BY CYRUS THOMAS.

"TABLEAU DES BACAB."

Having recently come into possession of Leon de Rosny's late work

entitled "_Les Documents ecrits de l'Antiquite Americaine_,"[1] I find

in it a photo-lithographic copy of two plates (or rather one plate, for

the two are but parts of one) of the Maya Manuscript known as the _Codex

Cortesianus_. This plate (I shall speak of the two as one) is of so much

importance in the study of the Central American symbols and calendar

systems that I deem it worthy of special notice; more particularly so as

it furnishes a connecting link between the Maya and Mexican symbols and

calendars.

This plate (Nos. 8 and 9 in Rosny's work), is entitled by Rosny

"_Tableau des Bacab_" or "Plate of the Bacabs," he supposing it to be a

representation of the gods of the four cardinal points, an opinion I

believe to be well founded.

As will be seen by reference to our Plate No. 1, which is an exact copy

from Rosny's work, this page consists of three divisions: _First_, an

inner quadrilateral space, in which there are a kind of cross or sacred

tree; two sitting figures, one of which is a female, and six characters.

_Second_, a narrow space or belt forming a border to the inner area,

from which it is separated by a single line; it is separated from the

outer space by a double line. This space contains the characters for the

twenty days of the Maya month, but not arranged in consecutive order.

_Third_, an outer and larger space containing several figures and

numerous characters, the latter chiefly those representing the Maya

days. This area consists of two distinct parts, one part containing day

characters, grouped together at the four corners, and connected by rows

of dots running from one group to the other along the outer border; the

other part consisting of four groups of figures, one group opposite each

of the four sides. In each of the four compartments containing these

last-mentioned groups, there is one of the four characters shown in Fig.

1 (_a_ _b_ _c_ _d_), which, in my "Study of the Manuscript Troano," I

have concluded represent the four cardinal points, a conclusion also

reached independently by Rosny and Schultz Sellack.[TN-1]

Before entering upon the discussion of this plate I will insert here

Rosny's comment, that the reader may have an opportunity of comparing

his view of its signification with the opinion I shall advance.

I intend to close this report with some observations on the

criticisms which have been written since the publication of my

"Essay on the Decipherment of the Hieratic Writings," as much,

regarding the first data, for which we are indebted to Diego de

Landa, as that of the method to follow in order to realize new

progress in the interpretation of the Katounic texts. I will be

permitted, however, before approaching this discussion, to say a

word on two leaves of the _Codex Cortesianus_, which not only

confirm several of my former lectures, but which furnish us

probably a more than ordinarily interesting document relative to

the religious history of ancient Yucatan.

The two leaves require to be presented synoptically, as I have done

in reproducing them on the plate [8 and 9[2]], for it is evident

that they form together one single representation.

This picture presents four divisions, in the middle of which is

seen a representation of the sacred tree; beneath are the figures

of two personages seated on the ground and placed facing the

katounes, among which the sign of the day _Ik_ is repeated three

times on the right side and once with two other signs on the left

side. The central image is surrounded by a sort of framing in which

have been traced the twenty cyclic characters of the calendar. Some

of these characters would not be recognizable if one possessed only

the data of Landa, but they are henceforth easy to read, for I have

had occasion to determine, after a certain fashion, the value of

the greater part of them in a former publication.

These characters are traced in the following order, commencing, for

example, with Muluc and continuing from left to right: 6, 2, 18,

13, 17, 14, 5, 1, 16, 12, 8, 4, 20, 15, 11, 7, 19, 3, 9, 10. * * *

In the four compartments of the Tablet appear the same cyclic signs

again in two series. I will not stop to dwell upon them, not having

discovered the system of their arrangement.

Besides these cyclic signs no other katounes are found on the

Tablet, except four groups which have attracted my attention since

the beginning of my studies, and which I have presented, not

without some hesitation, as serving to note the four cardinal

points. I do not consider my first attempt at interpretation as

definitely demonstrated, but it seems to me that it acquires by the

study of the pages in question of the _Codex Cortesianus_, a new

probability of exactitude.

These four katounic groups are here in fact arranged in the

following manner:

[Illustration: FIG. 1.--The four cardinal symbols.]

