a place she visited from time to time with troops of turbulent
great-nephews, the whole of North London was a sort of Camden Town to
her, that is to say, she had no objection to its existence so long as
it wasn't troublesome. It was half-past three when she said as much
to the Highgate policeman, who up to that time had been an ordinary
easy-going Conservative; by five-and-twenty minutes to four she had
made of him a fuming Radical. He was saying something about South
Square and Merton Lane. Lady Tasker addressed the bracing Highgate air
in one of those expressionless and semi-ventriloquial asides that,
especially in a mixed company, always made her ladyship very well worth
sitting next to.
"Merton Lane! Does the man suppose that conveys anything to me?... I
want to know how to get to Hampstead, not the names of the objects of
interest on the way!"
The newly-made Radical told her that there might be a taxi on the rank,
and turned away to cuff the ears of an urchin who was tampering with an
automatic machine. It was a wonder that Lady Tasker's glare, focussed
through the gold-rimmed glass on a point between his shoulder-blades,
did not burn a hole in his tunic.
Taxis at eightpence a mile, indeed, with the house at Ludlow already
full of those children of Churchill's, and three of Tony's little
girls eating their way through the larder in Cromwell Gardens, and
young Tommy, Emily's boy, who had just "pulled" his captaincy, arriving
at Southampton in the "Seringapatam" on Saturday with another batch for
her to take under her wing! Did people suppose she was made of money?...
The policeman's tunic was just beginning to scorch when Lady Tasker,
dropping the glass, turned away and set out for Hampstead on foot.
She might very well have been excused had she omitted to return Mrs.
Cosimo Pratt's call. Indeed she had vowed that very morning that
nothing should drag her up to Hampstead that day. But for twenty times
that Lady Tasker said "I will not," nineteen she repented and went,
taking out the small change of her magnanimity when she got there. And
after all, she would be killing two birds with one stone, for her niece
Dorothy also lived somewhere in this northern Great Karroo, and unless
she got these things over before the "Seringapatam" dropped anchor on
Saturday there was no knowing when next she would have an hour to call
her own. As she turned (after a brush with a second policeman, who
summed her up quite wrongly on the strength of her antiquated pelisse
and trailing old Victorian hat) down Merton Lane to the ponds, she told
herself again that she was a foolish old woman to have come at all.
For the Cosimo Pratts were not bosom friends of hers. True, they had
been, until six months ago, her neighbours at Ludlow, and for that
matter she had known young Cosimo's people for the greater part of
her life: but she had not forgotten the hearty blackguarding the young
couple had got, any time this last two years, from the rest of the
country-side. Small wonder. What else did they expect, after the way
in which they had made farm-labour too big for its jacket and beaters
hardly to be had for love or money? Not that Lady Tasker herself had
seen very much of their antics. Great-nieces and nephews had kept her
too busy for that, and she was moreover wise enough not to believe all
she heard. And even were it true, that, she now told herself, had been
in the country. They would have to behave differently now that they
had let the Shropshire house and had come to live in town. They could
hardly dance barefoot round a maypole in Hampstead, or stage-manage the
yearly Hiring-Fair for the sake of the "Daily Speculum" photographer
(as they had done in Ludlow), or group themselves picturesquely about
the feet of the oldest inhabitant while that shocking old reprobate
with the splendid head recited (at five shillings an hour) the stories
of old, unhappy, far-off things he had learned by heart from the
booklets they had printed at the Village Press. No: in London they
would almost certainly have to do as other people did, and Shropshire,
after its three years of social and artistic awakening, would no doubt
forget all about the æsthetic revival and would sink back into a
well-earned rest.
It was a Thursday afternoon in September, warm for the time of the
year, and a half-day closing for the shops. Had Lady Tasker remembered
the half-holiday she certainly would not have come. She hated crowds,
and, if you would believe her, had no illusions whatever about the
sanctity of our common nature and the brotherhood of man. She would
tell you roundly that there was far too much aimless good-nature in
the world, and that every sob wasted over a sinner was something taken
away from the man who, if he was a sinner too, had at least the decency
to keep up appearances. And so much for brotherhood. Great-nephewship,
of course, was another matter. Somebody had to look after all those
youngsters, and if her sister Eliza, the one at Spurrs, went into
a tantrum about every bud that was picked in the gardens and every
chair-leg that was an inch out of its place in the house, so much the
worse for Lady Tasker, who must walk because she had something else to
do with her money than to waste it on taxis.
She had been told by her niece Dorothy to look out for a clump of tall
willows and an ivied chimney; that was where the Pratts lived; but
Dorothy had spoken of the approach from the Hampstead side, not from
Highgate way. Lady Tasker got lost. She was almost dropping for want of
a cup of tea, and the Heath seemed all willows, and all the wrong ones.
No policeman, Radical or Conservative, was to be seen. Walking across
an apparently empty space, well away (as she thought) from a horde of
shouting boys, the old lady suddenly found herself enveloped in a game
of football. This completed her exhaustion. Near by, one of Messrs.
Libertys' carts was ascending a steep road at a slow walk; somehow or
other Lady Tasker managed to get her hand on the tail of it; and the
car gave her a tow. She was seventy after all.
As it happened, that was her first piece of luck in a luckless
afternoon. The cart drew off to the left; Lady Tasker trailed after
it; and suddenly it stopped before a high privet hedge with a closed
green door in the middle of it. Lady Tasker did not look for the ivied
chimney. On the door was painted in white letters "The Witan." She was
where she wanted to be.
Ordinarily Lady Tasker would have approved of the height of the privet
hedge, which was seven or eight feet; that was a nice, reassuring,
anti-social height for a hedge; but as it was she could not even put up
her hand to the bell. The carter rang it for the pair of them. Over the
hedge came the low murmur of voices and the clink of cups and saucers,
and then the door was opened. It was opened by the mistress of the
house. No doubt Mrs. Pratt had expected the cart, had heard its drawing
up, and had not waited for a maid to come. Her eyes sought the carman,
who had stepped aside. She spoke with some asperity.
"It's Libertys', isn't it?" she said. "Well, I've a very good mind to
make you take it back. It was promised for yesterday."
"Can't say, I'm sure, m'm."
"It's always the same. Every time I----"
Then she saw her visitor, and gave a little start.
"Why, it's Lady Tasker! How delightful! Do come in! And do just excuse
me--I shan't be a minute.... Why didn't this come yesterday? It was
promised faithfully----"
She stepped outside to scold the carman, leaving Lady Tasker standing
just within the green door.
The altercation was plainly audible:
"Very sorry, m'm. You see----"
"I will see, if it occurs again----"
"The orders is taken as they come, m'm----"
"They said the first delivery----"
"We wasn't loaded till one o'clock----"
"That's none of my business----"
"Very sorry, m'm----"
"Well, the next time it occurs----"
And so forth.
Now in reading what happened the next moment you must remember that
Lady Tasker was very, very tired. Had she been less tired she might
have wondered why one of the two maids she saw crossing to the
tea-table under the copper beech had not been allowed to take in
Mrs. Cosimo Pratt's parcel. And she would certainly have thought it
extraordinary that she should be left standing alone while Mrs. Cosimo
Pratt scolded the carrier, and wanted to know why the parcel had not
been brought yesterday. But, tired as she was, her eyes had already
rested on something that had momentarily galvanized even the weariness
out of her. It was this:--
Seven or eight people sat in basket-chairs or stood talking; and, under
the copper beech, as if Mrs. Pratt had just slid out of it, a hammock
of coloured string still moved, slung from the beech to a sycamore
beyond. Lady Tasker saw these things at once; she did not at once see
what it was that stood just beyond the hammock.
Then it moved, and Lady Tasker raised her glass.
No doubt you have seen the cover of Mr. Wells's "Invisible Man." It
will be remembered that all that can be seen of that afflicted person
is his clothes; and all that Lady Tasker at first saw of the Invisible
Man by the copper beech was his clothes. These were of light yellow
tussore, with a white double collar and a small red tie, sharp-edged
white cuffs and highly polished brown boots. At collar and cuffs the
man ended.
And yet he did not end, for the lenses of a pair of spectacles made
lurking lights in the shadow of the beech, a few inches above the white
collar.
The phantom wore no hat.
Then Lady Tasker, suddenly pale, dropped her glass. Between the collar
and the spectacles a white gash of teeth had appeared. The Invisible
Man had smiled, and at the same moment there had shown round the bole
of the beech a second smoky shape, this one without teeth, but with
white and mobile eyes instead.
Lady Tasker was in the presence of two Hindoos.
* * * * *
Now all her life, and long before her life for that matter, Lady Tasker
had been accustomed ... but no: that is not the way to put it. The
following table will save many words:--
PORTION OF TREE OF THE LENNARDS AND TASKERS
(COMMENTS BY LADY TASKER)
Tasker, Sir Richard, 3rd Bart.; Lennard, "Old John," "Spurrs,"
"The Brear," Ludlow Montgomery
("Good old family? I don't know ("Can't say I like the striking
about the 'good,' but they're family resemblances you meet up
certainly old.") | and down the valley; when you ask
| at a cottage-door for a glass of
| milk and see that nose----")
| |
+---------+--------+ +-----+----+-------+-+-------+--------+
| | | | | | | | |
Lucy Arthur Noel, = GRACE Susan Dick; Emily; Trixie; Eliza;
("The ("Don't 4th Bart.; (Lady | m. Ada m. Tony m. Sid _unmarried_
Brear ask _me_ d. 1900 Tasker) | Polperro: Woodgate, Dealtry ("Black
was how he _No Issue_ | Woods P.F.F. ("The pugs.")
always got into | and | groom,
open the India | Forests, | my dear,
to her, Office!") | 1873; | and far
but of | | d. 1886 | too good
course | | | | for her.")
if she +========+=============+ | | |
_preferred_ | | | ("Those children
to stay | | | of Trixie's:
away----") | | | colonies, assisted
| | Hard-up passages: I
| | young rather like
| | captains the chauffeur
| | and one: hope he
| | subalterns marries well")
Stanhope=====+======Dorothy | |
| Crowds of ("Can't keep
1. Noel Anglo-Indian count. I
("They called him babies, remember
that to please me: Lady all the
innocents!") Tasker's birthdays,
charges I can,
2. Jack but----")
3. (See page 448)
You see how it was, and had to be. Not only was Lady Tasker insular,
arrogant, and of opinion that Saint Paul made the mistake of his life
when he set out to preach the Gospel to all nations, but she made a
virtue of her narrowness and defect. Show her a finger-nail with a
purple half-moon, and you no longer saw a charming if acid-tongued old
English lady, who cut timber in order to pay for governesses for those
grand-children of Emily's and sent, under guise of birthday gifts,
useful little cheques to the descendants of her brother-in-law the
groom. Babu or Brahmin, all were the same to her. No defence is offered
of an attitude so indefensible. Such people do still exist. Let us sigh
for their narrowness of mind, and pass on.
The smile of the first Hindoo was for Mrs. Pratt, who had got her
row with the carman over and had reappeared behind Lady Tasker and
closed the door of The Witan again. Her face, pretty and finished as
a miniature, and the great chestnut-red helm of her hair, showed over
the slant of the box in her arms. "Do excuse me, just _one_ moment!"
she said, smiling at Lady Tasker as she passed; and she ran off into
the house, her mistletoe-berry white robe with its stencilling of
grey-green whipping about her heels as she did so. And fortunately, as
she ran in at the door, Cosimo Pratt came out of the French window, saw
Lady Tasker, and strode to her. He broke into rapid and hearty speech.
"You here! How delightful!--Amory!--I didn't hear you come! So kind
of you!--Amory, where are you?--How are you? Do let me get you some
tea!--Amory!----"
Lady Tasker spoke faintly.--"I should like," she said, "to go into the
house."
"Rather! Hang on to my arm.--Amory! Where is that girl?--Sure you won't
have tea outside? I can find you a nice shady place under the beech----"
Lady Tasker closed her eyes.--"Please take me in."
"Tube headache? I hate the beastly thing. I thought you were in Ludlow.
Charming of you----"
And he led Lady Tasker into the house.
This was a low building of stucco, with slatted window-shuts which,
like the sashes of the slightly bowed French window and of the two
windows beyond, were newly painted green. This painting seemed rather
to emphasize than to mitigate a certain dogseared look the place had,
not amounting to dilapidation, but enough to make it probable that
Cosimo Pratt had taken it on a repairing lease. The copper beech, the
high privet hedge and the willows beyond it, shut out both light and
air. The fan-lighted door had two electric bell buttons, with little
brass plates. The upper plate read, "Mr. Cosimo Pratt"; the lower one
"Miss Amory Towers (Studio)."
