
made me a muff of his skin, I must die with hunger."
The cat, who heard all this, but made as if he did not, said to him with
a grave and serious air; "Do not thus afflict yourself, my good master;
you have nothing else to do but to give me a bag and get a pair of
boots made for me, that I may scamper through the dirt and the brambles,
and you shall see that you have not so bad a portion of me as you
imagine."
Though the cat's master did not build very much upon what he said, he
had, however, often seen him play a great many cunning tricks to catch
rats and mice; as when he used to hang by the heels, or hide himself in
the meal and make as if he were dead; so he did not altogether despair
of his affording him some help in his miserable condition.
When the cat had what he asked for, he booted himself very gallantly;
and putting his bag about his neck, he held the strings of it in his two
fore paws and went into a warren where was a great abundance of rabbits.
He put bran and sow-thistles into his bag, and, stretching himself out
at length as if he had been dead, he waited for some young rabbits, not
yet acquainted with the deceits of the world, to come and rummage his
bag for what he had just put into it.
Scarce was he lain down but he had what he wanted. A rash and foolish
young rabbit jumped into his bag, and master Puss, immediately drawing
close the strings, took and killed him without pity. Proud of his prey,
he went with it to the palace and asked to speak with his majesty. He
was shown upstairs into the king's apartment, and, making a low
reverence, said to him: "I have brought you, sir, a rabbit of the warren
which my noble lord, the Marquis of Carabas" (for that was the title
which Puss was pleased to give his master), "has commanded me to present
to your majesty from him."
"Tell thy master," said the king, "that I thank him and that he gives me
a great deal of pleasure."
Another time he went and hid himself among some standing corn, holding
still his bag open; and when a brace of partridges ran into it, he drew
the strings and so caught them both. He went and made a present of these
to the king, as he had done before of the rabbit which he took in the
warren. The king in like manner received the partridges with great
pleasure and ordered him some money.
The cat continued for two or three months thus to carry his majesty,
from time to time, game of his master's taking. One day in particular,
when he knew for certain that he was to take the air along the riverside
with his daughter, the most beautiful princess in the world, he said to
his master: "If you will follow my advice, your fortune is made. You
have nothing else to do but go and wash yourself in the river, in that
part I shall show you, and leave the rest to me." The Marquis of Carabas
did what the cat advised him to, without knowing why or wherefore.
While he was washing, the king passed by, and the cat began to cry out
as loud as he could, "Help, help! my lord Marquis of Carabas is going to
be drowned." At this noise the king put his head out of his
coach-window, and, finding it was the cat who had so often brought him
such good game, he commanded his guards to run immediately to the
assistance of his lordship, the Marquis of Carabas.
While they were drawing the poor marquis out of the river, the cat came
up to the coach and told the king that while his master was washing
there came by some rogues, who went off with his clothes though he had
cried out, "Thieves, thieves," as loud as he could. This cunning cat had
hidden them under a great stone. The king immediately commanded the
officers of his wardrobe to run and fetch one of his best suits for the
lord Marquis of Carabas.
The king caressed him after a very extraordinary manner; and as the fine
clothes he had given him extremely set off his good mien (for he was
well made and very handsome in his person), the king's daughter took a
secret inclination to him, and the Marquis of Carabas had no sooner cast
two or three respectful and somewhat tender glances, but she fell in
love with him to distraction. The king would needs have him come into
his coach and take part of the airing. The cat, quite overjoyed to see
his project begin to succeed, marched on before, and meeting with some
countrymen who were mowing a meadow, he said to them, "Good people, you
who are mowing, if you do not tell the king, who will soon pass this
way, that the meadow you mow belongs to my lord Marquis of Carabas, you
shall be chopped as small as herbs for the pot."
The king did not fail asking of the mowers to whom the meadow they were
mowing belonged: "To my lord Marquis of Carabas," answered they, all
together, for the cat's threats had made them terribly afraid.
"You see, sir," said the marquis, "this is a meadow which never fails to
yield a plentiful harvest every year."
The master-cat, who went still on before, met with some reapers, and
said to them, "Good people, you who are reaping, if you do not tell the
king, who will presently go by, that all this corn belongs to the
Marquis of Carabas, you shall be chopped as small as herbs for the pot."
The king, who passed by a moment after, would needs know to whom all
that corn, which he then saw, did belong. "To my lord Marquis of
Carabas," replied the reapers; and the king was very well pleased with
it, as well as the marquis, whom he congratulated thereupon. The
master-cat, who went always before, said the same words to all he met;
and the king was astonished at the vast estates of my lord Marquis of
Carabas.
Master Puss came at last to a stately castle, the owner of which was an
ogre, the richest that had ever been known, for all the lands which the
king had then gone over belonged to this castle. The cat, who had taken
care to inform himself who the ogre was and what he could do, asked to
speak with him, saying he could not pass so near his castle without
having the honor of paying his respects to him.
The ogre received him as civilly as an ogre could do and made him sit
down. "I have been assured," said the cat, "that you have the gift of
being able to change yourself into all sorts of creatures you have a
mind to. You can, for example, transform yourself into a lion, or
elephant, and the like."
"This is true," answered the ogre very briskly, "and to convince you,
you shall see me now become a lion."
Puss was so sadly terrified at the sight of a lion so near him that he
immediately got into the gutter, not without abundance of trouble and
danger, because of his boots, which were of no use at all to him in
walking upon the tiles. A little while after, when Puss saw that the
ogre had resumed his natural form, he came down and owned he had been
very much frightened.
"I have been, moreover, informed," said the cat, "but I know not how to
believe it, that you have also the power to take on you the shape of the
smallest animals; for example, to change yourself into a rat or a mouse;
but I must own to you, I take this to be impossible."
