CHAPTER I

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[Illustration: "He tried to shoot once more, into the very face of the

oncoming brute."--FRONTISPIECE. _See Page 245._]

THE HEART OF THUNDER MOUNTAIN

By EDFRID A. BINGHAM

With Frontispiece in Colors

By ANTON OTTO FISHER

A. L. BURT COMPANY

Publishers New York

Published by Arrangements with Little, Brown & Company

Copyright, 1916,

By Edfrid A. Bingham.

All rights reserved

Published, March, 1916

Reprinted, March, 1916 (twice)

July, 1916; August, 1916

April, 1917

CONTENTS

CHAPTER PAGE

I The Forbidden Pasture 1

II The Road to Paradise 15

III Seth Huntington's Opportunity 26

IV The Highest Bidder 37

V "He Shall Tell Me!" 50

VI The Story of the Scar 60

VII The Way of a Maid With a Man 71

VIII The End of Her Stratagem 86

IX Hearts Insurgent 99

X Strictly Confidential 112

XI Avalanche 121

XII Sunnysides 133

XIII Hillyer's Dilemma 144

XIV Coals of Fire 155

XV The Valley of the Shadow 166

XVI Questions and Answers 176

XVII Interlude 186

XVIII The Challenge of the Brute 193

XIX Smythe's Last Budget 202

XX "The Trail Held True" 215

XXI In the Hollow of the Storm 228

XXII The Narrow Passage 238

XXIII The Miracle 252

XXIV Haig's Argument 264

XXV Diana 278

XXVI The Snow 288

XXVII The Voice in the Hurricane 302

XXVIII The Man Who Did Not Forget 316

XXIX Ghosts 330

XXX The Lamp Relighted 344

XXXI Sangre De Cristo 359

THE HEART OF THUNDER MOUNTAIN

CHAPTER I

THE FORBIDDEN PASTURE

She sat hunched up in the middle of the silent pasture, where the

tall, thin grass ran ripening before the breeze in waves the hue of

burnished bronze. Her cow pony grazed greedily a few yards away,

lifting his head now and then to gaze inquiringly at her, and then

returning to his gluttony with a satisfied snort, commendatory of this

long rest. The girl had removed her small sombrero to adjust the

masses of tawny hair that had become disordered in her morning ride;

and the breeze now played with it, and the sun sought out its glints

of gold. She was fair, of a curiously rich complexion with soft golden

tints beneath the skin, as if the rusty gold in her hair was just the

outcropping of what ran in solution in her veins. And there was a

certain air about her that contrasted strangely with the scene upon

which she now gazed intently, with her head bent forward, and her

hands clasped round her upthrust knees.

It was a little valley she had come upon by chance, snugly tucked away

among the hills. Below the bronze-colored slope there were lush

meadows of a brilliant green, and a shallow, swift stream that

flashed over black bowlders and white sand; beyond the meadows lay

more shining pastures rising to pale-green aspen groves and then to

dark-green pines; and above all these the foothills climbed swiftly to

the mountains, and the mountains more swiftly to the sky. There were

faint blue mists in the foothills, fainter violet shadows on the

distant fields, an icy whiteness on the peaks; and in the sky no more

than two small puffs of cloud like eiderdown adrift in the depths of

blue. What at first had seemed an utter silence laid upon that summer

landscape had now become, as she looked and listened, a silence full

of sound; of that indefinable humming undertone of nature maturing in

the sun; of insects busy at their harvest; of birds in the distance

calling; of grasses rustling in the breeze; of pines on the long ridge

droning like an organ in the Recessional.

Yes, it was very beautiful, she thought. And sweet. And peaceful. She

had come a long way--halfway across the great continent--to find that

peace. But why should there be a touch of sadness in all that beauty?

And why should there be need to search for her handkerchief to press

against her eyes? For the first time since she had come to Paradise

Park she felt a little lonely, a little doubtful about the wisdom of

her brave revolt.