But Lady Tasker noticed none of these things. In the hall she sank
into the first chair she came to. "Tea, please," she said faintly; and
Cosimo dashed out to get it. He returned, and began to murmur something
sympathetic, but Lady Tasker made a little movement with her hand. She
didn't want him to "send Amory." She only wanted to rest her tired legs
and to collect her dispersed thoughts.
An eight-foot hedge, not to shut the populace out, but to shut Indians
in! And she, Lady Tasker, had been kept standing while some parcel
or other had been taken into the house--standing, and watching a
still-moving hammock with a smiling Invisible Man bending over it! Was
this England, or a Durbar?... And even yet her hostess didn't come
to ask her if she felt better!... Not that Lady Tasker was greatly
surprised at that. She knew that Mrs. Pratt was quite capable of
reasoning that the greatest respect is shown to a tired old lady when
no fuss is made about her tiredness. The Pratts were like that--full
of delicacies so subtle that plain folk never noticed them, but jumped
instead to the conclusion that they were bad-mannered. And it would not
in the least surprise Lady Tasker if, presently, Mrs. Pratt allowed
her to leave without a word about her indisposition. Of course: Lady
Tasker had a little forgotten the Pratts at Ludlow. That would be
it: "Good-bye--and do come again!" She could see Mrs. Pratt's pretty
brook-brown eyes did anybody (say a Japanese or an Ethiopian) point out
this so-called omission to her. She could see the surprise in them. She
could hear her earnest voice: "_Say_ these things!... Why, does she
suppose I was _glad_ then?"...
Yes, Lady Tasker had a little forgotten her Pratts.
It was an odd little hall in which she sat. It appeared to be an
approach to the studio of which the electric bell gave notice, for
it was continued by a narrower passage that led to a garden at the
back; and either the studio "properties" were gradually thrusting the
hatstand and hall table out of the fan-lighted front door, or else
these latter ordinary and necessary objects were fighting as it were
for admission. Thus, the chair on which Lady Tasker sat was of oak,
but it had a Faust-like look; beyond it stood a glass-fronted cupboard
of bric-à-brac, with a trophy of Abyssinian armour hanging over it;
and the whole of the wall facing Lady Tasker was hung with a tapestry
which, if it had been the only one of its kind in existence, would no
doubt have been very valuable. And two other objects not commonly to
be seen in ordinary halls were there. One of these stood on the narrow
gilt console table next to Lady Tasker's cup of tea. It was a plaster
cast, taken from the life, of a female foot. The other hung on the wall
above it. This also was a plaster cast, of the whole of a female arm
and shoulder, ending with a portion of the side of the neck and the
entire breast--of its kind an exquisite specimen. Many artists make or
buy such things, but Brucciani has nothing half so beautiful.
It was as Lady Tasker finished her tea that her gaze fell on the two
casts. Half negligently she raised her glass and inspected, first the
foot, and then the other piece. It is probable that her first remark,
uttered in a casual undertone to the air about her, was prompted by
mere association of ideas; it was "Hm! I wonder if Mrs. Pratt nursed
those twins herself!" Any other reflection that might have followed it
was cut short by a sudden darkening of the doorway by which she had
entered. Mrs. Pratt stood there. Lady Tasker had been wrong. She _had_
come to ask if she felt better. She did ask her, gathering up long
swathes of some newly unpacked white material she carried over her arm
as she did so.
"Sorry you were done up," she remarked. "Won't you have some more tea?"
Already Lady Tasker was rising.--"No more, thank you.--I was just
looking at these. What are they?" She indicated the casts.
The gesture that Mrs. Pratt gave she could probably no more have helped
giving than an eye can help winking when it is threatened with a blow.
Within one mistletoe-white sleeve an arm moved ever so slightly; very
likely a foot also moved within a curiously-toed Saxon-looking white
slipper; and she gave a confused and conscious and apologetic little
laugh.
"Oh, those silly things!" she said deprecatingly. "I really must move
them. But the studio is so full.... Do you know, it's a most horrid
feeling having them done--first the cold plaster poured on, and then,
when they take it off again--the mould--you know----"
Lady Tasker plainly did not understand. Perhaps she did not yet even
apprehend.--"But--but--," she said, "they're from a statue, aren't
they?"
Again Mrs. Pratt gave the pleased bashful little laugh. It was almost
as if she said it was very good of Lady Tasker to say so.
"No, they're from life," she said. "As a matter of fact they're me, but
I really must move them; they aren't so remarkable as all that.... Oh,
you're not going, are you?----"
For Lady Tasker had given a jump, and a movement as sudden and
sprightly as if she had only that moment got freshly out of her bed.
Nervously she put out her hand, while her hostess looked politely
disappointed.
"Oh, and I was hoping you'd come and join us in the garden! We've
Brimby there, the novelist, you know--and Wilkinson, the young
Member--and Mr. Strong, of the 'Novum'--and I should so much like to
introduce Mr. Suwarree Prang to you----"
"Oh, thank you so much--," sprang as effusively from Lady Tasker's lips
as if she had been a schoolgirl allowed for the first time to come down
to dinner, "--it's so good of you, but really I half hoped you'd be
out when I called--I only meant to leave cards--I'm going on to see my
niece, and really haven't a moment----"
"Oh, I'm sure Dorothy'd excuse you for once!----," Mrs. Pratt pressed
her.
"Oh, she wouldn't--I'm quite sure she wouldn't--she'd never forgive
me if she knew I'd been so near and hadn't called," said Lady Tasker
feverishly.... "How do I get to Dorothy's from here?"
"Oh, Mr. Wilkinson will take you, or Mr. Prang; but are you sure you
won't stay?"
Lady Tasker was so far from staying that she was already out of the
hall and walking quickly towards the green door in the eight-foot
hedge. "Thank you, thank you so much," she was murmuring hurriedly.
"I don't see your husband anywhere about--never mind--so good of
you--good-bye----"
"Come again soon, won't you?"
"Yes, yes--oh, yes!... No, no, please don't!" (Mrs. Pratt had made a
half-turn towards the hammock and the copper beech). "Straight across
the Heath you said, didn't you? I shall find it quite easily! Don't
come any further--good-bye----"
And, touching Mrs. Cosimo Pratt's extended fingers as timorously as she
might have touched those of the cast itself, she fairly broke into a
run. The door of The Witan closed behind her.
II
THE POND-ROOM
The truth was not very far to seek: Lady Tasker was too old for these
things. Nobody could have expressed this more effectively than Mrs.
Cosimo Pratt herself, had it entered the mind of Mrs. Pratt to conceive
that any human soul could be so benighted as the soul of Lady Tasker
was. "Those casts!" Mrs. Pratt might have cried in amazement--or
rather Miss Amory Towers might have cried, for there is nothing in the
Wedding Service about making over to your husband, along with your
love and obedience, the valuable goodwill of a professional name.
"Those poor casts!... Of course they may not be _very_ beautiful--,"
here the original of the casts might have modestly dropped her eyes,
"--but such as they are--goodness me! How _can_ people be so prurient,
Cosimo? Don't they see that what they really prove has nothing at all
to do with the casts, but--ahem!--a good deal to do with their own
imaginations? I don't want to use the word 'morbid,' but really!...
Well, thank goodness Corin and Bonniebell won't grow up like that!
Afraid of the beautiful, innocent human form!... Now that's what I've
always claimed, Cosimo--that that's the type of mind that's made all
the mischief we've got to set right to-day."
But for all that Lady Tasker was too old. Invisible Men in the garden
(or, if not actually invisible, at any rate as hard to be seen against
the leaves of the copper beech as a new penny would have been)--and in
the hall those extraordinary replicas! In the hall--the very forefront
of the house! It was to be presumed that Mrs. Pratt's foreign friends,
who were permitted to lean over her hammock, would not be denied. The
Witan itself, and, for all Lady Tasker knew, the rest of Mrs. Pratt
might be reduplicated in plaster in the dining-room, the drawing-room,
and elsewhere....
Had she not said it herself, Lady Tasker would never have believed
it....
What a--what a--what an extraordinary thing!----
Lady Tasker had fled from The Witan still under the influence of that
access of effusive schoolgirlishness in which she had told Mrs. Pratt
that she really must go; nor did she grow up again all at once. But
little by little, as she walked, she began to resume the burden of her
years. She became eighteen, twenty-five, thirty again. By the time she
reached the lower pond Arthur had just got that billet in the India
Office, and her brother Dick, of the Department of Woods and Forests,
had married Ada Polperro, daughter of old Polperro of Delhi fame, and
her sister Emily had got engaged to Tony Woodgate, of the Piffers.
(But those casts!)... Then as she took the path between the ponds she
remembered the children at Ludlow, the three little girls at Cromwell
Gardens, and the arrival on Saturday of the "Seringapatam." (But those
natives!)... The thought of the children settled it. Her curious lapse
into juvenescence was over. By the time she rang Dorothy's bell she was
the same Lady Tasker who changed the political opinions of policemen
and deprecated the wanderings of Saint Paul.
Dorothy's flat was as different as it could well be from that other
house which (Lady Tasker had already decided) had something odd and
furtive about it--stagnant yet busy, segregated yet too wide open. The
flat had one really brilliant room. This room did not merely overlook
the pond in front of it; it seemed actually to have asked the pond to
come inside. A large triple window occupied the whole of one end of
it; this window faced west; and not only did the September sun shine
brightly in, but the inverted sun in the water shone in also, doubling
(yet also halving) all shadows, illumining the ceiling, and setting
the cream walls a-ripple with the dancing of the wavelets outside.
Sprightly chintzes looked as if they also might begin to dance at any
moment; the china in Dorothy's cupboards surprised the eye that had not
expected this altered light; and presently, to complete the complexity,
the shadow of the sycamore in the little garden below would move round,
so that you would hardly be able to tell whether the ceaseless creeping
on the cream walls was glitter of ripples, pattern of leaves, or both.
Dorothy sat in her accordion-pleats by the window, surrounded by
letters. And pray do not think it mere coincidence in this story that
her letters were Indian letters. Some interests that the home-amateur
takes up as he might take up poker-work or the diversion of jig-saw
hold a large part of the hearts and lives of others, and so Dorothy,
as she did more or less every week, had been reading her cousin
Churchill's letter, and that of her little niece and namesake Dot, up
in Murree, and Eva Woodgate's, who had sent her a parcel from Kohat,
and others. She rose slowly as her aunt was announced, and put her
finger on the bell as she passed.
"How are you, auntie?" she said, kissing Lady Tasker on both cheeks.
"Give me your things. Somehow I thought you might come to-day, but
I'd almost given you up. Do look what Eva's sent me! Really, with her
own to look after, I don't know how she finds the time! Aren't they
sweet!----"
And she held them up.
Now Lady Tasker knew perfectly well the meaning of her niece's
accordion-pleating; but she was seventy and worldly-wise again now.
Therefore as she looked at the things she remarked off-handedly, "But
they're far too small."
"Too small!" Dorothy exclaimed. "Of course they aren't. Why, Noel
was only nine, and that's pretty big, and Jackie only just over
eight-and-a-half, though he put on weight while you watched him.
They're just right."
Lady Tasker reached for a chair. "But they _are_ for Jackie, aren't
they?"
Dorothy's blue eyes were as big as the plates in her
cupboards.--"Jackie! Good gracious, auntie!----"
"Eh?" said Lady Tasker, sitting down. "Not Jackie? Dear me. How stupid
of me. Of course, I did hear, but I've so many other things to think
of, and nobody'd suppose, to look at you----"
Dorothy ran to her aunt and gave her a kiss and a hug, a loud kiss and
a hug like two.
"You dear old thing!--Really, I'd begun to _hate_ all the horrid kind
people who asked me how I felt to-day and whether I shouldn't be glad
when it was over! What business is it of theirs? I nearly made Stan
sack Ruth last week, she looked so, and I positively refuse to have a
young girl anywhere near me!... But wasn't it sweet of Eva? I'll give
you some tea and then read you her letter. Indian or China?"
"China," Lady Tasker remarked.
"China, Ruth, and I'll have some more too. I don't know whether His
Impudence is coming in or not; he's gadding off somewhere, I expect....
But you weren't only _pretending_ just now, were you, auntie?----"
She put the plug of the spirit-kettle into the wall.
"Well, how are the Bits?" Lady Tasker asked....