"Impossible!" cried the ogre, "you shall see that presently," and at the
same time changed himself into a mouse, and began to run about the
floor. Puss no sooner perceived this but he fell upon him and ate him
up.
Meanwhile, the king, who saw, as he passed, this fine castle of the
ogre's, had a mind to go into it. Puss, who heard the noise of his
majesty's coach running over the drawbridge, ran out and said to the
king, "Your Majesty is welcome to this castle of my lord Marquis of
Carabas."
"What! my lord Marquis!" cried the king, "and does this castle also
belong to you? There can be nothing finer than this court and all the
stately buildings which surround it; let us go into it, if you please."
They passed into a spacious hall, where they found a magnificent
collation which the ogre had prepared for his friends, who were that
very day to visit him, but dared not to enter, knowing the king was
there. His majesty was perfectly charmed with the good qualities of my
lord Marquis of Carabas, as was his daughter, who had fallen in love
with him; and seeing the vast estate he possessed, said to him while
they sat at the feast, "It will be owing to yourself only, my lord
Marquis, if you are not my son-in-law." The marquis, making several low
bows, accepted the honor which his majesty conferred upon him, and
forthwith, that very same day, married the princess.
Puss became a great lord, and never ran after mice any more, but only
for his diversion.
164
Perrault attached to the next story this moral:
"Diamonds and dollars influence minds, and yet
gentle words have more effect and are more to
be esteemed. . . . It is a lot of trouble to be
upright and it requires some effort, but sooner
or later it finds its reward, and generally
when one is least expecting it." English
versions are usually given the title "Toads and
Diamonds," though Perrault's title was simply
"The Fairies" ("Les Fees"). Lang calls
attention to the fact that the origin of the
story is "manifestly moral." He thinks "it is
an obvious criticism that the elder girl should
have met the fairy first; she was not likely to
behave so rudely when she knew that politeness
would be rewarded." It would be interesting for
a story-teller to test the effect of relating
the incidents in the order suggested by Lang.
TOADS AND DIAMONDS
There was once upon a time a widow who had two daughters. The oldest was
so much like her in face and humor that whoever looked upon the daughter
saw the mother. They were both so disagreeable and so proud that there
was no living with them. The youngest, who was the very picture of her
father for courtesy and sweetness of temper, was withal one of the most
beautiful girls that was ever seen. As people naturally love their own
likenesses, this mother ever doted on her eldest daughter and at the
same time had a sad aversion for the youngest. She made her eat in the
kitchen and work continually.
Among other things, this poor child was forced twice a day to draw water
above a mile and a half from the house, and bring home a pitcher full of
it. One day as she was at this fountain there came to her a poor woman,
who begged of her to let her drink. "Oh, yes, with all my heart,
Goody," said this pretty little girl; and rinsing the pitcher, she took
up some water from the clearest place of the fountain and gave it to
her, holding up the pitcher all the while that she might drink the
easier.
The good woman having drunk, said to her, "You are so very pretty, my
dear, so good and so mannerly, that I cannot help giving you a
gift"--for this was a fairy, who had taken the form of a poor country
woman to see how far the civility and good manners of this pretty girl
would go. "I will give you for gift," continued the fairy, "that at
every word you speak, there shall come out of your mouth either a flower
or a jewel."
When this pretty girl came home, her mother scolded at her for staying
so long at the fountain. "I beg your pardon, mamma," said the poor girl,
"for not making more haste"; and, in speaking these words, there came
out of her mouth two roses, two pearls, and two large diamonds.
"What is it I see there?" said her mother quite astonished. "I think I
see pearls and diamonds come out of the girl's mouth! How happens this,
my child?"--This was the first time she ever called her her child.
The poor creature told her frankly all the matter, not without dropping
out infinite numbers of diamonds. "In good faith," cried the mother, "I
must send my child thither. Come hither, Fanny. Look what comes out of
your sister's mouth when she speaks! Would you not be glad, my dear, to
have the same gift given to you? You have nothing else to do but go draw
water out of the fountain, and when a certain poor woman asks you to let
her drink, to give it her very civilly."
"It would be a very fine sight, indeed," said this ill-bred minx, "to
see me go draw water!"
"You shall go, hussy," said the mother, "and this minute." So away she
went, but grumbling all the way and taking with her the best silver
tankard in the house.
She was no sooner at the fountain than she saw coming out of the wood a
lady most gloriously dressed, who came up to her and asked to drink.
This was, you must know, the very fairy who appeared to her sister, but
who had now taken the air and dress of a princess to see how far this
girl's rudeness would go. "Am I come hither," said the proud, saucy
maid, "to serve you with water, pray? I suppose the silver tankard was
brought purely for your ladyship, was it? However, you may drink out of
it, if you have a fancy."
"You are not over and above mannerly," answered the fairy, without
putting herself in a passion. "Well, then, since you have so little
breeding and are so disobliging, I give you for gift, that at every word
you speak there shall come out of your mouth a snake or a toad."
So soon as her mother saw her coming, she cried out, "Well, daughter."
"Well, mother," answered the pert hussy, throwing out of her mouth two
vipers and two toads.
"Oh, mercy!" cried the mother, "what is it I see? Oh, it is that wretch,
her sister, who has occasioned all this; but she shall pay for it"; and
immediately she ran to beat her. The poor child fled away from her and
went to hide herself in the forest, not far from thence.
The king's son, then on his return from hunting, met her, and seeing her
so very pretty, asked her what she did there alone, and why she cried.
"Alas, sir! my mamma has turned me out of doors." The king's son, who
saw five or six pearls, and as many diamonds, come out of her mouth,
desired her to tell him how that happened. She thereupon told him the
whole story; and so the king's son fell in love with her; and,
considering with himself that such a gift was worth more than any
marriage-portion whatsoever in another, he conducted her to the palace
of the king his father and there married her.
