blank), pp. (i, ii); title-page, as above (verso blank),
pp. (iii, iv); table of _Contents_, pp. v, vi; _A Note in
Summary of_ / _What Has Gone Before_, pp. vii, viii; text, pp.
(1)-(231). Printers’ imprint at foot of p. (231) as follows:
_Printed in Great Britain by Hazell, Watson & Viney, Ld.,_ /
_London and Aylesbury._ P. (232) is occupied by advertisements
of four books published by Basil Blackwell.
Crown 8vo, 7⅝ × 5; issued in light blue boards, with natural linen
cloth back; front and back covers blank; backbone has white paper
title-and-name label lettered across in dark blue as follows: _The New_
(small ornament) / _Decameron_ / (small ornament) / _Compton Mackenzie_
/ _J. D. Beresford_ / _D. H. Lawrence_ / _Michael Sadleir_ / _Robert
Keable_ / _and Others_ / (small ornament). Top edges unopened; fore edges
uncut and in part unopened; bottom edges untrimmed. End-papers white.
Three volumes of _The New Decameron_, an interesting anthology of modern
prose tales, have thus far been published. To the third of these volumes
Mr. Lawrence contributed one of the greatest of his short stories—“Wintry
Peacock,” which occupies pages 123-146. Although this story was included
in _England, My England_, its first appearance between boards was as a
part of the above collection. Mr. Lawrence did not contribute to the
first two volumes of _The New Decameron_.
GEORGIAN STORIES
GEORGIAN STORIES. Selected by E. M. London, 1922. (Chapman and Hall.)
Contains: “The Shadow in the Rose Garden,” by Mr. Lawrence. Reprinted
from _The Prussian Officer_.
THE BEST BRITISH SHORT STORIES FOR 1923
THE BEST BRITISH SHORT STORIES FOR 1923. Selected by Edward J. O’Brien
and John Cournos. Boston (1924). (Small, Maynard and Company.)
Contains: “The Horse-Dealer’s Daughter,” by Mr. Lawrence. Reprinted from
_England, My England_.
STORIES FROM THE DIAL
Published August 1924
(_Ornament across top_) STORIES / FROM / THE DIAL / (_publisher’s
device_) / Lincoln MacVeagh / The Dial Press / New York (_dot_) MCMXXIV /
(_ornament across bottom_)
COLLATION:—pp. vi + 330, consisting of half-title (with list,
dated _1924_, of four books published _At the Sign of_ / _The
Cupid and Lion_ on verso), pp. (i, ii); title-page, as above
(with _Copyright, 1924,_ / _By Dial Press, Incorporated_
/ _Printed in U. S. A._ / _Vail-Ballou Press, Inc._ /
_Binghampton and New York_ on verso), pp. (iii, iv); table of
_Contents_ (verso blank), pp. (v, vi); divisional half-title
(verso blank), pp. (1, 2); text, pp. 3-321; p. (322) blank.
Divisional fly-leaf, with _Appendix_ on recto (verso blank),
pp. (323, 324); Appendix, pp. 325-330.
Crown 8vo, 7½ × 5; issued in batik boards, with dark blue cloth back,
approximating half-cloth; front and back covers blank; backbone lettered
across in gilt as follows: _Stories_ / _from the_ / _Dial_ / (small
ornament) / (publisher’s device) / _The Dial Press_ Top edges yellow and
cut; fore and bottom edges untrimmed. End-papers fawn-colored.
Mr. Lawrence is represented in this volume by “Rex,” a dog story, which
was published in the _Dial_, February, 1921.
The appendix of _Stories from the Dial_ gives brief accounts of the
authors represented in the anthology, together with check-lists of
their principal works. The bibliographical note on Mr. Lawrence is very
inaccurate.
