CHAPTER XI--END OF THE NIGHT

The body of the detective lay, by chance, lengthwise along the mat at

the foot of the stairs. In order to reach the hall, therefore, Juana

had no alternative but to step over the prone figure. This she did

unhesitatingly, and then turned to Richard.

‘Carry the poor fellow upstairs, will you?’ she asked quietly. ‘He is

delirious. The room overhead.’

Richard obeyed. The small, light frame of the detective gave him no

trouble. At the top of the stairs he met Mrs. Bridget hastening towards

him.

‘Holy Virgin!’ she exclaimed. ‘I did but run down by the backstairs to

the kitchen and left the spalpeen with Miss Juana, and when I came back

to them the room was as empty as my pocket.’

‘He got a bit wild,’ Richard explained. ‘I suppose his head is affected.

Miss Juana is talking with her father. Where is Miss Teresa?’

‘Sure, she’s gone out to the mares. They must have their water, if every

soul of us was dying.’

Richard carefully laid Nolan on the bed in the room over the porch. By

this time the sufferer had recovered consciousness. He murmured a few

meaningless strings of words, then sighed.

‘I will leave him with you,’ said Richard.

‘Not alone! If he begins to kick out----’

‘He’s quite quiet now,’ said Richard, closing the door behind him.

Richard was extremely anxious to be present, as he had a sort of right

to be, at the conversation between Raphael Craig and Juana. He descended

the stairs with such an air of deliberation as he could assume, and

stood hesitatingly at the foot. He felt like an interloper, an

eavesdropper, one who is not wanted, but, indeed, there was no other

place for him to put himself into, unless it might be the kitchen; for

the drawing-room lamp was extinguished, and the lamp in the dining-room

had not been lighted.

Juana had approached her father, who still sat on the oak chest. She

bent slightly towards him, like a figure of retribution, or menace, or

sinister prophecy. Richard noticed the little wisps of curls in the nape

of her neck. She was still dressed in her riding-habit, but the lengthy

skirt had been fastened up by means of a safety-pin. Richard could not

be sure whether father or daughter had so much as observed his presence

in the hall.

‘I’ll stay where I am,’ he thought. ‘I’m a member of the family now, and

it is my business to know all the family secrets.’

For at least thirty seconds Juana uttered no word. Then she said, in a

low vibrating voice:

‘Why do you tell me to go, father?’

‘Did I not say to you last year,’ the old man replied, ‘that if you left

me you must leave me for ever?’

‘You abide by that?’ the girl demanded.

‘I abide by it,’ said Raphael Craig.

Like a flash, Juana swept round and faced Richard, and he at once

perceived that she had been aware of his presence.

‘Mr. Redgrave,’ she said, with head in air, and nostrils dilated,

‘Teresa has just told me that at my father’s--er--suggestion you and she

have become engaged to be married.’

‘That is so,’ said Richard politely. ‘May we hope for your

congratulations?’

She ignored the remark.

‘Do you know whom you are marrying?’ she asked curtly.

‘I am under the impression that I am about to marry the daughter of Mr.

Raphael Craig, manager of the Kilburn branch of the British and Scottish

Bank.’

‘You are about to do nothing of the sort,’ said Juana. ‘Mr. Raphael

Craig has no daughter. Teresa and myself, I may explain to you, are

twin-sisters, though I have the misfortune to look much the older. We

have always passed as the daughters of Mr. Craig, We have always called

him father. Teresa still thinks him her father. It was only recently

that I discovered----’

‘Juana,’ the old man interrupted, ‘have you, too, got hold of the wild

tale? It is astonishing how long a falsehood, an idle rumour, will

survive and flourish.’

‘There is no falsehood, no idle rumour,’ said Juana coldly; ‘and I think

it proper that Mr. Redgrave should know all that I know.’

‘It will make no difference whatever to me,’ said Richard, ‘whose

daughter Teresa may be. ‘It is herself, and not her ancestors, that I

shall have the honour of marrying.’

‘Still,’ said Juana, ‘do you not think that you ought to know Teresa’s

history?’

‘Decidedly,’ said Richard.

With an embittered glance at her father, Juana resumed:

‘Some time ago, Mr. Redgrave, a difficulty between Mr. Craig and myself

led to my leaving this house. I was the merest girl, but I left. I was

too proud to stay. I had a mare of my own, whom I had trained to do a

number of tricks. I could ride as well as most. Bosco’s circus happened

to be in the neighbourhood. I conceived the wild idea of applying for a

situation in the circus. Only a girl utterly inexperienced in life would

have dreamt of such a thing. The circus people had me performing for

them, and they engaged me. On the whole I lived a not unhappy existence.

I tell you this only to account for my presence not long since in

Limerick.’

‘Limerick!’ exclaimed Raphael Craig in alarm. ‘You have been there?’

Juana continued calmly:

‘The circus travelled in Ireland, and eventually came to Limerick. I

knew that Limerick was my mother’s home, and I began to make inquiries.

I found out that my sister and I were born previous to Mr. Craig’s

marriage with my mother. She had been married before, or she had, at

least, been through the ceremony of marriage with another man--a man

unknown, who came suddenly into her life and as suddenly went out of it.

You will gather, then, that Mr. Craig is not our father, and that he has

no authority over us.’

‘Redgrave,’ muttered Raphael Craig, ‘I tell you the poor girl is mad.’