She sank back at last, and lay curled up in the grass with her head

pillowed on one bent arm. There, to her half-closed eyes, the grass

seemed like a fairy forest, soon peopled by her fancy, the fancy of a

girl who still retained the quick imagination of a child. An Indian

paintbrush flamed at her with barbaric passion; nodding harebells

tinkled purple melodies; and a Mariposa lily with a violet eye seemed

like a knight in white armor, bowing himself into her outstretched

hand. Her eyelids drooped more and more. The music of the pines and

the murmur of the pasture blended in a faint and fading lullaby....

* * * * *

Tuesday's shrill neigh awakened her. She sat up shivering, for the

warm air was underlaid with cold; and quivering, for the alarm had

fallen pat upon the climax of her dream. She rubbed her eyes, a little

blinded by the sunlight, and saw that Tuesday stood with head high and

nostrils distended, gazing past her toward the upper end of the

pasture. She was not surprised, being yet under the spell of her

dream-fairyland, to see a horseman galloping straight toward her. If

not the white knight, then--For some seconds she stared, awakening

slowly; and smiled at length at her childish fancy. It was only a

cowboy, doubtless, riding upon his own prosaic business. And yet--She

became gradually aware of something unusual, something disquieting in

the manner of the man's approach. The horse was leaping under the

spurs; the rider sat upright and alert in the saddle; and suddenly, as

she watched him, the man's hand went to his hip, and there was a gleam

of metal in the sun.

She was not afraid. Seth Huntington had assured her there was nothing

to be feared in Paradise Park. But for all that, it was not without

uneasiness that she hastily arranged the meager folds of her divided

skirt, and passed her hands quickly over the still disordered masses

of her hair. And then he was fairly upon her, reining up with a jerk

that brought the sweating pony back upon its haunches.

There was an angry glitter in the man's dark eyes, his face was black

with passion, and the bright object she had seen flashing in his hand

was the twin brother of Huntington's six-shooter. He was roughly, even

meanly, dressed. His coarse blue flannel shirt was unbuttoned at the

throat; his soiled brown corduroy trousers were thrust unevenly into

dusty and wrinkled boot tops; his old, gray hat was slouched over one

side of his forehead, shading his eyes. But the face beneath that

faded and disreputable hat, as Marion saw with a slight thrill of

curiosity, belonged to no ranch hand or cow-puncher. Whoever he might

be, and whatever he might be doing there scowling at her, she felt at

once that he was as foreign as herself to that neighborhood. But there

was no time at that moment to analyze her feeling, to formulate her

thought. And her next impression, following very swiftly, was one of

vague antagonism. She felt that she was going to hate him.

"What new trick is this?" he demanded angrily, when he had looked from

the girl to her pony, and at her again, with unconcealed suspicion.

For a moment she was undecided whether to answer him sharply or to

rebuke his incivility with silence.

"I don't know!" she replied at last, by way of compromise between her

two impulses, with a half-playful emphasis on the "I," accompanied by

a very solemn, shaking of the head and a very innocent widening of the

eyes.

There was a pause while he searched her face with a distrustful

scrutiny.

"You're not just the person I was looking for," he said finally, with

a touch of irony.

"How fortunate!" she replied, in a tone that was like a mocking echo

of his own.

Her eyes met his unflinchingly, a little impudently, telling him

nothing; then they slowly fell, and rested on the revolver in his

hand. With a shrug he thrust the weapon into its holster.

"Thank you!" she said sweetly. "You really won't need it."

He jerked his head impatiently.

"How did you get in here?" he demanded, quite as roughly as before.

There was no reason in the world why she should not have answered him

simply and directly; but she did not. She was exasperated, not so much

by his words as by his manner, and not so much by his manner even as

by something provocative in the man himself. He was rude, but it was

not his rudeness that most annoyed her. She scarcely knew what it

was,--perhaps a certain indifference, a certain cold contempt that she

detected underlying all his anger, a certain icy and impenetrable

reserve that, for all his hot words, and for all his lowering looks,

she resented most as being in some way personal to her. And instantly

the minx in her rose up for mischief.