MEMOIRS OF THE FOREIGN LEGION
Published September 1924
MEMOIRS OF THE / FOREIGN LEGION / By / M. M. / With an Introduction by /
D. H. Lawrence / 1924 / (_a line_) / London: Martin Secker
COLLATION:—pp. 320, consisting of two blank leaves, pp. (1-4);
half-title (verso blank), pp. (5, 6); title-page, as above
(with _London: Martin Secker (Ltd.)_ / _1924_ at foot of
verso), pp. (7, 8); divisional fly-leaf, with _Introduction_ on
recto (verso blank), pp. (9, 10); _Introduction_, pp. 11-94;
pp. (95, 96) blank; divisional half-title, with signature _G_
(verso blank), pp. (97, 98); _Publisher’s Note_—in all eight
lines (verso blank), pp. (99, 100); text, pp. 101-(320).
Printers’ imprint at foot of p. (320) as follows: _Printed in
Great Britain at_ / _The Mayflower Press, Plymouth. William
Brendon & Son, Ltd._
Crown 8vo, 7½ × 5; issued in black cloth; front cover lettered in
gilt as follows: _Memoirs of the Foreign Legion_ / _By M. M._ Backbone
lettered across in gilt: _Memoirs_ / _of the_ / _Foreign_ / _Legion_ /
(small ornament) / _M. M._ / _Secker._ Back cover blank. Top edges red
and cut; fore edges rough trimmed; bottom edges untrimmed. End-papers
white.
To this volume Mr. Lawrence contributed a long and brilliant
introduction; presumably, the editorial responsibility for the book was
also largely his—in all, an item of the first importance.
THE SHORT STORY’S MUTATIONS
THE SHORT STORY’S MUTATIONS. Frances Newman. New York, 1924. (B. W.
Huebsch.)
Contains: “The Shades of Spring,” by Mr. Lawrence. This story was
reprinted from _The Prussian Officer_.
CONTRIBUTIONS TO PERIODICALS
* The notes in this section, so far as they assign or do not assign
the various contributions to Mr. Lawrence’s books, must be understood
to refer to titles rather than to the selections themselves. No
consistent effort has been made to ascertain how many of the unassigned
contributions appear in the books under new titles. Some do so appear
and are noted, but my knowledge of them is the result of casual reading
rather than deliberate investigation.
I. POETRY
“A Still Afternoon” (—“Dreams Old and Nascent:” I. “Old,” II. “Nascent;”
“Discipline;” “Baby Movements:” I. “Running Barefoot,” II. “‘Trailing
Clouds’”). _English Review_, November, 1909. Included, with the exception
of the last, in _Amores_.
These poems constitute Mr. Lawrence’s first real appearance in print.
Before them, he says, “there was a youthful story in the bad grey print
of a provincial newspaper—under a _nom de plume_. But, thank God, that
has gone to glory in the absolute sense.”
“Night Songs” (—“Workaday Evenings:” I. “Yesternight,” II. “To-morrow
Night;” “Rebuked;” “Wakened;” “At the Window”). _English Review_, April,
1910. “At the Window” was included in _Amores_.
“Three Poems” (—I. “Tired of the Boat,” II. “Sigh No More,” III. “Ah,
Muriel!”). _English Review_, October, 1910. “Sigh No More” was included
in _New Poems_.
“Lightning;” “Violets.” _Nation_ (London), November 4, 1911. The first
included in _Love Poems_; the second in _New Poems_.
“The Schoolmaster” (—I. “Morning,” “Afternoon”). _Saturday Westminster
Gazette_, May 11, 1912.
“The Schoolmaster” (—II. “The Last Lesson”). _Saturday Westminster
Gazette_, May 18, 1912. Included in _Love Poems_, under the major caption
“Afternoon in School.”
“The Schoolmaster” (—III. “Evening,” IV. “The Punisher”). _Saturday
Westminster Gazette_, May 25, 1912. “The Punisher” was included in
_Amores_.
“The Schoolmaster” (—V. “A Snowy Day at School,” VI. “The Best of
School”). _Saturday Westminster Gazette_, June 1, 1912. Included in _Love
Poems_.
