CHAPTER XVIII

The First Fact

Rick said, "Hold it a minute. Which way do we go? If we assume the

tunnel we came out of was fairly constant in direction, we should turn

right to come out on the side of the hill where we saw the Frostola man

a while ago. If we turn left, we go deeper into the hill."

Both boys saw the implication the moment the words left Rick's lips.

"Right it is," Rick added quickly. "First thing we have to do is see if

there really is a way out."

They turned right into the cross tunnel, and met the breeze head on. So

long as they followed the direction of the breeze, they were approaching

the outside air.

Within a hundred feet they saw a glimmer of daylight and broke into a

run. The glimmer became an opening, irregular in shape, but obviously

big enough for an entrance.

"We made it!" Rick exulted. "Let's get a good look at that sunshine!"

"Careful," Scotty cautioned. "We'll have to let our eyes adjust fully or

the glare will hurt. Besides, it may not be a good idea to go barging

out into the open. Might be some ghosts hanging around."

"You're right. Anyway, let's take a brief look. What's blocking the

opening?"

As they approached he saw that it was the trunk of a fallen tree,

festooned with blackberry bushes. When they looked through the entrance,

blinking in the light, they saw that the tree wasn't really a block,

because there was plenty of room to crawl out of the tunnel.

"That trunk makes a mighty good shield," Scotty said thoughtfully. "Bet

this entrance is invisible ten feet away, except from the air!"

"And I'll add my own bet, that the entrance is very close to where we

met the Frostola man this morning, and that he wonders if we spotted it

from the plane."

Scotty shook his head. "No betting on sure things. This explains the

interest in the plane, all right. Stand by, old son. I'm going to make a

quick recon and be sure the coast is clear."

"Okay. Eyes adjusted?"

"Enough." Scotty went through the entrance on hands and knees. Rick saw

his legs as he stood up and surveyed the scene.

"Come on out," Scotty called. "We're alone."

Rick joined him. The fallen tree trunk came above their knees. As Scotty

had said, it made an effective shield for the mine entrance.

Rick studied the entrance itself. Probably it had once been a regular

timbered entrance, like the one on the other side of the hill, but it

had fallen in, the rocks wedging to form a low passage into the tunnel

inside. The whole hillside was overgrown with brambles, down to the

two-rut road below them, almost at the place where they had met the

peddler.

"We were within fifty feet of this entrance," Rick said, "and never

suspected it."

"The Frostola man knew it. Do you think he thought we knew it?"

"Possible, I suppose. I'm not so interested in what he thinks as I am in

what he was doing here. Where would we have ended if we had taken the

left-hand turn, do you suppose?"

"Why suppose? Unless you've had enough of mines for one day, we can go

back in and find out."

"I've had enough, but not enough to miss a chance like this. My

flashlight is still strong and it shouldn't take more than a few

minutes."

"Then let's go. No telling when a spook may visit the mine from this

end. Of course there's no telling about Uncle Frostola, either. He may

be inside."

That hadn't occurred to Rick. He thought it over, then shrugged. "We

might as well take the chance. If he is inside, that proves something,

and we're two to his one. Besides, it's late, and any sensible man is

eating his supper. Come on."

He led the way back into the cave, but because of the peddler's possible

presence, he wasn't as headlong in his traversing of the tunnel as he

might otherwise have been.

They passed the side tunnel from which they had emerged a short time

before and entered entirely new territory. It wasn't unlike the rest of

the mine, consisting of a main bore with some alcoves indicating either

deviations of the ore vein or niches cut to allow ore carts to pass.

Walking rapidly, but alert for either sound or light, they traveled

through the tunnel at a good speed.

"We've been walking quite a while," Rick said finally. "How long do you

suppose this shaft is?"

Scotty thought it over. "It can't be any longer than the hill is wide,

because we're traveling through the hill. It must be about the same

length as the lower tunnel."

"Why two tunnels?" Rick asked. "I doubt that there were two veins of

ore."

Scotty reminded him of the good ore they had seen in the ceiling of the

lower tunnel. "There might have been just one vein, about two tunnels

high. They were limited to pick and shovel for tools in those days,

remember, maybe with a little powder for blasting. It would have been

more convenient to work within range of tools like shovel and pick. So

the ceiling is as high as a man with a pick can reach, and as wide as

the ore vein was wide. That's a little confused, but I'm sure you follow

me."