As for her sister, she made herself so much hated that her own mother
turned her off; and the miserable girl, having wandered about a good
while without finding anybody to take her in, went to a corner in the
wood and there died.
165
"Cinderella" is one of the world's greatest
romantic stories. Its theme is a favorite in
all folk literature. Young and old alike have
never tired of hearing of the victories won by
the deserving in the face of all sorts of
obstacles. Perrault in his verse moral observes
that "while beauty is a rare treasure for a
woman, yet a winning manner, or personality, is
worth even more." Still further, as if
conscious of the part influence plays in the
world, he says that "while it is doubtless a
great advantage to have wit and courage,
breeding and good sense, and other such natural
endowments, still they will be of no earthly
use for our advancement unless we have, to
bring them into play, either godfathers or
godmothers." One should not, however, take too
seriously any moralizing over a fairy story
whether by Perrault or another.
In one of the most thorough studies of a single
folk tale, Miss Roalfe Cox's _Cinderella_, with
an introduction by Andrew Lang, some three
hundred and fifty variants of the story have
been analyzed. The thing that marks a
Cinderella story is the presence in it of the
"slipper test." The finest versions are those
by Perrault and the Grimms, and they are almost
equally favorites with children. The Perrault
form as found in the old English translation is
given here for reasons stated by Ralston in his
study of the Cinderella type: "But Perrault's
rendering of the tale naturalised it in the
polite world, gave it for cultured circles an
attraction which it is never likely to lose. . . .
It is with human more than with mythological
interest that the story is replete, and
therefore it appeals to human hearts with a
force which no lapse of time can diminish. Such
supernatural machinery as is introduced,
moreover, has a charm for children which older
versions of the tale do not possess. The
pumpkin carriage, the rat coachman, the lizard
lacqueys, and all the other properties of the
transformation scene, appeal at once to the
imagination and the sense of humor of every
beholder." (_Nineteenth Century_, November,
1879.)
CINDERELLA, OR THE LITTLE GLASS SLIPPER
Once there was a gentleman who married, for his second wife, the
proudest and most haughty woman that was ever seen. She had, by a former
husband, two daughters of her own humor, who were indeed exactly like
her in all things. He had likewise, by another wife, a young daughter,
but of unparalleled goodness and sweetness of temper, which she took
from her mother, who was the best creature in the world.
No sooner were the ceremonies of the wedding over but the step-mother
began to show herself in her colors. She could not bear the good
qualities of this pretty girl; and the less because they made her own
daughters appear the more odious. She employed her in the meanest work
of the house; she scoured the dishes and tables, and cleaned madam's
room and the rooms of misses, her daughters; she lay up in a sorry
garret, upon a wretched straw-bed, while her sisters lay in fine rooms,
with floors all inlaid, upon beds of the very newest fashion, and where
they had looking-glasses so large that they might see themselves at
their full length, from head to foot.
The poor girl bore all patiently, and dared not tell her father, who
would have rattled her off, for his wife governed him entirely. When she
had done her work, she used to go into the chimney corner and sit down
among cinders and ashes, which made her commonly called Cinder-wench;
but the youngest, who was not so rude and uncivil as the eldest, called
her Cinderella. However, Cinderella, notwithstanding her mean apparel,
was a hundred times handsomer than her sisters, though they were always
dressed very richly.
It happened that the king's son gave a ball, and invited all persons of
fashion to it. Our young misses were also invited, for they cut a very
grand figure among the quality. They were mightily delighted at this
invitation, and wonderfully busy in choosing out such gowns, petticoats,
and head-clothes as might best become them. This was a new trouble to
Cinderella, for it was she who ironed her sisters' linen and plaited
their ruffles. They talked all day long of nothing but how they should
be dressed. "For my part," said the eldest, "I will wear my red velvet
suit with French trimmings."
"And I," said the youngest, "shall only have my usual petticoat; but
then, to make amends for that, I will put on my gold flowered manteau
and my diamond stomacher, which is far from being the most ordinary one
in the world." They sent for the best tire-woman they could get to make
up their head-dresses, and they had their patches from the very best
maker.
Cinderella was likewise called up to them to be consulted in all these
matters, for she had excellent notions and advised them always for the
best; nay, and offered her service to dress their heads, which they were
very willing she should do. As she was doing this, they said to her,
"Cinderella, would you not be glad to go to the ball?"
"Ah!" said she, "you only jeer at me; it is not for such as I am to go
thither."
"Thou art in the right of it," replied they; "it would make the people
laugh to see a cinder-wench at a ball."
Any one but Cinderella would have dressed their heads awry, but she was
very good, and dressed them perfectly well. They were almost two days
without eating, so much they were transported with joy. They broke above
a dozen of laces in trying to be laced up close, that they might have a
fine slender shape, and they were continually at their looking-glass. At
last the happy day came. They went to court, and Cinderella followed
them with her eyes as long as she could, and when she had lost sight of
them, she fell a-crying.
Her godmother, who saw her all in tears, asked her what was the matter.
"I wish I could--I wish I could--"; she was not able to speak the rest,
being interrupted by her tears and sobbing.
This godmother of hers, who was a fairy, said to her, "Thou wishest thou
couldest go to the ball. Is it not so?"
"Y--es," cried Cinderella with a great sigh.
"Well," said her godmother, "be but a good girl, and I will contrive
that thou shalt go."
Then she took her into her chamber and said to her, "Run into the garden
and bring me a pumpkin." Cinderella went immediately to gather the
finest she could get, and brought it to her godmother, not being able to
imagine how this pumpkin could make her go to the ball. Her godmother
scooped out all the inside of it, having left nothing but the rind;
which done, she struck it with her wand, and the pumpkin was instantly
turned into a fine coach, gilded all over with gold.