“Snap-Dragon.” _English Review_, June, 1912. Included in _Amores_.
“Green;” “All of Roses;” “Fireflies in the Corn;” “A Woman and Her Dead
Husband;” “The Wind, the Rascal;” “The Mother of Sons;” “Illicit;”
“Birthday.” _Poetry_, January, 1914. The first three poems and the
seventh were included in _Look! We Have Come Through!_—the second having
become “River Roses” and the seventh “On the Balcony.” The fourth, in
_New Poems_, became “The Bitterness of Death.”
“Two Poems” (—“Twilight;” “Meeting among the Mountains”). _English
Review_, February, 1914. These titles do not occur in any of Mr.
Lawrence’s books of poetry.
“Grief;” “Memories;” “Weariness;” “Service of All the Dead;” “Don Juan;”
“Song.” _Poetry_, December, 1914. Of these poems, “Service of All the
Dead” and “Don Juan” were included in _Look! We Have Come Through!_—the
former having become “Giorno dei Morti.”
“Last Words to Miriam.” _Poetry Journal_, December, 1916. Included in
_Amores_.
“Resurrection.” _Poetry_, June, 1917. This title does not occur in any of
Mr. Lawrence’s books of poetry.
“Three Poems” (—“The Sea;” “Constancy of a Sort;” “Frost Flowers”).
_English Review_, September, 1917. The first and the last were included
in _Look! We Have Come Through!_
“War-baby;” “Town;” “After the Opera.” _English Review_, June, 1918. All
of these poems were included in _Bay_.
“Moonrise;” “People.” _Poetry_, July, 1918. Included in _Look! We Have
Come Through!_
“Poems” (—“Tommies in the Train;” “War-baby;” “Obsequial Chant;” “Bread
upon the Waters;” “Pentecostal;” “Nostalgia”). _Poetry_, February, 1919.
All of these poems were included in _Bay_, but “Pentecostal” was renamed
for this volume and became “Shades.”
“War Films” (—“Mother’s Son in Saloniki;” “Casualty;” “Message to a
Perfidious Soldier;” “The Jewess and the V. C.;” “Sighs;” “The Child and
the Soldier;” “Zeppelin Nights;” “Daughter of the Great Man;” “Prisoner
at Work in a Turkish Garden;” “Mourning;” “The Grey Nurse;” “Neither Moth
Nor Rust”). _Poetry_, July, 1919. These titles do not occur in any of Mr.
Lawrence’s books of poetry.
“The Little Town at Evening.” _Monthly Chapbook_, July, 1919. Included in
_Bay_.
“Medlars and Sorb-apples.” _New Republic_, January 5, 1921. Included in
_Birds, Beasts and Flowers_.
“The Revolutionary.” _New Republic_, January 19, 1921. _Literary Digest_,
October 29, 1921. Included in _Birds, Beasts and Flowers_.
“Pomegranate.” _Dial_, March, 1921. Included in _Birds, Beasts and
Flowers_.
“Apostolic Beasts” (—“Saint Mark;” “Saint Luke;” “Saint John”). _Dial_,
April, 1921. Included in _Birds, Beasts and Flowers_.
“Humming-Bird.” _New Republic_, May 11, 1921. _Nation_, October 10, 1923.
_Literary Digest_, October 20, 1923. _Bookman_, January, 1924. Included
in _Birds, Beasts and Flowers_.
“Mosquito.” _Bookman_, July, 1921. Included in _Birds, Beasts and
Flowers_.
“Snake.” _Dial_, July, 1921. Included in _Birds, Beasts and Flowers_.
“Medlars and Sorb-apples;” “Pomegranate.” _English Review_, August, 1921.
Included in _Birds, Beasts and Flowers_.
“The Revolutionary.” _English Review_, September, 1921. Included in
_Birds, Beasts and Flowers_.