Juana resumed quietly:

‘I must inform you of another thing. While in Limerick and the district

I met this Nolan, the detective. He had another name there. I know now,

from what my sister has told me, that he must have been investigating

the early history of my mother, and my real and false fathers, for some

purpose of the police. But I judge him as I found him. He was very kind

to me once, and I liked him. He was the personification of good-nature

and good temper. When our ways parted he expressed the certain hope that

we should meet again. We have met again, under circumstances extremely

painful. He has not yet recognised me. You may ask, father,’ she went

on, turning to Raphael Craig, ‘why I came back to your house to-day.

There were two reasons. It is three months since I learnt about my

parentage, and during the whole of that time I have been debating with

myself whether or not to come and have it out with you. I inclined more

and more to having a clear understanding, not only for my own sake,

but for Teresa’s. Then, the second reason, the circus folk had begun to

talk. There were jealousies, of course; and the rumour that my birth

was surrounded by doubtful mysteries somehow got afoot in the tents. I

decided to leave. Here I am. I came prepared for peace; but you, father,

have decided otherwise. I shall leave to-morrow morning, We have no

claim on each other. Mr. Redgrave, that is all I have to say.’

She ceased.

Richard bowed, and looked expectantly towards the old man, but the old

man said nothing.

‘I have the right to ask you, sir,’ said Richard, ‘for your version of

what Miss Juana has just told us.’

‘We will talk of that to-morrow,’ answered the old man testily. ‘We will

talk of that to-morrow.’

‘It is already to-morrow,’ said Juana scornfully.

There was a sudden tremendous racket overhead. A scream could be heard

from Bridget, and a loud, confused chattering from Nolan. The latter

rushed violently half-way downstairs, his eyes burning, Mrs. Bridget

after him.

[Illustration: 0206]

‘I tell you I won’t stay there!’ he shouted. ‘It’s unlucky--that room

where Featherstone slept the night before he killed himself! It’s

unlucky!’

The restless patient sank on the stairs, exhausted by the exertion.

Before Richard could do anything, Mrs. Bridget, that gaunt and powerful

creature, had picked up the little man, and by great effort carried him

away again. The people downstairs saw no more of him. Mrs. Bridget had

at last made up her mind to take him firmly in hand.

Richard was startled by a light touch on his shoulder, and he was

still more startled when he caught the horror-struck face of Juana--the

staring eyes, the drawn mouth.

‘Tell me,’ she said, her finger still on his shoulder--‘tell me--I

cannot trust him--has Mr. Featherstone committed suicide? Is he dead?’

‘Yes,’ said Richard, extremely mystified, but judging that simple

candour would be the best course to adopt under the circumstances.

‘There was an inquest. Didn’t you see it in the papers?’

‘Circus folk seldom trouble with newspapers,’ she said. ‘When was it?’

‘About a month ago.’

‘Poor fellow!’

Tears ran down her cheeks, and she spoke with an accent indescribably

mournful.

‘You knew him?’ Richard suggested.

‘I should have been his wife a year ago,’ said Juana, ‘had _he_ not

forbidden it.’ Again she pointed to Raphael Craig. ‘I never loved Mr.

Featherstone, but I liked him. He was an honourable man--old enough to

be my father, but an honourable man. He worshipped me. Why should I

not have married him? It was the best chance I was ever likely to get,

living the life we lived--solitary, utterly withdrawn from the world.

Yes, I would have married him, and I would have made him a good wife.

But _he_ forbade. He gave no reason. I was so angry that I would

have taken Mr. Featherstone despite him. But Mr. Featherstone had

old-fashioned ideas. He thought it wrong to marry a girl without her

father’s consent. And so we parted. That, Mr. Redgrave, was the reason

why I left the house of my so-called father. Scarcely a month ago Mr.

Featherstone came to me again secretly, one night after the performance

was over, and he again asked me to marry him, and said that he had

decided to dispense with Mr. Craig’s consent. He begged me to marry him.

His love was as great as ever, but with me things had changed. I had

almost ceased even to like Mr. Featherstone. I was free, independent,

and almost happy in that wandering life. Besides, I--never mind that.

I refused him as kindly as I could. It must have been immediately

afterwards that the poor fellow committed suicide, And you’--she flashed

a swift denunciatory glance on Raphael Craig--‘are his murderer.’

The old man collected himself and stood up, his face calm, stately,

livid.

‘Daughter,’ he said, ‘daughter--for I shall I still call you so, by the

right of all that I have done for you--you have said a good deal in your

anger that had been better left unsaid. But doubtless you have found

a sufficient justification for your wrath. You are severe in your

judgments. In youth we judge; in age we are merciful. You think you have

been hardly done to. Perhaps it is so; but not by me--rather by fate.

Even now I could tell you such things as would bring you to your knees

at my feet, but I refrain. Like you, I am proud. Some day you will

know all the truth--the secret of my actions and the final goal of my

desires. And I think that on that day you will bless me. No man ever

had a more sacred, a holier aim, than that which has been the aim of my

life. I thank God it is now all but achieved.’

He lighted one of the candles which always stood on the bookcase in the

hall, and passed into the drawing-room, where he sat down, leaving the

door ajar.

Richard crept towards the door and looked in. The old man sat

motionless, absently holding the candle in his hand. The frontdoor

opened from the outside, and Teresa ran into the house. She saw her

father, and hastened, with a charming gesture, towards him.

‘Old darling!’ she exclaimed; ‘why that sad face, and why that candle?

What are you all doing? See!’ She pulled back the shutters of the

window. ‘See! the sun has risen!’

So ended that long night.

Teresa of Watling Street: A Fantasia on Modern Themes · 第 11 / 17 章