She then went to look into her mouse-trap, where she found six mice, all
alive, and ordered Cinderella to lift up a little the trap-door. Then
she gave each mouse, as it went out, a little tap with her wand, and the
mouse was that moment turned into a fair horse. All together the mice
made a very fine set of six horses of a beautiful mouse-colored
dapple-gray. Being at a loss for a coachman, "I will go and see," said
Cinderella, "if there be never a rat in the rat-trap, that we may make a
coachman of him."
"Thou art in the right," replied her godmother; "go and look."
Cinderella brought the trap to her, and in it there were three huge
rats. The fairy made choice of one of the three, which had the largest
beard, and, having touched him with her wand, he was turned into a fat,
jolly coachman, who had the smartest whiskers that eyes ever beheld.
After that her godmother said to her, "Go again into the garden and you
will find six lizards behind the watering pot; bring them to me." She
had no sooner done so, than the fairy turned them into six footmen, who
skipped up immediately behind the coach, with their liveries all
bedecked with gold and silver, and clung as close behind each other as
if they had done nothing else their whole lives. The fairy then said to
Cinderella, "Well, you see here an equipage fit to go to the ball with.
Are you not pleased with it?"
"Oh, yes," cried she, "but must I go thither as I am, in these filthy
rags?" Her godmother only just touched her with her wand, and at the
same instant her clothes were turned into cloth of gold and silver, all
beset with jewels. This done, she gave her a pair of glass slippers, the
prettiest in the whole world.
Being thus decked out, she got up into her coach; but her godmother,
above all things, commanded her not to stay till after midnight, telling
her that if she stayed at the ball one moment longer, her coach would be
a pumpkin again, her horses mice, her coachman a rat, her footmen
lizards, and her clothes just as they were before.
She promised her godmother she would not fail of leaving the ball before
midnight; and then away she drives, scarce able to contain herself for
joy. The king's son, who was told that a great princess, whom nobody
knew, was come, ran out to receive her. He gave her his hand as she
alighted from the coach, and led her into the hall among all the
company. There was immediately a profound silence. They left off
dancing, and the violins ceased to play, so attentive was every one to
contemplate the singular beauties of this unknown new-comer. Nothing was
then heard but a confused noise of, "Ha! how handsome she is! Ha! how
handsome she is!" The king himself, old as he was, could not help ogling
her and telling the queen softly that it was a long time since he had
seen so beautiful and lovely a creature. All the ladies were busied in
considering her clothes and head-dress, that they might have some made
next day after the same pattern, provided they could meet with such fine
materials and as able hands to make them.
The king's son conducted her to the most honorable seat and afterwards
took her out to dance with him. She danced so very gracefully that they
all more and more admired her. A fine collation was served up, whereof
the young prince ate not a morsel, so intently was he busied in gazing
on her. She went and sat down by her sisters, showing them a thousand
civilities, giving them part of the oranges and citrons which the prince
had presented her with; which very much surprised them, for they did not
know her. While Cinderella was thus amusing her sisters, she heard the
clock strike eleven and three quarters, whereupon she immediately made a
courtesy to the company and hasted away as fast as she could.
Being got home, she ran to seek out her godmother; and having thanked
her, she said she could not but heartily wish she might go next day to
the ball, because the king's son had desired her. As she was eagerly
telling her godmother whatever had passed at the ball, her two sisters
knocked at the door, which Cinderella ran and opened. "How long you have
stayed!" cried she, gaping, rubbing her eyes, and stretching herself as
if she had been just awakened out of her sleep; she had not, however,
any manner of inclination to sleep since they went from home.
"If thou hadst been at the ball," said one of her sisters, "thou
wouldest not have been tired with it. There came thither the finest
princess, the most beautiful ever seen with mortal eyes. She showed us a
thousand civilities and gave us oranges and citrons." Cinderella seemed
very indifferent in the matter; indeed, she asked them the name of the
princess, but they told her they did not know it and that the king's son
was very uneasy on her account and would give all the world to know who
she was.
At this Cinderella, smiling, replied, "She must then be very beautiful
indeed! How happy have you been! Could not I see her? Ah! dear Miss
Charlotte, do lend me your yellow suit of clothes, which you wear every
day."
"Ay, to be sure," cried Miss Charlotte, "lend my clothes to such a dirty
cinder-wench as thou art! Who's the fool then?" Cinderella indeed
expected some such answer and was very glad of the refusal, for she
would have been sadly put to it if her sister had lent her what she
asked for jestingly.
The next day the two sisters were at the ball, and so was Cinderella,
but dressed more magnificently than before. The king's son was always by
her side and never ceased his compliments and amorous speeches to her;
to whom all this was so far from being tiresome that she quite forgot
what her godmother had recommended to her, so that she at last counted
the clock striking twelve when she took it to be no more than eleven.
She then rose up and fled as nimble as a deer. The prince followed, but
could not overtake her. She left behind one of her glass slippers, which
the prince took up most carefully. She got home, but quite out of
breath, without coach or footmen, and in her old cinder clothes, having
nothing left of all her finery but one of the little slippers, fellow to
that she dropped. The guards at the palace gate were asked if they had
not seen a princess go out. They said they had seen nobody go out but a
young girl very meanly dressed, who had more the air of a poor country
wench than a gentlewoman.
When the two sisters returned from the ball, Cinderella asked them if
they had been well diverted and if the fine lady had been there. They
told her yes, but that she hurried away immediately when it struck
twelve and with so much haste that she dropped one of her little glass
slippers, the prettiest in the world, which the king's son had taken up;
that he had done nothing but look at her all the time of the ball, and
that most certainly he was very much in love with the beautiful person
who owned the little glass slipper.