(Perhaps "His Impudence" and "The Bits" require explanation. Both
expressions Dorothy had from her "maid," Ruth Mossop. "Maid" is
thus written because Ruth was a young widow, who, after a series
of disciplinary knockings-about by the late Mr. Mossop, was not
over-troubled with maternal anxiety for the four children he had left
her with. When asked by Dorothy whether she would prefer to be called
Mrs. Mossop or Ruth, Mrs. Mossop had chosen the latter name, giving
as her reason that it had been like Mr. Mossop's impudence to ask her
to accept the other name at all; and very many other memories also,
brooded on and gloomily loved, including the four children, had been
bits of Mr. Mossop's impudence. Stan had adopted the phrase, finding
in it chuckles of his own; and so His Impudence he had become, and Noel
and Jackie the fruits thereof.)
Dorothy put her fair head on one side, as if she considered the absent
Bits critically and dispassionately, and really thought that on the
whole she might venture to approve of them.
"Ra-ther little dears; but oh, Heaven, how _are_ we going to manage
with a third!"
Her aunt dissociated herself from the problem with a shrug.--"Well--if
Stan will persist in thinking that his dressing-room is merely a room
for him to dress in----"
"So I tell him," Dorothy murmured, with great meekness. "But--but
flats aren't made for children. We did manage to seize the estate
agent's little office for a nursery when all the flats were let, but
when Stan brings a man home we have to sleep him in the dressing-room
as it is--," (Lady Tasker shook her head, but the words "Wrong man"
were hardly audible), "--and a house will mean stair-carpets, and hall
furniture, and I don't know what else. Besides, Stan hasn't time to
look for one----"
"No?" said Lady Tasker drily.
"He really hasn't, poor boy," Dorothy protested. "And he's
after something really good this time--Fortune and Brooks, the
what-d'-you-call-'ems, in Pall Mall----"
"What about them?"
"Well, Stan's been told that they pay awfully good commissions, for
introductions, new accounts you know; Stan dines out, say, and makes
himself nice to somebody with whole stacks of money, and mentions
Fortune & Brooks's chutney and pickled peaches and things, and--and----"
"I know," remarked Lady Tasker, with not much more expression than if
she had been a talking-doll and somebody had pulled the string that
worked the speaking apparatus. She did know these dazzling schemes of
her smart and helpless nephew's--his club secretaryships, his projects
for journals that should combine the various desirable features of the
"Field" and "Country Life" and the "Sporting Times" and "Punch," his
pony deals, and his other innumerable attempts to make of his saunters
down Bond Street to St. James's and back _viâ_ the Junior Carlton and
Regent Street a source of income. Perhaps she knew, too, that Dorothy
knew of her knowledge, for she went on, "Well, well--let's hope there's
more in it than there was in the fishing-flies--now tell me what Eva's
got fresh."
"Oh, yes!" cried Dorothy, plunging her hand into her letters. "Eva sent
the things, but here's Dot's first--look at the darling's writing!----"
And from a sheet of paper with a regimental heading Dorothy began to
read:
"DEAREST AUNT DOROTHY,--
"were in murree and we got a servant that wigles his toes when we
speak to him and he loves baba and makes noises like him and there
are squiboos in the tres--"
--(she means squirrels)--
"--and ive got a parrot uncle tony bought me and uncle tony says
the monsoon will praps fale and the peple wont have anything to
eat but weve lots and i like this better than kohat the shops are
lovely but there are lots of flees and they bite baba and he cries
this is a long letter how are jackie and noel i got the photograf--"
--(that's the new one on the mantelpiece)--
"--were going to tifin at major hirsts little girls one is called
marjorie and were great friends----"
"Where's the other page got to? It was here----"
She found the other page, and continued the reading of the child's
letter.
Suddenly Lady Tasker interrupted her.
"Had Jack to borrow money to send them up there?"
"To Murree? I really don't know. Perhaps he had. But as adjutant of the
Railway Volunteers he'd have his saloon."
"H'm!... Anyway, the child oughtn't to be there at all. India's no
place for children."
"I know, auntie; but what can one do? They do come."
"H'm!... They didn't to me. Thank goodness I've done with love and
babies." (Dorothy laughed, perhaps at a mental vision of the houses in
Ludlow and Cromwell Gardens.) "Anyway, now they are here somebody's got
to look after them. They may as well be healthy...."
She mused, and Dorothy reached for other letters.
Lady Tasker's additions to her responsibilities usually began in this
way. Dorothy had very little doubt that presently little Dot also would
be handed like a parcel to some man or other coming home on leave, and
Lady Tasker would send to the makers for yet another cot.... Therefore,
pushing aside her last letter, she exclaimed almost crossly, "I _do_
think it's selfish of Aunt Eliza! There she is, with Spurrs all to
herself, and she never once thinks that Jack might like to send Dot to
England!"
"Neither would I if I had my time over again," said Lady Tasker
resolutely. "You needn't look like that--I wouldn't. Cromwell Gardens
is past praying for, and in another year there won't be a stick at
the Brear that's fit to be seen. The next batch I certainly intend to
charge for. I'm on the brink of the poor-house as it is."
This time it was Dorothy who mused. She was a calculating young woman;
the wife of His Impudence had to be; and she was far too shrewd to
suppose for a moment that her aunt could ever escape her destiny, which
was to be imposed upon by her own flesh and blood while hardening her
heart against the rest of the world. Dorothy, and not Stan, had had
to keep that flat going, and the flat before it; unless Fortune &
Brooks turned up trumps--a rather remote contingency--she would have to
continue to do so; and she was quite casuistical enough to argue that,
while Aunt Eliza might keep her old Spurrs, Aunt Grace might properly
be victimized because Dorothy loved Aunt Grace. Therefore there were
musings in Dorothy's wide-angle blue eyes ... musings that only the
sound of a key in the outer lock interrupted.
"Hallo, that's His Impudence," Dorothy exclaimed. "I do hope he hasn't
brought anybody. I shall simply rush out if he has."
Stan hadn't. He came in at the door drawing off a pair of lemon-yellow
gloves, said "Hallo, Aunt Grace," and rang the bell. He next said,
"Hallo, Dot! Been out? Beastly smelly in town. No, I've not had tea.
Look here, you've eaten all the hot cakes; never mind; bread and
butter'll do, if you've got some jam--no, honey. Got an invitation
for you, Dot, to lunch, with Ferrers on Monday; can't you buck up and
manage it?... Well, Aunt Grace, what brings you up here? Bit off your
beat, isn't it? Awfully rude of me, I know, but it is a long way. Glad
I came in."
"I've been to see the Cosimo Pratts," said Lady Tasker.
Dorothy looked suddenly up.
"Oh, auntie, you didn't tell me that!" she exclaimed.
A grin lighted up Stan's good-looking face.
"Oh? How many annas to the rupee are they to-day? By Jove, they are a
rum lot up there! Any new prime cuts?"
"Stan, you mustn't!" said Dorothy, peremptorily. "Please don't! Don't
listen to him, auntie; he's outrageous."
But His Impudence went on, with his mouth full of bread and butter.
"I've only seen the fore-quarter and the trotter, but you see I
haven't been over the house. Did they show you the Bluebeard's Chamber?
What is there there? By Jove, it's like Jezebel and the dogs.... But
I don't suppose they'll have me up again. There was some chap there,
and I got him by himself and told him he didn't know what he was
talking about; rotten of me, I know, but you should have heard him!
Anarchist--Votes for Women--all the lot; whew!... More tea, Ruth,
please----"
Lady Tasker felt the years beginning to ebb away from her again. She
had remembered the hammock and the Invisible Men.
"I hope he was--English?" she murmured.
"Who?"
"The man you say you were rude to."
"English? Yes. Why? English? Rather! No end of gas about the Empire.
Said it was on a wrong basis or something. Why do you ask?"
"I only wondered."
But Stan was perspicacious; he could see anything that was as closely
thrust under his nose as is the comparative rarity of the Englishman in
Hampstead. He laughed.
"Oh, that! We're used to that. We've all sorts up here.... By Jove, I
believe Aunt Grace has been thrown into the arms of a Jap or a nigger
or something! Well, if that doesn't put the lid on!... So of course
you wondered what I meant by the fore-quarter and Jezebel and the
dogs. Those are just some things they used to have.... Well, I'll tell
you what you can do about it next time, auntie. You talk to 'em about
Ludlow. That shuts 'em up. Sore spot, Ludlow; they're trying to forget
about Ye Olde Englysshe Maypole, and that row with old Wynn-Jenkins,
and old Griffin letting his hair grow and reciting those poems. They
look at you as if it never happened. But they didn't shut _me_ up."
"You seem to have been thoroughly rude," Lady Tasker remarked.
"Well, dash it all, they ask for it. She used to be some sort of a pal
of Dorothy's----"
"She's very clever, and she was always very kind to me," Dorothy
interpolated over her sewing.
"When, I should like to know? But never mind. I was going to say, Aunt
Grace, that I've had to put my foot down. I won't have the Bits meeting
those kids of Pratt's. It's perfectly awful; why, those children
know as much as I do--and I know a bit! They'll be wanting latchkeys
presently. That day I was up there I heard one of 'em say that little
boys weren't the same as little girls. I forget how she put it, but she
knew all right; think of that, at about four! I wish I could remember
the words, but it was a bit thick for four!----"
A restrained smile, perhaps at the thought of Stan putting his foot
down, had crossed Lady Tasker's face; no doubt it was part of the smile
that she presently said, toying with the little gold-rimmed glass,
"Quite right, Stan.... Anything fresh about Fortune & Brooks? Dorothy
told me."
Stan's feelings on any subject were never so strong but that at a
word he was quite ready to talk about something else. "Eh? Rather!"
he said heartily, and went straightway off at score.--New? Yes. He'd
seen old Brooks the day before; not a bad chap at all really; and they
quite understood one another, he and old Brooks. He'd told Stan things,
old Brooks had, (which Stan wasn't at liberty to disclose) about the
commissions they paid for really first-class introductions, things that
would astonish Lady Tasker!----
"You see," he explained, "as Brooks himself said, they can't afford to
advertise in the ordinary way; _infra dig_. They'd actually lose custom
if they put an ad. in the 'Daily Spec.' I don't mean that they don't
put a thing now and then into the right kind of paper, but just being
mentioned in general conversation, at dinners and tamashas and so on,
that's _their_ kind of advertisement! For instance--but just a minute,
and I'll show you----"
He jumped up and dashed out of the room. Lady Tasker took advantage of
his absence to give a discreet glance at Dorothy, but Dorothy's head
remained bent demurely over her work. Stan returned, carrying a small
parcel.
"Here we are," he said, unfastening the package: and then suddenly
his voice and manner changed remarkably. He took a small pot from
the parcel and set it on the palm of his left hand; he pointed at it
with the index-finger of his right hand; and a bright and poster-like
smile overspread his face. He spoke slightly loudly, and very, very
persuasively.
"Now I have here, Aunt Grace, one of our newest lines--Pickled Banyan.
Now I'm not going to ask you to take my word for it; I want you to try
it for yourself. It isn't what this man says or what that man says;
tasting's believing. Give me your teaspoon."
"My _dear_ Stan!" the astonished Lady Tasker gasped.
"We're selling a great many of this particular article, and are
prepared to stake our reputation on it," Stan went on. "Established
1780; more than One Hundred Gold Medals. Those are our credentials.
Those are what we lose.--Pass your spoon."
Lady Tasker was rigid. Perhaps Stan would have been better advised to
cast his spell over those who were going up in the world, and not on
those who, like themselves, were coming down or barely holding their
own. Again he went on, pointing engagingly at the small pot.
"But just try it," he urged, pushing the pot under his aunt's nose.
"It isn't what this man says or--I mean, it doesn't cost you anything
to try it. A free trial invited. Here's the recipe, look, on the
bottle--carefully selected Banyans, best cane sugar, lemon-juice
refined by a patent process, and a touch of tabasco. The makers'
guarantee on every label--none genuine without it--have a go!"
With a "Really, Stan!" Lady Tasker had turned away in her chair,
revolted. "And do you expect to go to a house again after an exhibition
like that?" she asked over her shoulder.