“Snake.” _London Mercury_, October, 1921. Included in _Birds, Beasts and
Flowers_.
“Almond Blossom.” _English Review_, February, 1922. Included in _Birds,
Beasts and Flowers_.
“Fish.” _English Review_, June, 1922. Included in _Birds, Beasts and
Flowers_.
“Fish” (Excerpts), _Literary Digest_, July 8, 1922.
“Bat;” “Tortoises;” “Baby Tortoise.” _English Review_, November, 1922.
All included in the English edition of _Birds, Beasts and Flowers_. The
tortoise poem was, in effect, reprinted from _Tortoises_, New York, 1921.
“The Evening Land;” “Turkey-Cock.” _Poetry_, November, 1922. Included in
_Birds, Beasts and Flowers_.
“Bat.” _Literary Review_, December 30, 1922. Included in _Birds, Beasts
and Flowers_.
“St. Matthew.” _Poetry_, April, 1923. Included in _Birds, Beasts and
Flowers_.
“Elephant.” _English Review_, April, 1923. Included in _Birds, Beasts and
Flowers_.
“Nostalgia.” _Palms_, Midsummer, 1923. Reprinted from _Bay_.
“Three Poems” (—“Cypresses;” “Saint Matthew;” “Spirits Summoned West”).
_Adelphi_, October, 1923. All included in _Birds, Beasts and Flowers_.
“Poems” (—“Bare Almond Tree;” “Tropic;” “Humming-Bird;” “Peace”).
_Nation_, October 10, 1923. All included in _Birds, Beasts and Flowers_.
“Peace.” _Literary Digest_, October 20, 1923. Included in _Birds, Beasts
and Flowers_.
“Autumn in New Mexico.” _Palms_, Autumn, 1923. Included in _Birds, Beasts
and Flowers_ under the title “Autumn in Taos.”
“Four Poems” (—“Bombardment;” “After the Opera;” “The Little Town at
Evening;” “Last Hours”). _Palms_, Christmas, 1924. All of these poems
were reprinted from _Bay_.
II. PROSE
“Goose Fair.” _English Review_, February, 1910. Included in _The Prussian
Officer_.
“Odour of Chrysanthemums.” _English Review_, June, 1911. Included in _The
Prussian Officer_.
“A Fragment of Stained Glass.” _English Review_, September, 1911.
Included in _The Prussian Officer_.
“Second Best.” _English Review_, February, 1912. Included in _The
Prussian Officer_.
“The Miner at Home.” _Nation_ (London), March 16, 1912. A short prose
study.
“Christs in the Tyrol.” _Saturday Westminster Gazette_, March 22, 1912.
Included in _Twilight in Italy_.
“German Impressions”—I. “French Sons of Germany.” _Saturday Westminster
Gazette_, August 3, 1912.
“German Impressions”—II. “Hail in the Rhineland.” _Saturday Westminster
Gazette_, August 10, 1912.
“The Georgian Renaissance.” _Rhythm_, March, 1913. _Review of Georgian
Poetry_ (1911-1912).
“The Soiled Rose.” _Forum_, March, 1913. Included in
_The Prussian Officer_, under the title “The Shades of Spring.”
“The Soiled Rose.” _Blue Review_, May, 1913.
“German Books”—“Thomas Mann.” _Blue Review_, July, 1913. A short critical
essay.
“Derelict.” _Forum_, September, 1913. From _Sons and Lovers_ (Chapter XV).
“Italian Studies.” _English Review_, September, 1913. Included in
_Twilight in Italy_.
“Strike Pay”—I. “Her Turn.” _Saturday Westminster Gazette_, September 6,
1913.
“Strike Pay”—II. “Ephraim’s Half-Sovereign.” _Saturday Westminster
Gazette_, September 13, 1913.
“Vin Ordinaire.” _English Review_, June, 1914. Included in _The Prussian
Officer_, under the title “The Thorn in the Flesh.”