What they said was very true, for a few days after, the king's son
caused to be proclaimed by sound of trumpets that he would marry her
whose foot this slipper would just fit. They whom he employed began to
try it on upon the princesses, then the duchesses, and all the court,
but in vain. It was brought to the two sisters, who did all they
possibly could to thrust their foot into the slipper, but they could not
effect it. Cinderella, who saw all this and knew her slipper, said to
them, laughing, "Let me see if it will not fit me!"
Her sisters burst out laughing and began to banter her. The gentleman
who was sent to try the slipper looked earnestly at Cinderella, and
finding her very handsome, said it was but just that she should try, and
that he had orders to let every one make trial. He obliged Cinderella to
sit down, and putting the slipper to her foot, he found it went in very
easily and fitted her as if it had been made of wax. The astonishment
her two sisters were in was excessively great, but still abundantly
greater when Cinderella pulled out of her pocket the other slipper and
put it on her foot. Thereupon in came her godmother, who having touched,
with her wand, Cinderella's clothes, made them richer and more
magnificent than any of those she had before.
And now her two sisters found her to be that fine beautiful lady whom
they had seen at the ball. They threw themselves at her feet to beg
pardon for all the ill treatment they had made her undergo. Cinderella
took them up, and as she embraced them, cried that she forgave them with
all her heart and desired them always to love her. She was conducted to
the young prince, dressed as she was. He thought her more charming than
ever, and a few days after, married her. Cinderella, who was no less
good than beautiful, gave her two sisters lodgings in the palace, and
that very same day matched them with two great lords of the court.
166
The hero of the next story is often known as
Drakesbill, which easily becomes Bill Drake.
The version that follows is a translation from
the French of Charles Marelles as given by Lang
in his _Red Fairy Book_. It has a raciness not
in those softened versions in which one friend
gets into a pocket, another under a wing, and
so on. The persistent energy of the little
hero, his resourcefulness in difficulty, his
loyal friends, the unexpected honor that comes
as recognition of his success, the humor that
pervades every character and incident, make
this one of the most delightful of children's
stories.
DRAKESTAIL
Drakestail was very little, that is why he was called Drakestail; but
tiny as he was he had brains, and he knew what he was about, for having
begun with nothing he ended by amassing a hundred crowns. Now the king
of the country, who was very extravagant and never kept any money,
having heard that Drakestail had some, went one day in his own person to
borrow his hoard, and, my word, in those days Drakestail was not a
little proud of having lent money to the king. But after the first and
second year, seeing that he never even dreamed of paying the interest,
he became uneasy, so much so that at last he resolved to go and see his
majesty himself, and get repaid. So one fine morning Drakestail, very
spruce and fresh, takes the road, singing: "Quack, quack, quack, when
shall I get my money back?"
He had not gone far when he met friend Fox, on his rounds that way.
"Good-morning, neighbor," says the friend; "where are you off to so
early?"
"I am going to the king for what he owes me."
"Oh! take me with thee!"
Drakestail said to himself: "One can't have too many friends." Aloud
says he, "I will, but going on all fours you will soon be tired. Make
yourself quite small, get into my throat--go into my gizzard, and I will
carry you."
"Happy thought!" says friend Fox.
He takes bag and baggage, and, presto! is gone like a letter into the
post.
And Drakestail is off again, all spruce and fresh, still singing:
"Quack, quack, quack, when shall I have my money back?"
He had not gone far when he met his lady friend, Ladder, leaning on her
wall.
"Good-morning, my duckling," says the lady friend, "whither away so
bold?"
"I am going to the king for what he owes me."
"Oh! take me with thee!"
Drakestail said to himself: "One can't have too many friends." Aloud
says he: "I will, but then with your wooden legs you will soon be tired.
Make yourself quite small, get into my throat--go into my gizzard, and I
will carry you."
"Happy thought!" says my friend Ladder, and nimble, bag and baggage,
goes to keep company with friend Fox.
And "Quack, quack, quack," Drakestail is off again, singing and spruce
as before. A little further he meets his sweetheart, my friend River,
wandering quietly in the sunshine.
"Thou, my cherub," says she, "whither so lonesome, with arching tail, on
this muddy road?"
"I am going to the king, you know, for what he owes me."
"Oh! take me with thee!"
Drakestail said to himself: "One can't have too many friends." Aloud
says he: "I will, but you who sleep while you walk will soon get tired.
Make yourself quite small, get into my throat--go into my gizzard, and I
will carry you."
"Ah! happy thought!" says my friend River.
She takes bag and baggage, and glou, glou, glou she takes her place
between friend Fox and my friend Ladder.
And "Quack, quack, quack," Drakestail is off again singing.
A little further on he meets comrade Wasp's-nest, maneuvering his wasps.
"Well, good-morning, friend Drakestail," said comrade Wasp's-nest,
"where are we bound for, so spruce and fresh?"
"I am going to the king for what he owes me."
"Oh! take me with thee!"
Drakestail said to himself, "One can't have too many friends." Aloud
says he: "I will, but then with your battalion to drag along, you will
soon be tired. Make yourself quite small, go into my throat--get into my
gizzard, and I will carry you."
"By Jove! that's a good idea!" says comrade Wasp's-nest.
And left file! he takes the same road to join the others with all his
party. There was not much room, but by closing up a bit they managed.
And Drakestail is off again singing.
He arrived thus at the capital, and threaded his way straight up the
High Street, still running and singing, "Quack, quack, quack, when shall
I get my money back?" to the great astonishment of the good folks, till
he came to the king's palace.
He strikes with the knocker: "Toc! toc!"
"Who is there?" asks the porter, putting his head out of the wicket.
"'Tis I, Drakestail. I wish to speak to the king."