"Eh?" said Stan, a little discomfited. "Too much salesman about it,
d'you think? Brooks warned me about that. Fact is, he had a chap in as
a sort of object-lesson. This chap came in--I didn't know they had
schools and classes for this kind of thing, did you?--this chap came
in, and I was supposed to be somebody who didn't want the stuff at any
price, and he'd got to sell it to me whether I wanted it or not, and
old Brooks said to me, 'Now ask him how much the beastly muck is,' and
a lot of facers like that, and so we'd a set-to.... Then, when the
fellow had gone, he said he'd had him in just to show me how _not_ to
do it.... But he was an ingenious sort of beast, and I can't get his
talk out of my head. I'd thought of having a shot at it to-night, but
perhaps I'd better practise a bit more first. Thanks awfully for the
criticism, Aunt Grace. If you don't mind I'll practise on you as we go
along. I'm dining with a man to-night, but I'd better be sure of my
ground.--Now what about having the Bits in, Dot?"
"I think I hear them coming," said Dorothy, whose demureness had not
given as much as a flicker. Perhaps she was wondering whether she could
spare the sovereign His Impudence would presently ask her for.
The door opened, and Noel and Jackie stood there with a nurse behind
them. Noel walked stoutly in. Jackie, not yet very firm on his pins,
bumbled after him like an overladen bee.
III
THE "NOVUM"
Stan was quite right in supposing that the Cosimo Pratts wished
to forget all about the Ludlow experiment that had disturbed the
Shropshire country-side a year or more before, but he was wrong in
the reason he assigned them. They were not in the least ashamed of
it. As a stage in their intellectual development, the experiment had
been entirely in its place. Especially in Mrs. Pratt's career--as an
old student of the McGrath School of Art, a familiar (for a time) with
Poverty in cheap studios, the painter of the famous Feminist picture
"Barrage," and so forward--had this been true. Cosimo, in "The Life
and Work of Miss Amory Towers," a labour to which he devoted himself
intermittently, pointed out the naturalness and inevitability of the
sequence with real eloquence. Step had led to step, and the omission of
any one step would have ruined the whole.
But nobody with work still in them lingers long over the past. They
had dropped the task of regenerating rural England, or rather had
handed it over to others, only when it had been pointed out to them
that capacity so rare as theirs ought to be directed to larger ends.
One evening there had put in an appearance at one of the Ludlow
meetings--a meeting of the Hurdy-gurdy Octette, which afterwards gave
instrumental performances with such success at Letchworth, Bushey and
Golder's Green--Mr. Strong, the original founder and present editor of
the "Novum Organum," or, as it was usually called, the "Novum." Mr.
Strong, as it happened, was the man whom the scatter-brained Stan had
met at The Witan, and of whom he had expected that impossibility of any
man whomsoever--an admission that he did not know what he was talking
about. At that time Mr. Strong had been perambulating the country with
a Van, holding meetings and distributing literature; and whatever Mr.
Strong's other failings might have been, nobody had ever said of him
that he did not recognize a good thing when he saw it. The Cause itself
had served as an introduction between him and Cosimo; it had also been
a sufficient reason for his inviting himself to Cosimo's house for a
couple of days and remaining there for three weeks; and then he had
got rid of the Van and had come again. He was a rapturous talker, when
there was an end to be gained, and he had expressed himself as strongly
of the opinion that, magnificent a field for the sowing of the good
seed as the country-side was, there was simply stupendous propaganda
to be done in London. He knew (he had gone on) that Mrs. Pratt would
forgive him (he had a searching blue eye and an actor's smile) if he
appeared for a moment to speak disparagingly of what he might call the
mere graces of the Movement, (alluring as these were in Mrs. Pratt's
capable and very pretty hands); it was not disparagement really; he
only meant that these garlands would burgeon a hundred-fold if the
stern and thankless work was got out of the way first. Mr. Strong had
a valuable trick of suddenly making those searching blue eyes of his
more searching, and of switching off the actor's smile altogether; both
of these things had happened as he had gone on to point out that what
the Cause was really languishing for was a serious and responsible
organ; and then, and only then, when they had got (so to speak) the
diapason, there would be time enough for the trills and appoggiaturas
of the Hurdy-gurdy Band.
Before the end of Mr. Strong's second visit Cosimo had put up the
greater part of the money for the "Novum."
So you see just where the feather-pated Stan was wrong. The Cosimo
Pratts were not outfaced from anything; they had merely seen a new
and heralding light. They did not so much recede from the Rural
Experiment, and discussions of the Suffrage, and eating buns on the
floor at assemblies of the Poets' Club, and a hundred and twenty other
such things, as become as it were translated. They still shed over
these activities the benignity of their approval, but from on high
now. Amory could no longer be expected actually to "run" the Suffrage
Shop herself--Dickie Lemesurier did that; nor the "Eden" (the new
offshoot off the Lettuce Grill)--that she left to Katie Deedes; nor
the "Lectures on Love" Agency--that was quite safe in the hands of her
friends, Walter Wyron and Laura Beamish. Amory merely shed approval
down. She was _hors concours_. She ... but you really must read
Cosimo's book. You will find it all there (or at any rate a good deal
of it).
For Amory Pratt, in so far as Cosimo was the proprietor of the "Novum,"
was the proprietor of the proprietor of a high-class weekly review
that was presently going to put the two older parties out of business
entirely. She had more than a Programme now; she had a Policy. She had
crossed the line into the _haute politique_. Her At Homes were already
taking on the character of the political salon, and between herself
and the wives of ministers and ambassadors were differences, in degree
perhaps, but not in kind. And that even these differences should become
diminished she had taken on, ever since her settling-down at The Witan,
slight, but significant, new attitudes and condescensions. She was
kinder and more gracious to her sometime equals than before. She gave
them encouraging looks, as much as to say that they need not be afraid
of her. But it was quite definitely understood that when she took Mr.
Strong apart under the copper beech or retired with him into the studio
at the back of the house, she must on no account be disturbed.--Mr.
Strong, by the way, always dressed in the same Norfolk jacket, red tie
and soft felt hat, and his first caution to Cosimo and Amory had been
that Brimby, the novelist, was an excellent chap, but not always to be
taken very seriously.
Amory did not often put in an appearance at the "Novum's" offices.
This was not that she thought it more befitting that Mr. Strong should
wait on her, for she went about a good deal with Mr. Strong, and did
not always trouble him to come up to The Witan to fetch her. It was,
rather, if the truth must be told, that she found the offices rather
dingy. Her senses loved the newly-machined smell of each new issue of
the paper, but not the mingled odour of dust and stale gum and Virginia
cigarettes of the place whence it came. Moreover, the premises were
rather difficult to find. They lay at the back of Charing Cross Road.
You dodged into an alley between a second-hand bookseller's and a shop
where electric-light fittings were sold, entered a narrow yard, and,
turning to the right into a gas-lighted cavern where were stacked
hundreds and hundreds of sandwich-boards, some back-and-fronts, some
with the iron forks for the bearer's shoulders, you ascended by means
of a dark staircase to the second floor. There, at the end of a passage
which some poster-artist had half papered with the specimens of his
art, you came upon the three rooms. The first of these was the general
office; the second was Mr. Strong's private office; and the third was a
room which, the "Novum" having no need of it, Mr. Strong had thought he
might as well use as a rent-free bedroom as not. The door of this room
Mr. Strong always kept locked. It was more prudent. He was supposed to
live somewhere in South Kentish Town, and gave this address to certain
of his correspondents. The letters of these reached him sooner or
later, through the agency of a barber, in whose window was a placard,
"Letters may be addressed here."
Perhaps, too, the extraordinary people who visited Mr. Strong in the
way of business helped to keep Amory away. For an endless succession
of the queerest people came--contributors, and would-be contributors,
and friends of the Cause who "were just passing and thought they'd
look in," and artists seeking a paper with the courage to print really
stinging caricatures, and article-writers who were out of a job
only because they dared to tell the truth about things, and Russian
political exiles, and Armenians who wanted passages to America, and
Eurasians who wanted rifles, and tramps, and poets, and the boy from
the milkshop who brought in the bread and butter and eggs for Mr.
Strong's breakfast. And out of these strange elements had grown up
the paper's literary style. This was unique in London journalism:
philosophical, yet homely; horizon-wide of outlook, yet never without
hope that the shining thing in the gutter might prove to be a jewel;
and, despite its habitual omissions of the prefix "Mr." from the names
of statesmen, and its playful allusions to this personage's nose or
the waist-measurement of the other, with more than a little of the
Revelation of Saint John the Divine about it. "Damn" and "Hell" were
words the "Novum" commonly used. Once Amory had demurred at the use of
a word stronger still. But Mr. Strong had merely replied, "If I can
say it to you I think I can say it to them." He was no truckler to his
proprietors, and anyhow, the man whom the word had encarnadined was
only a colliery-owner.
The "Novum" had hardly been six weeks old when a certain desire on
Amory's part to make experiment of her power had, putatively at any
rate, lost it money. The little collision of wills had come about over
the question of whether the "Novum" should admit advertisements to
its columns or not. Now as most people know, that is a question that
seldom arises in journalism. A question far more likely to arise is
whether the advertisements can be got. But when a journal sets out to
do something that hitherto has not only not been done, but has not even
been attempted, you will admit that the case is special. The experience
of other papers is useless; their economics do not apply. What did
apply was the fact that Mrs. Pratt had been an artist, looked on sheets
of paper from another angle than that of the mere journalist and
literary man, and loved symmetry and could not endure unsightliness.
Besides, "No Compromise" was the "Novum's" motto, and what was the good
of having a motto like that if you compromised in the very form of
your expression?... A "shoulder-piece," "_The Little Mary Emollient_,"
had brought out all Mrs. Pratt's finer artistic instincts. Here was a
journal consecrated to a great and revolutionary cause, and the very
first thing to catch a reader's eye was, not only an advertisement,
but a facetious advertisement at that--a Pill, without a Pill's robust
familiarity--a commercial cackle issuing from the "Novum's" august
and oracular mouth.... For the first time in her life Mrs. Pratt had
wielded the blue pencil, tearing the rubbishy proof-paper in the energy
with which she did so. Mr. Strong's blue eyes, bluer for the contrast
with his red knot of a tie, had watched her face, but he had said
nothing. He was willing to humour her....
But when all was said and done he was an editor, and no sooner was
Amory's back turned than he had restored the announcement. The paper
had appeared, and there had been a row....
"Then I appeal to Pratt," Mr. Strong had said, with all the good-nature
in the world. "I take it the 'Novum's' a serious enterprise, and not
just a hobby?"
Cosimo had glanced a little timidly at his wife. Then he had replied
thoughtfully.
"I don't know. I'm not so sure. That is, I'm not so sure it oughtn't to
be a serious enterprise _and_ a hobby. The world's best work is always
done for love--that's another way of calling it a hobby--you see what
I mean--Nietzsche has something about it somewhere or other--or if he
hasn't Ruskin has----"
Any number of effective replies had been open to Mr. Strong, but he had
used none of them. Instead his eyes had given as it were a flick to
Amory's face. The proprietor's proprietor had continued indignantly.
"It ruins the whole effect! It's _unspeakably_ vulgar! After that
glowing, that impassioned Foreword--_this_! Hardly a month ago that
lovely apostrophe to Truth Naked--that beautiful image of her stark and
innocent on our banners but with a forest of bright bayonets bristling
about her--and now _this_! It's revolting!"
But Mr. Strong had himself written that impassioned Foreword, and knew
all about it. Again he had given his proprietor's wife that quietly
humouring look.
"Do you mean that the 'Novum's' going to refuse advertisements?"
"I mean that I blue-pencilled that one myself."
"And what about the others--the 'Eden' and the Suffrage Shop and
Wyron's Lectures?"
"They're different. They _are_ the Cause. You said yourself that the
'Novum' was going to be a sort of generalissimo, and these the brigades
of whatever they're called. They are, at any rate, doing the Work. Is
_that_ doing any Work, I should like to know?"
Mr. Strong had refrained from flippancy.--"I see what you mean," he
had replied equably. "At the same time, if you're going to refuse
advertisements the thing's going to cost a good deal more money."
"Well?" Amory had replied, as who might say, "Has money been refused
you yet?"
Strong had given a compliant shrug--"All right. That means I censor
the advertisements, I suppose. New industry. Very well. The 'Eden' and
Wyron's Lectures and Week-end Cottages and the Plato Press only, then.
I'll strike out that '_Platinum: False Teeth Bought_.' But I warn you
it will cost more."
"Never mind that."
And so the incident had ended.
