BILLINGSGATE.

In order to see Billingsgate properly in action it is necessary to get

up at half-past four and travel on the Underground by the first train

East, which is an adventure in itself. The first train East goes at

three minutes past five, and there are large numbers of people who

travel in it every day; by Charing Cross it is almost crowded. It is

full of Bolshevists; and I do not wonder. One sits with one's feet up

in a first-class carriage, clutching a nice cheap workman's ticket and

trying hard to look as if, like the Bolshevists, one did this every

day.

On arriving at the Monument Station one walks briskly past the

seductive announcement that "THE MONUMENT IS NOW OPEN," and plunges

into a world of fish. I have never been able to understand why fish

is so funny. On the comic stage a casual reference to fish is almost

certain to provoke a shout of laughter; in practice, and especially

in the mass, it is not so funny; it is like the Government, an

inexhaustible source of humour at a distance, and in the flesh

extraordinarily dull.

Over the small streets which surround the market hangs a heavy pall

of fishy vapour. The streets are full of carts; the carts are full of

fish. The houses in the streets are fish-dealers' places, more or less

full of fish. The pavements are full of fish-porters, carrying fish,

smelling of fish. Fragments of conversation are heard, all about

fish. Fish lie sadly in the gutters. The scales of fish glitter on the

pavements. A little vigorous swimming through the outlying fisheries

brings you to the actual market, which is even more wonderful. Imagine

a place like Covent Garden, and nearly as big, but entirely devoted to

fish. In the place of those enchanting perspectives of flower-stalls,

imagine enormous regiments of fish-stalls, paraded in close order and

groaning with halibut and conger-eel, with whiting and lobsters and

huge crabs. Round these stalls the wholesale dealers wade ankle-deep

in fish. Steadily, maliciously, the great fish slide off the stalls

on to the floor; steadily the dealers recover them and pile them up

on their small counters, or cast them through the air on to other

counters, or fling them into baskets in rage or mortification or sheer

bravado.

The dealers are men with business-faces, in long white coats,

surprisingly clean. Every now and then they stop throwing crabs into

baskets or retrieving halibut from the floor, and make little entries

in long note-books. I do not know exactly what entries they make, but

I think they must all be in for some competition, and are making notes

about their scores; one man I watched had obviously just beaten the

record for halibut-recovery. He recovered so many in about a minute

that the tops of his boots were just beginning to show. When he had

done that he made such long notes in his book about it that most of

the halibut slid on to the floor again while he was doing it. Then he

began all over again. But I expect he won the prize.

Meanwhile about a million fish-porters are dashing up and down the

narrow avenues between the fish-stalls, porting millions of boxes of

fish. Nearly all of them, I am glad to say, have been in the army or

have had a relative in the army; for they are nearly all wearing the

full uniform of a company cook, which needs no description. On their

heads they have a kind of india-rubber hat, and on the india-rubber

hat they have a large box of fish weighing about six stone--six

_stone_, I tell you. This box they handle as if it was a box of

cigars. They pick it up with a careless gesture; they carry it as

if it was a slightly uncomfortable hat, and they throw it down with

another careless gesture, usually on to another box of fish; this

explains why so many of one's herrings appear to have been maimed at

sea.

When they have finished throwing the boxes about they too take out a

note-book and make notes about it all. This, it seems, is to make

sure that they are paid something for throwing each box about. I don't

blame them. It must be a hard life. Yet if I thought I could pick up

six stone of salmon and plaice and throw it about I should sign on at

Billingsgate at once. It is true they start work about five; but they

stop work, it seems, about ten, and they earn a pound and over for

that. Then they can go home. Most of them, I imagine, are stockbrokers

during the rest of the day.

And they are a refined and gentlemanly body of men. I hope the old

legend that the fish-porter of Billingsgate expresses himself in

terms too forcible for the ordinary man is now exploded; for it is a

slander. In fact it is a slander to call him a "porter;" at least in

these days I suppose it is libellous to connect a man falsely with

the N.U.R., if only by verbal implication. But, however that may be,

I here assert that the Billingsgate fish-porter is a comparatively

smooth and courteous personage, and, considering his constant

association with fish in bulk, I think it is wonderful.

* * * * *

[Illustration: _Connoisseur (smoking cigarette stump just thrown away

by passer-by)_. "EITHER TERBAKKER ISN'T WOT IT WOS--OR THESE 'ERE

TOFFS AIN'T."]

* * * * *

At the far end of the market is the river Thames; and on the river

Thames there is a ship or two chockful of fish. Fish-porters with a

kind of _blase_ animation run up and down a long gangway to the ship

with six-stone boxes of fine fresh whiting on their heads. These

boxes they pile up on a chute (carefully noting each box in their

note-books), after which an auctioneer auctions the boxes. This is the

really exciting part of the show. The dealers or the dealers' agents

stand round in a hungry ring and buy the boxes of fish as they slide

down the chute. The dealers seem to detail a less cultured type of man

for this purpose, and few of the bidders come up to the standard of

refinement of the fish-porters. But the auctioneer understands them,

and he knows all their Christian names. He can tell at a glance

whether it is Mossy Isaacs or Sam Isaacs. He is a very clever man.

They stand round looking at the boxes of fish, and when one of them

twitches the flesh of his nose or faintly moves one of his eyelashes

it means that he has bought six stone of whiting for thirty shillings.

That is the only kind of sign they give, and the visitor will be wise

not to catch the auctioneer's eye, or blow his nose or do any overt

action like that, or he may find that he has bought six stone of

salmon and halibut for forty-five shillings. At an auction of fish it

is true to say that a nod is as good as a wink; in fact it is worse.

The dealers are silent motionless men; but nobody else is. Everybody

else is dashing about and shouting as loud as he can. As each box of

fish is sold the porters dash at it and shout at it (of course in a

very gentlemanly way) and carry it off in all directions. It is quite

clear that nobody knows who has bought it and where it is going. The

idea of the whole thing is to impress the visitor with the mobility

of fish, and this object is successfully attained. No doubt when the

visitors have gone away they settle down and decide definitely whom

the fish belongs to.

It is now about half-past six. Fish is still rushing in at one end

from the ship and is rushing in at the other from the railway-vans.

The porters are throwing the fish at the dealers' stalls (registering

each hit in their note-books), and the dealers are throwing it on

to the floor or throwing it at each other or trying to throw it at a

retailer, who always puts on a haughty air and passes on to the next

stall, till he too gets entangled in the game and finds that he has

bought twenty-four stone of whiting at twopence a pound; then he

throws it at some more porters, and the porters dash outside and throw

it at the carts, and the carts clatter away to Kensington, and my

wife buys a whiting at tenpence a pound, and the circle of fish

organisation is complete.

At about this point it is a good thing to pass on to Covent Garden and

buy some flowers.

Punch, or the London Charivari, Vol. 158, June 16, 1920 · 第 17 / 34 题