“Honour and Arms.” _English Review_, August, 1914. Title changed to “The
Prussian Officer;” included in the volume thus named.
“Honour and Arms.” _Metropolitan_, November, 1914.
“England, My England.” _English Review_, October, 1915. Included in
volume thus named.
“The Crown.” In three parts. _The Signature_, October 4, 18, and November
4, 1915. This exceedingly scarce item has never been reprinted. The
little magazine in which it appeared suspended after the third number.
In addition to this longish essay by Mr. Lawrence, _The Signature_
contains two stories, “Autumns” and “The Little Governess,” in two
parts, by Matilda Berry (Katherine Mansfield); and “There Was a Little
Man,” in three parts, by Mr. John Middleton Murry. The magazine contains
contributions by these three writers only.
“The Thimble.” _The Seven Arts_, March, 1917.
“Samson and Delilah.” _English Review_, March, 1917. Included in
_England, My England_.
“England, My England.” _Metropolitan_, April, 1917.
“The Reality of Peace.” In four parts. _English Review_, May, June, July,
and August, 1917.
“The Mortal Coil.” _The Seven Arts_, July, 1917.
“Love.” _English Review_, January, 1918.
“Life.” _English Review_, February, 1918.
“Introduction to Studies in Classic American Literature”—(i) “The Spirit
of Place.” _English Review_, November, 1918. Included in _Studies in
Classic American Literature_. Before their appearance in this book
practically all of the “Studies” here listed were severely revised, and
other essays were added.
“Studies in Classic American Literature”—(ii) “Benjamin Franklin.”
_English Review_, December, 1918. Included in _Studies in Classic
American Literature_.
“Studies in Classic American Literature”—(iii) “Henry St. John de
Crèvecœur.” _English Review_, January, 1919. Included in _Studies in
Classic American Literature_.
“Studies in Classic American Literature”—(iv) “Fenimore Cooper’s
Anglo-American Novels.” _English Review_, February, 1919. Included in
_Studies in Classic American Literature_.
“Studies in Classic American Literature”—(v) “Fenimore Cooper’s
Leatherstocking Novels.” _English Review_, March, 1919. Included in
_Studies in Classic American Literature_.
“Studies in Classic American Literature”—(vi) “Edgar Allan Poe.”
_English Review_, April, 1919. Included in _Studies in Classic American
Literature_.
“Tickets, Please.” _Strand_, April, 1919. Included in _England, My
England_.
“Studies in Classic American Literature”—(vii) “Nathaniel Hawthorne.”
_English Review_, May, 1919. Included in _Studies in Classic American
Literature_.
“Studies in Classic American Literature”—(viii) “The Two Principles.”
_English Review_, June, 1919.
“The Eleventh Commandment.” _Metropolitan_, August, 1919. Title changed
to “Tickets, Please;” included in _England, My England_.
“The Poetry of the Present.” _The Playboy_, Numbers 4-5 (undated).
Included, as the preface, in the American edition of _New Poems_.
“The Blind Man.” _English Review_, July, 1920. Included in _England, My
England_.
“The Blind Man.” _Living Age_, August 7, 1920. Reprinted from the
_English Review_.
“Adolf.” _Dial_, September, 1920. Included in _The New Keepsake for the
Year 1921_.
“America, Listen to Your Own.” _New Republic_, December 15, 1920.
“Rex.” _Dial_, February, 1921. Included in _Stories from the Dial_, where
it first appeared between boards.
“Whitman.” _Nation_ (London), July 23, 1921. Included in _Studies in
Classic American Literature_.
“Wintry Peacock.” _Metropolitan_, August, 1921. Included in _England,
My England_, also in _The New Decameron_, Volume III, where it first
appeared between boards.
“Sea and Sardinia: As Far As Palermo.” _Dial_, October, 1921. Included in
_Sea and Sardinia_.
“Sea and Sardinia: Cagliari.” _Dial_, November, 1921. Included in _Sea
and Sardinia_.