But perhaps Mrs. Pratt's sensitiveness of eye was not the only cause
of the rejection of that offending advertisement. Another reason might
have lain in her present relation with her sometime fellow-student
of the McGrath School of Art, Dorothy Tasker. For that relation had
suffered a change since the days when the two girls had shared a shabby
day-studio in Cheyne Walk, Chelsea. At that time, now five years ago,
Amory Towers had been thrust by circumstances into a position of
ignoble envy of her friend. She had been poor, and Dorothy's people
(or so she had supposed) very, very wealthy. True, poor Dorothy,
without as much as a single spark of talent, had nevertheless buckled
to, and, in various devious ways, had contrived to suck a parasitic
living out of the wholesome body of real art; none the less, Amory had
conceived her friend to be of the number of those who play at hardship
and independence with a fully spread table at home for them to return
to when they are tired of the game. But the case was entirely changed
now. Amory frankly admitted that she had been mistaken in one thing,
namely, that if those people of Dorothy's had more money, they had also
more claims upon it, and so were relatively poor. Amory herself was now
very comfortably off indeed. By that virtue and good management which
the envious call luck, she had now money, Cosimo's money, to devote to
the regeneration of the world. Dorothy, married to the good-tempered
and shiftless Stan, sometimes did not know which way to turn for the
overdue quarter's rent.
Now among her other ways of making ends meet Dorothy had for some years
done rather well out of precisely that kind of work which Amory refused
to allow the "Novum" to touch--advertisements. She had wormed herself
into the services of this firm and that as an advertisement-adviser.
But her contracts had begun in course of time to lapse, one or two
fluky successes had not been followed up, and two children had further
tightened things. Nor had Stan been of very much help. Amory despised
Stan. She thought him, not a man, but a mere mouth to be fed. Real men,
like Cosimo, always had money, and Amory was quite sure that, even if
Cosimo had not inherited a fortune from his uncle, he would still have
contrived to make himself the possessor of money in some other way.
Therefore Amory was even kinder to Dorothy than she was to Dickie
Lemesurier of the Suffrage Shop, to Katie Deedes of the "Eden," and
to Laura Beamish and Walter Wyron, who ran the "Lectures on Love."
But somehow--it was a little difficult to say exactly how, but there
it undoubtedly was--Dorothy did not accept her kindnesses in quite
the proper spirit. One or two she had even rejected--gently, Amory
was bound to admit, but still a rejection. For example, there had
been that little rebuff (to call it by its worst name for a moment)
about the governess. Amory had, in Miss Britomart Belchamber, the
most highly-qualified governess for Corin and Bonniebell that money
and careful search had been able to obtain; Dorothy lived less than a
quarter of an hour's walk away; it would have been just as easy for
Britomart to teach four children as to teach two; but Dorothy had
twisted and turned and had finally said that she had decided that she
couldn't put Amory to the trouble. And again, when the twins had had
their party, Amory would positively have _liked_ Noel and Jackie to
come and dance "Twickenham Ferry" in those spare costumes and to join
in those songs from the Book of Caroline Ditties; but again an excuse
had been made. And half a dozen similar things had driven Amory to the
conclusion, sadly against her will, that the Taskers were taking up
that ridiculous, if not actually hostile attitude, of the poor who hug
their pride. It was not nice between old friends. Amory could say with
a clear conscience that she had not refused Dorothy's help in the days
when the boot had been on the other leg. She was not resentful, but
really it did look very much like putting on airs.
But of course that stupid Stanhope Tasker was at the bottom of it all.
Amory did not so much mind his not having liked her from the first; she
would have been sorry to let a trifle like that ruffle her equanimity;
but it was evident that he did not in the least realize his position.
She was quite sure, in the first place, that he couldn't afford (or
rather Dorothy couldn't afford) to pay eighty pounds for that flat,
plus another twenty for the little office they had annexed and used
as a nursery. And in the next place he dressed absurdly above his
position. Cosimo dressed for hygiene and comfort, in cellular things
and things made of nonirritant vegetable fibre; but those absurdly
modish jackets and morning-coats of Stan's had, unless Amory was very
much mistaken, to be bought at the expense of real necessaries. And
so with their hospitality. In that too, they tried to cut a dash and
came very near to making themselves ridiculous. Amory didn't want to
interfere; she couldn't plan and be wise for everybody; she had her
own affairs to attend to; but she was quite sure that the Taskers
would have done better to regulate their hospitality as hospitality
was regulated at The Witan--that was, to make no special preparation,
but to have the door always open to their friends. But no; the Taskers
must make a splash. They must needs "invite" people and be a little
stand-offish about people coming uninvited. They were "At home" and
"Not at home" for all the world as if they had been important people.
But Amory would have thought herself very stupid to be taken in by all
this ceremony. For example, the last time she and Cosimo had been asked
to the flat to dinner she knew that they had been "worked off" only
because the Taskers had had the pheasants given by somebody, and very
likely the fish too. And it would have been just like Stan Tasker's
insolence had he asked them because he _knew_ that the Pratts did not
eat poor beasties that should have been allowed to live because of
their lovely plumes, nor the pretty speckled creatures that had done
no harm to the destroyer who had taken them with a hook out of their
pretty stream.
But, kind to her old friend as Amory was always ready to be, she did
not feel herself called upon to go out of her way to be very nice to
her friend's husband. He had no right to expect it after his rudeness
to Edgar Strong about the "Novum." For it had been about the "Novum"
that Stan had given Strong that talking-to. Much right (Amory thought
hotly) he had to talk! Just because he consorted with men who counted
their money in rupees and thought nothing of shouldering their
darker-skinned brothers off the pavement, he thought he was entitled
to put an editor into his place! But the truth, of course, was, that
that very familiarity prevented him from really knowing anything about
these questions at all. Because an order was established, he had not
imagination enough to see how it could have been anything different.
His mind (to give it that name) was of the hidebound, official type,
and too many limited intelligences of that kind stopped the cause
of Imperial progress to-day. Or rather, they tried to stop it, and
perhaps thought they were stopping it; but really, little as they
suspected it, they were helping more than they knew. A pig-headed
administration does unconsciously help when, out of its own excesses, a
divine discontent is bred. Mr. Suwarree Prang had been eloquent on that
very subject one afternoon not very long ago. A charming man! Amory
had listened from her hammock, rapt. Mr. Prang did the "Indian Review"
for the "Novum," in flowery but earnest prose; and as he actually was
Indian, and did not merely hobnob with a few captains and subalterns
home on leave, it was to be supposed that he would know rather more of
the subject than Mr. Stanhope Tasker!----
And Mr. Stanhope Tasker had had the cheek to tell Mr. Strong that he
didn't know what he was talking about!
Amory felt that she could never be sufficiently thankful for the chance
that had thrown Mr. Strong in her way. She had always secretly felt
that her gifts were being wasted on such minor (but still useful)
tasks as the "Eden" Restaurant and the "Love Lectures" Agency. But her
personal exaltation over Katie Deedes and the others had caused her no
joy. What had given her joy had been the immensely enlarged sphere of
her usefulness; that was it, not the odious vanity of leadership, but
the calm and responsible envisaging of a task for which not one in ten
thousand had the vision and courage and strength. And Edgar Strong had
shown her these things. Of course, if he had put them in these words
she might have suspected him of trying to flatter her; but as a matter
of fact he had not said a single word about it. He had merely allowed
her to see for herself. That was his way: to all-but-prove a thing--to
take it up to the very threshold of demonstration--and then apparently
suddenly to lose interest in it. And that in a way was his weakness
as an editor. Amory, whom three or four wieldings of the blue pencil
had sufficed to convince that there was nothing in journalism that an
ordinary intelligence could not master in a month, realized this. She
herself, it went without saying, always saw at once exactly what Mr.
Strong meant; she personally liked those abrupt and smiling stops that
left Mr. Strong's meaning as it were hung up in the air; but it was a
mistake to suppose that everybody was as clever as she and Mr. Strong.
"I's" had to be dotted and "t's" crossed for the multitude. But it was
at that point that Mr. Strong always became almost languid.
It was inevitable that the man who had thus revealed to her, after a
single glance at her, such splendid and unsuspected capacities within
herself, should exercise a powerful fascination over Amory. If he had
seen all this in her straight away (as he assured her he had), then he
was a man not lightly to be let go. He might be the man to show her
even greater things yet. He puzzled her; but he appeared to understand
her; and as both of them understood everybody else, she was aware of a
challenge in his society that none other of her set afforded her. He
could even contradict her and go unsacked. Prudent people, when they
sack, want to know what they are sacking, and Amory did not know.
Therefore Mr. Strong was quite sure of his job until she should find
out.
Another thing that gave Mr. Strong this apparently offhand hold over
her was the confidential manner in which he had warned her not to
take Mr. Brimby, the novelist, too seriously. For without the warning
Amory, like a good many other people, might have committed precisely
that error.... But when Mr. Brimby, taking Amory apart one day, had
expressed in her ear a gentle doubt whether Mr. Strong was quite
"sound" on certain important questions, Amory had suddenly seen. Mr.
Strong had "cut" one of Mr. Brimby's poignantly sorrowful sketches of
the East End--seen through Balliol eyes--and Mr. Brimby was resentful.
She did not conceal from herself that he might even be a little envious
of Mr. Strong's position. He might have been wiser to keep his envy to
himself, for, while mere details of routine could hardly expect to get
Amory's personal attention, there was one point on which Mr. Strong
was quite "sound" enough for Amory--his sense of her own worth and of
how that worth had hitherto been wasted. And Mr. Strong had not been
ill-natured about Mr. Brimby either. He had merely twinkled and put
Amory on her guard. And because he appeared to have been right in this
instance, Amory was all the more disposed to believe in his rightness
when he gave her a second warning. This was about Wilkinson, the Labour
Member. He was awfully fond of dear old Wilkie, he said; he didn't know
a man more capable in some things than Wilkie was; but it would be
foolish to deny that he had his limitations. He wasn't fluid enough;
wanted things too much cut-and-dried; was a little inclined to mistake
violence for strength; and of course the whole point about the "Novum"
was that it _was_ fluid....
"In fact," Mr. Strong concluded, his wary blue eyes ceasing suddenly
to hold Amory's brook-brown ones and taking a reflective flight past
her head instead, "for a paper like ours--I'm hazarding this, you
understand, and keep my right to reconsider it--I'm not sure that a
certain amount of fluidity isn't a Law...."
Amory nodded. She thought it excellently put.
IV
THE STONE WALL
Amory sometimes thought, when she took her bird's-eye-view of the
numerous activities that found each its voice in its proper place in
the columns of the "Novum," that she would have allowed almost any of
them to perish for lack of support rather than the Wyron's "Lectures
on Love." She admitted this to be a weakness in herself, a sneaking
fondness, no more; but there it was--just that one blind spot that mars
even the clearest and most piercing vision. And she always smiled when
Mr. Strong tried to show this weakness of hers in the light of a merit.
"No, no," she always said, "I don't defend it. Twenty things are more
important really, but I can't help it. I suppose it's because we know
all about Laura and Walter themselves."
"Perhaps so," Mr. Strong would musingly concede.
Anybody who was anybody knew all about Laura Beamish and Walter Wyron
and a certain noble defeat in their lives that was to be accounted as
more than a hundred ordinary victories. That almost historic episode
had just shown everybody who was anybody what the world's standards
were really worth. Hitherto the Wyrons have been spoken of both as a
married couple and as "Walter Wyron" and "Laura Beamish" separately;
let the slight ambiguity now be cleared up.
Mrs. Cosimo Pratt became on occasion Miss Amory Towers for reasons that
began and ended in her profession as a painter; and everybody who was
anybody was as well aware that Miss Amory Towers, the painter of the
famous feminist picture "Barrage," was in reality Mrs. Cosimo Pratt,
as the great mass of people who were nobody knew that Miss Elizabeth
Thompson, the painter of "The Roll Call," was actually Lady Butler.
But not so with the Wyrons. Reasons, not of business, nor yet of fame,
but of a burning and inextinguishable faith, had led to their noble
equivocation. Deeply seated in the hearts both of Walter and of Laura
had lain a passionate non-acceptance of the merely parroted formula of
the Wedding Service. So searching and fundamental had this been that
by the time their various objections had been disposed of little had
remained that had seemed worth bothering about; and in one sense they
had not bothered about it. True, in another sense they had bothered,
and that was precisely where the defeat came in; but that did not dim
the splendour of the attempt. To come without further delay to the
point, the Wyrons had married, under strong protest, in the ordinary
everyday way, Laura submitting to the momentary indignity of a ring;
but thereafter they had magnificently vindicated the New Movement (in
that one aspect of it) by not saying a word about the ceremony of their
marriage to anybody--no, not even to the people who were somebody. Then
they had flown off to the Latin Quarter.