"Sounds reasonable," Rick agreed. "Only this tunnel can't go on much

farther, or we'll be in the middle of the picnic--Hey! Scotty, take a

look!"

Ahead in the tunnel was a box, and on the box was metal that reflected

the flashlight's beam. In a second the boys stood over it.

Rick's heart pounded rapidly. Here was the proof. Here was Missing Fact

Number One. Here was verification of at least part of their speculation.

An eight-millimeter motion-picture projector!

Rick motioned to the front of the machine with a trembling hand. "Look,

there's a film in place, and it's a continuous loop. Once it's threaded

it will repeat over and over unless cut off."

Scotty was probing into the box. "Batteries. Two of them, twelve volts

each. And I'll bet the motor in the projector is designed to operate on

twelve volts. There's even a hydrometer for testing the batteries."

Rick took a look. As Scotty had said, there were two automobile

batteries, their cables running up into the projector.

"Simple enough," he commented. "Let's see what's on the film."

He opened the film gate gingerly and removed the film from the

sprockets. Then, without disengaging the spindles, he put the flashlight

behind it and bent close. The eight-millimeter frames were pretty small,

but not so small that he and Scotty couldn't make out the image.

The scene had been shot against a black background, that was clear. Only

the central figure was illuminated, the figure of a Union cavalry

officer.

"Meet the Blue Ghost," Rick said happily.

"Delighted," Scotty said emphatically. "I suppose I shouldn't admit it,

but deep down, way back in the primitive part of my thick head, I was

sometimes guilty of wondering about this creature."

Rick held out his hand. "Shake hands with another superstitious

chucklehead. So was I. But let it be said to our credit that neither of

us was so scared we were afraid to move."

He chuckled. "Of course there were times when I just had to keep my poor

icy spine from freezing solid." He replaced the film on the sprockets

and closed the gate with great care.

"The projector is aimed at the wall," Scotty pointed out, "right at the

end of the tunnel. How does it get to where people can see it?"

"There has to be a way," Rick said. He swept the beam of his light

around and it steadied on an iron pipe. "Hey, look!"

The pipe entered through the end of the tunnel, threaded into a

right-angle pipe fitting, and disappeared into the tunnel floor!

"So that's how the water comes out of the hillside!" Rick exclaimed.

"The well was originally driven straight down, as a well should be, and

the horizontal pipe was added later. It misses the lower tunnel by about

six feet."

"That's not the only interesting thing about this end of the tunnel,"

Scotty added. "This whole end is artificial, including part of the roof

over the well. Take a look. It's mortarless stonework. No wonder the

face was so seamed on the outside. Whoever did this was a terrific

mason, because he selected rocks--probably from the mine itself--that

duplicated the contour of the hill. But why go to all the trouble?

That's what puzzles me."

"Maybe this is the reason," Rick said. He pointed to rusty iron

projecting from the wall. The iron supported a block of stone, by means

of an iron pin that ran from the bottom of the stone through a hole in

the iron piece projecting from the wall. At the top of the stone was a

similar arrangement. It was an elementary but effective hinge, long ago

rusted to disuse.

Rick studied the wall, and directly in front of the projector lens he

found another of the same arrangements, but with a difference. This one

was modern, and it had been painted to prevent rusting. There were

traces of graphite or graphite grease where the pins went through the

iron supports.

Clearly, the block of stone supported by the iron pins formed a

porthole, the pins allowing the stone to be swung inward. The old,

rusted one had been unused for decades, but the port in front of the

projector had been repaired and lubricated. The comparison between the

two gave Rick his clue.

"This is a sniper nest built by the Confederates," he guessed. "Probably

to protect the mine. The upper mine tunnel opened out here, too, and

then war came and the people sealed the upper one to give protection to

the troops working the lower level. That means the upper level was dug

out first."

"It's speculation, but it sounds good," Scotty agreed. "These are gun

ports, very likely. I don't know what other purpose they could have

served."

Later they learned from Dr. Miller that the ports had also served as

ventilation for slaves using the mine to hide on their way North to

freedom, but that was after the North had the area partly in its grip.

They also found that from these same ports the Lansdale brothers had

fired the shots that killed Captain Seth Costin, for the legend was

almost entirely true.