“Fannie and Annie.” _Hutchison’s_, November 21, 1921. Included in
_England, My England_.
“The Gentleman from San Francisco.” By I. Bunin. Translated by Samuel
Solomonovich and D. H. Lawrence. _Dial_, January, 1922. Included in _The
Gentleman from San Francisco and Other Stories_.
“Episode.” _Dial_, February, 1922. From _Aaron’s Rod_ (Chapter xiv).
“A Sick Collier.” _Pearson’s_ (American), February, 1922. Reprinted from
_The Prussian Officer_.
“The Horse-Dealer’s Daughter.” _English Review_, April, 1922. Included in
_England, My England_.
“The Fox.” Four parts. _Dial_, May, June, July, and August, 1922.
Included in _The Ladybird_ (London), and _The Captain’s Doll_ (New York).
“Monkey-Nuts.” _Sovereign_, August 22, 1922. Included in _England, My
England_.
“A Letter.” _Laughing Horse_, Number 4 (undated). This epistolary _coup
de grâce_, delivered against Mr. Ben Hecht’s _Fantazius Mallare_, was
held to be _contra bonos mores_ by the authorities of the University of
California; and the owners of _The Laughing Horse_ were asked to find
another box-stall for their _étalon intrepide_. Denied campus fodder, the
cachinating steed roamed a while the great open spaces of the Southwest,
where horses _are_ horses. He is now at Santa Fe, New Mexico. Number four
of _The Laughing Horse_ is excessively scarce.
“Certain Americans and an Englishman.” New York _Times Magazine_,
December 24, 1922.
“Indians and an Englishman.” With painting of D. H. Lawrence, by Jan
Juta. _Dial_, February, 1923.
“Taos.” _Dial_, March, 1923. This and the other unassigned essays, above
and below, dealing with the Indians and other aspects of American life,
are, of course, still uncollected.
“Surgery for the Novel—or a Bomb.” _International Book Review_, April,
1923.
“Model Americans.” Review of Stuart P. Sherman’s _Americans_. _Dial_,
May, 1923. Mr. Lawrence tackles the right and left ends of American
criticism.
“Trees and Babies and Papas and Mammas.” _Adelphi_, June, 1923. From
_Fantasia of the Unconscious_ (Chapter iv).
“Education and Sex.” _Adelphi_, July, 1923. From _Fantasia of the
Unconscious_ (Chapter viii).
“At Taos: An Englishman Looks at Mexico.” _Cassell’s Weekly_, July 11,
1923.
“The Saint Joseph’s Ass.” By Giovanni da Verga. Translated by D. H.
Lawrence. _Adelphi_, September, 1923.
“On Love and Marriage.” _Adelphi_, September, 1923. From _Fantasia of the
Unconscious_ (Chapters xi and xii).
“A Spiritual Record:” Review of _A Second Contemporary Verse Anthology_.
New York _Evening Post Literary Review_, September 29, 1923.
“Across the Sea.” By Giovanni Verga. Translated by D. H. Lawrence.
_Adelphi_, November, 1923.
“Indians and an Englishman.” _Adelphi_, November, 1923.
“Au Revoir, U. S. A.” _Laughing Horse_, Number 8 (undated).
“The Proper Study.” _Adelphi_, December, 1923.
“The Proper Study of Mankind.” _Vanity Fair_, January, 1924.
“On Being Religious.” _Adelphi_, February, 1924.
“On Human Destiny.” _Adelphi_, March, 1924.
“Liberty.” By Giovanni Verga. Translated by D. H. Lawrence. _Adelphi_,
May, 1924.
“On Human Destiny.” _Vanity Fair_, May, 1924.
“Dear Old Horse: A London Letter;” “The Bad Girl in the Pansy Bed:” A
drawing, by D. H. Lawrence. _Laughing Horse_, Number 10, May, 1924.