It had not been in the Latin Quarter, however, that the true character
of their revolt had first shown. Perhaps--nobody knows--their relation
had not been singular enough there. Perhaps--there were people base
enough to whisper this--they had feared the singularity of "letting
on." It is easy to do in the Boul' Mich' as the Boul' Mich' does.
The real difficulties begin when you try to do in London what London
permits only as long as you do it covertly.
And if there had been a certain covertness about their behaviour
when, after a month, they had returned, what a venial and pardonable
subterfuge, to what a tremendous end! Amory herself, up to then, had
not had a larger conception. For while the Wyrons had secretly married
simply and solely in order that their offspring should not lie under
a stigma, their overt lives had been one impassioned and beautiful
protest against any assumption whatever on the part of the world of a
right to make rules for the generation that was to follow. No less a
gospel than this formed the substance of those Lectures of Walter's;
great as the number of the born was, his mission was the protection
of a greater number still. The best aspects both of legitimacy and
of illegitimacy were to be stereoscoped in the perfect birth. And
he now had, in quite the strict sense of the word, a following. The
same devoted faces followed him from the Lecture at the Putney Baths
on the Monday to that at the Caxton Hall on the Thursday, from his
ascending the platform at the Hampstead Town Hall on the Tuesday to his
addressing of a garden-party from under the copper-beech at The Witan
on the Sunday afternoon. And in course of time the faithfulness of the
followers was rewarded. They graduated, so to speak, from the seats in
the body of the building to the platform itself. There they supported
Laura, and gave her a countenance that she no longer needed (for she
had earned her right to wear her wedding-ring openly now), and flocked
about the lecturer afterwards, not as about a mere man, but rather as
seeing in him the physician, the psychologist, the expert, the helper,
and the setter of crooked things straight that he was.
As a lecturer--may we say as a prophet?--Walter had a manner original
and taking in the extreme. Anybody less sustained by his vision
and less upheld by his faith might have been a little tempted to
put on "side," but not so Walter. Perhaps his familiarity with the
stage--everybody knew his father, Herman Wyron, of the New Greek
Theatre--had taught him the value of the large and simple statement
of large and simple things; anyhow, he did not so much lecture to his
audiences as accompany them, chattily and companionably, through the
various windings of his subject. With his hands thrust unaffectedly
into the pockets of his knickers, and a sort of sublimated "Well, here
we are again" expression on his face, he allayed his hearers' natural
timidity before the magnitude of his mission, and gave them a direct
and human confab. on a subject that returned as it were from its cycle
of vastness to simple personal experience again. His every sentence
seemed to say, "Don't be afraid; it's nothing really; soon you'll be
as much at your ease in dealing with these things as I am; just let me
tell you an anecdote." No wonder Laura held her long and muscular neck
very straight above her hand-embroidered yoke. Everybody understood
that unless she adopted some sort of an attitude her proper pride in
such a married lover must show, which would have been rather rubbing
it in to the rest of her sex. So she booked dates for new lectures
almost nonchalantly, and, when the platform was invaded at the end of
the Lecture, or Walter stepped down to the level of those below, she
was there in person as the final demonstration of how well these things
actually would work as soon as Society had decided upon some concerted
action.
Corin and Bonniebell, Amory's twins, did not attend Walter's Lectures.
It was not deemed advisable to keep them out of bed so late at night.
But Miss Britomart Belchamber, the governess, could have passed--had
in fact passed--an examination in them. It had been Amory who, so to
speak, had set the paper. For it had been at one of the Lectures--the
one on "_The Future Race: Are We Making Manacles?_"--that Miss
Belchamber had first impressed Amory favourably. Amory had singled
her out, first because she wore the guarantee of Prince Eadmond's
Collegiate Institution--the leather-belted brown sleeveless djibbah
with the garment of fine buff fabric showing beneath it as the fruit
of a roasted chestnut shows when the rind splits--and secondly because
of her admirable physique. She was splendidly fair, straight as an
athlete, and could shut up her long and massive limbs in a wicker chair
like a clasp-knife; and for her movements alone it was almost a sin
that Walter's father could not secure her for the New Greek Society's
revival of "Europa" at the Choragus Theatre. And she was not too quick
mentally. That is not to say that she was a fool. What made Amory sure
that she was not a fool was that she herself was not instinctively
attracted by fools, and it was better that Miss Belchamber should be
ductile under the influence of Walter's ideas than that she should have
just wit enough to ask those stupid and conventional and so-called
"practical" questions that Walter always answered at the close of the
evening as patiently as if he had never heard them before. And Miss
Belchamber told the twins stories, and danced "Rufty Tufty," with them,
and "Catching of Quails," and was really cheap at her rather stiff
salary. Cosimo loved to watch her at "Catching of Quails." If the
children did not grow up with a love of beauty after that, he said,
he gave it up. (The twins, by the way, unconsciously served Amory as
another example of Dorothy Tasker's unreasonableness. As the mother
of Noel and Jackie, Dorothy seemed rather to fancy herself as an
experienced woman. But Amory could afford to smile at this pretension.
There was a difference in age of a year and more between Noel and
Jackie. No doubt Dorothy knew a little, but she, Amory, could have told
her a thing or two).
On a Wednesday afternoon about a fortnight after Lady Tasker's visit
to The Witan, Amory walked the garden thoughtfully. The weather was
growing chilly, the hammock had been taken in, and her feet in the
fallen leaves made a melancholy sound. Cosimo had left her half an hour
before; certain points had struck him in the course of conversation
which he thought ought to be incorporated in the "_Life and Work_";
and it was a rule at The Witan that nothing must ever be allowed to
interfere with the impulse of artistic creation. For the matter of
that, Amory herself was creating now, or at any rate was at the last
preparatory stage that immediately precedes creation. Presently she
would have taken the plunge and would be deep in the new number of the
"Novum." For the moment she was thinking of Mr. Strong.
As she tried to clear up exactly what place Mr. Strong had in her
thoughts she was struck by the dreadful tendency words and names
and definitions have to attach themselves to vulgar and ready-made
meanings--a tendency so strong that she had even caught herself more
than once jumping to a common conclusion. To take an example, though
a rather preposterous one. Had Dorothy, with one of her ridiculous
advertisements waiting to be done, confessed to her that instead of
setting about it she was thinking of a male person with a pair of
alert blue eyes and a curiously mobile and clean-cut mouth (not that
it was likely that Dorothy would have had the candour to make such a
confession)--well, Amory might have smiled just like anybody else. She
was not trying to make herself out any better than others. She was
candid about it, however, which they were often not.
Still, the trouble about her feeling for Mr. Strong was to find a word
for it that had not been vulgarized. She was, of course, exceedingly
interested in him, but that was not saying very much. She "liked" him,
too, but that again might mean anything. Her difficulty was that she
herself was so special; and so on second thoughts she might have been
right in giving an interpretation to Dorothy's actions, and Dorothy
quite wrong in giving the same interpretation to hers merely because
the data were the same.
Nor had Mr. Strong himself been able to help her very much when, a
couple of days before, she had put the question to him, earnestly and
without hateful false shame.
"What _is_ this relation of ours?" she had asked him, point-blank and
fearlessly.
"Eh?" Mr. Strong had replied, a little startled.
"There _must_ be a relation of some sort between every two people who
come into contact. I'm just wondering exactly what ours _is_."
Then Mr. Strong had knitted his brows and had said, presently, "I
see.... Have you read '_The Tragic Comedians_?'"--Amory had not, and
the copy of the book which she had immediately ordered had not come
yet. And then she too had knitted her brows. She had caught the trick
from him.
"I suppose that what it really comes to is knowing _yourself_," she had
mused; and at that Mr. Strong had given her a quick approving look,
almost as if he said that if she put in her thumb in the same place
again she might pull out a plum very well worth having.
"And not," Amory had continued, curiously heartened, "anything about
the other person at all."
"Good, good," Mr. Strong had applauded under his breath; "have you
Edward Carpenter's book in the house, by the way?... Never mind: I'll
send you my copy."
He had sent it. It was in Amory's hand now. She had discovered that
it had a catching and not easily identifiable smell of its own, of
Virginia cigarettes and damp and she knew not what else, all mingled;
and somehow the smell seemed quite as much an answer to the question
she had asked as anything in the book itself.
Nor, despite Walter's special knowledge of these indications, could
she go to the Wyrons for diagnosis and advice. For one thing, there
was her own position of high patronage to be considered; for another,
splendidly daring as the Wyrons' original protest had been, the
Lectures had lately begun to have a little the air of a shop, over the
counter of which admittedly valuable specifics were handed, but with a
kind of "_And_ the next article, please?" suspicion about it. Besides,
the Wyrons, having no children, had of necessity to "chic" a little in
cases where children formed a complicating element. Besides ... but
anyway, Amory wasn't going either to Laura Beamish or to Walter Wyron.
She made a charming picture as she walked slowly the length of the
privet hedge and then turned towards the copper beech again. Mr. Strong
had said that he liked her in that dress--an aluminium-grey one, very
simple and very expensive, worn with a handsome Indian shawl, a gift
of Mr. Prang's, the mellow colour of which "led up" to the glowing
casque of her hair; and she had smiled when Mr. Strong had added that
Britomart Belchamber's rough tabards and the half-gym costume in which
she danced "Rufty Tufty" would not have suited her, Amory, at all.
Probably they wouldn't--not as a regular thing. Cosimo liked those,
especially when the wearer was largish; indeed, it was one of Cosimo's
humours to pose as Britomart's admirer. But Amory was small, and never
shut her limbs up like a multiple-lever in a basket chair, but drew
her skirt down a foot or so below her toes instead whenever she sat
down. She fancied, though Mr. Strong had never used the word, that the
"Novum's" editor found Miss Belchamber just a little hoydenish.
Amory wished that something would bring Mr. Strong up that afternoon.
It was one of the days on which the editing of the "Novum" could
take care of itself, and besides, they would actually be editing
it together. For the next number but one--the forthcoming one was
already passed--was to be their most important utterance yet. It was
to indicate clearly, firmly and once for all, their Indian policy. The
threatened failure of the monsoon made the occasion urgent, and Mr.
Suwarree Prang himself had explained to Amory only the night before
precisely what the monsoon was, and how its failure would provide, from
the point of view of those who held that the present wicked regime of
administration by the strong hand was at last tottering to its fall, a
providential opportunity. It had struck Amory as wondrously romantic
and strange that a meteorological condition halfway round the world,
in a place she had never seen, should thus change the course of her
quiet life in Hampstead; but, properly considered, no one thing in
this wonderful world was more wonderful than another. It was Life,
and Life, as she remembered to have read somewhere or other, is for
the Masters of it. And she was beginning to find that after all these
things only required a little confidence. It was as easy to swim in six
miles deep of water, like that place in Cosimo's atlas of which the
name escaped her for the moment, as it was in six feet. And Mr. Prang
had talked to her so long and so vividly about India that she sometimes
found it quite difficult to realize that she had never been there.
Still wishing that Mr. Strong would come, she slowly left the garden
and entered the house. In the hall she paused for a moment, and a
tender little smile softened her face. She had stopped before the
exquisite casts of the foot and the arm. Pensively she took the foot up
from the console table, and then, coming to a resolution, she took the
arm down from its hook on the wall. After all, beautiful as she had to
admit them to be, the studio, and not the hall, was the proper place
for them.
With the foot and Edward Carpenter in her left hand, and the plaster
arm hugged to her right breast, she walked along the passage and sought
the studio.
It was called the studio, and there certainly were canvases and
easels and other artists' paraphernalia there, but it was less used
for painting than as a room for sitting and smoking and tea and
discussion. It was a comfortable apartment. Rugs made islands on the
thick cork floor-covering, and among the rugs were saddlebag chairs, a
long adjustable chair, and a wide couch covered with faded tapestry.
The room was an annex of corrugated iron lined with matchboarding,
but electric-light fittings depended from the iron ties overhead,
and in place of an ordinary hearth was a sort of stage one, with an
imitation log of asbestos, which, when you put a match to it, broke
into a licking of blue and yellow gas-jets. The north window occupied
the whole of the garden end, and, facing it, was the large cartoon
for Amory's unfinished allegorical picture, "_The Triumph of Humane
Government_." High up and just within the door was the bell that
answered to the button outside.