"Speak to the king! That's easily said. The king is dining, and will not
be disturbed."
"Tell him that it is I, and I have come he well knows why."
The porter shuts his wicket and goes up to say it to the king, who was
just sitting down to dinner with a napkin round his neck, and all his
ministers.
"Good, good!" said the king, laughing. "I know what it is! Make him come
in, and put him with the turkeys and chickens."
The porter descends.
"Have the goodness to enter."
"Good!" says Drakestail to himself, "I shall now see how they eat at
court."
"This way, this way," says the porter. "One step further. There, there
you are."
"How? what? in the poultry-yard?"
Fancy how vexed Drakestail was!
"Ah! so that's it," says he. "Wait! I will compel you to receive me.
Quack, quack, quack, when shall I get my money back?" But turkeys and
chickens are creatures who don't like people that are not as themselves.
When they saw the new-comer and how he was made, and when they heard him
crying too, they began to look black at him.
"What is it? What does he want?"
Finally they rushed at him all together, to overwhelm him with pecks.
"I am lost!" said Drakestail to himself, when by good luck he remembers
his comrade friend Fox, and he cries:
"Reynard, Reynard, come out of your earth,
Or Drakestail's life is of little worth."
Then friend Fox, who was only waiting for these words, hastens out,
throws himself on the wicked fowls, and quick! quack! he tears them to
pieces; so much so that at the end of five minutes there was not one
left alive. And Drakestail, quite content, began to sing again, "Quack,
quack, quack, when shall I get my money back?"
When the king, who was still at table, heard this refrain, and the
poultry-woman came to tell him what had been going on in the yard, he
was terribly annoyed.
He ordered them to throw this tail of a drake into the well, to make an
end of him.
And it was done as he commanded. Drakestail was in despair of getting
himself out of such a deep hole, when he remembered his lady friend
Ladder.
"Ladder, Ladder, come out of thy hold,
Or Drakestail's days will soon be told."
My friend Ladder, who was only waiting for these words, hastens out,
leans her two arms on the edge of the well; then Drakestail climbs
nimbly on her back, and hop! he is in the yard, where he begins to sing
louder than ever.
When the king, who was still at table and laughing at the good trick he
had played his creditor, heard him again reclaiming his money, he became
livid with rage.
He commanded that the furnace should be heated, and this tail of a drake
thrown into it, because he must be a sorcerer.
The furnace was soon hot, but this time Drakestail was not so afraid; he
counted on his sweetheart, my friend River.
"River, River, outward flow,
Or to death Drakestail must go."
My friend River hastens out, and errouf! throws herself into the
furnace, which she floods, with all the people who had lighted it; after
which she flowed growling into the hall of the palace to the height of
more than four feet.
And Drakestail, quite content, begins to swim, singing deafeningly,
"Quack, quack, quack, when shall I get my money back?"
The king was still at table, and thought himself quite sure of his game;
but when he heard Drakestail singing again, and when they told him all
that had passed, he became furious and got up from the table brandishing
his fists.
"Bring him here, and I'll cut his throat! Bring him here quick!" cried
he.
And quickly two footmen ran to fetch Drakestail.
"At last," said the poor chap, going up the great stairs, "they have
decided to receive me."
Imagine his terror when on entering he sees the king as red as a turkey
cock, and all his ministers attending him standing sword in hand. He
thought this time it was all up with him. Happily he remembered that
there was still one remaining friend, and he cried with dying accents:
"Wasp's nest, Wasp's nest, make a sally,
Or Drakestail nevermore may rally."
Hereupon the scene changes.
"Bs, bs, bayonet them!" The brave Wasp's-nest rushes out with all his
wasps. They threw themselves on the infuriated king and his ministers,
and stung them so fiercely in the face that they lost their heads, and
not knowing where to hide themselves they all jumped pell-mell from the
window and broke their necks on the pavement.
Behold Drakestail much astonished, all alone in the big saloon and
master of the field. He could not get over it.
Nevertheless, he remembered shortly what he had come for to the palace,
and improving the occasion, he set to work to hunt for his dear money.
But in vain he rummaged in all the drawers; he found nothing; all had
been spent.
And ferreting thus from room to room he came at last to the one with the
throne in it, and feeling fatigued, he sat himself down on it to think
over his adventure. In the meanwhile the people had found their king and
his ministers with their feet in the air on the pavement, and they had
gone into the palace to know how it had occurred. On entering the
throne-room, when the crowd saw that there was already someone on the
royal seat, they broke out in cries of surprise and joy:
"The King is dead, long live the King!
Heaven has sent us down this thing."
Drakestail, who was no longer surprised at anything, received the
acclamations of the people as if he had never done anything else all his
life.
A few of them certainly murmured that a Drakestail would make a fine
king; those who knew him replied that a knowing Drakestail was a more
worthy king than a spendthrift like him who was lying on the pavement.
In short, they ran and took the crown off the head of the deceased, and
placed it on that of Drakestail, whom it fitted like wax.
Thus he became king.
"And now," said he after the ceremony, "ladies and gentlemen, let's go
to supper. I am so hungry!"
167
The story of "Beauty and the Beast," while very
old in its ruder forms, is known to us in a
fine version which comes from the middle of the
eighteenth century. Madame de Villeneuve, a
French writer of some note and a follower of
Perrault in the field of the fairy tale,
published in 1740 a collection of stories
(_Contes Marins_) supposed to be told by an old
woman during a voyage to St. Domingo. Among
these was "Beauty and the Beast" in a
long-winded style extending to more than 250
pages. In 1757, a greatly abridged form of this
version was published by Madame de Beaumont,
who was then living in England and who wrote
many spirited tales designed for children. Her
stories are full of the didactic element, and
"Beauty and the Beast" is no exception to the
rule. These "edifying commonplaces," however,
are so sound and fit into the story so
naturally that the reader does not suffer from
their presence. The artificial character of the
story is easily felt in contrast to the natural
qualities of a folk version. The plot has all
the perfection of a finished piece of literary
art, and for this quality especially Madame de
Beaumont's abridgement has always been heartily
and rightly admired.