“On Being a Man.” _Vanity Fair_, June, 1924.
“The Dance of the Sprouting Corn;” with “The Corn Dance:” A drawing, by
D. H. Lawrence. _Theatre Arts Monthly_, July, 1924.
“The Dance of the Sprouting Corn.” _Adelphi_, August, 1924.
“The Borderline.” _Smart Set_, September, 1924.
“On Being a Man.” _Adelphi_, September, 1924.
“Just Back from the Snake-Dance—Tired Out.” _Laughing Horse_, Number 11,
September, 1924.
“Jimmy and the Desperate Woman.” _Criterion_, October, 1924.
“Indians and Entertainment.” New York _Times Magazine_, October 26, 1924.
“Indians and Entertainment.” _Adelphi_, November, 1924.
“The Hopi Snake Dance.” Part I. _Adelphi_, January, 1925.
“The Hopi Snake Dance.” Part II. _Adelphi_, February, 1925.
STUDIES AND REVIEWS OF D. H. LAWRENCE
I. IN BOOKS
Björkman, Edwin. Introduction to _The Widowing of Mrs. Holroyd_. New
York, 1914. (Mitchell Kennerley.)
James, Henry. _Notes on Novelists._ London, 1914. (J. M. Dent and Sons.)
Bickley, Francis. “Some Tendencies in Contemporary Poetry.” In _New
Paths_, edited by C. W. Beaumont and M. T. H. Sadler. London (1918). (C.
W. Beaumont.)
George, W. L. _Literary Chapters._ Boston, 1918. (Little, Brown and
Company.)
Waugh, Arthur. _Tradition and Change._ London, 1919. (Chapman and Hall.)
Aiken, Conrad. _Skepticisms: Notes on Contemporary Poetry._ New York,
1919. (Alfred A. Knopf.)
Cunliffe, J. W. _English Literature During the Last Half Century._ New
York, 1919. (The Macmillan Company.)
Goldring, Douglas. _Reputations: Essays in Criticism._ London, 1920.
(Chapman and Hall.)
Monro, Harold. _Some Contemporary Poets._ London, 1920. (Leonard Parsons.)
Phelps, William L. _The Advance of English Poetry._ New York, 1921.
(Dodd, Mead and Company.)
Manly, J. M. and Rickert, Edith. _Contemporary British Literature._ New
York, 1921. (Harcourt, Brace and Company.)
Macy, John. Introduction to _Sons and Lovers._ The Modern Library. New
York, 1922. (Boni and Liveright.)
Garnett, Edward. _Friday Nights._ New York, 1922. (Alfred A. Knopf.)
Macy, John. _The Critical Game._ New York, 1922. (Boni and Liveright.)
Collins, Joseph. _The Doctor Looks at Literature._ New York, 1923.
(George H. Doran Company.)
Shanks, Edward. _First Essays on Literature._ London (1923). (W. Collins.)
Van Doren, Carl. _The Roving Critic._ New York, 1923. (Alfred A. Knopf.)
Seligmann, Herbert J. _D. H. Lawrence: An American Interpretation._
New York, 1924. Collation as follows: D. H. LAWRENCE / An American
Interpretation / By / Herbert J. Seligmann / (_publisher’s device_) / New
York / Thomas Seltzer / 1924
COLLATION:—pp. viii + 80, consisting of half-title (verso
blank), pp. (i, ii); title-page, as above (with _Copyright,
1924, by_ / _Thomas Seltzer, Inc._ / (a line) / _All Rights
Reserved_ / _Printed in the United States of America_ on
verso), pp. (iii, iv); dedication, _To_ / _Alfred Stieglitz_
(verso blank), pp. (v, vi); divisional _half-title_ (verso
blank), pp. (vii, viii); text, pp. 1-74; _Biographical Note_,
pp. 75, 76; _Bibliography_ (verso blank), pp. 77, (78); pp.
(79, 80) blank. There is no printer’s imprint.