Amory was putting down the casts on a Benares tray when the ringing of
this bell startled her. But as it rang in the kitchen also, she did not
move to answer it. She stood listening, the fingers of one hand to her
lips, those of the other still resting on the plaster shoulder. Then
she heard a voice, and a moment later there came a tap at the door.
It was Mr. Strong.
He advanced, and did a thing he had not done before--lifted the hand
she extended to his lips and then let it drop again. But Amory was not
surprised. It was merely a new and natural expression of the homage he
had never concealed, and even had Amory been vain enough to suppose
that it meant anything more, the briskness of the "Good afternoon" that
followed it would have disabused her. "Glad I found you," Mr. Strong
said. "I wanted to see you. Cosimo in?"
Her husband was always Cosimo to him, but in speaking to herself he
used no name at all. It was as if he hesitated to call her Amory, and
refused to call her Mrs. Pratt. Even "Miss Towers" he had only used
once, and that was some time ago.
Amory's fingers left the cast, and Mr. Strong walked towards the
asbestos log.--"May I?" he said, drawing forth a packet of Virginia
cigarettes; and afterwards he put the match with which he lighted one
of the cigarettes to the log. Amory drew up a small square footstool,
and put her elbows on her knees and her interwoven fingers beneath her
chin. Mr. Strong examined the end of his cigarette, and thrust his chin
down into his red tie and his hands deep into his trousers pockets.
Then he seemed to plunge into thought.
Suddenly he shot a glance at Amory, and said abruptly, "I suppose
you've talked over the Indian policy with Cosimo?"
It was nice and punctilious of him, the way he always dragged Cosimo
in, and Amory liked it. She felt sure that the editor of the "Times,"
calling on the Prime Minister's wife, would not ignore the Prime
Minister. But to-day she was a little abstracted--dull--she didn't know
exactly what; and so she replied, without moving, "Would you like him
here? He's busy with the '_Life_.'"
"Oh no, don't trouble him then."
There was a pause. Then, "I did talk to him about it. And to Mr.
Prang," Amory said.
"Oh. Hm. Quite so," said Mr. Strong, looking at the toes of his brogues.
"Yes. Mr. Prang was here last night," Amory continued, looking at the
points of her own slippers.
"Yes."
Again Mr. Strong's chin was sunk into his red tie. He was rising and
falling slowly on his toes. His eyes moved ruminatively sideways to the
rug at Amory's feet.
"Yes. Yes. I've been wondering----" he said thoughtfully.
"Well?"
"Oh, nothing really. I dare say I'm quite wrong. You see, Prang----"
"What?" Amory asked as he paused again.
There was a twinkle in the eyes that rose to Amory's. Mr. Strong gave a
slight shrug.--"Well--Prang!----" he said with humorous deprecation.
Amory was quick.--"Oh!--You don't mean that Mr. Prang isn't sound?"
"Sound? Perfectly, perfectly. And a most capable fellow. Only I've
wondered once or twice whether he isn't--you know--just a little _too_
capable.... You see, we want to use Prang--not to have Prang using
_us_."
Amory could not forbear to smile. If that was all that was troubling
Mr. Strong she thought she could reassure him.
"I don't think you'd have been afraid of that if you'd been here
last night," she replied quietly. "We were talking over England's
diabolical misrule, and I never knew Mr. Prang so luminous. It was
pathetic--really. Cosimo was talking about that Rawal Pindi case--you
know, of that ruffianly young subaltern drawing down the blinds and
then beating the native.--'But how do they take it?' I asked Mr.
Prang, rather scornfully, you know; and really I was sorry for the poor
fellow, having to apologize for his country.--'That's it,' he said
sadly--it was really sad.--And he told me, frankly, that sometimes the
poor natives pretended they were killed, and sometimes they announce
that they're going to die on a certain day, and they really _do_
die--they're so mystic and sensitive--it was _most_ interesting....
But what I mean is, that a gentle and submissive people like that--Mr.
Prang admits that's their weakness--I mean they _couldn't_ use _us_!
It's our degradation that we aren't gentle and sensitive too. You see
what I mean?"
"Oh, quite," Mr. Strong jerked out. "Quite."
"And that's why I call Mr. Prang an idealist. There must be something
_in_ the East. At any rate it was splendid moral courage on Prang's
part to say, quite openly, that they couldn't do anything without the
little handful of us here, but must simply go on suffering and dying."
There fell one of the silences that usually came when Mr. Strong lost
interest in a subject. Merely adding, "Oh, I've not a word to say
against Prang, but----," he began to rise and fall on his toes again.
Then he stepped to the Benares table where the casts were. But he made
no criticism of them. He picked the foot up, and put it down again. "I
like it," he said, and returned once more to the asbestos hearth. The
silence fell again.
Amory, sitting on the footstool with her knees supporting her elbows
and her wrists supporting her chin, would have liked to offer Mr.
Strong a penny for his thoughts. She had had an odd, warm little
sensation when he had picked up that cast of the perfect foot. She
supposed he must know that it was her foot, but so widely had his
thoughts been ranging that he had merely put it down again with an
abstracted "I like it." Amory was not sure that any other woman
than herself would not have been piqued. Any other woman would have
expected him either not to look at the thing, or else to say that it
was small, or to ask whether the real one was as white, or something
foolish like that. But Amory was superior to such things. She lived on
higher levels. On these levels such an affront to the pure intellect
as a flirtation could not exist. Free Love as a logical and defensible
system--yes, perhaps; or a combination so happy of marriage and
cohabitation as that of the Wyrons'--yes again; but anything lower
she left to the stupid people who swallowed the conventions whole,
including the convention of not being found out.--So she merely
wondered about their relation again. Obviously, there must _be_ a
relation. And yet his own explanation had been quite insufficient; it
had been no explanation at all to ask her whether she had read "_The
Tragic Comedians_" or whether she had Edward Carpenter in the house.
No doubt it was flattering to her intelligence to suppose that she
could "flash" at his meaning without further words on his part, but it
was also a little irritating when the flash didn't come. And, now that
she came to think of it, except that he allowed it to be inferred that
he found Britomart Belchamber a bit lumpish, she didn't know what he
thought, not merely of herself, but of women at all.
And yet there was a passed-through-the-furnace look about him that
might have piqued any woman. It was not conceivable that his eyes had
softened only over inspired passages in proof, or that the tenderest
speeches his lips had shaped had been the "Novum's" rallying-cries
to the devoted band of the New Imperialists. Amory was sure that his
memory must be a maze of things, less spacious perhaps, but far more
interesting than these. He looked widely now, but must have looked
close and intense too. He pronounced upon the Empire, but, for all he
was not married, must have probed deep into the palpitating human heart
as well.
Amory was just thinking what a gage of intimacy an unembarrassed
silence can be when Mr. Strong broke it. He lighted another cigarette
at the end of the last, turned, threw the end on the asbestos log, and
stood looking at the purring blue and yellow jets. No doubt he was full
of the Indian policy again.
But as it happened it was not the Indian policy--"Oh," Mr. Strong said,
"I meant to ask you--Who was that fellow who came up here one day?"
This was so vague that when Amory said "What fellow?" Mr. Strong
himself saw the vagueness, and laughed.
"Of course: 'How big is a piece of wood?'--I mean the fellow who came
to the Witan in a morning-coat?"
This was description enough. Amory's back straightened a little.
"Oh, Stanhope Tasker! Oh, just the husband of a friend of mine. I don't
think you've met her. Why?"
Surely, she thought, Mr. Strong was not going to tell her that
"Stanhope Tasker was an excellent fellow in his way, but----," as he
had said of Mr. Brimby, Mr. Wilkinson and Mr. Prang!----
"Oh, nothing much. Only that I saw him to-day," Strong replied
offhandedly.
"He's often about. He isn't a very busy man, I should say," Amory
remarked.
"Saw him in Charing Cross Road as I was coming out of the office," Mr.
Strong continued. "I don't think he saw me though."
"After his abominable manners to you that day I should think he'd be
ashamed to look you in the face."
For a moment Mr. Strong looked puzzled; then he remembered, and laughed
again.
"Oh, I didn't mind that in the least! Rather refreshing in fact. Far
more likely he didn't notice me because he had his wife with him. I
think you said he was married?"
Amory was just about to say that Mr. Strong gave Stan far more
magnanimity than he deserved when a thought arrested her. Dorothy in
Charing Cross Road! As far as she was aware Dorothy had not been out of
Hampstead for weeks, and even then kept to the less frequented parts of
the Heath. It wasn't likely....
Her eyes became thoughtful.
"Oh? That's funny," she said.
"What, that he shouldn't see me? Oh no. They seemed far more interested
in electric-light fittings."
Amory's eyes grew more thoughtful still--"Oh!" she said; and added,
"Did you think her pretty?"
"Hm--in a way. Very well dressed certainly; they both were. But I don't
think these black Spanish types amuse me much," Mr. Strong replied.
Dorothy a black Spanish type!
"Oh, do tell me what she had on!" said Amory brightly.
She rather thought she knew most of Dorothy's dresses by this time.
A black Spanish type!
The task of description was too much for Mr. Strong, but he did his
best with it. Amory was keenly interested. But she pocketed her
interest for the present, and said quite banteringly and with an almost
arch look, "Oh, I should have thought Mrs. Tasker exactly your type!"
Again the quick motion of Mr. Strong's blue eyes suggested an audible
click--"Oh? Why?" he asked.
"Oh, there's no 'why' about it, of course. It's the impression of
you I had, that's all. You see, you don't particularly admire Miss
Belchamber----"
"Oh, come! I think Miss Belchamber's an exceedingly nice girl, only----"
"Well, Laura Beamish, then. But I forgot; you don't go to Walter's
Lectures. But I wonder whether you'd admire Laura?"
"If she's black and Spanish you think I should?" He paused. "Is she?"
"No. Brown and stringy rather, and with eyes that open and shut very
quickly.... But I'm very absurd. There's no Law about these things
really. Only, you see, I've no idea of the kind of woman you _do_
admire?"
She said it smilingly, but that did not mean that she was not perfectly
candid and natural about it too. Why not be natural about these things?
Amory knew people who were natural enough about their preferred
foods and clothing and houses; was a woman less than an entrée, or
a bungalow, or a summer overcoat? Besides, it was so very much more
intrinsically interesting. Walter Wyron had made a whole Lecture on
it--Lecture No. II, "_Types and Tact_," and Walter had barely touched
the fringe of the subject. Amory wanted to go a little deeper than
that. But she also wanted to get away from those vulgarized words and
ready-made conclusions, and to have each case considered on its merits.
Surely it ought to be possible to say that the presence of a person
affected you pleasantly, or unpleasantly, without sniggering inferences
of a _liaison_ in the one case or of a rupture in the other!
Therefore it was once more just a little irritating that Mr. Strong,
instead of telling her what type he did admire, should merely laugh and
say, "Well--not Mrs. Tasker." If Amory had a criticism at all to make
of Mr. Strong it was this habit of his of negatives, that sometimes
almost justified the nickname Mr. Brimby had given him, of "Stone Wall
Strong." So she dropped one hand from her chin, allowing it to hang
loose over her knee while the other forearm still kept its swan's-neck
curve, and said abruptly, "Well--about the Indian Number. Let's get
on."
"Ah, yes," said Mr. Strong. "Let's get on."
"What had we decided?"
"Only Prang's article so far."
"But you say you have your doubts about it?"
Mr. Strong hesitated. "Only about its selling-power," he said with a
little shrug. "We must sell the paper, you see. It's not paying its way
yet."
"Well, I'm sure that's not Mr. Prang's fault," Amory retorted. "He's
practically made the export circulation."
"You mean the Bombay circulation? Yes, I suppose he has. I don't deny
it."
"You can't deny it. Since Prang began to write for us we've done
awfully well in Bombay."
To that too, Mr. Strong assented. Then Amory, after a moment's pause,
spoke quietly. She did not like to think of her editor as jealous of
his own contributors.
"I know you don't like Mr. Prang," she said, looking fixedly at the
asbestos log.
"I!" began Stone Wall Strong. "Why, you know I think he's a first rate
fellow, if only----"
This time, however, Amory really did intend to get it out of him. For
once she would have one of those hung-up sentences completed.
"If only what?" she said, looking up at him.
"Oh, I don't know--as you said a moment ago, there's no 'why' about
these things----"
"But I did give you my impression. You don't give me yours."
"You did, I admit. Yes, I admit you did.... What is it you want to
know, then?"
"Only why you seem so doubtful about Mr. Prang."