"By aeroplane, of course!" she said tartly.

It was a silly speech, and she regretted it almost before it had left

her lips.

A faint flush came into the enemy's face.

"Spoken like a woman!" he retorted. "Always tragic over little things

and flippant over big ones."

That brought the color up into her face. But she was not subdued; for

the cat in woman also has nine lives--at least.

"There's my horse," she said, with a toss of her head. "You saw him."

"True! But cow ponies don't easily jump four-wire fences."

"Why should they when the fences are down?"

"Good! We arrive by the devious ways that women love. Perhaps you'll

give me the answer now that you should have given in the first place.

_How did you get in here?_"

She bit her lip, reflected a moment, and attempted a flank movement.

"My name is Marion Gaylord."

"I knew that."

"But you have never seen me before!"

"No. But that's one of Huntington's horses, and Miss Gaylord is a

guest at his house. You see, I am more courteous than you after all. I

answer your questions."

"Perhaps I'll answer yours when I know what right you have to ask

them."

A light began to dawn upon him.

"Do you mean--you don't know where you are?"

"No."

He gave her a long, searching look before he spoke again.

"My name is Philip Haig," he said, leaning forward with a curious

smile.

The result was all that he could have wished for. Until that moment

she had remained seated, firm in her determination not to be

disturbed by him. But now she rose slowly to her feet, her face

reddening, her lips parted, a frightened look in her eyes. The shoe

was on the other foot, with a vengeance.

He saw all this, and without compunction, seized his advantage.

With a grim smile he threw the reins over the pony's head, swung

himself out of the saddle, and stepped toward her. As he came on he

removed his dilapidated hat with a gesture that made her forget it

was dilapidated,--a mocking, insolent gesture though it was. In

spite of her embarrassment she let none of his features escape her

quickening interest. She saw that he was tall, erect, alert; handsome

in some strange and half-repellent way, with his pale dark face,

rather long in contour, and with his black, curly hair matted on

the broad forehead. But she almost recoiled when, on his drawing

nearer, she saw for the first time--it had been hidden by the shadow

of his slouched hat--an ugly scar that ran from the outer corner of

his left eye down to the jawbone below the ear. It gave to one

side of his face a singularly sinister expression that vanished when

he turned and disclosed a profile that was not without nobility

and charm.

Then suddenly her mystification was complete. Their eyes met, not as

before, but very near, so close had he come to her, still smiling. And

instantly, instinctively, she lowered hers; for she felt as if she had

been caught peering through a window at something she had no right to

see. Yet the next instant she was looking again, half-guiltily, but

irresistibly drawn. The eyes were of a curious color,--smoky black, or

dark gray-blue, or somber purple,--liquid and deep like a woman's,

but with a steady, dull glow in their depths that was unlike anything

she had ever seen or imagined. What was it that burned there?

Suffering? Hunger? Evil? Sorrow? Shame? It gave her something to think

about for many a day and night. Meanwhile--

"I see you have heard of me," he said mockingly.

She had no reply. She was realizing slowly that she had trespassed,

that she had perhaps seriously compromised her cousin, and, most

humiliating of all, that she had assumed quite the wrong attitude

toward the man.

"You really didn't know you were on my land?" he demanded, with a

little less offensiveness in his tone.

"No," she answered weakly.

"And Huntington didn't send you here?"

"No."

"I believe you, of course. But it's rather queer. How did you

happen--if you don't mind--"

She did not mind in the least--was eager, indeed, to explain her

presence there.

"I'm just learning to ride," she began impulsively.

"This was my first venture off the valley road, and I--"

"And you came straight to me!" he exclaimed, chuckling.