"We open this port in front of the machine and we'll be only inches

above the pool," Rick said. "Look at the location of the pipe. So, to

produce the ghost, the Frostola man slid open the port, dropped a piece

of dry ice...."

"All properly sized to give the right amount of mist for the right

time," Scotty added.

"... and turned on the machine. With only the small port for the sound

to go through, it wouldn't be audible to anyone in the picnic grounds."

Scotty agreed. "And since the projector is so close to the mist we

wouldn't see a beam. That lens must have a mighty wide angle, by the

way. What's more, the projector must be slid closer to the opening when

in use."

"True. You know, in a way we were unlucky. If we had chanced to climb a

tree when the ghost was actually appearing, we would have seen the

projection lens through the mist as a bright spot of light, and that

would have given the show away before this. But because of the angle,

only someone in a tree could see it."

Rick shook his head in admiration. "Rear-screen projection with a

wide-angle lens. That's really using movie technique for all it's

worth."

"Rear-screen projection?" Scotty queried.

"Sure. Movies and TV use it all the time. When the hero is supposed to

be watching dinosaurs fighting it out, he's actually standing in front

of a big screen of special plastic or ground glass, with the picture

projected on it from behind. The mist acted as the screen, so we saw the

image but not the projector beam. That's rear-screen projection."

"I know how it works," Scotty said. "You can tell in a movie when they

use it, because the definition of the background isn't as sharp as real

photography, but I didn't know the name of the process."

Scotty turned and studied the location of the port. "He must place the

projector right on the tunnel floor, tilted upward to shine through the

port. That's why the ghost was so tall. It hit the mist at an angle."

Rick bent over the port. "Not hard to smack us in the eyes with methyl

chloride from here, either. There we were, on our knees, faces in good

range. And I'll bet he chuckled while he was doing it. Simple weapon,

too. A water pistol. Or any plastic squirt bottle."

He tugged on the port and it failed to move. Something wrong here. He

studied it carefully and saw the reason. It had to be slid sideways for

a quarter of an inch, a safety-lock feature. No wonder their examination

of the rock face outside had shown nothing.

"Open it," Scotty said. "Let's look."

Rick did so, and instantly closed it partly shut again. "Get down here

and look," he commanded. He had seen at once what had happened during

their absence and his quick mind had caused him to react.

There were men outside, several of them, and they were watching a small

power scoop move into position in front of the lower mine entrance.

Among them were Dr. Miller and Belsely. Away from the group, sitting on

his tricycle scooter, was the Frostola man!

"We forgot about Belsely," Rick said softly. "He saw us, and may even

have seen us go into the mine. Anyway, that's the first place he'd look

when we turned up missing."

Scotty drew back and closed the port gently. "That power scoop can go

right into the tunnel, scoop up a yard of rock and back out and dump it.

It will have the tunnel cleared in no time. We'd better get out there

and let them know we're safe."

"If they were breaking their backs with hard manual labor to get us out

I'd yell through the port," Rick said gleefully. "But they aren't. So

we'll let the scoop operate. It will remove that stuff in an hour. And

when they open up, they'll find us."

Scotty looked at him suspiciously. "The tone of voice tells me you're

whomping up something that will make someone unhappy. What is it?"

"Well, if we rush out and tell the world about this, everyone will know

the ghost is a fake. But that won't help us much, because we'll still

need to know the answer to the biggest question of all. Why do this? So

we go back, use the time covering up the break between the tunnels so no

one will suspect we know, and let ourselves be rescued. The ghost

continues to operate, and so do we! Then, when we have the answer, I

have a great idea for unmasking the ghost."

[Illustration]

Scotty saw the reasoning at once. "Besides," he added, "if the Frostola

man doesn't see us come out, he'll know the jig is up right now. So

let's go."

They checked carefully to be sure no trace of their presence remained,

then hurried back to the lower tunnel. Working carefully, they fitted

rocks into the opening until a casual survey by flashlight would not

reveal that the block between the tunnels had been removed. Then they

spent the remaining time clearing more rocks from the original rockfall

that had sealed them in.

When the power scoop finally broke through, the glare of headlights,

turned on when darkness fell, revealed two dirty, disheveled, exhausted

young men who were too fatigued for anything but a quick bath, a meal,

and bed.

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