Now, not only do these groups include, as I have explained, several

of the phonetic elements of Maya words known to designate the four

cardinal points, but they occupy, besides, the place which is

necessary to them in the arrangement (orientation), to wit:

West.

S N

o o

u r

t t

h h

. .

East.

I have said, moreover, in my _Essay_, that certain characteristic

symbols of the gods of the four cardinal points (the _Bacab_) are

found placed beside the katounic groups, which occcpy[TN-2] me at

this moment, in a manner which gives a new confirmation of my

interpretation.

On Plates 23, 24, 25, and 26 of the _Codex Cortesianus_, where the

same groups and symbols are seen reproduced of which I have just

spoken, the hierogrammat has drawn four figures identical in shape

and dress. These four figures represent the "god of the long nose."

Beside the first, who holds in his hand a flaming torch, appears a

series of katounes, at the head of which is the sign _Kan_ (symbol

of the south), and above, a defaced group. Beside the second, who

holds a flaming torch inverted, is the sign _Muluc_ (symbol of the

east), and above, the group which I have interpreted as east. At

the side of the third, who carries in the left hand the burning

torch inverted and a scepter (symbol of Bacabs), is the sign _Ix_

(symbol of the north), and above, the group which I have translated

as north. Finally, beside the fourth, who carries in his left hand

the flaming torch inverted and a hatchet in the right hand, is the

sign _Cauac_ (symbol of the west), and above, not the entire group,

which I have translated as west, but the first sign of this group,

and also an animal characteristic of the Occident, which has been

identified with the armadillo. I have some doubts upon the subject

of this animal, but its affinity with the qualification of the west

appears to me at least very probable.

We see from this quotation, that Rosny was unable to give any

explanation of the day characters, dots, and L-shaped symbols in the

outer space; also that he was unable to suggest any reason for the

peculiar arrangement of the day symbols in the intermediate circle or

quadrilateral. His suggestions are limited to the four characters placed

opposite the four sides, and which, he believes, and I think correctly,

to be the symbols of the four cardinal points. Whether his conclusion as

to the points they respectively refer to be correct or not, is one of

the questions I propose to discuss in this paper. But before entering

upon this, the most important question regarding the plate, I desire

first to offer what I believe will be admitted to be a correct

explanation of the object and uses of the day symbols, dots, &c., in the

outer space, and the intermediate circle of day characters.

If we examine carefully the day characters and large black dots in the

outer space we shall find that all taken together really form but _one

continuous line_, making one outward and two inward bends or loops at

each corner.

For example, commencing with _Cauac_ (No. 31) (see scheme of the plate,

Fig. 2), on the right side, and running upward toward the top along the

row of dots next the right-hand margin, we reach the character _Chuen_

(No. 32); just above is _Eb_ (No. 33); then running inward toward the

center, along the row of dots to _Kan_ (No. 34); then upward to

_Chicchan_ (No. 35); then outward along the row of dots toward the

outer corner to _Caban_ (No. 36); then to the left to _Ezanab_ (No. 37);

then inward to _Oc_ (No. 38); then to the left to _Chuen_ (No. 39);

outward to _Akbal_ (No. 40), and so on around.

Before proceeding further it is necessary that I introduce here a Maya

calendar, in order that my next point may be clearly understood. To

simplify this as far as possible, I give first a table for a single

_Cauac_ year, in two forms, one as the ordinary counting-house calendar

(Table I), the other a simple continuous list of days (Table II), but in

this latter case only for thirteen months, just what is necessary to

complete the circuit of our plate.

As explained in my former paper[3], although there were twenty days in

each Maya month, each day with its own particular name, and always

following each other in the same order, so that each month would begin

with the same day the year commenced with, yet it was the custom to

number the days up to 13 and then commence again with 1, 2, 3, and so

on, thus dividing the year into weeks of thirteen days each.

For a full explanation of this complicated calendar system I must refer

the reader to my former paper. But at present we shall need only an

understanding of the tables here given. I shall, as I proceed, refer to

Table I, leaving the reader who prefers to do so to refer to the list of

days marked Table II, as they are precisely the same thing, only

differing in form.

Notes on Certain Maya and Mexican Manuscripts Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1881-82, Government Printing Office, Washington, 1884, pages 3-66 · 第 11 / 41 题