"Ah!" said Mr. Strong....
Those who knew Edgar Strong the best said that he was a man who, other
things being equal, would rather go straight than not. Even when the
other things were not quite equal, he still had a mild preference for
straightness. But if other people positively insisted that he should
deviate from straightness, very well; that was their lookout. He had
been a good many things in his time--solicitor's clerk, free-lance
journalist, book-pedlar, election-agent's minion, Vanner, poetic
vagabond, and always an unerring "spotter" of the literary son of the
farming squire the moment he appeared in sight; and the "Novum" was the
softest job he had found yet. If the price of his keeping it was that
he should look its owner's wife long and earnestly in the eyes, as if
in his own there lay immeasurable things, not for him to give but for
her to take if she list, so be it; he would sleep none the less well
in his rent-free bedroom behind the "Novum's" offices afterwards. His
experience of far less comfortable sleeping-quarters had persuaded him
that in this imperfect world a man is entitled to exactly what he can
get.
His eyes, nevertheless, did not seek Amory's. Instead, roving round the
room to see if nothing less would serve (leaving him still with the
fathomless look in reserve for emergencies), they fell on the Benares
tray and the casts. And as they remained there he suddenly frowned.
Amory's own eyes followed his; and suddenly she felt again that little
creeping thrill. A faint colour and warmth, new and pleasurable, came
into her cheeks.
Then with a little rush, her discovery came upon her....
She _had_ got something from Mr. Strong at last!
Her head drooped a little away from him, and the hand that had hung
laxly over her knee dropped gently to the rug. It was a delicious
moment. So all these weeks and weeks Mr. Strong _had_ cared that that
foot, that arm, had been exposed to the gaze of anybody who might have
entered the house! He had not said so; he did not say so now; but
that was it! More, he had cared so much that it had quite distorted
his judgment of Mr. Prang. And all at once Amory remembered something
else--a glance Edgar Strong had given her, neither more nor less
eloquent than the look he was bending on the casts now, one afternoon
when she had lain in the hammock in the garden and Mr. Prang, bending
over her, had ventured to examine a locket about her throat....
So _that_ was at the bottom of his reserve! _That_ was the meaning of
his "buts"!...
Amory did not move. She wished it might last for hours. Mr. Strong had
taken a step towards the casts, but, changing his mind, had turned away
again; and she was astonished to find how full of meaning dozens of his
past gestures became now that she had the key to them. And she knew
that the casts _were_ beautiful. Brucciani would have bought them like
a shot. And she seemed to see Mr. Strong's look, piteous and frowning
both at once, if she should sell them to Brucciani, and Brucciani
should publish them to hang in a hundred studios....
The silence between them continued.
But speak she must, and it would be better to do so before he did; and
by and bye she lifted her head again. But she did not look directly at
him.
"It was very foolish," she murmured with beautiful directness and
simplicity.
Mr. Strong said nothing.
"But for weeks I've been intending to move them."
Mr. Strong shrugged his shoulders. It was as if he said, "Well better
late than never ... but you see, _now_."
"Yes," breathed Amory, softly, but aloud.
The next moment Mr. Strong was himself again. He returned to his
station by the asbestos log.
"Well, there's Prang's article," he said in his business voice. "Am I
to have it set up?"
"Perhaps we'd better see what Cosimo says first," Amory replied.
She did not know which was the greater delicacy in Mr. Strong--the
exquisite tact of the glance he had given at the casts, or the quiet
strength with which he took up the burden of editing the "Novum" again.
V
THREE SHIPS
A white October mist lay over the Heath, and the smell of burning
leaves came in at the pond-room window of Dorothy Tasker's flat. But
the smell was lost on Dorothy. All her intelligence was for the moment
concentrated in one faculty, the faculty of hearing. She was sure
Jackie had swallowed a safety-pin, and she was anxiously listening for
the click with which it might come unstuck.
"Shall I send for the doctor, m'm?" said Ruth, who stood holding
the doorknob in her aproned hand. She had been called away from her
"brights," and there was a mournful relish of Jackie's plight on her
face.
"No," said Dorothy.... "Oh, I _know_ there were twelve of them, and now
there are only eleven!... _Have_ you put one of these things into your
mouth, Jackie?"
"He put it up his nose, mumsie, like he did some boot-buttons once,"
said Noel cheerfully.
"But he couldn't do that.... _Have_ you swallowed it, Jackie?"
"Mmm," said Jackie resolutely, as who should say that that which his
hand (or in this case his mouth) found to do he did with all his might.
"Oh dear!" sighed Dorothy, leaning back in her chair....
She supposed it was the still white weather that weighed on her
spirits; she hoped so, for if it was not that it was something worse.
Even dreary weather was better than bankruptcy. She had sent her
pass-book to the bank to be balanced; until it should come back she
refused to look at the pile of tradesmen's books that stood on her
writing-desk; and borrowing from her aunt was not borrowing at all, but
simply begging, since Aunt Grace regarded the return of such loans as
the last of affronts.
And (she sighed again) she had been _so_ well-off at the time of her
marriage! Why, she had had well over a thousand a year from Hallowell
and Smith's alone!... But Stan had had a few debts which had had to
be settled, and Stan's knowledge of the style in which things ought
to be done had been rather a drawback on that trip they had taken to
the Riviera, for his ideas of hotels had been a little splendacious,
and of dinners to "a few friends" rather daring; and, with one thing
and another, the problem of how to satisfy champagne tastes on a beer
income had never been really satisfactorily solved by Stan, poor old
boy. And he never, never grumbled at home, not even when the cold
beef came on three evenings together, which was harder on him than it
was on most people. He did what he could to earn, too. It wasn't his
fault that the standard of efficiency in the Army was so impracticably
high, nor that he had been packed off to try his luck in Canada with
the disadvantage of being a remittance-man, nor that, at the age of
twenty-seven, when his father had died, he had had to turn to and
compete for this job or that with a horde of capable youngsters years
his juniors and with fewer hampering decencies. It was his father's
fault and Aunt Susan's really, for having sent him to Marlborough
and Sandhurst without being able to set him properly on his feet
afterwards. Such victims of circumstances, on a rather different level,
made husbands who stopped at home and cleaned the knives and took the
babies out in the perambulator. In Stan's case the natural result had
been to make a young man fit only to join as a ranker or to stand with
his back to a mirror in a suspect card-room.
"Shall I take him away, m'm?" Mrs. Mossop asked--("And prepare his
winding-sheet," her tone seemed to add).
"Yes, do," Dorothy replied, with a glance at Ruth's blackened hands.
"And please make yourself fit to be seen, Ruth. You know you oughtn't
to be doing all that on the very day I let Norah out."
She knew that her rebuke had set Ruth up in the melancholy enjoyment
of resentment for half a week, but she was past caring. Ruth rose an
inch in height at being chidden for the faithful performance of her
most disagreeable duties; she turned; and as she bore the Bits away
the mighty roar into which Jackie broke diminished in volume down the
passage.
Dorothy sighed, that all her troubles should thus crowd on her at once.
Her eyes fell again on the tradesmen's books. It hardly seemed worth
while to pay them, since they would only come in again next week, as
clamorous and urgent as ever. They were thrust through the letterbox
like letters; Dorothy knew very well the thud with which they fell on
the floor; but she could never help running out into the hall when they
came. She had tried the plan of dispensing with books altogether and
paying for everything in cash as she got it, but that had merely meant,
not one large worry a week, but harassing little ones all the week
through.
Oh, why had she squandered, or allowed Stan to squander, those good
round sovereigns of Hallowell and Smith's!----
Still--there is measure in everything--she had not sent her pass-book
to the bank in order to learn whether she had a balance. That would
have been too awful. It was the amount of her margin that she wanted,
and feared, to know. For presently there would be the doctor to pay,
and so many guineas a week at the Nursing Home, and the flat going on
just the same, and poor old Stan pathetically hoping that a casual
dinner-table puff in a Marlborough voice would result in fat new
ledger-accounts for Fortune and Brooks' and magnificent commissions for
himself. If only she could get just a little ahead of her points! But
the money went out just slightly quicker than it came in. Stan carved
it as it were in twopences off the cold beef, the Bits swallowed it in
pennorths with their breadcrumbs and gravy, and directly the strain
eased for a little, down swooped the rent and set everything back again
exactly where it had been three months before.
And the Income Tax people had actually sent Stan a paper, wanting to
know all about his income from lands, hereditaments, etc., and warning
him that his wife's income must be accounted as part of his own!
But it must not be supposed that Dorothy had allowed things to come to
this pass without having had an idea. She had an idea, and one that she
thought a very good one. Nevertheless, an idea is one thing, and the
execution thereof at the proper time quite another. For example, the
proper moment for the execution of this idea of Dorothy's was certainly
now, or at any rate at the Christmas Quarter (supposing she herself was
up and about again by that time and had found a satisfactory subtenant
for the flat). But the person against whom her idea was designed--who,
by the way, happened to be her unsuspecting and much-loved aunt, Lady
Tasker--was a very present difficulty. Dorothy knew for a fact that
what would be admirably convenient for herself at Christmas could not
possibly be convenient to her aunt until, at the very earliest, next
summer. That was the crab--the intervening period of nine months. She
knew of no mandragora that would put herself, Stan and her Bits of
Impudence gently to sleep, to wake up again to easier times.
Oh, why had she spent those beautiful thick sovereigns of Hallowell and
Smith's so recklessly!--
The mist lay flat over the pond outside, making in one corner of
it a horrible scum, from which the swans, seeking their food,
lifted blackened necks. There was never a ripple on the pond-room
walls to-day. Slowly Dorothy rose. Moping was useless; she must do
something. She crossed to her writing-desk and took from one of its
drawers a fat file, concertina-ed like her own accordion-pleated
skirts; and she sat down and opened it fan-wise on her knee. It was
full of newspaper-cuttings, draft "ideas" for advertisements, and
similar dreary things. She sighed again as her listless fingers began
to draw them out. She had not thought at one time that she would ever
come to this. By a remarkable piece of luck and light-heartedness and
ingenuity she had started at Hallowell and Smith's at the top of the
tree; the brains of underlings had been good enough to cudgel for such
scrap-stuff as filled her concertina-file; but that was all changed
now. Light come, light go; and since the lapse of her contracts she had
been glad not only to devise these ignoble lures for the public, but
to draw them also. They formed the pennies-three-farthings that came
in while Stan carved the twopences from the joint. She had thought the
good times were going to last for ever. They hadn't. She now looked
enviously up to those who had been her own subordinates.
With no heart in her task at all, Dorothy set about the drafting of an
advertisement.
She was just beginning to forget about swallowed safety-pins, and poor
luckless Stan, and guineas for her Nursing Home, and the prospect of
presently having seven mouths, big and little, to feed--she was even
beginning to cease to hear the clamour of the Bits in the room along
the passage--when there came a ring at the bell. Her fair head did not
move, but her blue eyes stole abstractedly sideways as Ruth passed the
pond-room door. Then a man's voice sounded, and Dorothy dropped her
pen....
"Mrs. Tasker," she had heard, with the "a" cut very short and two "s's"
in her name....
The next moment Ruth had opened the pond-room door, and, in tones that
plainly said "You needn't think that I've forgotten about just now,
because I haven't," announced: "Mr. Miller."
Now it was curious that Dorothy had just been thinking about Mr.
Miller. Mr. Miller was Hallowells' Publicity Manager, and the time had
been when Dorothy had had Mr. Miller completely in her pocket. She
had obtained that comfortable contract of hers from Mr. Miller, and
if during the latter part of its continuance she had taken her duties
somewhat lightly and her pleasures with enormous gusto, she was not
sure that Mr. Miller had not done something of the same kind. But the
firm, which could excuse itself from a renewal of her own contract, for
some reason or other could not get rid of Mr. Miller; and now here was
Mr. Miller unexpectedly in Dorothy's flat--seeking her, which is far
better for you than when you have to do the seeking. He stood there
with his grey Trilby in his hand and his tailor-made deltoids almost
filling the aperture of the doorway.
"There, now, if I wasn't right!" said Mr. Miller with great
satisfaction, advancing with one hand outstretched. "I fixed it all up
with myself coming along that you'd be around the house. I've had no
luck all the week, and I said to myself as I got out of the el'vator
at Belsize Park, 'It's doo to change.' And here I find you, right on
the spot. I hope this is not an introosion. How are you? And how's Mr.
Stan?"
He shook hands heartily with Dorothy, and looked round for a place in
which to put his hat and stick.