At that a strange thing happened. He had meant only that she, the

guest and cousin of Seth Huntington, his bitter foe, had blundered

straight into the camp of the enemy; and that was a rare joke on

Huntington. But she was a girl; her little adventure was already rosy

with romance; and the effect of his careless speech was as if he had

looked into her heart, and read aloud for her something she had not

known was there. To his surprise and wonder the girl's fair face

turned red to the roots of her tawny hair, and a look of helpless

confusion came into the clear, blue eyes that until now, for all her

embarrassment, had frankly met his own. She looked suddenly away from

him.

"You make me ashamed," she said at length, stealing a look at him.

"If you know anything about my difficulty with Huntington," he began,

"you'll understand that--"

"I do. I do understand!" she interrupted eagerly. "I don't know much

about it--the trouble. They haven't told me. I've only overheard some

talk--and I didn't ask. I rode down the valley this morning trying to

do it like a cowboy. And there was a branch road--and then the break

in the fence--and before I knew it I'd fallen asleep. That's

all--except--" She shot a half-mischievous glance at him "--you

spoiled a very beautiful dream."

But this was all lost upon him. His face was clouding again.

"Where is it--the break in the fence?"

Chagrined at the failure of her bit of coquetry, she merely pointed in

the direction whence she had come.

"Thank you!" he said. "At last!"

With that he went swiftly to his pony, mounted, and started to ride

away. But suddenly he reined up again, whirled his horse savagely

around, and faced Marion with the sunlight full upon the scarred side

of his face, now ugly with menace.

"If that fence has been cut," he said, in a hard and level tone, "it's

been cut by Huntington or his men. You tell him for me, please--and

you'll be doing _him_ a favor not to forget it--tell him that he's a

fool to anger me. I've been very patient in this business, but I don't

claim patience as one of my virtues. Do you hear? Tell him he's a fool

to anger me!"

She watched him gallop to the gap in the barb-wire fence; she watched

him dismount to examine the severed wires; she watched him leap on his

horse again, and ride furiously down the road until he was lost to

view below the dip in the slope toward the valley. And still for some

minutes she stood staring at the place where he had disappeared. Then,

left alone with her pent-up emotions, she no longer resisted them.

Tears of vexation started in her eyes; chagrin, resentment, anger

swept over her in turn. She dug the heel of one small boot into the

unoffending soil--his soil--and thrust her clenched hands down at her

side.

"Oh! Oh! Oh!" she cried, over and over again, striding forward and

back across some yards of pasture, trampling lilies and harebells

under her heedless feet, turning her flaming face at intervals toward

the spot in the smiling landscape that had last held the figure of

Philip Haig.

The shame of it! She had never--never--never been treated so

outrageously. It was unendurable--and she had endured it! She flung

herself down on the ground and wept.

* * * * *

Marion was now facing life alone. Her nearest remaining relative was

her cousin, Claire Huntington. Her mother--a Southern girl who might

have stepped out of a panel by Fragonard, so fine and soft and

Old-World-like was her beauty--had died when she was still a child.

Her father, Doctor Gaylord, was the antithesis of the sprite-like

creature he had married,--a big, athletic, outdoor sort of man, with

truly violent red hair and beard, whose favorite expression about

himself had been that a very capable pirate had been sacrificed to

make a tolerable physician. But he had prospered in his profession;

and then had died with amazing suddenness, leaving his estate in an

almost hopeless mess.