BEAUTY AND THE BEAST
Once upon a time, in a far-off country, there lived a merchant who had
been so fortunate in all his undertakings that he was enormously rich.
As he had, however, six sons and six daughters, he found that his money
was not too much to let them have everything they fancied, as they were
accustomed to do.
But one day a most unexpected misfortune befell them. Their house caught
fire and was speedily burned to the ground, with all the splendid
furniture, the books, pictures, gold, silver, and precious goods it
contained; and this was only the beginning of their troubles. Their
father, who had until this moment prospered in all ways, suddenly lost
every ship he had upon the sea, either by dint of pirates, shipwreck, or
fire. Then he heard that his clerks in distant countries, whom he had
trusted entirely, had proved unfaithful, and at last from great wealth
he fell into direst poverty.
All that he had left was a little house in a desolate place at least a
hundred leagues from the town in which he had lived, and to this he was
forced to retreat with his children, who were in despair at the idea of
leading such a different life. Indeed, the daughters at first hoped that
their friends, who had been so numerous while they were rich, would
insist on their staying in their houses now they no longer possessed
one. But they soon found that they were left alone, and that their
former friends even attributed their misfortunes to their own
extravagance, and showed no intention of offering them any help. So
nothing was left for them but to take their departure to the cottage,
which stood in the midst of a dark forest, and seemed to be the most
dismal place upon the face of the earth.
As they were too poor to have any servants, the girls had to work hard,
like peasants, and the sons, for their part, cultivated the fields to
earn their living. Roughly clothed, and living in the simplest way, the
girls regretted unceasingly the luxuries and amusements of their former
life; only the youngest tried to be brave and cheerful. She had been as
sad as anyone when the misfortune first overtook her father, but, soon
recovering her natural gayety, she set to work to make the best of
things, to amuse her father and brothers as well as she could, and to
try to persuade her sisters to join her in dancing and singing. But they
would do nothing of the sort, and because she was not as doleful as
themselves they declared that this miserable life was all she was fit
for. But she was really far prettier and cleverer than they were;
indeed, she was so lovely that she was always called Beauty. After two
years, when they were all beginning to get used to their new life,
something happened to disturb their tranquillity. Their father received
the news that one of his ships, which he had believed to be lost, had
come safely into port with a rich cargo.
All the sons and daughters at once thought that their poverty was at an
end and wanted to set out directly for the town, but their father, who
was more prudent, begged them to wait a little, and though it was
harvest-time and he could ill be spared, determined to go himself first
to make inquiries. Only the youngest daughter had any doubt but that
they would soon be as rich as they were before, or at least rich enough
to live comfortably in some town where they would find amusement and gay
companions once more. So they all loaded their father with commissions
for jewels and dresses which it would have taken a fortune to buy; only
Beauty, feeling sure that it was of no use, did not ask for anything.
Her father, noticing her silence, said: "And what shall I bring for you,
Beauty?"
"The only thing I wish for is to see you come home safely," she
answered.
But this reply vexed her sisters, who fancied she was blaming them for
having asked for such costly things. Her father was pleased, but as he
thought that at her age she certainly ought to like pretty presents, he
told her to choose something.
"Well, dear father," said she, "as you insist upon it, I beg that you
will bring me a rose. I have not seen one since we came here, and I love
them so much."
So the merchant set out and reached the town as quickly as possible, but
only to find that his former companions, believing him to be dead, had
divided between them the goods which the ship had brought; and after six
months of trouble and expense he found himself as poor as when he
started, having been able to recover only just enough to pay the cost
of the journey. To make matters worse, he was obliged to leave the town
in terrible weather, so that by the time he was within a few leagues of
his home he was almost exhausted with cold and fatigue. Though he knew
it would take some hours to get through the forest, he was so anxious to
be at his journey's end that he resolved to go on; but night overtook
him, and the deep snow and bitter frost made it impossible for his horse
to carry him any further. Not a house was to be seen. The only shelter
he could get was the hollow trunk of a great tree, and there he crouched
all the night, which seemed to him the longest he had ever known. In
spite of his weariness the howling of the wolves kept him awake, and
even when at last the day broke he was not much better off, for the
falling snow had covered up every path and he did not know which way to
turn.
At length he made out some sort of track, and though at the beginning it
was so rough and slippery that he fell down more than once, it presently
became easier and led him into an avenue of trees which ended in a
splendid castle. It seemed to the merchant very strange that no snow had
fallen in the avenue, which was entirely composed of orange-trees,
covered with flowers and fruit. When he reached the first court of the
castle he saw before him a flight of agate steps, and went up them and
passed through several splendidly furnished rooms. The pleasant warmth
of the air revived him and he felt very hungry; but there seemed to be
nobody in all this vast and splendid palace whom he could ask to give
him something to eat. Deep silence reigned everywhere, and at last,
tired of roaming through empty rooms and galleries, he stopped in a room
smaller than the rest, where a clear fire was burning and a couch was
drawn up cozily, close to it. Thinking that this must be prepared for
some one who was expected, he sat down to wait till he should come and
very soon fell into a sweet sleep.
When his extreme hunger wakened him after several hours he was still
alone, but a little table, upon which was a good dinner, had been drawn
up close to him, and as he had eaten nothing for twenty-four hours he
lost no time in beginning his meal, hoping that he might soon have an
opportunity of thanking his considerate entertainer, whoever it might
be. But no one appeared, and even after another long sleep, from which
he awoke completely refreshed, there was no sign of anybody, though a
fresh meal of dainty cakes and fruit was prepared upon a little table at
his elbow. Being naturally timid, the silence began to terrify him, and
he resolved to search once more through all the rooms; but it was of no
use. Not even a servant was to be seen; there was no sign of life in the
palace! He began to wonder what he should do, and to amuse himself by
pretending that all the treasures he saw were his own, and considering
how he would divide them among his children. Then he went down into the
garden, and though it was winter everywhere else, here the sun shone,
and the birds sang, and the flowers bloomed, and the air was soft and
sweet. The merchant, in ecstasies with all he saw and heard, said to
himself:
"All this must be meant for me. I will go this minute and bring my
children to share all these delights."
In spite of being so cold and weary when he reached the castle, he had
taken his horse to the stable and fed it. Now he thought he would saddle
it for his homeward journey, and he turned down the path which led to
the stable. This path had a hedge of roses on each side of it, and the
merchant thought he had never seen or smelled such exquisite flowers.
They reminded him of his promise to Beauty, and he stopped and had just
gathered one to take to her when he was startled by a strange noise
behind him. Turning round he saw a frightful beast, which seemed to be
very angry and said in a terrible voice: "Who told you that you might
gather my roses? Was it not enough that I allowed you to be in my palace
and was kind to you? This is the way you show your gratitude, by
stealing my flowers! But your insolence shall not go unpunished."
The merchant, terrified by these furious words, dropped the fatal rose,
and throwing himself on his knees cried: "Pardon me, noble sir. I am
truly grateful to you for your hospitality, which was so magnificent
that I could not imagine that you would be offended by my taking such a
little thing as a rose." But the beast's anger was not lessened by this
speech.
"You are very ready with excuses and flattery," he cried; "but that will
not save you from the death you deserve."
"Alas!" thought the merchant, "if my daughter Beauty could only know
what danger her rose has brought me into!"
And in despair be began to tell the beast all his misfortunes and the
reason of his journey, not forgetting to mention Beauty's request.
"A king's ransom would hardly have procured all that my other daughters
asked," he said, "but I thought that I might at least take Beauty her
rose. I beg you to forgive me, for you see I meant no harm."
The beast considered for a moment, and then he said in a less furious
tone:
"I will forgive you on one condition--that is, that you will give me one
of your daughters."
"Ah!" cried the merchant, "if I were cruel enough to buy my own life at
the expense of one of my children's, what excuse could I invent to bring
her here?"
"No excuse would be necessary," answered the beast. "If she comes at all
she must come willingly. On no other condition will I have her. See if
any one of them is courageous enough and loves you well enough to come
and save your life. You seem to be an honest man, so I will trust you to
go home. I give you a month to see if either of your daughters will come
back with you and stay here, to let you go free. If neither of them is
willing you must come alone, after bidding them good-by forever, for
then you will belong to me. And do not imagine that you can hide from
me, for if you fail to keep your word I will come and fetch you!" added
the beast grimly.
The merchant accepted this proposal, though he did not really think any
of his daughters would be persuaded to come. He promised to return at
the time appointed, and then, anxious to escape from the presence of the
beast, he asked permission to set off at once. But the beast answered
that he could not go until the next day.
"Then you will find a horse ready for you," he said. "Now go and eat
your supper and await my orders."
The poor merchant, more dead than alive, went back to his room, where
the most delicious supper was already served on the little table which
was drawn up before a blazing fire. But he was too terrified to eat, and
only tasted a few of the dishes, for fear the beast should be angry if
he did not obey his orders. When he had finished he heard a great noise
in the next room, which he knew meant that the beast was coming. As he
could do nothing to escape his visit, the only thing that remained was
to seem as little afraid as possible; so when the beast appeared and
asked roughly if he had supped well, the merchant answered humbly that
he had, thanks to his host's kindness. Then the beast warned him to
remember their agreement and to prepare his daughter exactly for what
she had to expect.
"Do not get up to-morrow," he added, "until you see the sun and hear a
golden bell ring. Then you will find your breakfast waiting for you
here, and the horse you are to ride will be ready in the court-yard. He
will also bring you back again when you come with your daughter a month
hence. Farewell. Take a rose to Beauty, and remember your promise."
The merchant was only too glad when the beast went away, and though he
could not sleep for sadness, he lay down until the sun rose. Then, after
a hasty breakfast, he went to gather Beauty's rose and mounted his
horse, which carried him off so swiftly that in an instant he had lost
sight of the palace, and he was still wrapped in gloomy thoughts when it
stopped before the door of the cottage.
His sons and daughters, who had been very uneasy at his long absence,
rushed to meet him, eager to know the result of his journey, which,
seeing him mounted upon a splendid horse and wrapped in a rich mantle,
they supposed to be favorable. But he hid the truth from them at first,
only saying sadly to Beauty as he gave her the rose:
"Here is what you asked me to bring you. You little know what it has
cost."
But this excited their curiosity so greatly that presently he told them
his adventures from beginning to end, and then they were all very
unhappy. The girls lamented loudly over their lost hopes, and the sons
declared that their father should not return to this terrible castle,
and began to make plans for killing the beast if it should come to fetch
him. But he reminded them that he had promised to go back. Then the
girls were very angry with Beauty and said it was all her fault, and
that if she had asked for something sensible this would never have
happened, and complained bitterly that they should have to suffer for
her folly.
Poor Beauty, much distressed, said to them:
"I have indeed caused this misfortune, but I assure you I did it
innocently. Who could have guessed that to ask for a rose in the middle
of summer would cause so much misery? But as I did the mischief it is
only just that I should suffer for it. I will therefore go back with my
father to keep his promise."