Robert Hillyer had tackled the problem,--Robert, the alert, the

busy, the supremely confident, the typical money-getter of the

money-worshipping metropolis. He had long been deeply in love with

Marion, but he had not made great headway in his suit, despite the

advantage of Doctor Gaylord's approval. Now, having saved enough out

of the estate (for so he said, though he never told Marion the

details of that miracle) to provide her with an income barely

sufficient to keep her in comfort but not in the luxury to which she

had been accustomed, he plainly expected his reward. And this was to

Marion an intolerable situation. She did not love Robert. She liked

him, admired him, trusted him; no more. Knowing her father's wishes,

she saw the way marked straight before her; for Robert already had

wealth, and could and would give her all the material things she

desired. Time and again she was on the point of yielding, but

something checked her, held her back, as if a voice had whispered

in her ear, and strong arms had seized her. She grew restless,

discontented, melancholy. And suddenly, on a moment's inspiration, the

strangest impulse she had ever known, she had revolted and fled from

the scene of her unhappiness, telling Robert (by letter) only that

she must have time to think, and that for six months he must leave

her to herself. She had fled to Claire, that cousin on her father's

side, who some years before, to the wonder and chagrin of many

Gaylords east and west,--to all except the Viking physician, who

had rejoiced in her spirit,--had eloped with a cowboy, since turned

successful cattleman, whom she had met at the Denver Carnival. Ten

days now had Marion been in Paradise Park, rejoicing in her

freedom, rejoicing in the half-wild life, rejoicing in the tonic

air and the tonic beauty of this Rocky Mountain valley, shut in,

isolated, and so aptly named. And only to-day had there come any

emotions that disturbed her peace.

* * * * *

When she looked up again her eyes were sharply arrested by a scene

that seemed curiously to picture her own mood. Far up at the head

of the valley a cloud that was scarcely heavier than a mist came

stealing out of a gulch to take its shining way along the range of

mountains. Dropping in its flight a shower as light as a bridal veil,

it sped glistening across the face of mountain after mountain,

softening the stark grays and reds, while above it the peaks gleamed

white. On and on it came until at last it arrived at the mouth of a

deep, dark gorge in the side of a mountain that, in its strange and

forbidding aspect, differed notably from all the others in the

majestic range. There it paused as if arrested by some stern command,

hung for a moment in palpable agitation, and was swiftly swallowed

up in the gorge. And again she had a vague and uneasy feeling, as

she had when first she saw it, that Thunder Mountain,--but she could

not fit that feeling into thought, could find no words to frame it.

Yet she was fascinated.

It was half-hidden now in surging, black storm-clouds, while all the

sharp and snow-clad peaks around it glittered in the sun. Even in

those rare moments when it was freed from clouds and mists it stood

alone in its peculiar grandeur. Unlike all the others it wore no

diadem of snow. Some terrible convulsion of nature, some cataclysm at

its birth or in the fiery days of its youth, had left it bald-headed,

ugly, and deformed. But for that catastrophe it would have been far

loftier than any of its fellows; and even now the hunchback towered

among them, its flat head level with their pointed peaks, the most

conspicuous figure in the imposing pageant raised against the western

sky.

And its deformity was not the whole of its misfortune. It bore the

brunt of every tempest that broke upon that massive barrier of

mountains. Its granite head was the very breeding-place of storms. The

peaks around it had their days of calm, but Thunder Mountain never. An

hour or two perhaps--no more. It knew no peace. The elements were, and

are now, and forever will be quarreling upon its worn and battered

head; lightning and rain and snow and wind are forever hammering and

beating it turn by turn. It is the Quasimodo and the Lear and the Gray

Friar of mountains, all in one. And if, on some still and perfect day,

its tonsured head emerges from the clouds, the watcher in the Park has

but to turn his head a moment, and look again, and lo! it wears its

gray cowl as before, and stoops growling and grumbling under its

endless punishment.

Suddenly, as Marion looked, the silence was rudely shattered. Roll on

roll of thunder swept across the valley, crashed against the hills,

rebounded from wall to wall of mountains, until all the Park was

filled with the sullen bellowing. And then, amid all the tumult,

Marion heard something more,--a voice that mingled with the voice of

the mountain, and thrilled her while it filled her with a singular

disquietude. She had dismissed Haig from her thoughts. She was sure of

that. And yet through all the uproar, and in the tense silence that

ensued, she heard his taunting voice:

"And you came straight to me!"

The heart of Thunder Mountain · 第 1 / 31 章